11719 lines
572 KiB
Plaintext
11719 lines
572 KiB
Plaintext
The Project Gutenberg EBook of The Adventures of Huckleberry Finn, Complete
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by Mark Twain (Samuel Clemens)
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This eBook is for the use of anyone anywhere at no cost and with
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almost no restrictions whatsoever. You may copy it, give it away or
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re-use it under the terms of the Project Gutenberg License included
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with this eBook or online at www.gutenberg.net
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Title: The Adventures of Huckleberry Finn, Complete
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Author: Mark Twain (Samuel Clemens)
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Release Date: June 29, 2004 [EBook #76]
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Language: English
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Character set encoding: ASCII
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*** START OF THIS PROJECT GUTENBERG EBOOK HUCKLEBERRY FINN ***
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Produced by David Widger. Previous editions produced by Ron Burkey
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and Internet Wiretap
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HUCKLEBERRY FINN
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By Mark Twain
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NOTICE
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PERSONS attempting to find a motive in this narrative will be prosecuted;
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persons attempting to find a moral in it will be banished; persons
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attempting to find a plot in it will be shot.
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BY ORDER OF THE AUTHOR, Per G.G., Chief of Ordnance.
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EXPLANATORY
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IN this book a number of dialects are used, to wit: the Missouri negro
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dialect; the extremest form of the backwoods Southwestern dialect; the
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ordinary "Pike County" dialect; and four modified varieties of this last.
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The shadings have not been done in a haphazard fashion, or by guesswork;
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but painstakingly, and with the trustworthy guidance and support of
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personal familiarity with these several forms of speech.
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I make this explanation for the reason that without it many readers would
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suppose that all these characters were trying to talk alike and not
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succeeding.
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THE AUTHOR.
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HUCKLEBERRY FINN
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Scene: The Mississippi Valley Time: Forty to fifty years ago
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CHAPTER I.
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YOU don't know about me without you have read a book by the name of The
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Adventures of Tom Sawyer; but that ain't no matter. That book was made
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by Mr. Mark Twain, and he told the truth, mainly. There was things which
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he stretched, but mainly he told the truth. That is nothing. I never
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seen anybody but lied one time or another, without it was Aunt Polly, or
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the widow, or maybe Mary. Aunt Polly--Tom's Aunt Polly, she is--and
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Mary, and the Widow Douglas is all told about in that book, which is
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mostly a true book, with some stretchers, as I said before.
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Now the way that the book winds up is this: Tom and me found the money
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that the robbers hid in the cave, and it made us rich. We got six
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thousand dollars apiece--all gold. It was an awful sight of money when
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it was piled up. Well, Judge Thatcher he took it and put it out at
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interest, and it fetched us a dollar a day apiece all the year round
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--more than a body could tell what to do with. The Widow Douglas she took
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me for her son, and allowed she would sivilize me; but it was rough
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living in the house all the time, considering how dismal regular and
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decent the widow was in all her ways; and so when I couldn't stand it no
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longer I lit out. I got into my old rags and my sugar-hogshead again,
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and was free and satisfied. But Tom Sawyer he hunted me up and said he
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was going to start a band of robbers, and I might join if I would go back
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to the widow and be respectable. So I went back.
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The widow she cried over me, and called me a poor lost lamb, and she
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called me a lot of other names, too, but she never meant no harm by it.
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She put me in them new clothes again, and I couldn't do nothing but sweat
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and sweat, and feel all cramped up. Well, then, the old thing commenced
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again. The widow rung a bell for supper, and you had to come to time.
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When you got to the table you couldn't go right to eating, but you had to
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wait for the widow to tuck down her head and grumble a little over the
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victuals, though there warn't really anything the matter with them,--that
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is, nothing only everything was cooked by itself. In a barrel of odds
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and ends it is different; things get mixed up, and the juice kind of
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swaps around, and the things go better.
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After supper she got out her book and learned me about Moses and the
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Bulrushers, and I was in a sweat to find out all about him; but by and by
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she let it out that Moses had been dead a considerable long time; so then
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I didn't care no more about him, because I don't take no stock in dead
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people.
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Pretty soon I wanted to smoke, and asked the widow to let me. But she
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wouldn't. She said it was a mean practice and wasn't clean, and I must
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try to not do it any more. That is just the way with some people. They
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get down on a thing when they don't know nothing about it. Here she was
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a-bothering about Moses, which was no kin to her, and no use to anybody,
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being gone, you see, yet finding a power of fault with me for doing a
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thing that had some good in it. And she took snuff, too; of course that
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was all right, because she done it herself.
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Her sister, Miss Watson, a tolerable slim old maid, with goggles on,
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had just come to live with her, and took a set at me now with a
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spelling-book. She worked me middling hard for about an hour, and then
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the widow made her ease up. I couldn't stood it much longer. Then for
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an hour it was deadly dull, and I was fidgety. Miss Watson would say,
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"Don't put your feet up there, Huckleberry;" and "Don't scrunch up like
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that, Huckleberry--set up straight;" and pretty soon she would say,
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"Don't gap and stretch like that, Huckleberry--why don't you try to
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behave?" Then she told me all about the bad place, and I said I wished I
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was there. She got mad then, but I didn't mean no harm. All I wanted was
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to go somewheres; all I wanted was a change, I warn't particular. She
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said it was wicked to say what I said; said she wouldn't say it for the
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whole world; she was going to live so as to go to the good place. Well,
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I couldn't see no advantage in going where she was going, so I made up my
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mind I wouldn't try for it. But I never said so, because it would only
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make trouble, and wouldn't do no good.
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Now she had got a start, and she went on and told me all about the good
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place. She said all a body would have to do there was to go around all
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day long with a harp and sing, forever and ever. So I didn't think much
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of it. But I never said so. I asked her if she reckoned Tom Sawyer would
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go there, and she said not by a considerable sight. I was glad about
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that, because I wanted him and me to be together.
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Miss Watson she kept pecking at me, and it got tiresome and lonesome. By
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and by they fetched the niggers in and had prayers, and then everybody
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was off to bed. I went up to my room with a piece of candle, and put it
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on the table. Then I set down in a chair by the window and tried to
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think of something cheerful, but it warn't no use. I felt so lonesome I
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most wished I was dead. The stars were shining, and the leaves rustled
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in the woods ever so mournful; and I heard an owl, away off, who-whooing
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about somebody that was dead, and a whippowill and a dog crying about
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somebody that was going to die; and the wind was trying to whisper
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something to me, and I couldn't make out what it was, and so it made the
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cold shivers run over me. Then away out in the woods I heard that kind of
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a sound that a ghost makes when it wants to tell about something that's
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on its mind and can't make itself understood, and so can't rest easy in
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its grave, and has to go about that way every night grieving. I got so
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down-hearted and scared I did wish I had some company. Pretty soon a
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spider went crawling up my shoulder, and I flipped it off and it lit in
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the candle; and before I could budge it was all shriveled up. I didn't
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need anybody to tell me that that was an awful bad sign and would fetch
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me some bad luck, so I was scared and most shook the clothes off of me.
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I got up and turned around in my tracks three times and crossed my breast
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every time; and then I tied up a little lock of my hair with a thread to
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keep witches away. But I hadn't no confidence. You do that when you've
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lost a horseshoe that you've found, instead of nailing it up over the
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door, but I hadn't ever heard anybody say it was any way to keep off bad
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luck when you'd killed a spider.
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I set down again, a-shaking all over, and got out my pipe for a smoke;
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for the house was all as still as death now, and so the widow wouldn't
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know. Well, after a long time I heard the clock away off in the town go
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boom--boom--boom--twelve licks; and all still again--stiller than ever.
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Pretty soon I heard a twig snap down in the dark amongst the trees
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--something was a stirring. I set still and listened. Directly I could
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just barely hear a "me-yow! me-yow!" down there. That was good! Says I,
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"me-yow! me-yow!" as soft as I could, and then I put out the light and
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scrambled out of the window on to the shed. Then I slipped down to the
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ground and crawled in among the trees, and, sure enough, there was Tom
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Sawyer waiting for me.
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CHAPTER II.
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WE went tiptoeing along a path amongst the trees back towards the end of
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the widow's garden, stooping down so as the branches wouldn't scrape our
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heads. When we was passing by the kitchen I fell over a root and made a
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noise. We scrouched down and laid still. Miss Watson's big nigger,
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named Jim, was setting in the kitchen door; we could see him pretty
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clear, because there was a light behind him. He got up and stretched his
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neck out about a minute, listening. Then he says:
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"Who dah?"
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He listened some more; then he come tiptoeing down and stood right
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between us; we could a touched him, nearly. Well, likely it was minutes
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and minutes that there warn't a sound, and we all there so close
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together. There was a place on my ankle that got to itching, but I
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dasn't scratch it; and then my ear begun to itch; and next my back, right
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between my shoulders. Seemed like I'd die if I couldn't scratch. Well,
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I've noticed that thing plenty times since. If you are with the quality,
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or at a funeral, or trying to go to sleep when you ain't sleepy--if you
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are anywheres where it won't do for you to scratch, why you will itch all
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over in upwards of a thousand places. Pretty soon Jim says:
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"Say, who is you? Whar is you? Dog my cats ef I didn' hear sumf'n.
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Well, I know what I's gwyne to do: I's gwyne to set down here and listen
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tell I hears it agin."
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So he set down on the ground betwixt me and Tom. He leaned his back up
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against a tree, and stretched his legs out till one of them most touched
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one of mine. My nose begun to itch. It itched till the tears come into
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my eyes. But I dasn't scratch. Then it begun to itch on the inside.
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Next I got to itching underneath. I didn't know how I was going to set
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still. This miserableness went on as much as six or seven minutes; but it
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seemed a sight longer than that. I was itching in eleven different
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places now. I reckoned I couldn't stand it more'n a minute longer, but I
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set my teeth hard and got ready to try. Just then Jim begun to breathe
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heavy; next he begun to snore--and then I was pretty soon comfortable
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again.
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Tom he made a sign to me--kind of a little noise with his mouth--and we
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went creeping away on our hands and knees. When we was ten foot off Tom
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whispered to me, and wanted to tie Jim to the tree for fun. But I said
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no; he might wake and make a disturbance, and then they'd find out I
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warn't in. Then Tom said he hadn't got candles enough, and he would slip
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in the kitchen and get some more. I didn't want him to try. I said Jim
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might wake up and come. But Tom wanted to resk it; so we slid in there
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and got three candles, and Tom laid five cents on the table for pay.
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Then we got out, and I was in a sweat to get away; but nothing would do
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Tom but he must crawl to where Jim was, on his hands and knees, and play
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something on him. I waited, and it seemed a good while, everything was
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so still and lonesome.
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As soon as Tom was back we cut along the path, around the garden fence,
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and by and by fetched up on the steep top of the hill the other side of
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the house. Tom said he slipped Jim's hat off of his head and hung it on
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a limb right over him, and Jim stirred a little, but he didn't wake.
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Afterwards Jim said the witches be witched him and put him in a trance,
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and rode him all over the State, and then set him under the trees again,
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and hung his hat on a limb to show who done it. And next time Jim told
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it he said they rode him down to New Orleans; and, after that, every time
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he told it he spread it more and more, till by and by he said they rode
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him all over the world, and tired him most to death, and his back was all
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over saddle-boils. Jim was monstrous proud about it, and he got so he
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wouldn't hardly notice the other niggers. Niggers would come miles to
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hear Jim tell about it, and he was more looked up to than any nigger in
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that country. Strange niggers would stand with their mouths open and
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look him all over, same as if he was a wonder. Niggers is always talking
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about witches in the dark by the kitchen fire; but whenever one was
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talking and letting on to know all about such things, Jim would happen in
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and say, "Hm! What you know 'bout witches?" and that nigger was corked
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up and had to take a back seat. Jim always kept that five-center piece
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round his neck with a string, and said it was a charm the devil give to
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him with his own hands, and told him he could cure anybody with it and
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fetch witches whenever he wanted to just by saying something to it; but
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he never told what it was he said to it. Niggers would come from all
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around there and give Jim anything they had, just for a sight of that
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five-center piece; but they wouldn't touch it, because the devil had had
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his hands on it. Jim was most ruined for a servant, because he got stuck
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up on account of having seen the devil and been rode by witches.
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Well, when Tom and me got to the edge of the hilltop we looked away down
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into the village and could see three or four lights twinkling, where
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there was sick folks, maybe; and the stars over us was sparkling ever so
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fine; and down by the village was the river, a whole mile broad, and
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awful still and grand. We went down the hill and found Jo Harper and Ben
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Rogers, and two or three more of the boys, hid in the old tanyard. So we
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unhitched a skiff and pulled down the river two mile and a half, to the
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big scar on the hillside, and went ashore.
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We went to a clump of bushes, and Tom made everybody swear to keep the
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secret, and then showed them a hole in the hill, right in the thickest
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part of the bushes. Then we lit the candles, and crawled in on our hands
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and knees. We went about two hundred yards, and then the cave opened up.
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Tom poked about amongst the passages, and pretty soon ducked under a wall
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where you wouldn't a noticed that there was a hole. We went along a
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narrow place and got into a kind of room, all damp and sweaty and cold,
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and there we stopped. Tom says:
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"Now, we'll start this band of robbers and call it Tom Sawyer's Gang.
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Everybody that wants to join has got to take an oath, and write his name
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in blood."
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Everybody was willing. So Tom got out a sheet of paper that he had wrote
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the oath on, and read it. It swore every boy to stick to the band, and
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never tell any of the secrets; and if anybody done anything to any boy in
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the band, whichever boy was ordered to kill that person and his family
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must do it, and he mustn't eat and he mustn't sleep till he had killed
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them and hacked a cross in their breasts, which was the sign of the band.
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And nobody that didn't belong to the band could use that mark, and if he
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did he must be sued; and if he done it again he must be killed. And if
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anybody that belonged to the band told the secrets, he must have his
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throat cut, and then have his carcass burnt up and the ashes scattered
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all around, and his name blotted off of the list with blood and never
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mentioned again by the gang, but have a curse put on it and be forgot
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forever.
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Everybody said it was a real beautiful oath, and asked Tom if he got it
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out of his own head. He said, some of it, but the rest was out of
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pirate-books and robber-books, and every gang that was high-toned had it.
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Some thought it would be good to kill the FAMILIES of boys that told the
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secrets. Tom said it was a good idea, so he took a pencil and wrote it
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in. Then Ben Rogers says:
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"Here's Huck Finn, he hain't got no family; what you going to do 'bout
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him?"
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"Well, hain't he got a father?" says Tom Sawyer.
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"Yes, he's got a father, but you can't never find him these days. He
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used to lay drunk with the hogs in the tanyard, but he hain't been seen
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in these parts for a year or more."
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They talked it over, and they was going to rule me out, because they said
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every boy must have a family or somebody to kill, or else it wouldn't be
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fair and square for the others. Well, nobody could think of anything to
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do--everybody was stumped, and set still. I was most ready to cry; but
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all at once I thought of a way, and so I offered them Miss Watson--they
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could kill her. Everybody said:
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"Oh, she'll do. That's all right. Huck can come in."
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Then they all stuck a pin in their fingers to get blood to sign with, and
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I made my mark on the paper.
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"Now," says Ben Rogers, "what's the line of business of this Gang?"
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"Nothing only robbery and murder," Tom said.
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"But who are we going to rob?--houses, or cattle, or--"
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"Stuff! stealing cattle and such things ain't robbery; it's burglary,"
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says Tom Sawyer. "We ain't burglars. That ain't no sort of style. We
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are highwaymen. We stop stages and carriages on the road, with masks on,
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and kill the people and take their watches and money."
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"Must we always kill the people?"
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"Oh, certainly. It's best. Some authorities think different, but mostly
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it's considered best to kill them--except some that you bring to the cave
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here, and keep them till they're ransomed."
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"Ransomed? What's that?"
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"I don't know. But that's what they do. I've seen it in books; and so
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of course that's what we've got to do."
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"But how can we do it if we don't know what it is?"
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"Why, blame it all, we've GOT to do it. Don't I tell you it's in the
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books? Do you want to go to doing different from what's in the books,
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and get things all muddled up?"
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"Oh, that's all very fine to SAY, Tom Sawyer, but how in the nation are
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these fellows going to be ransomed if we don't know how to do it to them?
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--that's the thing I want to get at. Now, what do you reckon it is?"
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"Well, I don't know. But per'aps if we keep them till they're ransomed,
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it means that we keep them till they're dead."
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"Now, that's something LIKE. That'll answer. Why couldn't you said that
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before? We'll keep them till they're ransomed to death; and a bothersome
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lot they'll be, too--eating up everything, and always trying to get
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loose."
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"How you talk, Ben Rogers. How can they get loose when there's a guard
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over them, ready to shoot them down if they move a peg?"
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"A guard! Well, that IS good. So somebody's got to set up all night and
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never get any sleep, just so as to watch them. I think that's
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foolishness. Why can't a body take a club and ransom them as soon as they
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get here?"
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"Because it ain't in the books so--that's why. Now, Ben Rogers, do you
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want to do things regular, or don't you?--that's the idea. Don't you
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reckon that the people that made the books knows what's the correct thing
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to do? Do you reckon YOU can learn 'em anything? Not by a good deal.
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No, sir, we'll just go on and ransom them in the regular way."
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"All right. I don't mind; but I say it's a fool way, anyhow. Say, do we
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kill the women, too?"
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"Well, Ben Rogers, if I was as ignorant as you I wouldn't let on. Kill
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the women? No; nobody ever saw anything in the books like that. You
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fetch them to the cave, and you're always as polite as pie to them; and
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by and by they fall in love with you, and never want to go home any
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more."
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"Well, if that's the way I'm agreed, but I don't take no stock in it.
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Mighty soon we'll have the cave so cluttered up with women, and fellows
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waiting to be ransomed, that there won't be no place for the robbers.
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But go ahead, I ain't got nothing to say."
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Little Tommy Barnes was asleep now, and when they waked him up he was
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scared, and cried, and said he wanted to go home to his ma, and didn't
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want to be a robber any more.
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So they all made fun of him, and called him cry-baby, and that made him
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mad, and he said he would go straight and tell all the secrets. But Tom
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give him five cents to keep quiet, and said we would all go home and meet
|
|
next week, and rob somebody and kill some people.
|
|
|
|
Ben Rogers said he couldn't get out much, only Sundays, and so he wanted
|
|
to begin next Sunday; but all the boys said it would be wicked to do it
|
|
on Sunday, and that settled the thing. They agreed to get together and
|
|
fix a day as soon as they could, and then we elected Tom Sawyer first
|
|
captain and Jo Harper second captain of the Gang, and so started home.
|
|
|
|
I clumb up the shed and crept into my window just before day was
|
|
breaking. My new clothes was all greased up and clayey, and I was
|
|
dog-tired.
|
|
|
|
|
|
|
|
|
|
CHAPTER III.
|
|
|
|
WELL, I got a good going-over in the morning from old Miss Watson on
|
|
account of my clothes; but the widow she didn't scold, but only cleaned
|
|
off the grease and clay, and looked so sorry that I thought I would
|
|
behave awhile if I could. Then Miss Watson she took me in the closet and
|
|
prayed, but nothing come of it. She told me to pray every day, and
|
|
whatever I asked for I would get it. But it warn't so. I tried it.
|
|
Once I got a fish-line, but no hooks. It warn't any good to me without
|
|
hooks. I tried for the hooks three or four times, but somehow I couldn't
|
|
make it work. By and by, one day, I asked Miss Watson to try for me, but
|
|
she said I was a fool. She never told me why, and I couldn't make it out
|
|
no way.
|
|
|
|
I set down one time back in the woods, and had a long think about it. I
|
|
says to myself, if a body can get anything they pray for, why don't
|
|
Deacon Winn get back the money he lost on pork? Why can't the widow get
|
|
back her silver snuffbox that was stole? Why can't Miss Watson fat up?
|
|
No, says I to my self, there ain't nothing in it. I went and told the
|
|
widow about it, and she said the thing a body could get by praying for it
|
|
was "spiritual gifts." This was too many for me, but she told me what
|
|
she meant--I must help other people, and do everything I could for other
|
|
people, and look out for them all the time, and never think about myself.
|
|
This was including Miss Watson, as I took it. I went out in the woods
|
|
and turned it over in my mind a long time, but I couldn't see no
|
|
advantage about it--except for the other people; so at last I reckoned I
|
|
wouldn't worry about it any more, but just let it go. Sometimes the
|
|
widow would take me one side and talk about Providence in a way to make a
|
|
body's mouth water; but maybe next day Miss Watson would take hold and
|
|
knock it all down again. I judged I could see that there was two
|
|
Providences, and a poor chap would stand considerable show with the
|
|
widow's Providence, but if Miss Watson's got him there warn't no help for
|
|
him any more. I thought it all out, and reckoned I would belong to the
|
|
widow's if he wanted me, though I couldn't make out how he was a-going to
|
|
be any better off then than what he was before, seeing I was so ignorant,
|
|
and so kind of low-down and ornery.
|
|
|
|
Pap he hadn't been seen for more than a year, and that was comfortable
|
|
for me; I didn't want to see him no more. He used to always whale me
|
|
when he was sober and could get his hands on me; though I used to take to
|
|
the woods most of the time when he was around. Well, about this time he
|
|
was found in the river drownded, about twelve mile above town, so people
|
|
said. They judged it was him, anyway; said this drownded man was just
|
|
his size, and was ragged, and had uncommon long hair, which was all like
|
|
pap; but they couldn't make nothing out of the face, because it had been
|
|
in the water so long it warn't much like a face at all. They said he was
|
|
floating on his back in the water. They took him and buried him on the
|
|
bank. But I warn't comfortable long, because I happened to think of
|
|
something. I knowed mighty well that a drownded man don't float on his
|
|
back, but on his face. So I knowed, then, that this warn't pap, but a
|
|
woman dressed up in a man's clothes. So I was uncomfortable again. I
|
|
judged the old man would turn up again by and by, though I wished he
|
|
wouldn't.
|
|
|
|
We played robber now and then about a month, and then I resigned. All
|
|
the boys did. We hadn't robbed nobody, hadn't killed any people, but
|
|
only just pretended. We used to hop out of the woods and go charging
|
|
down on hog-drivers and women in carts taking garden stuff to market, but
|
|
we never hived any of them. Tom Sawyer called the hogs "ingots," and he
|
|
called the turnips and stuff "julery," and we would go to the cave and
|
|
powwow over what we had done, and how many people we had killed and
|
|
marked. But I couldn't see no profit in it. One time Tom sent a boy to
|
|
run about town with a blazing stick, which he called a slogan (which was
|
|
the sign for the Gang to get together), and then he said he had got
|
|
secret news by his spies that next day a whole parcel of Spanish
|
|
merchants and rich A-rabs was going to camp in Cave Hollow with two
|
|
hundred elephants, and six hundred camels, and over a thousand "sumter"
|
|
mules, all loaded down with di'monds, and they didn't have only a guard
|
|
of four hundred soldiers, and so we would lay in ambuscade, as he called
|
|
it, and kill the lot and scoop the things. He said we must slick up our
|
|
swords and guns, and get ready. He never could go after even a
|
|
turnip-cart but he must have the swords and guns all scoured up for it,
|
|
though they was only lath and broomsticks, and you might scour at them
|
|
till you rotted, and then they warn't worth a mouthful of ashes more than
|
|
what they was before. I didn't believe we could lick such a crowd of
|
|
Spaniards and A-rabs, but I wanted to see the camels and elephants, so I
|
|
was on hand next day, Saturday, in the ambuscade; and when we got the
|
|
word we rushed out of the woods and down the hill. But there warn't no
|
|
Spaniards and A-rabs, and there warn't no camels nor no elephants. It
|
|
warn't anything but a Sunday-school picnic, and only a primer-class at
|
|
that. We busted it up, and chased the children up the hollow; but we
|
|
never got anything but some doughnuts and jam, though Ben Rogers got a
|
|
rag doll, and Jo Harper got a hymn-book and a tract; and then the teacher
|
|
charged in, and made us drop everything and cut. I didn't see no
|
|
di'monds, and I told Tom Sawyer so. He said there was loads of them
|
|
there, anyway; and he said there was A-rabs there, too, and elephants and
|
|
things. I said, why couldn't we see them, then? He said if I warn't so
|
|
ignorant, but had read a book called Don Quixote, I would know without
|
|
asking. He said it was all done by enchantment. He said there was
|
|
hundreds of soldiers there, and elephants and treasure, and so on, but we
|
|
had enemies which he called magicians; and they had turned the whole
|
|
thing into an infant Sunday-school, just out of spite. I said, all
|
|
right; then the thing for us to do was to go for the magicians. Tom
|
|
Sawyer said I was a numskull.
|
|
|
|
"Why," said he, "a magician could call up a lot of genies, and they would
|
|
hash you up like nothing before you could say Jack Robinson. They are as
|
|
tall as a tree and as big around as a church."
|
|
|
|
"Well," I says, "s'pose we got some genies to help US--can't we lick the
|
|
other crowd then?"
|
|
|
|
"How you going to get them?"
|
|
|
|
"I don't know. How do THEY get them?"
|
|
|
|
"Why, they rub an old tin lamp or an iron ring, and then the genies come
|
|
tearing in, with the thunder and lightning a-ripping around and the smoke
|
|
a-rolling, and everything they're told to do they up and do it. They
|
|
don't think nothing of pulling a shot-tower up by the roots, and belting
|
|
a Sunday-school superintendent over the head with it--or any other man."
|
|
|
|
"Who makes them tear around so?"
|
|
|
|
"Why, whoever rubs the lamp or the ring. They belong to whoever rubs the
|
|
lamp or the ring, and they've got to do whatever he says. If he tells
|
|
them to build a palace forty miles long out of di'monds, and fill it full
|
|
of chewing-gum, or whatever you want, and fetch an emperor's daughter
|
|
from China for you to marry, they've got to do it--and they've got to do
|
|
it before sun-up next morning, too. And more: they've got to waltz that
|
|
palace around over the country wherever you want it, you understand."
|
|
|
|
"Well," says I, "I think they are a pack of flat-heads for not keeping
|
|
the palace themselves 'stead of fooling them away like that. And what's
|
|
more--if I was one of them I would see a man in Jericho before I would
|
|
drop my business and come to him for the rubbing of an old tin lamp."
|
|
|
|
"How you talk, Huck Finn. Why, you'd HAVE to come when he rubbed it,
|
|
whether you wanted to or not."
|
|
|
|
"What! and I as high as a tree and as big as a church? All right, then;
|
|
I WOULD come; but I lay I'd make that man climb the highest tree there
|
|
was in the country."
|
|
|
|
"Shucks, it ain't no use to talk to you, Huck Finn. You don't seem to
|
|
know anything, somehow--perfect saphead."
|
|
|
|
I thought all this over for two or three days, and then I reckoned I
|
|
would see if there was anything in it. I got an old tin lamp and an iron
|
|
ring, and went out in the woods and rubbed and rubbed till I sweat like
|
|
an Injun, calculating to build a palace and sell it; but it warn't no
|
|
use, none of the genies come. So then I judged that all that stuff was
|
|
only just one of Tom Sawyer's lies. I reckoned he believed in the A-rabs
|
|
and the elephants, but as for me I think different. It had all the marks
|
|
of a Sunday-school.
|
|
|
|
|
|
|
|
|
|
CHAPTER IV.
|
|
|
|
WELL, three or four months run along, and it was well into the winter
|
|
now. I had been to school most all the time and could spell and read and
|
|
write just a little, and could say the multiplication table up to six
|
|
times seven is thirty-five, and I don't reckon I could ever get any
|
|
further than that if I was to live forever. I don't take no stock in
|
|
mathematics, anyway.
|
|
|
|
At first I hated the school, but by and by I got so I could stand it.
|
|
Whenever I got uncommon tired I played hookey, and the hiding I got next
|
|
day done me good and cheered me up. So the longer I went to school the
|
|
easier it got to be. I was getting sort of used to the widow's ways,
|
|
too, and they warn't so raspy on me. Living in a house and sleeping in a
|
|
bed pulled on me pretty tight mostly, but before the cold weather I used
|
|
to slide out and sleep in the woods sometimes, and so that was a rest to
|
|
me. I liked the old ways best, but I was getting so I liked the new
|
|
ones, too, a little bit. The widow said I was coming along slow but sure,
|
|
and doing very satisfactory. She said she warn't ashamed of me.
|
|
|
|
One morning I happened to turn over the salt-cellar at breakfast. I
|
|
reached for some of it as quick as I could to throw over my left shoulder
|
|
and keep off the bad luck, but Miss Watson was in ahead of me, and
|
|
crossed me off. She says, "Take your hands away, Huckleberry; what a mess
|
|
you are always making!" The widow put in a good word for me, but that
|
|
warn't going to keep off the bad luck, I knowed that well enough. I
|
|
started out, after breakfast, feeling worried and shaky, and wondering
|
|
where it was going to fall on me, and what it was going to be. There is
|
|
ways to keep off some kinds of bad luck, but this wasn't one of them
|
|
kind; so I never tried to do anything, but just poked along low-spirited
|
|
and on the watch-out.
|
|
|
|
I went down to the front garden and clumb over the stile where you go
|
|
through the high board fence. There was an inch of new snow on the
|
|
ground, and I seen somebody's tracks. They had come up from the quarry
|
|
and stood around the stile a while, and then went on around the garden
|
|
fence. It was funny they hadn't come in, after standing around so. I
|
|
couldn't make it out. It was very curious, somehow. I was going to
|
|
follow around, but I stooped down to look at the tracks first. I didn't
|
|
notice anything at first, but next I did. There was a cross in the left
|
|
boot-heel made with big nails, to keep off the devil.
|
|
|
|
I was up in a second and shinning down the hill. I looked over my
|
|
shoulder every now and then, but I didn't see nobody. I was at Judge
|
|
Thatcher's as quick as I could get there. He said:
|
|
|
|
"Why, my boy, you are all out of breath. Did you come for your
|
|
interest?"
|
|
|
|
"No, sir," I says; "is there some for me?"
|
|
|
|
"Oh, yes, a half-yearly is in last night--over a hundred and fifty
|
|
dollars. Quite a fortune for you. You had better let me invest it along
|
|
with your six thousand, because if you take it you'll spend it."
|
|
|
|
"No, sir," I says, "I don't want to spend it. I don't want it at all
|
|
--nor the six thousand, nuther. I want you to take it; I want to give it
|
|
to you--the six thousand and all."
|
|
|
|
He looked surprised. He couldn't seem to make it out. He says:
|
|
|
|
"Why, what can you mean, my boy?"
|
|
|
|
I says, "Don't you ask me no questions about it, please. You'll take it
|
|
--won't you?"
|
|
|
|
He says:
|
|
|
|
"Well, I'm puzzled. Is something the matter?"
|
|
|
|
"Please take it," says I, "and don't ask me nothing--then I won't have to
|
|
tell no lies."
|
|
|
|
He studied a while, and then he says:
|
|
|
|
"Oho-o! I think I see. You want to SELL all your property to me--not
|
|
give it. That's the correct idea."
|
|
|
|
Then he wrote something on a paper and read it over, and says:
|
|
|
|
"There; you see it says 'for a consideration.' That means I have bought
|
|
it of you and paid you for it. Here's a dollar for you. Now you sign
|
|
it."
|
|
|
|
So I signed it, and left.
|
|
|
|
Miss Watson's nigger, Jim, had a hair-ball as big as your fist, which had
|
|
been took out of the fourth stomach of an ox, and he used to do magic
|
|
with it. He said there was a spirit inside of it, and it knowed
|
|
everything. So I went to him that night and told him pap was here again,
|
|
for I found his tracks in the snow. What I wanted to know was, what he
|
|
was going to do, and was he going to stay? Jim got out his hair-ball and
|
|
said something over it, and then he held it up and dropped it on the
|
|
floor. It fell pretty solid, and only rolled about an inch. Jim tried
|
|
it again, and then another time, and it acted just the same. Jim got
|
|
down on his knees, and put his ear against it and listened. But it
|
|
warn't no use; he said it wouldn't talk. He said sometimes it wouldn't
|
|
talk without money. I told him I had an old slick counterfeit quarter
|
|
that warn't no good because the brass showed through the silver a little,
|
|
and it wouldn't pass nohow, even if the brass didn't show, because it was
|
|
so slick it felt greasy, and so that would tell on it every time. (I
|
|
reckoned I wouldn't say nothing about the dollar I got from the judge.) I
|
|
said it was pretty bad money, but maybe the hair-ball would take it,
|
|
because maybe it wouldn't know the difference. Jim smelt it and bit it
|
|
and rubbed it, and said he would manage so the hair-ball would think it
|
|
was good. He said he would split open a raw Irish potato and stick the
|
|
quarter in between and keep it there all night, and next morning you
|
|
couldn't see no brass, and it wouldn't feel greasy no more, and so
|
|
anybody in town would take it in a minute, let alone a hair-ball. Well,
|
|
I knowed a potato would do that before, but I had forgot it.
|
|
|
|
Jim put the quarter under the hair-ball, and got down and listened again.
|
|
This time he said the hair-ball was all right. He said it would tell my
|
|
whole fortune if I wanted it to. I says, go on. So the hair-ball talked
|
|
to Jim, and Jim told it to me. He says:
|
|
|
|
"Yo' ole father doan' know yit what he's a-gwyne to do. Sometimes he
|
|
spec he'll go 'way, en den agin he spec he'll stay. De bes' way is to
|
|
res' easy en let de ole man take his own way. Dey's two angels hoverin'
|
|
roun' 'bout him. One uv 'em is white en shiny, en t'other one is black.
|
|
De white one gits him to go right a little while, den de black one sail
|
|
in en bust it all up. A body can't tell yit which one gwyne to fetch him
|
|
at de las'. But you is all right. You gwyne to have considable trouble
|
|
in yo' life, en considable joy. Sometimes you gwyne to git hurt, en
|
|
sometimes you gwyne to git sick; but every time you's gwyne to git well
|
|
agin. Dey's two gals flyin' 'bout you in yo' life. One uv 'em's light
|
|
en t'other one is dark. One is rich en t'other is po'. You's gwyne to
|
|
marry de po' one fust en de rich one by en by. You wants to keep 'way
|
|
fum de water as much as you kin, en don't run no resk, 'kase it's down in
|
|
de bills dat you's gwyne to git hung."
|
|
|
|
When I lit my candle and went up to my room that night there sat pap--his
|
|
own self!
|
|
|
|
|
|
|
|
|
|
CHAPTER V.
|
|
|
|
I HAD shut the door to. Then I turned around and there he was. I used
|
|
to be scared of him all the time, he tanned me so much. I reckoned I was
|
|
scared now, too; but in a minute I see I was mistaken--that is, after the
|
|
first jolt, as you may say, when my breath sort of hitched, he being so
|
|
unexpected; but right away after I see I warn't scared of him worth
|
|
bothring about.
|
|
|
|
He was most fifty, and he looked it. His hair was long and tangled and
|
|
greasy, and hung down, and you could see his eyes shining through like he
|
|
was behind vines. It was all black, no gray; so was his long, mixed-up
|
|
whiskers. There warn't no color in his face, where his face showed; it
|
|
was white; not like another man's white, but a white to make a body sick,
|
|
a white to make a body's flesh crawl--a tree-toad white, a fish-belly
|
|
white. As for his clothes--just rags, that was all. He had one ankle
|
|
resting on t'other knee; the boot on that foot was busted, and two of his
|
|
toes stuck through, and he worked them now and then. His hat was laying
|
|
on the floor--an old black slouch with the top caved in, like a lid.
|
|
|
|
I stood a-looking at him; he set there a-looking at me, with his chair
|
|
tilted back a little. I set the candle down. I noticed the window was
|
|
up; so he had clumb in by the shed. He kept a-looking me all over. By
|
|
and by he says:
|
|
|
|
"Starchy clothes--very. You think you're a good deal of a big-bug, DON'T
|
|
you?"
|
|
|
|
"Maybe I am, maybe I ain't," I says.
|
|
|
|
"Don't you give me none o' your lip," says he. "You've put on
|
|
considerable many frills since I been away. I'll take you down a peg
|
|
before I get done with you. You're educated, too, they say--can read and
|
|
write. You think you're better'n your father, now, don't you, because he
|
|
can't? I'LL take it out of you. Who told you you might meddle with such
|
|
hifalut'n foolishness, hey?--who told you you could?"
|
|
|
|
"The widow. She told me."
|
|
|
|
"The widow, hey?--and who told the widow she could put in her shovel
|
|
about a thing that ain't none of her business?"
|
|
|
|
"Nobody never told her."
|
|
|
|
"Well, I'll learn her how to meddle. And looky here--you drop that
|
|
school, you hear? I'll learn people to bring up a boy to put on airs
|
|
over his own father and let on to be better'n what HE is. You lemme
|
|
catch you fooling around that school again, you hear? Your mother
|
|
couldn't read, and she couldn't write, nuther, before she died. None of
|
|
the family couldn't before THEY died. I can't; and here you're
|
|
a-swelling yourself up like this. I ain't the man to stand it--you hear?
|
|
Say, lemme hear you read."
|
|
|
|
I took up a book and begun something about General Washington and the
|
|
wars. When I'd read about a half a minute, he fetched the book a whack
|
|
with his hand and knocked it across the house. He says:
|
|
|
|
"It's so. You can do it. I had my doubts when you told me. Now looky
|
|
here; you stop that putting on frills. I won't have it. I'll lay for
|
|
you, my smarty; and if I catch you about that school I'll tan you good.
|
|
First you know you'll get religion, too. I never see such a son."
|
|
|
|
He took up a little blue and yaller picture of some cows and a boy, and
|
|
says:
|
|
|
|
"What's this?"
|
|
|
|
"It's something they give me for learning my lessons good."
|
|
|
|
He tore it up, and says:
|
|
|
|
"I'll give you something better--I'll give you a cowhide."
|
|
|
|
He set there a-mumbling and a-growling a minute, and then he says:
|
|
|
|
"AIN'T you a sweet-scented dandy, though? A bed; and bedclothes; and a
|
|
look'n'-glass; and a piece of carpet on the floor--and your own father
|
|
got to sleep with the hogs in the tanyard. I never see such a son. I
|
|
bet I'll take some o' these frills out o' you before I'm done with you.
|
|
Why, there ain't no end to your airs--they say you're rich. Hey?--how's
|
|
that?"
|
|
|
|
"They lie--that's how."
|
|
|
|
"Looky here--mind how you talk to me; I'm a-standing about all I can
|
|
stand now--so don't gimme no sass. I've been in town two days, and I
|
|
hain't heard nothing but about you bein' rich. I heard about it away
|
|
down the river, too. That's why I come. You git me that money
|
|
to-morrow--I want it."
|
|
|
|
"I hain't got no money."
|
|
|
|
"It's a lie. Judge Thatcher's got it. You git it. I want it."
|
|
|
|
"I hain't got no money, I tell you. You ask Judge Thatcher; he'll tell
|
|
you the same."
|
|
|
|
"All right. I'll ask him; and I'll make him pungle, too, or I'll know
|
|
the reason why. Say, how much you got in your pocket? I want it."
|
|
|
|
"I hain't got only a dollar, and I want that to--"
|
|
|
|
"It don't make no difference what you want it for--you just shell it
|
|
out."
|
|
|
|
He took it and bit it to see if it was good, and then he said he was
|
|
going down town to get some whisky; said he hadn't had a drink all day.
|
|
When he had got out on the shed he put his head in again, and cussed me
|
|
for putting on frills and trying to be better than him; and when I
|
|
reckoned he was gone he come back and put his head in again, and told me
|
|
to mind about that school, because he was going to lay for me and lick me
|
|
if I didn't drop that.
|
|
|
|
Next day he was drunk, and he went to Judge Thatcher's and bullyragged
|
|
him, and tried to make him give up the money; but he couldn't, and then
|
|
he swore he'd make the law force him.
|
|
|
|
The judge and the widow went to law to get the court to take me away from
|
|
him and let one of them be my guardian; but it was a new judge that had
|
|
just come, and he didn't know the old man; so he said courts mustn't
|
|
interfere and separate families if they could help it; said he'd druther
|
|
not take a child away from its father. So Judge Thatcher and the widow
|
|
had to quit on the business.
|
|
|
|
That pleased the old man till he couldn't rest. He said he'd cowhide me
|
|
till I was black and blue if I didn't raise some money for him. I
|
|
borrowed three dollars from Judge Thatcher, and pap took it and got
|
|
drunk, and went a-blowing around and cussing and whooping and carrying
|
|
on; and he kept it up all over town, with a tin pan, till most midnight;
|
|
then they jailed him, and next day they had him before court, and jailed
|
|
him again for a week. But he said HE was satisfied; said he was boss of
|
|
his son, and he'd make it warm for HIM.
|
|
|
|
When he got out the new judge said he was a-going to make a man of him.
|
|
So he took him to his own house, and dressed him up clean and nice, and
|
|
had him to breakfast and dinner and supper with the family, and was just
|
|
old pie to him, so to speak. And after supper he talked to him about
|
|
temperance and such things till the old man cried, and said he'd been a
|
|
fool, and fooled away his life; but now he was a-going to turn over a new
|
|
leaf and be a man nobody wouldn't be ashamed of, and he hoped the judge
|
|
would help him and not look down on him. The judge said he could hug him
|
|
for them words; so he cried, and his wife she cried again; pap said he'd
|
|
been a man that had always been misunderstood before, and the judge said
|
|
he believed it. The old man said that what a man wanted that was down
|
|
was sympathy, and the judge said it was so; so they cried again. And
|
|
when it was bedtime the old man rose up and held out his hand, and says:
|
|
|
|
"Look at it, gentlemen and ladies all; take a-hold of it; shake it.
|
|
There's a hand that was the hand of a hog; but it ain't so no more; it's
|
|
the hand of a man that's started in on a new life, and'll die before
|
|
he'll go back. You mark them words--don't forget I said them. It's a
|
|
clean hand now; shake it--don't be afeard."
|
|
|
|
So they shook it, one after the other, all around, and cried. The
|
|
judge's wife she kissed it. Then the old man he signed a pledge--made
|
|
his mark. The judge said it was the holiest time on record, or something
|
|
like that. Then they tucked the old man into a beautiful room, which was
|
|
the spare room, and in the night some time he got powerful thirsty and
|
|
clumb out on to the porch-roof and slid down a stanchion and traded his
|
|
new coat for a jug of forty-rod, and clumb back again and had a good old
|
|
time; and towards daylight he crawled out again, drunk as a fiddler, and
|
|
rolled off the porch and broke his left arm in two places, and was most
|
|
froze to death when somebody found him after sun-up. And when they come
|
|
to look at that spare room they had to take soundings before they could
|
|
navigate it.
|
|
|
|
The judge he felt kind of sore. He said he reckoned a body could reform
|
|
the old man with a shotgun, maybe, but he didn't know no other way.
|
|
|
|
|
|
|
|
|
|
CHAPTER VI.
|
|
|
|
WELL, pretty soon the old man was up and around again, and then he went
|
|
for Judge Thatcher in the courts to make him give up that money, and he
|
|
went for me, too, for not stopping school. He catched me a couple of
|
|
times and thrashed me, but I went to school just the same, and dodged him
|
|
or outrun him most of the time. I didn't want to go to school much
|
|
before, but I reckoned I'd go now to spite pap. That law trial was a
|
|
slow business--appeared like they warn't ever going to get started on
|
|
it; so every now and then I'd borrow two or three dollars off of the
|
|
judge for him, to keep from getting a cowhiding. Every time he got money
|
|
he got drunk; and every time he got drunk he raised Cain around town; and
|
|
every time he raised Cain he got jailed. He was just suited--this kind
|
|
of thing was right in his line.
|
|
|
|
He got to hanging around the widow's too much and so she told him at last
|
|
that if he didn't quit using around there she would make trouble for him.
|
|
Well, WASN'T he mad? He said he would show who was Huck Finn's boss. So
|
|
he watched out for me one day in the spring, and catched me, and took me
|
|
up the river about three mile in a skiff, and crossed over to the
|
|
Illinois shore where it was woody and there warn't no houses but an old
|
|
log hut in a place where the timber was so thick you couldn't find it if
|
|
you didn't know where it was.
|
|
|
|
He kept me with him all the time, and I never got a chance to run off.
|
|
We lived in that old cabin, and he always locked the door and put the key
|
|
under his head nights. He had a gun which he had stole, I reckon, and we
|
|
fished and hunted, and that was what we lived on. Every little while he
|
|
locked me in and went down to the store, three miles, to the ferry, and
|
|
traded fish and game for whisky, and fetched it home and got drunk and
|
|
had a good time, and licked me. The widow she found out where I was by
|
|
and by, and she sent a man over to try to get hold of me; but pap drove
|
|
him off with the gun, and it warn't long after that till I was used to
|
|
being where I was, and liked it--all but the cowhide part.
|
|
|
|
It was kind of lazy and jolly, laying off comfortable all day, smoking
|
|
and fishing, and no books nor study. Two months or more run along, and
|
|
my clothes got to be all rags and dirt, and I didn't see how I'd ever got
|
|
to like it so well at the widow's, where you had to wash, and eat on a
|
|
plate, and comb up, and go to bed and get up regular, and be forever
|
|
bothering over a book, and have old Miss Watson pecking at you all the
|
|
time. I didn't want to go back no more. I had stopped cussing, because
|
|
the widow didn't like it; but now I took to it again because pap hadn't
|
|
no objections. It was pretty good times up in the woods there, take it
|
|
all around.
|
|
|
|
But by and by pap got too handy with his hick'ry, and I couldn't stand
|
|
it. I was all over welts. He got to going away so much, too, and locking
|
|
me in. Once he locked me in and was gone three days. It was dreadful
|
|
lonesome. I judged he had got drowned, and I wasn't ever going to get
|
|
out any more. I was scared. I made up my mind I would fix up some way
|
|
to leave there. I had tried to get out of that cabin many a time, but I
|
|
couldn't find no way. There warn't a window to it big enough for a dog
|
|
to get through. I couldn't get up the chimbly; it was too narrow. The
|
|
door was thick, solid oak slabs. Pap was pretty careful not to leave a
|
|
knife or anything in the cabin when he was away; I reckon I had hunted
|
|
the place over as much as a hundred times; well, I was most all the time
|
|
at it, because it was about the only way to put in the time. But this
|
|
time I found something at last; I found an old rusty wood-saw without any
|
|
handle; it was laid in between a rafter and the clapboards of the roof.
|
|
I greased it up and went to work. There was an old horse-blanket nailed
|
|
against the logs at the far end of the cabin behind the table, to keep
|
|
the wind from blowing through the chinks and putting the candle out. I
|
|
got under the table and raised the blanket, and went to work to saw a
|
|
section of the big bottom log out--big enough to let me through. Well,
|
|
it was a good long job, but I was getting towards the end of it when I
|
|
heard pap's gun in the woods. I got rid of the signs of my work, and
|
|
dropped the blanket and hid my saw, and pretty soon pap come in.
|
|
|
|
Pap warn't in a good humor--so he was his natural self. He said he was
|
|
down town, and everything was going wrong. His lawyer said he reckoned
|
|
he would win his lawsuit and get the money if they ever got started on
|
|
the trial; but then there was ways to put it off a long time, and Judge
|
|
Thatcher knowed how to do it. And he said people allowed there'd be
|
|
another trial to get me away from him and give me to the widow for my
|
|
guardian, and they guessed it would win this time. This shook me up
|
|
considerable, because I didn't want to go back to the widow's any more
|
|
and be so cramped up and sivilized, as they called it. Then the old man
|
|
got to cussing, and cussed everything and everybody he could think of,
|
|
and then cussed them all over again to make sure he hadn't skipped any,
|
|
and after that he polished off with a kind of a general cuss all round,
|
|
including a considerable parcel of people which he didn't know the names
|
|
of, and so called them what's-his-name when he got to them, and went
|
|
right along with his cussing.
|
|
|
|
He said he would like to see the widow get me. He said he would watch
|
|
out, and if they tried to come any such game on him he knowed of a place
|
|
six or seven mile off to stow me in, where they might hunt till they
|
|
dropped and they couldn't find me. That made me pretty uneasy again, but
|
|
only for a minute; I reckoned I wouldn't stay on hand till he got that
|
|
chance.
|
|
|
|
The old man made me go to the skiff and fetch the things he had got.
|
|
There was a fifty-pound sack of corn meal, and a side of bacon,
|
|
ammunition, and a four-gallon jug of whisky, and an old book and two
|
|
newspapers for wadding, besides some tow. I toted up a load, and went
|
|
back and set down on the bow of the skiff to rest. I thought it all
|
|
over, and I reckoned I would walk off with the gun and some lines, and
|
|
take to the woods when I run away. I guessed I wouldn't stay in one
|
|
place, but just tramp right across the country, mostly night times, and
|
|
hunt and fish to keep alive, and so get so far away that the old man nor
|
|
the widow couldn't ever find me any more. I judged I would saw out and
|
|
leave that night if pap got drunk enough, and I reckoned he would. I got
|
|
so full of it I didn't notice how long I was staying till the old man
|
|
hollered and asked me whether I was asleep or drownded.
|
|
|
|
I got the things all up to the cabin, and then it was about dark. While
|
|
I was cooking supper the old man took a swig or two and got sort of
|
|
warmed up, and went to ripping again. He had been drunk over in town,
|
|
and laid in the gutter all night, and he was a sight to look at. A body
|
|
would a thought he was Adam--he was just all mud. Whenever his liquor
|
|
begun to work he most always went for the govment, this time he says:
|
|
|
|
"Call this a govment! why, just look at it and see what it's like.
|
|
Here's the law a-standing ready to take a man's son away from him--a
|
|
man's own son, which he has had all the trouble and all the anxiety and
|
|
all the expense of raising. Yes, just as that man has got that son
|
|
raised at last, and ready to go to work and begin to do suthin' for HIM
|
|
and give him a rest, the law up and goes for him. And they call THAT
|
|
govment! That ain't all, nuther. The law backs that old Judge Thatcher
|
|
up and helps him to keep me out o' my property. Here's what the law
|
|
does: The law takes a man worth six thousand dollars and up'ards, and
|
|
jams him into an old trap of a cabin like this, and lets him go round in
|
|
clothes that ain't fitten for a hog. They call that govment! A man can't
|
|
get his rights in a govment like this. Sometimes I've a mighty notion to
|
|
just leave the country for good and all. Yes, and I TOLD 'em so; I told
|
|
old Thatcher so to his face. Lots of 'em heard me, and can tell what I
|
|
said. Says I, for two cents I'd leave the blamed country and never come
|
|
a-near it agin. Them's the very words. I says look at my hat--if you
|
|
call it a hat--but the lid raises up and the rest of it goes down till
|
|
it's below my chin, and then it ain't rightly a hat at all, but more like
|
|
my head was shoved up through a jint o' stove-pipe. Look at it, says I
|
|
--such a hat for me to wear--one of the wealthiest men in this town if I
|
|
could git my rights.
|
|
|
|
"Oh, yes, this is a wonderful govment, wonderful. Why, looky here.
|
|
There was a free nigger there from Ohio--a mulatter, most as white as a
|
|
white man. He had the whitest shirt on you ever see, too, and the
|
|
shiniest hat; and there ain't a man in that town that's got as fine
|
|
clothes as what he had; and he had a gold watch and chain, and a
|
|
silver-headed cane--the awfulest old gray-headed nabob in the State. And
|
|
what do you think? They said he was a p'fessor in a college, and could
|
|
talk all kinds of languages, and knowed everything. And that ain't the
|
|
wust. They said he could VOTE when he was at home. Well, that let me
|
|
out. Thinks I, what is the country a-coming to? It was 'lection day, and
|
|
I was just about to go and vote myself if I warn't too drunk to get
|
|
there; but when they told me there was a State in this country where
|
|
they'd let that nigger vote, I drawed out. I says I'll never vote agin.
|
|
Them's the very words I said; they all heard me; and the country may rot
|
|
for all me --I'll never vote agin as long as I live. And to see the cool
|
|
way of that nigger--why, he wouldn't a give me the road if I hadn't
|
|
shoved him out o' the way. I says to the people, why ain't this nigger
|
|
put up at auction and sold?--that's what I want to know. And what do you
|
|
reckon they said? Why, they said he couldn't be sold till he'd been in
|
|
the State six months, and he hadn't been there that long yet. There,
|
|
now--that's a specimen. They call that a govment that can't sell a free
|
|
nigger till he's been in the State six months. Here's a govment that
|
|
calls itself a govment, and lets on to be a govment, and thinks it is a
|
|
govment, and yet's got to set stock-still for six whole months before it
|
|
can take a hold of a prowling, thieving, infernal, white-shirted free
|
|
nigger, and--"
|
|
|
|
Pap was agoing on so he never noticed where his old limber legs was
|
|
taking him to, so he went head over heels over the tub of salt pork and
|
|
barked both shins, and the rest of his speech was all the hottest kind of
|
|
language--mostly hove at the nigger and the govment, though he give the
|
|
tub some, too, all along, here and there. He hopped around the cabin
|
|
considerable, first on one leg and then on the other, holding first one
|
|
shin and then the other one, and at last he let out with his left foot
|
|
all of a sudden and fetched the tub a rattling kick. But it warn't good
|
|
judgment, because that was the boot that had a couple of his toes leaking
|
|
out of the front end of it; so now he raised a howl that fairly made a
|
|
body's hair raise, and down he went in the dirt, and rolled there, and
|
|
held his toes; and the cussing he done then laid over anything he had
|
|
ever done previous. He said so his own self afterwards. He had heard
|
|
old Sowberry Hagan in his best days, and he said it laid over him, too;
|
|
but I reckon that was sort of piling it on, maybe.
|
|
|
|
After supper pap took the jug, and said he had enough whisky there for
|
|
two drunks and one delirium tremens. That was always his word. I judged
|
|
he would be blind drunk in about an hour, and then I would steal the key,
|
|
or saw myself out, one or t'other. He drank and drank, and tumbled down
|
|
on his blankets by and by; but luck didn't run my way. He didn't go
|
|
sound asleep, but was uneasy. He groaned and moaned and thrashed around
|
|
this way and that for a long time. At last I got so sleepy I couldn't
|
|
keep my eyes open all I could do, and so before I knowed what I was about
|
|
I was sound asleep, and the candle burning.
|
|
|
|
I don't know how long I was asleep, but all of a sudden there was an
|
|
awful scream and I was up. There was pap looking wild, and skipping
|
|
around every which way and yelling about snakes. He said they was
|
|
crawling up his legs; and then he would give a jump and scream, and say
|
|
one had bit him on the cheek--but I couldn't see no snakes. He started
|
|
and run round and round the cabin, hollering "Take him off! take him off!
|
|
he's biting me on the neck!" I never see a man look so wild in the eyes.
|
|
Pretty soon he was all fagged out, and fell down panting; then he rolled
|
|
over and over wonderful fast, kicking things every which way, and
|
|
striking and grabbing at the air with his hands, and screaming and saying
|
|
there was devils a-hold of him. He wore out by and by, and laid still a
|
|
while, moaning. Then he laid stiller, and didn't make a sound. I could
|
|
hear the owls and the wolves away off in the woods, and it seemed
|
|
terrible still. He was laying over by the corner. By and by he raised up
|
|
part way and listened, with his head to one side. He says, very low:
|
|
|
|
"Tramp--tramp--tramp; that's the dead; tramp--tramp--tramp; they're
|
|
coming after me; but I won't go. Oh, they're here! don't touch me
|
|
--don't! hands off--they're cold; let go. Oh, let a poor devil alone!"
|
|
|
|
Then he went down on all fours and crawled off, begging them to let him
|
|
alone, and he rolled himself up in his blanket and wallowed in under the
|
|
old pine table, still a-begging; and then he went to crying. I could
|
|
hear him through the blanket.
|
|
|
|
By and by he rolled out and jumped up on his feet looking wild, and he
|
|
see me and went for me. He chased me round and round the place with a
|
|
clasp-knife, calling me the Angel of Death, and saying he would kill me,
|
|
and then I couldn't come for him no more. I begged, and told him I was
|
|
only Huck; but he laughed SUCH a screechy laugh, and roared and cussed,
|
|
and kept on chasing me up. Once when I turned short and dodged under his
|
|
arm he made a grab and got me by the jacket between my shoulders, and I
|
|
thought I was gone; but I slid out of the jacket quick as lightning, and
|
|
saved myself. Pretty soon he was all tired out, and dropped down with his
|
|
back against the door, and said he would rest a minute and then kill me.
|
|
He put his knife under him, and said he would sleep and get strong, and
|
|
then he would see who was who.
|
|
|
|
So he dozed off pretty soon. By and by I got the old split-bottom chair
|
|
and clumb up as easy as I could, not to make any noise, and got down the
|
|
gun. I slipped the ramrod down it to make sure it was loaded, then I
|
|
laid it across the turnip barrel, pointing towards pap, and set down
|
|
behind it to wait for him to stir. And how slow and still the time did
|
|
drag along.
|
|
|
|
|
|
|
|
|
|
CHAPTER VII.
|
|
|
|
"GIT up! What you 'bout?"
|
|
|
|
I opened my eyes and looked around, trying to make out where I was. It
|
|
was after sun-up, and I had been sound asleep. Pap was standing over me
|
|
looking sour and sick, too. He says:
|
|
|
|
"What you doin' with this gun?"
|
|
|
|
I judged he didn't know nothing about what he had been doing, so I says:
|
|
|
|
"Somebody tried to get in, so I was laying for him."
|
|
|
|
"Why didn't you roust me out?"
|
|
|
|
"Well, I tried to, but I couldn't; I couldn't budge you."
|
|
|
|
"Well, all right. Don't stand there palavering all day, but out with you
|
|
and see if there's a fish on the lines for breakfast. I'll be along in a
|
|
minute."
|
|
|
|
He unlocked the door, and I cleared out up the river-bank. I noticed
|
|
some pieces of limbs and such things floating down, and a sprinkling of
|
|
bark; so I knowed the river had begun to rise. I reckoned I would have
|
|
great times now if I was over at the town. The June rise used to be
|
|
always luck for me; because as soon as that rise begins here comes
|
|
cordwood floating down, and pieces of log rafts--sometimes a dozen logs
|
|
together; so all you have to do is to catch them and sell them to the
|
|
wood-yards and the sawmill.
|
|
|
|
I went along up the bank with one eye out for pap and t'other one out for
|
|
what the rise might fetch along. Well, all at once here comes a canoe;
|
|
just a beauty, too, about thirteen or fourteen foot long, riding high
|
|
like a duck. I shot head-first off of the bank like a frog, clothes and
|
|
all on, and struck out for the canoe. I just expected there'd be
|
|
somebody laying down in it, because people often done that to fool folks,
|
|
and when a chap had pulled a skiff out most to it they'd raise up and
|
|
laugh at him. But it warn't so this time. It was a drift-canoe sure
|
|
enough, and I clumb in and paddled her ashore. Thinks I, the old man
|
|
will be glad when he sees this--she's worth ten dollars. But when I
|
|
got to shore pap wasn't in sight yet, and as I was running her into a
|
|
little creek like a gully, all hung over with vines and willows, I struck
|
|
another idea: I judged I'd hide her good, and then, 'stead of taking to
|
|
the woods when I run off, I'd go down the river about fifty mile and camp
|
|
in one place for good, and not have such a rough time tramping on foot.
|
|
|
|
It was pretty close to the shanty, and I thought I heard the old man
|
|
coming all the time; but I got her hid; and then I out and looked around
|
|
a bunch of willows, and there was the old man down the path a piece just
|
|
drawing a bead on a bird with his gun. So he hadn't seen anything.
|
|
|
|
When he got along I was hard at it taking up a "trot" line. He abused me
|
|
a little for being so slow; but I told him I fell in the river, and that
|
|
was what made me so long. I knowed he would see I was wet, and then he
|
|
would be asking questions. We got five catfish off the lines and went
|
|
home.
|
|
|
|
While we laid off after breakfast to sleep up, both of us being about
|
|
wore out, I got to thinking that if I could fix up some way to keep pap
|
|
and the widow from trying to follow me, it would be a certainer thing
|
|
than trusting to luck to get far enough off before they missed me; you
|
|
see, all kinds of things might happen. Well, I didn't see no way for a
|
|
while, but by and by pap raised up a minute to drink another barrel of
|
|
water, and he says:
|
|
|
|
"Another time a man comes a-prowling round here you roust me out, you
|
|
hear? That man warn't here for no good. I'd a shot him. Next time you
|
|
roust me out, you hear?"
|
|
|
|
Then he dropped down and went to sleep again; but what he had been saying
|
|
give me the very idea I wanted. I says to myself, I can fix it now so
|
|
nobody won't think of following me.
|
|
|
|
About twelve o'clock we turned out and went along up the bank. The river
|
|
was coming up pretty fast, and lots of driftwood going by on the rise.
|
|
By and by along comes part of a log raft--nine logs fast together. We
|
|
went out with the skiff and towed it ashore. Then we had dinner.
|
|
Anybody but pap would a waited and seen the day through, so as to catch
|
|
more stuff; but that warn't pap's style. Nine logs was enough for one
|
|
time; he must shove right over to town and sell. So he locked me in and
|
|
took the skiff, and started off towing the raft about half-past three. I
|
|
judged he wouldn't come back that night. I waited till I reckoned he had
|
|
got a good start; then I out with my saw, and went to work on that log
|
|
again. Before he was t'other side of the river I was out of the hole;
|
|
him and his raft was just a speck on the water away off yonder.
|
|
|
|
I took the sack of corn meal and took it to where the canoe was hid, and
|
|
shoved the vines and branches apart and put it in; then I done the same
|
|
with the side of bacon; then the whisky-jug. I took all the coffee and
|
|
sugar there was, and all the ammunition; I took the wadding; I took the
|
|
bucket and gourd; I took a dipper and a tin cup, and my old saw and two
|
|
blankets, and the skillet and the coffee-pot. I took fish-lines and
|
|
matches and other things--everything that was worth a cent. I cleaned
|
|
out the place. I wanted an axe, but there wasn't any, only the one out
|
|
at the woodpile, and I knowed why I was going to leave that. I fetched
|
|
out the gun, and now I was done.
|
|
|
|
I had wore the ground a good deal crawling out of the hole and dragging
|
|
out so many things. So I fixed that as good as I could from the outside
|
|
by scattering dust on the place, which covered up the smoothness and the
|
|
sawdust. Then I fixed the piece of log back into its place, and put two
|
|
rocks under it and one against it to hold it there, for it was bent up at
|
|
that place and didn't quite touch ground. If you stood four or five foot
|
|
away and didn't know it was sawed, you wouldn't never notice it; and
|
|
besides, this was the back of the cabin, and it warn't likely anybody
|
|
would go fooling around there.
|
|
|
|
It was all grass clear to the canoe, so I hadn't left a track. I
|
|
followed around to see. I stood on the bank and looked out over the
|
|
river. All safe. So I took the gun and went up a piece into the woods,
|
|
and was hunting around for some birds when I see a wild pig; hogs soon
|
|
went wild in them bottoms after they had got away from the prairie farms.
|
|
I shot this fellow and took him into camp.
|
|
|
|
I took the axe and smashed in the door. I beat it and hacked it
|
|
considerable a-doing it. I fetched the pig in, and took him back nearly
|
|
to the table and hacked into his throat with the axe, and laid him down
|
|
on the ground to bleed; I say ground because it was ground--hard packed,
|
|
and no boards. Well, next I took an old sack and put a lot of big rocks
|
|
in it--all I could drag--and I started it from the pig, and dragged it
|
|
to the door and through the woods down to the river and dumped it in, and
|
|
down it sunk, out of sight. You could easy see that something had been
|
|
dragged over the ground. I did wish Tom Sawyer was there; I knowed he
|
|
would take an interest in this kind of business, and throw in the fancy
|
|
touches. Nobody could spread himself like Tom Sawyer in such a thing as
|
|
that.
|
|
|
|
Well, last I pulled out some of my hair, and blooded the axe good, and
|
|
stuck it on the back side, and slung the axe in the corner. Then I took
|
|
up the pig and held him to my breast with my jacket (so he couldn't drip)
|
|
till I got a good piece below the house and then dumped him into the
|
|
river. Now I thought of something else. So I went and got the bag of
|
|
meal and my old saw out of the canoe, and fetched them to the house. I
|
|
took the bag to where it used to stand, and ripped a hole in the bottom
|
|
of it with the saw, for there warn't no knives and forks on the place
|
|
--pap done everything with his clasp-knife about the cooking. Then I
|
|
carried the sack about a hundred yards across the grass and through the
|
|
willows east of the house, to a shallow lake that was five mile wide and
|
|
full of rushes--and ducks too, you might say, in the season. There was a
|
|
slough or a creek leading out of it on the other side that went miles
|
|
away, I don't know where, but it didn't go to the river. The meal sifted
|
|
out and made a little track all the way to the lake. I dropped pap's
|
|
whetstone there too, so as to look like it had been done by accident.
|
|
Then I tied up the rip in the meal sack with a string, so it wouldn't
|
|
leak no more, and took it and my saw to the canoe again.
|
|
|
|
It was about dark now; so I dropped the canoe down the river under some
|
|
willows that hung over the bank, and waited for the moon to rise. I made
|
|
fast to a willow; then I took a bite to eat, and by and by laid down in
|
|
the canoe to smoke a pipe and lay out a plan. I says to myself, they'll
|
|
follow the track of that sackful of rocks to the shore and then drag the
|
|
river for me. And they'll follow that meal track to the lake and go
|
|
browsing down the creek that leads out of it to find the robbers that
|
|
killed me and took the things. They won't ever hunt the river for
|
|
anything but my dead carcass. They'll soon get tired of that, and won't
|
|
bother no more about me. All right; I can stop anywhere I want to.
|
|
Jackson's Island is good enough for me; I know that island pretty well,
|
|
and nobody ever comes there. And then I can paddle over to town nights,
|
|
and slink around and pick up things I want. Jackson's Island's the place.
|
|
|
|
I was pretty tired, and the first thing I knowed I was asleep. When I
|
|
woke up I didn't know where I was for a minute. I set up and looked
|
|
around, a little scared. Then I remembered. The river looked miles and
|
|
miles across. The moon was so bright I could a counted the drift logs
|
|
that went a-slipping along, black and still, hundreds of yards out from
|
|
shore. Everything was dead quiet, and it looked late, and SMELT late.
|
|
You know what I mean--I don't know the words to put it in.
|
|
|
|
I took a good gap and a stretch, and was just going to unhitch and start
|
|
when I heard a sound away over the water. I listened. Pretty soon I
|
|
made it out. It was that dull kind of a regular sound that comes from
|
|
oars working in rowlocks when it's a still night. I peeped out through
|
|
the willow branches, and there it was--a skiff, away across the water. I
|
|
couldn't tell how many was in it. It kept a-coming, and when it was
|
|
abreast of me I see there warn't but one man in it. Think's I, maybe
|
|
it's pap, though I warn't expecting him. He dropped below me with the
|
|
current, and by and by he came a-swinging up shore in the easy water, and
|
|
he went by so close I could a reached out the gun and touched him. Well,
|
|
it WAS pap, sure enough--and sober, too, by the way he laid his oars.
|
|
|
|
I didn't lose no time. The next minute I was a-spinning down stream soft
|
|
but quick in the shade of the bank. I made two mile and a half, and then
|
|
struck out a quarter of a mile or more towards the middle of the river,
|
|
because pretty soon I would be passing the ferry landing, and people
|
|
might see me and hail me. I got out amongst the driftwood, and then laid
|
|
down in the bottom of the canoe and let her float. I laid there, and had
|
|
a good rest and a smoke out of my pipe, looking away into the sky; not a
|
|
cloud in it. The sky looks ever so deep when you lay down on your back
|
|
in the moonshine; I never knowed it before. And how far a body can hear
|
|
on the water such nights! I heard people talking at the ferry landing.
|
|
I heard what they said, too--every word of it. One man said it was
|
|
getting towards the long days and the short nights now. T'other one said
|
|
THIS warn't one of the short ones, he reckoned--and then they laughed,
|
|
and he said it over again, and they laughed again; then they waked up
|
|
another fellow and told him, and laughed, but he didn't laugh; he ripped
|
|
out something brisk, and said let him alone. The first fellow said he
|
|
'lowed to tell it to his old woman--she would think it was pretty good;
|
|
but he said that warn't nothing to some things he had said in his time.
|
|
I heard one man say it was nearly three o'clock, and he hoped daylight
|
|
wouldn't wait more than about a week longer. After that the talk got
|
|
further and further away, and I couldn't make out the words any more; but
|
|
I could hear the mumble, and now and then a laugh, too, but it seemed a
|
|
long ways off.
|
|
|
|
I was away below the ferry now. I rose up, and there was Jackson's
|
|
Island, about two mile and a half down stream, heavy timbered and
|
|
standing up out of the middle of the river, big and dark and solid, like
|
|
a steamboat without any lights. There warn't any signs of the bar at the
|
|
head--it was all under water now.
|
|
|
|
It didn't take me long to get there. I shot past the head at a ripping
|
|
rate, the current was so swift, and then I got into the dead water and
|
|
landed on the side towards the Illinois shore. I run the canoe into a
|
|
deep dent in the bank that I knowed about; I had to part the willow
|
|
branches to get in; and when I made fast nobody could a seen the canoe
|
|
from the outside.
|
|
|
|
I went up and set down on a log at the head of the island, and looked out
|
|
on the big river and the black driftwood and away over to the town, three
|
|
mile away, where there was three or four lights twinkling. A monstrous
|
|
big lumber-raft was about a mile up stream, coming along down, with a
|
|
lantern in the middle of it. I watched it come creeping down, and when
|
|
it was most abreast of where I stood I heard a man say, "Stern oars,
|
|
there! heave her head to stabboard!" I heard that just as plain as if
|
|
the man was by my side.
|
|
|
|
There was a little gray in the sky now; so I stepped into the woods, and
|
|
laid down for a nap before breakfast.
|
|
|
|
|
|
|
|
|
|
CHAPTER VIII.
|
|
|
|
THE sun was up so high when I waked that I judged it was after eight
|
|
o'clock. I laid there in the grass and the cool shade thinking about
|
|
things, and feeling rested and ruther comfortable and satisfied. I could
|
|
see the sun out at one or two holes, but mostly it was big trees all
|
|
about, and gloomy in there amongst them. There was freckled places on
|
|
the ground where the light sifted down through the leaves, and the
|
|
freckled places swapped about a little, showing there was a little breeze
|
|
up there. A couple of squirrels set on a limb and jabbered at me very
|
|
friendly.
|
|
|
|
I was powerful lazy and comfortable--didn't want to get up and cook
|
|
breakfast. Well, I was dozing off again when I thinks I hears a deep
|
|
sound of "boom!" away up the river. I rouses up, and rests on my elbow
|
|
and listens; pretty soon I hears it again. I hopped up, and went and
|
|
looked out at a hole in the leaves, and I see a bunch of smoke laying on
|
|
the water a long ways up--about abreast the ferry. And there was the
|
|
ferryboat full of people floating along down. I knowed what was the
|
|
matter now. "Boom!" I see the white smoke squirt out of the ferryboat's
|
|
side. You see, they was firing cannon over the water, trying to make my
|
|
carcass come to the top.
|
|
|
|
I was pretty hungry, but it warn't going to do for me to start a fire,
|
|
because they might see the smoke. So I set there and watched the
|
|
cannon-smoke and listened to the boom. The river was a mile wide there,
|
|
and it always looks pretty on a summer morning--so I was having a good
|
|
enough time seeing them hunt for my remainders if I only had a bite to
|
|
eat. Well, then I happened to think how they always put quicksilver in
|
|
loaves of bread and float them off, because they always go right to the
|
|
drownded carcass and stop there. So, says I, I'll keep a lookout, and if
|
|
any of them's floating around after me I'll give them a show. I changed
|
|
to the Illinois edge of the island to see what luck I could have, and I
|
|
warn't disappointed. A big double loaf come along, and I most got it
|
|
with a long stick, but my foot slipped and she floated out further. Of
|
|
course I was where the current set in the closest to the shore--I knowed
|
|
enough for that. But by and by along comes another one, and this time I
|
|
won. I took out the plug and shook out the little dab of quicksilver,
|
|
and set my teeth in. It was "baker's bread"--what the quality eat; none
|
|
of your low-down corn-pone.
|
|
|
|
I got a good place amongst the leaves, and set there on a log, munching
|
|
the bread and watching the ferry-boat, and very well satisfied. And then
|
|
something struck me. I says, now I reckon the widow or the parson or
|
|
somebody prayed that this bread would find me, and here it has gone and
|
|
done it. So there ain't no doubt but there is something in that thing
|
|
--that is, there's something in it when a body like the widow or the parson
|
|
prays, but it don't work for me, and I reckon it don't work for only just
|
|
the right kind.
|
|
|
|
I lit a pipe and had a good long smoke, and went on watching. The
|
|
ferryboat was floating with the current, and I allowed I'd have a chance
|
|
to see who was aboard when she come along, because she would come in
|
|
close, where the bread did. When she'd got pretty well along down
|
|
towards me, I put out my pipe and went to where I fished out the bread,
|
|
and laid down behind a log on the bank in a little open place. Where the
|
|
log forked I could peep through.
|
|
|
|
By and by she come along, and she drifted in so close that they could a
|
|
run out a plank and walked ashore. Most everybody was on the boat. Pap,
|
|
and Judge Thatcher, and Bessie Thatcher, and Jo Harper, and Tom Sawyer,
|
|
and his old Aunt Polly, and Sid and Mary, and plenty more. Everybody was
|
|
talking about the murder, but the captain broke in and says:
|
|
|
|
"Look sharp, now; the current sets in the closest here, and maybe he's
|
|
washed ashore and got tangled amongst the brush at the water's edge. I
|
|
hope so, anyway."
|
|
|
|
"I didn't hope so. They all crowded up and leaned over the rails, nearly
|
|
in my face, and kept still, watching with all their might. I could see
|
|
them first-rate, but they couldn't see me. Then the captain sung out:
|
|
|
|
"Stand away!" and the cannon let off such a blast right before me that it
|
|
made me deef with the noise and pretty near blind with the smoke, and I
|
|
judged I was gone. If they'd a had some bullets in, I reckon they'd a
|
|
got the corpse they was after. Well, I see I warn't hurt, thanks to
|
|
goodness. The boat floated on and went out of sight around the shoulder
|
|
of the island. I could hear the booming now and then, further and
|
|
further off, and by and by, after an hour, I didn't hear it no more. The
|
|
island was three mile long. I judged they had got to the foot, and was
|
|
giving it up. But they didn't yet a while. They turned around the foot
|
|
of the island and started up the channel on the Missouri side, under
|
|
steam, and booming once in a while as they went. I crossed over to that
|
|
side and watched them. When they got abreast the head of the island they
|
|
quit shooting and dropped over to the Missouri shore and went home to the
|
|
town.
|
|
|
|
I knowed I was all right now. Nobody else would come a-hunting after me.
|
|
I got my traps out of the canoe and made me a nice camp in the thick
|
|
woods. I made a kind of a tent out of my blankets to put my things under
|
|
so the rain couldn't get at them. I catched a catfish and haggled him
|
|
open with my saw, and towards sundown I started my camp fire and had
|
|
supper. Then I set out a line to catch some fish for breakfast.
|
|
|
|
When it was dark I set by my camp fire smoking, and feeling pretty well
|
|
satisfied; but by and by it got sort of lonesome, and so I went and set
|
|
on the bank and listened to the current swashing along, and counted the
|
|
stars and drift logs and rafts that come down, and then went to bed;
|
|
there ain't no better way to put in time when you are lonesome; you can't
|
|
stay so, you soon get over it.
|
|
|
|
And so for three days and nights. No difference--just the same thing.
|
|
But the next day I went exploring around down through the island. I was
|
|
boss of it; it all belonged to me, so to say, and I wanted to know all
|
|
about it; but mainly I wanted to put in the time. I found plenty
|
|
strawberries, ripe and prime; and green summer grapes, and green
|
|
razberries; and the green blackberries was just beginning to show. They
|
|
would all come handy by and by, I judged.
|
|
|
|
Well, I went fooling along in the deep woods till I judged I warn't far
|
|
from the foot of the island. I had my gun along, but I hadn't shot
|
|
nothing; it was for protection; thought I would kill some game nigh home.
|
|
About this time I mighty near stepped on a good-sized snake, and it went
|
|
sliding off through the grass and flowers, and I after it, trying to get
|
|
a shot at it. I clipped along, and all of a sudden I bounded right on to
|
|
the ashes of a camp fire that was still smoking.
|
|
|
|
My heart jumped up amongst my lungs. I never waited for to look further,
|
|
but uncocked my gun and went sneaking back on my tiptoes as fast as ever
|
|
I could. Every now and then I stopped a second amongst the thick leaves
|
|
and listened, but my breath come so hard I couldn't hear nothing else. I
|
|
slunk along another piece further, then listened again; and so on, and so
|
|
on. If I see a stump, I took it for a man; if I trod on a stick and
|
|
broke it, it made me feel like a person had cut one of my breaths in two
|
|
and I only got half, and the short half, too.
|
|
|
|
When I got to camp I warn't feeling very brash, there warn't much sand in
|
|
my craw; but I says, this ain't no time to be fooling around. So I got
|
|
all my traps into my canoe again so as to have them out of sight, and I
|
|
put out the fire and scattered the ashes around to look like an old last
|
|
year's camp, and then clumb a tree.
|
|
|
|
I reckon I was up in the tree two hours; but I didn't see nothing, I
|
|
didn't hear nothing--I only THOUGHT I heard and seen as much as a
|
|
thousand things. Well, I couldn't stay up there forever; so at last I
|
|
got down, but I kept in the thick woods and on the lookout all the time.
|
|
All I could get to eat was berries and what was left over from breakfast.
|
|
|
|
By the time it was night I was pretty hungry. So when it was good and
|
|
dark I slid out from shore before moonrise and paddled over to the
|
|
Illinois bank--about a quarter of a mile. I went out in the woods and
|
|
cooked a supper, and I had about made up my mind I would stay there all
|
|
night when I hear a PLUNKETY-PLUNK, PLUNKETY-PLUNK, and says to myself,
|
|
horses coming; and next I hear people's voices. I got everything into
|
|
the canoe as quick as I could, and then went creeping through the woods
|
|
to see what I could find out. I hadn't got far when I hear a man say:
|
|
|
|
"We better camp here if we can find a good place; the horses is about
|
|
beat out. Let's look around."
|
|
|
|
I didn't wait, but shoved out and paddled away easy. I tied up in the
|
|
old place, and reckoned I would sleep in the canoe.
|
|
|
|
I didn't sleep much. I couldn't, somehow, for thinking. And every time
|
|
I waked up I thought somebody had me by the neck. So the sleep didn't do
|
|
me no good. By and by I says to myself, I can't live this way; I'm
|
|
a-going to find out who it is that's here on the island with me; I'll
|
|
find it out or bust. Well, I felt better right off.
|
|
|
|
So I took my paddle and slid out from shore just a step or two, and then
|
|
let the canoe drop along down amongst the shadows. The moon was shining,
|
|
and outside of the shadows it made it most as light as day. I poked
|
|
along well on to an hour, everything still as rocks and sound asleep.
|
|
Well, by this time I was most down to the foot of the island. A little
|
|
ripply, cool breeze begun to blow, and that was as good as saying the
|
|
night was about done. I give her a turn with the paddle and brung her
|
|
nose to shore; then I got my gun and slipped out and into the edge of the
|
|
woods. I sat down there on a log, and looked out through the leaves. I
|
|
see the moon go off watch, and the darkness begin to blanket the river.
|
|
But in a little while I see a pale streak over the treetops, and knowed
|
|
the day was coming. So I took my gun and slipped off towards where I had
|
|
run across that camp fire, stopping every minute or two to listen. But I
|
|
hadn't no luck somehow; I couldn't seem to find the place. But by and
|
|
by, sure enough, I catched a glimpse of fire away through the trees. I
|
|
went for it, cautious and slow. By and by I was close enough to have a
|
|
look, and there laid a man on the ground. It most give me the fantods.
|
|
He had a blanket around his head, and his head was nearly in the fire. I
|
|
set there behind a clump of bushes in about six foot of him, and kept my
|
|
eyes on him steady. It was getting gray daylight now. Pretty soon he
|
|
gapped and stretched himself and hove off the blanket, and it was Miss
|
|
Watson's Jim! I bet I was glad to see him. I says:
|
|
|
|
"Hello, Jim!" and skipped out.
|
|
|
|
He bounced up and stared at me wild. Then he drops down on his knees,
|
|
and puts his hands together and says:
|
|
|
|
"Doan' hurt me--don't! I hain't ever done no harm to a ghos'. I alwuz
|
|
liked dead people, en done all I could for 'em. You go en git in de
|
|
river agin, whah you b'longs, en doan' do nuffn to Ole Jim, 'at 'uz awluz
|
|
yo' fren'."
|
|
|
|
Well, I warn't long making him understand I warn't dead. I was ever so
|
|
glad to see Jim. I warn't lonesome now. I told him I warn't afraid of
|
|
HIM telling the people where I was. I talked along, but he only set
|
|
there and looked at me; never said nothing. Then I says:
|
|
|
|
"It's good daylight. Le's get breakfast. Make up your camp fire good."
|
|
|
|
"What's de use er makin' up de camp fire to cook strawbries en sich
|
|
truck? But you got a gun, hain't you? Den we kin git sumfn better den
|
|
strawbries."
|
|
|
|
"Strawberries and such truck," I says. "Is that what you live on?"
|
|
|
|
"I couldn' git nuffn else," he says.
|
|
|
|
"Why, how long you been on the island, Jim?"
|
|
|
|
"I come heah de night arter you's killed."
|
|
|
|
"What, all that time?"
|
|
|
|
"Yes--indeedy."
|
|
|
|
"And ain't you had nothing but that kind of rubbage to eat?"
|
|
|
|
"No, sah--nuffn else."
|
|
|
|
"Well, you must be most starved, ain't you?"
|
|
|
|
"I reck'n I could eat a hoss. I think I could. How long you ben on de
|
|
islan'?"
|
|
|
|
"Since the night I got killed."
|
|
|
|
"No! W'y, what has you lived on? But you got a gun. Oh, yes, you got a
|
|
gun. Dat's good. Now you kill sumfn en I'll make up de fire."
|
|
|
|
So we went over to where the canoe was, and while he built a fire in a
|
|
grassy open place amongst the trees, I fetched meal and bacon and coffee,
|
|
and coffee-pot and frying-pan, and sugar and tin cups, and the nigger was
|
|
set back considerable, because he reckoned it was all done with
|
|
witchcraft. I catched a good big catfish, too, and Jim cleaned him with
|
|
his knife, and fried him.
|
|
|
|
When breakfast was ready we lolled on the grass and eat it smoking hot.
|
|
Jim laid it in with all his might, for he was most about starved. Then
|
|
when we had got pretty well stuffed, we laid off and lazied. By and by
|
|
Jim says:
|
|
|
|
"But looky here, Huck, who wuz it dat 'uz killed in dat shanty ef it
|
|
warn't you?"
|
|
|
|
Then I told him the whole thing, and he said it was smart. He said Tom
|
|
Sawyer couldn't get up no better plan than what I had. Then I says:
|
|
|
|
"How do you come to be here, Jim, and how'd you get here?"
|
|
|
|
He looked pretty uneasy, and didn't say nothing for a minute. Then he
|
|
says:
|
|
|
|
"Maybe I better not tell."
|
|
|
|
"Why, Jim?"
|
|
|
|
"Well, dey's reasons. But you wouldn' tell on me ef I uz to tell you,
|
|
would you, Huck?"
|
|
|
|
"Blamed if I would, Jim."
|
|
|
|
"Well, I b'lieve you, Huck. I--I RUN OFF."
|
|
|
|
"Jim!"
|
|
|
|
"But mind, you said you wouldn' tell--you know you said you wouldn' tell,
|
|
Huck."
|
|
|
|
"Well, I did. I said I wouldn't, and I'll stick to it. Honest INJUN, I
|
|
will. People would call me a low-down Abolitionist and despise me for
|
|
keeping mum--but that don't make no difference. I ain't a-going to tell,
|
|
and I ain't a-going back there, anyways. So, now, le's know all about
|
|
it."
|
|
|
|
"Well, you see, it 'uz dis way. Ole missus--dat's Miss Watson--she pecks
|
|
on me all de time, en treats me pooty rough, but she awluz said she
|
|
wouldn' sell me down to Orleans. But I noticed dey wuz a nigger trader
|
|
roun' de place considable lately, en I begin to git oneasy. Well, one
|
|
night I creeps to de do' pooty late, en de do' warn't quite shet, en I
|
|
hear old missus tell de widder she gwyne to sell me down to Orleans, but
|
|
she didn' want to, but she could git eight hund'd dollars for me, en it
|
|
'uz sich a big stack o' money she couldn' resis'. De widder she try to
|
|
git her to say she wouldn' do it, but I never waited to hear de res'. I
|
|
lit out mighty quick, I tell you.
|
|
|
|
"I tuck out en shin down de hill, en 'spec to steal a skift 'long de sho'
|
|
som'ers 'bove de town, but dey wuz people a-stirring yit, so I hid in de
|
|
ole tumble-down cooper-shop on de bank to wait for everybody to go 'way.
|
|
Well, I wuz dah all night. Dey wuz somebody roun' all de time. 'Long
|
|
'bout six in de mawnin' skifts begin to go by, en 'bout eight er nine
|
|
every skift dat went 'long wuz talkin' 'bout how yo' pap come over to de
|
|
town en say you's killed. Dese las' skifts wuz full o' ladies en genlmen
|
|
a-goin' over for to see de place. Sometimes dey'd pull up at de sho' en
|
|
take a res' b'fo' dey started acrost, so by de talk I got to know all
|
|
'bout de killin'. I 'uz powerful sorry you's killed, Huck, but I ain't
|
|
no mo' now.
|
|
|
|
"I laid dah under de shavin's all day. I 'uz hungry, but I warn't
|
|
afeard; bekase I knowed ole missus en de widder wuz goin' to start to de
|
|
camp-meet'n' right arter breakfas' en be gone all day, en dey knows I
|
|
goes off wid de cattle 'bout daylight, so dey wouldn' 'spec to see me
|
|
roun' de place, en so dey wouldn' miss me tell arter dark in de evenin'.
|
|
De yuther servants wouldn' miss me, kase dey'd shin out en take holiday
|
|
soon as de ole folks 'uz out'n de way.
|
|
|
|
"Well, when it come dark I tuck out up de river road, en went 'bout two
|
|
mile er more to whah dey warn't no houses. I'd made up my mine 'bout
|
|
what I's agwyne to do. You see, ef I kep' on tryin' to git away afoot,
|
|
de dogs 'ud track me; ef I stole a skift to cross over, dey'd miss dat
|
|
skift, you see, en dey'd know 'bout whah I'd lan' on de yuther side, en
|
|
whah to pick up my track. So I says, a raff is what I's arter; it doan'
|
|
MAKE no track.
|
|
|
|
"I see a light a-comin' roun' de p'int bymeby, so I wade' in en shove' a
|
|
log ahead o' me en swum more'n half way acrost de river, en got in
|
|
'mongst de drift-wood, en kep' my head down low, en kinder swum agin de
|
|
current tell de raff come along. Den I swum to de stern uv it en tuck
|
|
a-holt. It clouded up en 'uz pooty dark for a little while. So I clumb
|
|
up en laid down on de planks. De men 'uz all 'way yonder in de middle,
|
|
whah de lantern wuz. De river wuz a-risin', en dey wuz a good current;
|
|
so I reck'n'd 'at by fo' in de mawnin' I'd be twenty-five mile down de
|
|
river, en den I'd slip in jis b'fo' daylight en swim asho', en take to
|
|
de woods on de Illinois side.
|
|
|
|
"But I didn' have no luck. When we 'uz mos' down to de head er de islan'
|
|
a man begin to come aft wid de lantern, I see it warn't no use fer to
|
|
wait, so I slid overboard en struck out fer de islan'. Well, I had a
|
|
notion I could lan' mos' anywhers, but I couldn't--bank too bluff. I 'uz
|
|
mos' to de foot er de islan' b'fo' I found' a good place. I went into de
|
|
woods en jedged I wouldn' fool wid raffs no mo', long as dey move de
|
|
lantern roun' so. I had my pipe en a plug er dog-leg, en some matches in
|
|
my cap, en dey warn't wet, so I 'uz all right."
|
|
|
|
"And so you ain't had no meat nor bread to eat all this time? Why didn't
|
|
you get mud-turkles?"
|
|
|
|
"How you gwyne to git 'm? You can't slip up on um en grab um; en how's a
|
|
body gwyne to hit um wid a rock? How could a body do it in de night? En
|
|
I warn't gwyne to show mysef on de bank in de daytime."
|
|
|
|
"Well, that's so. You've had to keep in the woods all the time, of
|
|
course. Did you hear 'em shooting the cannon?"
|
|
|
|
"Oh, yes. I knowed dey was arter you. I see um go by heah--watched um
|
|
thoo de bushes."
|
|
|
|
Some young birds come along, flying a yard or two at a time and lighting.
|
|
Jim said it was a sign it was going to rain. He said it was a sign when
|
|
young chickens flew that way, and so he reckoned it was the same way when
|
|
young birds done it. I was going to catch some of them, but Jim wouldn't
|
|
let me. He said it was death. He said his father laid mighty sick once,
|
|
and some of them catched a bird, and his old granny said his father would
|
|
die, and he did.
|
|
|
|
And Jim said you mustn't count the things you are going to cook for
|
|
dinner, because that would bring bad luck. The same if you shook the
|
|
table-cloth after sundown. And he said if a man owned a beehive and that
|
|
man died, the bees must be told about it before sun-up next morning, or
|
|
else the bees would all weaken down and quit work and die. Jim said bees
|
|
wouldn't sting idiots; but I didn't believe that, because I had tried
|
|
them lots of times myself, and they wouldn't sting me.
|
|
|
|
I had heard about some of these things before, but not all of them. Jim
|
|
knowed all kinds of signs. He said he knowed most everything. I said it
|
|
looked to me like all the signs was about bad luck, and so I asked him if
|
|
there warn't any good-luck signs. He says:
|
|
|
|
"Mighty few--an' DEY ain't no use to a body. What you want to know when
|
|
good luck's a-comin' for? Want to keep it off?" And he said: "Ef you's
|
|
got hairy arms en a hairy breas', it's a sign dat you's agwyne to be
|
|
rich. Well, dey's some use in a sign like dat, 'kase it's so fur ahead.
|
|
You see, maybe you's got to be po' a long time fust, en so you might git
|
|
discourage' en kill yo'sef 'f you didn' know by de sign dat you gwyne to
|
|
be rich bymeby."
|
|
|
|
"Have you got hairy arms and a hairy breast, Jim?"
|
|
|
|
"What's de use to ax dat question? Don't you see I has?"
|
|
|
|
"Well, are you rich?"
|
|
|
|
"No, but I ben rich wunst, and gwyne to be rich agin. Wunst I had foteen
|
|
dollars, but I tuck to specalat'n', en got busted out."
|
|
|
|
"What did you speculate in, Jim?"
|
|
|
|
"Well, fust I tackled stock."
|
|
|
|
"What kind of stock?"
|
|
|
|
"Why, live stock--cattle, you know. I put ten dollars in a cow. But I
|
|
ain' gwyne to resk no mo' money in stock. De cow up 'n' died on my
|
|
han's."
|
|
|
|
"So you lost the ten dollars."
|
|
|
|
"No, I didn't lose it all. I on'y los' 'bout nine of it. I sole de hide
|
|
en taller for a dollar en ten cents."
|
|
|
|
"You had five dollars and ten cents left. Did you speculate any more?"
|
|
|
|
"Yes. You know that one-laigged nigger dat b'longs to old Misto Bradish?
|
|
Well, he sot up a bank, en say anybody dat put in a dollar would git fo'
|
|
dollars mo' at de en' er de year. Well, all de niggers went in, but dey
|
|
didn't have much. I wuz de on'y one dat had much. So I stuck out for
|
|
mo' dan fo' dollars, en I said 'f I didn' git it I'd start a bank mysef.
|
|
Well, o' course dat nigger want' to keep me out er de business, bekase he
|
|
says dey warn't business 'nough for two banks, so he say I could put in
|
|
my five dollars en he pay me thirty-five at de en' er de year.
|
|
|
|
"So I done it. Den I reck'n'd I'd inves' de thirty-five dollars right
|
|
off en keep things a-movin'. Dey wuz a nigger name' Bob, dat had ketched
|
|
a wood-flat, en his marster didn' know it; en I bought it off'n him en
|
|
told him to take de thirty-five dollars when de en' er de year come; but
|
|
somebody stole de wood-flat dat night, en nex day de one-laigged nigger
|
|
say de bank's busted. So dey didn' none uv us git no money."
|
|
|
|
"What did you do with the ten cents, Jim?"
|
|
|
|
"Well, I 'uz gwyne to spen' it, but I had a dream, en de dream tole me to
|
|
give it to a nigger name' Balum--Balum's Ass dey call him for short; he's
|
|
one er dem chuckleheads, you know. But he's lucky, dey say, en I see I
|
|
warn't lucky. De dream say let Balum inves' de ten cents en he'd make a
|
|
raise for me. Well, Balum he tuck de money, en when he wuz in church he
|
|
hear de preacher say dat whoever give to de po' len' to de Lord, en boun'
|
|
to git his money back a hund'd times. So Balum he tuck en give de ten
|
|
cents to de po', en laid low to see what wuz gwyne to come of it."
|
|
|
|
"Well, what did come of it, Jim?"
|
|
|
|
"Nuffn never come of it. I couldn' manage to k'leck dat money no way; en
|
|
Balum he couldn'. I ain' gwyne to len' no mo' money 'dout I see de
|
|
security. Boun' to git yo' money back a hund'd times, de preacher says!
|
|
Ef I could git de ten CENTS back, I'd call it squah, en be glad er de
|
|
chanst."
|
|
|
|
"Well, it's all right anyway, Jim, long as you're going to be rich again
|
|
some time or other."
|
|
|
|
"Yes; en I's rich now, come to look at it. I owns mysef, en I's wuth
|
|
eight hund'd dollars. I wisht I had de money, I wouldn' want no mo'."
|
|
|
|
|
|
|
|
|
|
CHAPTER IX.
|
|
|
|
I WANTED to go and look at a place right about the middle of the island
|
|
that I'd found when I was exploring; so we started and soon got to it,
|
|
because the island was only three miles long and a quarter of a mile
|
|
wide.
|
|
|
|
This place was a tolerable long, steep hill or ridge about forty foot
|
|
high. We had a rough time getting to the top, the sides was so steep and
|
|
the bushes so thick. We tramped and clumb around all over it, and by and
|
|
by found a good big cavern in the rock, most up to the top on the side
|
|
towards Illinois. The cavern was as big as two or three rooms bunched
|
|
together, and Jim could stand up straight in it. It was cool in there.
|
|
Jim was for putting our traps in there right away, but I said we didn't
|
|
want to be climbing up and down there all the time.
|
|
|
|
Jim said if we had the canoe hid in a good place, and had all the traps
|
|
in the cavern, we could rush there if anybody was to come to the island,
|
|
and they would never find us without dogs. And, besides, he said them
|
|
little birds had said it was going to rain, and did I want the things to
|
|
get wet?
|
|
|
|
So we went back and got the canoe, and paddled up abreast the cavern, and
|
|
lugged all the traps up there. Then we hunted up a place close by to
|
|
hide the canoe in, amongst the thick willows. We took some fish off of
|
|
the lines and set them again, and begun to get ready for dinner.
|
|
|
|
The door of the cavern was big enough to roll a hogshead in, and on one
|
|
side of the door the floor stuck out a little bit, and was flat and a
|
|
good place to build a fire on. So we built it there and cooked dinner.
|
|
|
|
We spread the blankets inside for a carpet, and eat our dinner in there.
|
|
We put all the other things handy at the back of the cavern. Pretty soon
|
|
it darkened up, and begun to thunder and lighten; so the birds was right
|
|
about it. Directly it begun to rain, and it rained like all fury, too,
|
|
and I never see the wind blow so. It was one of these regular summer
|
|
storms. It would get so dark that it looked all blue-black outside, and
|
|
lovely; and the rain would thrash along by so thick that the trees off a
|
|
little ways looked dim and spider-webby; and here would come a blast of
|
|
wind that would bend the trees down and turn up the pale underside of the
|
|
leaves; and then a perfect ripper of a gust would follow along and set
|
|
the branches to tossing their arms as if they was just wild; and next,
|
|
when it was just about the bluest and blackest--FST! it was as bright as
|
|
glory, and you'd have a little glimpse of tree-tops a-plunging about away
|
|
off yonder in the storm, hundreds of yards further than you could see
|
|
before; dark as sin again in a second, and now you'd hear the thunder let
|
|
go with an awful crash, and then go rumbling, grumbling, tumbling, down
|
|
the sky towards the under side of the world, like rolling empty barrels
|
|
down stairs--where it's long stairs and they bounce a good deal, you
|
|
know.
|
|
|
|
"Jim, this is nice," I says. "I wouldn't want to be nowhere else but
|
|
here. Pass me along another hunk of fish and some hot corn-bread."
|
|
|
|
"Well, you wouldn't a ben here 'f it hadn't a ben for Jim. You'd a ben
|
|
down dah in de woods widout any dinner, en gittn' mos' drownded, too; dat
|
|
you would, honey. Chickens knows when it's gwyne to rain, en so do de
|
|
birds, chile."
|
|
|
|
The river went on raising and raising for ten or twelve days, till at
|
|
last it was over the banks. The water was three or four foot deep on the
|
|
island in the low places and on the Illinois bottom. On that side it was
|
|
a good many miles wide, but on the Missouri side it was the same old
|
|
distance across--a half a mile--because the Missouri shore was just a
|
|
wall of high bluffs.
|
|
|
|
Daytimes we paddled all over the island in the canoe, It was mighty cool
|
|
and shady in the deep woods, even if the sun was blazing outside. We
|
|
went winding in and out amongst the trees, and sometimes the vines hung
|
|
so thick we had to back away and go some other way. Well, on every old
|
|
broken-down tree you could see rabbits and snakes and such things; and
|
|
when the island had been overflowed a day or two they got so tame, on
|
|
account of being hungry, that you could paddle right up and put your hand
|
|
on them if you wanted to; but not the snakes and turtles--they would
|
|
slide off in the water. The ridge our cavern was in was full of them.
|
|
We could a had pets enough if we'd wanted them.
|
|
|
|
One night we catched a little section of a lumber raft--nice pine planks.
|
|
It was twelve foot wide and about fifteen or sixteen foot long, and the
|
|
top stood above water six or seven inches--a solid, level floor. We
|
|
could see saw-logs go by in the daylight sometimes, but we let them go;
|
|
we didn't show ourselves in daylight.
|
|
|
|
Another night when we was up at the head of the island, just before
|
|
daylight, here comes a frame-house down, on the west side. She was a
|
|
two-story, and tilted over considerable. We paddled out and got aboard
|
|
--clumb in at an upstairs window. But it was too dark to see yet, so we
|
|
made the canoe fast and set in her to wait for daylight.
|
|
|
|
The light begun to come before we got to the foot of the island. Then we
|
|
looked in at the window. We could make out a bed, and a table, and two
|
|
old chairs, and lots of things around about on the floor, and there was
|
|
clothes hanging against the wall. There was something laying on the
|
|
floor in the far corner that looked like a man. So Jim says:
|
|
|
|
"Hello, you!"
|
|
|
|
But it didn't budge. So I hollered again, and then Jim says:
|
|
|
|
"De man ain't asleep--he's dead. You hold still--I'll go en see."
|
|
|
|
He went, and bent down and looked, and says:
|
|
|
|
"It's a dead man. Yes, indeedy; naked, too. He's ben shot in de back.
|
|
I reck'n he's ben dead two er three days. Come in, Huck, but doan' look
|
|
at his face--it's too gashly."
|
|
|
|
I didn't look at him at all. Jim throwed some old rags over him, but he
|
|
needn't done it; I didn't want to see him. There was heaps of old greasy
|
|
cards scattered around over the floor, and old whisky bottles, and a
|
|
couple of masks made out of black cloth; and all over the walls was the
|
|
ignorantest kind of words and pictures made with charcoal. There was two
|
|
old dirty calico dresses, and a sun-bonnet, and some women's underclothes
|
|
hanging against the wall, and some men's clothing, too. We put the lot
|
|
into the canoe--it might come good. There was a boy's old speckled straw
|
|
hat on the floor; I took that, too. And there was a bottle that had had
|
|
milk in it, and it had a rag stopper for a baby to suck. We would a took
|
|
the bottle, but it was broke. There was a seedy old chest, and an old
|
|
hair trunk with the hinges broke. They stood open, but there warn't
|
|
nothing left in them that was any account. The way things was scattered
|
|
about we reckoned the people left in a hurry, and warn't fixed so as to
|
|
carry off most of their stuff.
|
|
|
|
We got an old tin lantern, and a butcher-knife without any handle, and a
|
|
bran-new Barlow knife worth two bits in any store, and a lot of tallow
|
|
candles, and a tin candlestick, and a gourd, and a tin cup, and a ratty
|
|
old bedquilt off the bed, and a reticule with needles and pins and
|
|
beeswax and buttons and thread and all such truck in it, and a hatchet
|
|
and some nails, and a fishline as thick as my little finger with some
|
|
monstrous hooks on it, and a roll of buckskin, and a leather dog-collar,
|
|
and a horseshoe, and some vials of medicine that didn't have no label on
|
|
them; and just as we was leaving I found a tolerable good curry-comb, and
|
|
Jim he found a ratty old fiddle-bow, and a wooden leg. The straps was
|
|
broke off of it, but, barring that, it was a good enough leg, though it
|
|
was too long for me and not long enough for Jim, and we couldn't find the
|
|
other one, though we hunted all around.
|
|
|
|
And so, take it all around, we made a good haul. When we was ready to
|
|
shove off we was a quarter of a mile below the island, and it was pretty
|
|
broad day; so I made Jim lay down in the canoe and cover up with the
|
|
quilt, because if he set up people could tell he was a nigger a good ways
|
|
off. I paddled over to the Illinois shore, and drifted down most a half
|
|
a mile doing it. I crept up the dead water under the bank, and hadn't no
|
|
accidents and didn't see nobody. We got home all safe.
|
|
|
|
|
|
|
|
|
|
CHAPTER X.
|
|
|
|
AFTER breakfast I wanted to talk about the dead man and guess out how he
|
|
come to be killed, but Jim didn't want to. He said it would fetch bad
|
|
luck; and besides, he said, he might come and ha'nt us; he said a man
|
|
that warn't buried was more likely to go a-ha'nting around than one that
|
|
was planted and comfortable. That sounded pretty reasonable, so I didn't
|
|
say no more; but I couldn't keep from studying over it and wishing I
|
|
knowed who shot the man, and what they done it for.
|
|
|
|
We rummaged the clothes we'd got, and found eight dollars in silver sewed
|
|
up in the lining of an old blanket overcoat. Jim said he reckoned the
|
|
people in that house stole the coat, because if they'd a knowed the money
|
|
was there they wouldn't a left it. I said I reckoned they killed him,
|
|
too; but Jim didn't want to talk about that. I says:
|
|
|
|
"Now you think it's bad luck; but what did you say when I fetched in the
|
|
snake-skin that I found on the top of the ridge day before yesterday?
|
|
You said it was the worst bad luck in the world to touch a snake-skin
|
|
with my hands. Well, here's your bad luck! We've raked in all this
|
|
truck and eight dollars besides. I wish we could have some bad luck like
|
|
this every day, Jim."
|
|
|
|
"Never you mind, honey, never you mind. Don't you git too peart. It's
|
|
a-comin'. Mind I tell you, it's a-comin'."
|
|
|
|
It did come, too. It was a Tuesday that we had that talk. Well, after
|
|
dinner Friday we was laying around in the grass at the upper end of the
|
|
ridge, and got out of tobacco. I went to the cavern to get some, and
|
|
found a rattlesnake in there. I killed him, and curled him up on the
|
|
foot of Jim's blanket, ever so natural, thinking there'd be some fun when
|
|
Jim found him there. Well, by night I forgot all about the snake, and
|
|
when Jim flung himself down on the blanket while I struck a light the
|
|
snake's mate was there, and bit him.
|
|
|
|
He jumped up yelling, and the first thing the light showed was the
|
|
varmint curled up and ready for another spring. I laid him out in a
|
|
second with a stick, and Jim grabbed pap's whisky-jug and begun to pour
|
|
it down.
|
|
|
|
He was barefooted, and the snake bit him right on the heel. That all
|
|
comes of my being such a fool as to not remember that wherever you leave
|
|
a dead snake its mate always comes there and curls around it. Jim told
|
|
me to chop off the snake's head and throw it away, and then skin the body
|
|
and roast a piece of it. I done it, and he eat it and said it would help
|
|
cure him. He made me take off the rattles and tie them around his wrist,
|
|
too. He said that that would help. Then I slid out quiet and throwed
|
|
the snakes clear away amongst the bushes; for I warn't going to let Jim
|
|
find out it was all my fault, not if I could help it.
|
|
|
|
Jim sucked and sucked at the jug, and now and then he got out of his head
|
|
and pitched around and yelled; but every time he come to himself he went
|
|
to sucking at the jug again. His foot swelled up pretty big, and so did
|
|
his leg; but by and by the drunk begun to come, and so I judged he was
|
|
all right; but I'd druther been bit with a snake than pap's whisky.
|
|
|
|
Jim was laid up for four days and nights. Then the swelling was all gone
|
|
and he was around again. I made up my mind I wouldn't ever take a-holt
|
|
of a snake-skin again with my hands, now that I see what had come of it.
|
|
Jim said he reckoned I would believe him next time. And he said that
|
|
handling a snake-skin was such awful bad luck that maybe we hadn't got to
|
|
the end of it yet. He said he druther see the new moon over his left
|
|
shoulder as much as a thousand times than take up a snake-skin in his
|
|
hand. Well, I was getting to feel that way myself, though I've always
|
|
reckoned that looking at the new moon over your left shoulder is one of
|
|
the carelessest and foolishest things a body can do. Old Hank Bunker
|
|
done it once, and bragged about it; and in less than two years he got
|
|
drunk and fell off of the shot-tower, and spread himself out so that he
|
|
was just a kind of a layer, as you may say; and they slid him edgeways
|
|
between two barn doors for a coffin, and buried him so, so they say, but
|
|
I didn't see it. Pap told me. But anyway it all come of looking at the
|
|
moon that way, like a fool.
|
|
|
|
Well, the days went along, and the river went down between its banks
|
|
again; and about the first thing we done was to bait one of the big hooks
|
|
with a skinned rabbit and set it and catch a catfish that was as big as a
|
|
man, being six foot two inches long, and weighed over two hundred pounds.
|
|
We couldn't handle him, of course; he would a flung us into Illinois. We
|
|
just set there and watched him rip and tear around till he drownded. We
|
|
found a brass button in his stomach and a round ball, and lots of
|
|
rubbage. We split the ball open with the hatchet, and there was a spool
|
|
in it. Jim said he'd had it there a long time, to coat it over so and
|
|
make a ball of it. It was as big a fish as was ever catched in the
|
|
Mississippi, I reckon. Jim said he hadn't ever seen a bigger one. He
|
|
would a been worth a good deal over at the village. They peddle out such
|
|
a fish as that by the pound in the market-house there; everybody buys
|
|
some of him; his meat's as white as snow and makes a good fry.
|
|
|
|
Next morning I said it was getting slow and dull, and I wanted to get a
|
|
stirring up some way. I said I reckoned I would slip over the river and
|
|
find out what was going on. Jim liked that notion; but he said I must go
|
|
in the dark and look sharp. Then he studied it over and said, couldn't I
|
|
put on some of them old things and dress up like a girl? That was a good
|
|
notion, too. So we shortened up one of the calico gowns, and I turned up
|
|
my trouser-legs to my knees and got into it. Jim hitched it behind with
|
|
the hooks, and it was a fair fit. I put on the sun-bonnet and tied it
|
|
under my chin, and then for a body to look in and see my face was like
|
|
looking down a joint of stove-pipe. Jim said nobody would know me, even
|
|
in the daytime, hardly. I practiced around all day to get the hang of
|
|
the things, and by and by I could do pretty well in them, only Jim said I
|
|
didn't walk like a girl; and he said I must quit pulling up my gown to
|
|
get at my britches-pocket. I took notice, and done better.
|
|
|
|
I started up the Illinois shore in the canoe just after dark.
|
|
|
|
I started across to the town from a little below the ferry-landing, and
|
|
the drift of the current fetched me in at the bottom of the town. I tied
|
|
up and started along the bank. There was a light burning in a little
|
|
shanty that hadn't been lived in for a long time, and I wondered who had
|
|
took up quarters there. I slipped up and peeped in at the window. There
|
|
was a woman about forty year old in there knitting by a candle that was
|
|
on a pine table. I didn't know her face; she was a stranger, for you
|
|
couldn't start a face in that town that I didn't know. Now this was
|
|
lucky, because I was weakening; I was getting afraid I had come; people
|
|
might know my voice and find me out. But if this woman had been in such
|
|
a little town two days she could tell me all I wanted to know; so I
|
|
knocked at the door, and made up my mind I wouldn't forget I was a girl.
|
|
|
|
|
|
|
|
|
|
CHAPTER XI.
|
|
|
|
"COME in," says the woman, and I did. She says: "Take a cheer."
|
|
|
|
I done it. She looked me all over with her little shiny eyes, and says:
|
|
|
|
"What might your name be?"
|
|
|
|
"Sarah Williams."
|
|
|
|
"Where 'bouts do you live? In this neighborhood?'
|
|
|
|
"No'm. In Hookerville, seven mile below. I've walked all the way and
|
|
I'm all tired out."
|
|
|
|
"Hungry, too, I reckon. I'll find you something."
|
|
|
|
"No'm, I ain't hungry. I was so hungry I had to stop two miles below
|
|
here at a farm; so I ain't hungry no more. It's what makes me so late.
|
|
My mother's down sick, and out of money and everything, and I come to
|
|
tell my uncle Abner Moore. He lives at the upper end of the town, she
|
|
says. I hain't ever been here before. Do you know him?"
|
|
|
|
"No; but I don't know everybody yet. I haven't lived here quite two
|
|
weeks. It's a considerable ways to the upper end of the town. You better
|
|
stay here all night. Take off your bonnet."
|
|
|
|
"No," I says; "I'll rest a while, I reckon, and go on. I ain't afeared
|
|
of the dark."
|
|
|
|
She said she wouldn't let me go by myself, but her husband would be in by
|
|
and by, maybe in a hour and a half, and she'd send him along with me.
|
|
Then she got to talking about her husband, and about her relations up the
|
|
river, and her relations down the river, and about how much better off
|
|
they used to was, and how they didn't know but they'd made a mistake
|
|
coming to our town, instead of letting well alone--and so on and so on,
|
|
till I was afeard I had made a mistake coming to her to find out what was
|
|
going on in the town; but by and by she dropped on to pap and the murder,
|
|
and then I was pretty willing to let her clatter right along. She told
|
|
about me and Tom Sawyer finding the six thousand dollars (only she got it
|
|
ten) and all about pap and what a hard lot he was, and what a hard lot I
|
|
was, and at last she got down to where I was murdered. I says:
|
|
|
|
"Who done it? We've heard considerable about these goings on down in
|
|
Hookerville, but we don't know who 'twas that killed Huck Finn."
|
|
|
|
"Well, I reckon there's a right smart chance of people HERE that'd like
|
|
to know who killed him. Some think old Finn done it himself."
|
|
|
|
"No--is that so?"
|
|
|
|
"Most everybody thought it at first. He'll never know how nigh he come
|
|
to getting lynched. But before night they changed around and judged it
|
|
was done by a runaway nigger named Jim."
|
|
|
|
"Why HE--"
|
|
|
|
I stopped. I reckoned I better keep still. She run on, and never
|
|
noticed I had put in at all:
|
|
|
|
"The nigger run off the very night Huck Finn was killed. So there's a
|
|
reward out for him--three hundred dollars. And there's a reward out for
|
|
old Finn, too--two hundred dollars. You see, he come to town the morning
|
|
after the murder, and told about it, and was out with 'em on the
|
|
ferryboat hunt, and right away after he up and left. Before night they
|
|
wanted to lynch him, but he was gone, you see. Well, next day they found
|
|
out the nigger was gone; they found out he hadn't ben seen sence ten
|
|
o'clock the night the murder was done. So then they put it on him, you
|
|
see; and while they was full of it, next day, back comes old Finn, and
|
|
went boo-hooing to Judge Thatcher to get money to hunt for the nigger all
|
|
over Illinois with. The judge gave him some, and that evening he got
|
|
drunk, and was around till after midnight with a couple of mighty
|
|
hard-looking strangers, and then went off with them. Well, he hain't
|
|
come back sence, and they ain't looking for him back till this thing
|
|
blows over a little, for people thinks now that he killed his boy and
|
|
fixed things so folks would think robbers done it, and then he'd get
|
|
Huck's money without having to bother a long time with a lawsuit. People
|
|
do say he warn't any too good to do it. Oh, he's sly, I reckon. If he
|
|
don't come back for a year he'll be all right. You can't prove anything
|
|
on him, you know; everything will be quieted down then, and he'll walk in
|
|
Huck's money as easy as nothing."
|
|
|
|
"Yes, I reckon so, 'm. I don't see nothing in the way of it. Has
|
|
everybody quit thinking the nigger done it?"
|
|
|
|
"Oh, no, not everybody. A good many thinks he done it. But they'll get
|
|
the nigger pretty soon now, and maybe they can scare it out of him."
|
|
|
|
"Why, are they after him yet?"
|
|
|
|
"Well, you're innocent, ain't you! Does three hundred dollars lay around
|
|
every day for people to pick up? Some folks think the nigger ain't far
|
|
from here. I'm one of them--but I hain't talked it around. A few days
|
|
ago I was talking with an old couple that lives next door in the log
|
|
shanty, and they happened to say hardly anybody ever goes to that island
|
|
over yonder that they call Jackson's Island. Don't anybody live there?
|
|
says I. No, nobody, says they. I didn't say any more, but I done some
|
|
thinking. I was pretty near certain I'd seen smoke over there, about the
|
|
head of the island, a day or two before that, so I says to myself, like
|
|
as not that nigger's hiding over there; anyway, says I, it's worth the
|
|
trouble to give the place a hunt. I hain't seen any smoke sence, so I
|
|
reckon maybe he's gone, if it was him; but husband's going over to see
|
|
--him and another man. He was gone up the river; but he got back to-day,
|
|
and I told him as soon as he got here two hours ago."
|
|
|
|
I had got so uneasy I couldn't set still. I had to do something with my
|
|
hands; so I took up a needle off of the table and went to threading it.
|
|
My hands shook, and I was making a bad job of it. When the woman stopped
|
|
talking I looked up, and she was looking at me pretty curious and smiling
|
|
a little. I put down the needle and thread, and let on to be interested
|
|
--and I was, too--and says:
|
|
|
|
"Three hundred dollars is a power of money. I wish my mother could get
|
|
it. Is your husband going over there to-night?"
|
|
|
|
"Oh, yes. He went up-town with the man I was telling you of, to get a
|
|
boat and see if they could borrow another gun. They'll go over after
|
|
midnight."
|
|
|
|
"Couldn't they see better if they was to wait till daytime?"
|
|
|
|
"Yes. And couldn't the nigger see better, too? After midnight he'll
|
|
likely be asleep, and they can slip around through the woods and hunt up
|
|
his camp fire all the better for the dark, if he's got one."
|
|
|
|
"I didn't think of that."
|
|
|
|
The woman kept looking at me pretty curious, and I didn't feel a bit
|
|
comfortable. Pretty soon she says"
|
|
|
|
"What did you say your name was, honey?"
|
|
|
|
"M--Mary Williams."
|
|
|
|
Somehow it didn't seem to me that I said it was Mary before, so I didn't
|
|
look up--seemed to me I said it was Sarah; so I felt sort of cornered,
|
|
and was afeared maybe I was looking it, too. I wished the woman would
|
|
say something more; the longer she set still the uneasier I was. But now
|
|
she says:
|
|
|
|
"Honey, I thought you said it was Sarah when you first come in?"
|
|
|
|
"Oh, yes'm, I did. Sarah Mary Williams. Sarah's my first name. Some
|
|
calls me Sarah, some calls me Mary."
|
|
|
|
"Oh, that's the way of it?"
|
|
|
|
"Yes'm."
|
|
|
|
I was feeling better then, but I wished I was out of there, anyway. I
|
|
couldn't look up yet.
|
|
|
|
Well, the woman fell to talking about how hard times was, and how poor
|
|
they had to live, and how the rats was as free as if they owned the
|
|
place, and so forth and so on, and then I got easy again. She was right
|
|
about the rats. You'd see one stick his nose out of a hole in the corner
|
|
every little while. She said she had to have things handy to throw at
|
|
them when she was alone, or they wouldn't give her no peace. She showed
|
|
me a bar of lead twisted up into a knot, and said she was a good shot
|
|
with it generly, but she'd wrenched her arm a day or two ago, and didn't
|
|
know whether she could throw true now. But she watched for a chance, and
|
|
directly banged away at a rat; but she missed him wide, and said "Ouch!"
|
|
it hurt her arm so. Then she told me to try for the next one. I wanted
|
|
to be getting away before the old man got back, but of course I didn't
|
|
let on. I got the thing, and the first rat that showed his nose I let
|
|
drive, and if he'd a stayed where he was he'd a been a tolerable sick
|
|
rat. She said that was first-rate, and she reckoned I would hive the
|
|
next one. She went and got the lump of lead and fetched it back, and
|
|
brought along a hank of yarn which she wanted me to help her with. I
|
|
held up my two hands and she put the hank over them, and went on talking
|
|
about her and her husband's matters. But she broke off to say:
|
|
|
|
"Keep your eye on the rats. You better have the lead in your lap,
|
|
handy."
|
|
|
|
So she dropped the lump into my lap just at that moment, and I clapped my
|
|
legs together on it and she went on talking. But only about a minute.
|
|
Then she took off the hank and looked me straight in the face, and very
|
|
pleasant, and says:
|
|
|
|
"Come, now, what's your real name?"
|
|
|
|
"Wh--what, mum?"
|
|
|
|
"What's your real name? Is it Bill, or Tom, or Bob?--or what is it?"
|
|
|
|
I reckon I shook like a leaf, and I didn't know hardly what to do. But I
|
|
says:
|
|
|
|
"Please to don't poke fun at a poor girl like me, mum. If I'm in the way
|
|
here, I'll--"
|
|
|
|
"No, you won't. Set down and stay where you are. I ain't going to hurt
|
|
you, and I ain't going to tell on you, nuther. You just tell me your
|
|
secret, and trust me. I'll keep it; and, what's more, I'll help you.
|
|
So'll my old man if you want him to. You see, you're a runaway
|
|
'prentice, that's all. It ain't anything. There ain't no harm in it.
|
|
You've been treated bad, and you made up your mind to cut. Bless you,
|
|
child, I wouldn't tell on you. Tell me all about it now, that's a good
|
|
boy."
|
|
|
|
So I said it wouldn't be no use to try to play it any longer, and I would
|
|
just make a clean breast and tell her everything, but she musn't go back
|
|
on her promise. Then I told her my father and mother was dead, and the
|
|
law had bound me out to a mean old farmer in the country thirty mile back
|
|
from the river, and he treated me so bad I couldn't stand it no longer;
|
|
he went away to be gone a couple of days, and so I took my chance and
|
|
stole some of his daughter's old clothes and cleared out, and I had been
|
|
three nights coming the thirty miles. I traveled nights, and hid
|
|
daytimes and slept, and the bag of bread and meat I carried from home
|
|
lasted me all the way, and I had a-plenty. I said I believed my uncle
|
|
Abner Moore would take care of me, and so that was why I struck out for
|
|
this town of Goshen.
|
|
|
|
"Goshen, child? This ain't Goshen. This is St. Petersburg. Goshen's
|
|
ten mile further up the river. Who told you this was Goshen?"
|
|
|
|
"Why, a man I met at daybreak this morning, just as I was going to turn
|
|
into the woods for my regular sleep. He told me when the roads forked I
|
|
must take the right hand, and five mile would fetch me to Goshen."
|
|
|
|
"He was drunk, I reckon. He told you just exactly wrong."
|
|
|
|
"Well, he did act like he was drunk, but it ain't no matter now. I got
|
|
to be moving along. I'll fetch Goshen before daylight."
|
|
|
|
"Hold on a minute. I'll put you up a snack to eat. You might want it."
|
|
|
|
So she put me up a snack, and says:
|
|
|
|
"Say, when a cow's laying down, which end of her gets up first? Answer
|
|
up prompt now--don't stop to study over it. Which end gets up first?"
|
|
|
|
"The hind end, mum."
|
|
|
|
"Well, then, a horse?"
|
|
|
|
"The for'rard end, mum."
|
|
|
|
"Which side of a tree does the moss grow on?"
|
|
|
|
"North side."
|
|
|
|
"If fifteen cows is browsing on a hillside, how many of them eats with
|
|
their heads pointed the same direction?"
|
|
|
|
"The whole fifteen, mum."
|
|
|
|
"Well, I reckon you HAVE lived in the country. I thought maybe you was
|
|
trying to hocus me again. What's your real name, now?"
|
|
|
|
"George Peters, mum."
|
|
|
|
"Well, try to remember it, George. Don't forget and tell me it's
|
|
Elexander before you go, and then get out by saying it's George Elexander
|
|
when I catch you. And don't go about women in that old calico. You do a
|
|
girl tolerable poor, but you might fool men, maybe. Bless you, child,
|
|
when you set out to thread a needle don't hold the thread still and fetch
|
|
the needle up to it; hold the needle still and poke the thread at it;
|
|
that's the way a woman most always does, but a man always does t'other
|
|
way. And when you throw at a rat or anything, hitch yourself up a tiptoe
|
|
and fetch your hand up over your head as awkward as you can, and miss
|
|
your rat about six or seven foot. Throw stiff-armed from the shoulder,
|
|
like there was a pivot there for it to turn on, like a girl; not from the
|
|
wrist and elbow, with your arm out to one side, like a boy. And, mind
|
|
you, when a girl tries to catch anything in her lap she throws her knees
|
|
apart; she don't clap them together, the way you did when you catched the
|
|
lump of lead. Why, I spotted you for a boy when you was threading the
|
|
needle; and I contrived the other things just to make certain. Now trot
|
|
along to your uncle, Sarah Mary Williams George Elexander Peters, and if
|
|
you get into trouble you send word to Mrs. Judith Loftus, which is me,
|
|
and I'll do what I can to get you out of it. Keep the river road all the
|
|
way, and next time you tramp take shoes and socks with you. The river
|
|
road's a rocky one, and your feet'll be in a condition when you get to
|
|
Goshen, I reckon."
|
|
|
|
I went up the bank about fifty yards, and then I doubled on my tracks and
|
|
slipped back to where my canoe was, a good piece below the house. I
|
|
jumped in, and was off in a hurry. I went up-stream far enough to make
|
|
the head of the island, and then started across. I took off the
|
|
sun-bonnet, for I didn't want no blinders on then. When I was about the
|
|
middle I heard the clock begin to strike, so I stops and listens; the
|
|
sound come faint over the water but clear--eleven. When I struck the
|
|
head of the island I never waited to blow, though I was most winded, but
|
|
I shoved right into the timber where my old camp used to be, and started
|
|
a good fire there on a high and dry spot.
|
|
|
|
Then I jumped in the canoe and dug out for our place, a mile and a half
|
|
below, as hard as I could go. I landed, and slopped through the timber
|
|
and up the ridge and into the cavern. There Jim laid, sound asleep on
|
|
the ground. I roused him out and says:
|
|
|
|
"Git up and hump yourself, Jim! There ain't a minute to lose. They're
|
|
after us!"
|
|
|
|
Jim never asked no questions, he never said a word; but the way he worked
|
|
for the next half an hour showed about how he was scared. By that time
|
|
everything we had in the world was on our raft, and she was ready to be
|
|
shoved out from the willow cove where she was hid. We put out the camp
|
|
fire at the cavern the first thing, and didn't show a candle outside
|
|
after that.
|
|
|
|
I took the canoe out from the shore a little piece, and took a look; but
|
|
if there was a boat around I couldn't see it, for stars and shadows ain't
|
|
good to see by. Then we got out the raft and slipped along down in the
|
|
shade, past the foot of the island dead still--never saying a word.
|
|
|
|
|
|
|
|
|
|
CHAPTER XII.
|
|
|
|
IT must a been close on to one o'clock when we got below the island at
|
|
last, and the raft did seem to go mighty slow. If a boat was to come
|
|
along we was going to take to the canoe and break for the Illinois shore;
|
|
and it was well a boat didn't come, for we hadn't ever thought to put the
|
|
gun in the canoe, or a fishing-line, or anything to eat. We was in
|
|
ruther too much of a sweat to think of so many things. It warn't good
|
|
judgment to put EVERYTHING on the raft.
|
|
|
|
If the men went to the island I just expect they found the camp fire I
|
|
built, and watched it all night for Jim to come. Anyways, they stayed
|
|
away from us, and if my building the fire never fooled them it warn't no
|
|
fault of mine. I played it as low down on them as I could.
|
|
|
|
When the first streak of day began to show we tied up to a towhead in a
|
|
big bend on the Illinois side, and hacked off cottonwood branches with
|
|
the hatchet, and covered up the raft with them so she looked like there
|
|
had been a cave-in in the bank there. A tow-head is a sandbar that has
|
|
cottonwoods on it as thick as harrow-teeth.
|
|
|
|
We had mountains on the Missouri shore and heavy timber on the Illinois
|
|
side, and the channel was down the Missouri shore at that place, so we
|
|
warn't afraid of anybody running across us. We laid there all day, and
|
|
watched the rafts and steamboats spin down the Missouri shore, and
|
|
up-bound steamboats fight the big river in the middle. I told Jim all
|
|
about the time I had jabbering with that woman; and Jim said she was a
|
|
smart one, and if she was to start after us herself she wouldn't set down
|
|
and watch a camp fire--no, sir, she'd fetch a dog. Well, then, I said,
|
|
why couldn't she tell her husband to fetch a dog? Jim said he bet she
|
|
did think of it by the time the men was ready to start, and he believed
|
|
they must a gone up-town to get a dog and so they lost all that time, or
|
|
else we wouldn't be here on a towhead sixteen or seventeen mile below the
|
|
village--no, indeedy, we would be in that same old town again. So I said
|
|
I didn't care what was the reason they didn't get us as long as they
|
|
didn't.
|
|
|
|
When it was beginning to come on dark we poked our heads out of the
|
|
cottonwood thicket, and looked up and down and across; nothing in sight;
|
|
so Jim took up some of the top planks of the raft and built a snug wigwam
|
|
to get under in blazing weather and rainy, and to keep the things dry.
|
|
Jim made a floor for the wigwam, and raised it a foot or more above the
|
|
level of the raft, so now the blankets and all the traps was out of reach
|
|
of steamboat waves. Right in the middle of the wigwam we made a layer of
|
|
dirt about five or six inches deep with a frame around it for to hold it
|
|
to its place; this was to build a fire on in sloppy weather or chilly;
|
|
the wigwam would keep it from being seen. We made an extra steering-oar,
|
|
too, because one of the others might get broke on a snag or something.
|
|
We fixed up a short forked stick to hang the old lantern on, because we
|
|
must always light the lantern whenever we see a steamboat coming
|
|
down-stream, to keep from getting run over; but we wouldn't have to light
|
|
it for up-stream boats unless we see we was in what they call a
|
|
"crossing"; for the river was pretty high yet, very low banks being still
|
|
a little under water; so up-bound boats didn't always run the channel,
|
|
but hunted easy water.
|
|
|
|
This second night we run between seven and eight hours, with a current
|
|
that was making over four mile an hour. We catched fish and talked, and
|
|
we took a swim now and then to keep off sleepiness. It was kind of
|
|
solemn, drifting down the big, still river, laying on our backs looking
|
|
up at the stars, and we didn't ever feel like talking loud, and it warn't
|
|
often that we laughed--only a little kind of a low chuckle. We had
|
|
mighty good weather as a general thing, and nothing ever happened to us
|
|
at all--that night, nor the next, nor the next.
|
|
|
|
Every night we passed towns, some of them away up on black hillsides,
|
|
nothing but just a shiny bed of lights; not a house could you see. The
|
|
fifth night we passed St. Louis, and it was like the whole world lit up.
|
|
In St. Petersburg they used to say there was twenty or thirty thousand
|
|
people in St. Louis, but I never believed it till I see that wonderful
|
|
spread of lights at two o'clock that still night. There warn't a sound
|
|
there; everybody was asleep.
|
|
|
|
Every night now I used to slip ashore towards ten o'clock at some little
|
|
village, and buy ten or fifteen cents' worth of meal or bacon or other
|
|
stuff to eat; and sometimes I lifted a chicken that warn't roosting
|
|
comfortable, and took him along. Pap always said, take a chicken when
|
|
you get a chance, because if you don't want him yourself you can easy
|
|
find somebody that does, and a good deed ain't ever forgot. I never see
|
|
pap when he didn't want the chicken himself, but that is what he used to
|
|
say, anyway.
|
|
|
|
Mornings before daylight I slipped into cornfields and borrowed a
|
|
watermelon, or a mushmelon, or a punkin, or some new corn, or things of
|
|
that kind. Pap always said it warn't no harm to borrow things if you was
|
|
meaning to pay them back some time; but the widow said it warn't anything
|
|
but a soft name for stealing, and no decent body would do it. Jim said
|
|
he reckoned the widow was partly right and pap was partly right; so the
|
|
best way would be for us to pick out two or three things from the list
|
|
and say we wouldn't borrow them any more--then he reckoned it wouldn't be
|
|
no harm to borrow the others. So we talked it over all one night,
|
|
drifting along down the river, trying to make up our minds whether to
|
|
drop the watermelons, or the cantelopes, or the mushmelons, or what. But
|
|
towards daylight we got it all settled satisfactory, and concluded to
|
|
drop crabapples and p'simmons. We warn't feeling just right before that,
|
|
but it was all comfortable now. I was glad the way it come out, too,
|
|
because crabapples ain't ever good, and the p'simmons wouldn't be ripe
|
|
for two or three months yet.
|
|
|
|
We shot a water-fowl now and then that got up too early in the morning or
|
|
didn't go to bed early enough in the evening. Take it all round, we
|
|
lived pretty high.
|
|
|
|
The fifth night below St. Louis we had a big storm after midnight, with a
|
|
power of thunder and lightning, and the rain poured down in a solid
|
|
sheet. We stayed in the wigwam and let the raft take care of itself.
|
|
When the lightning glared out we could see a big straight river ahead,
|
|
and high, rocky bluffs on both sides. By and by says I, "Hel-LO, Jim,
|
|
looky yonder!" It was a steamboat that had killed herself on a rock. We
|
|
was drifting straight down for her. The lightning showed her very
|
|
distinct. She was leaning over, with part of her upper deck above water,
|
|
and you could see every little chimbly-guy clean and clear, and a chair
|
|
by the big bell, with an old slouch hat hanging on the back of it, when
|
|
the flashes come.
|
|
|
|
Well, it being away in the night and stormy, and all so mysterious-like,
|
|
I felt just the way any other boy would a felt when I see that wreck
|
|
laying there so mournful and lonesome in the middle of the river. I
|
|
wanted to get aboard of her and slink around a little, and see what there
|
|
was there. So I says:
|
|
|
|
"Le's land on her, Jim."
|
|
|
|
But Jim was dead against it at first. He says:
|
|
|
|
"I doan' want to go fool'n 'long er no wrack. We's doin' blame' well, en
|
|
we better let blame' well alone, as de good book says. Like as not dey's
|
|
a watchman on dat wrack."
|
|
|
|
"Watchman your grandmother," I says; "there ain't nothing to watch but
|
|
the texas and the pilot-house; and do you reckon anybody's going to resk
|
|
his life for a texas and a pilot-house such a night as this, when it's
|
|
likely to break up and wash off down the river any minute?" Jim couldn't
|
|
say nothing to that, so he didn't try. "And besides," I says, "we might
|
|
borrow something worth having out of the captain's stateroom. Seegars, I
|
|
bet you--and cost five cents apiece, solid cash. Steamboat captains is
|
|
always rich, and get sixty dollars a month, and THEY don't care a cent
|
|
what a thing costs, you know, long as they want it. Stick a candle in
|
|
your pocket; I can't rest, Jim, till we give her a rummaging. Do you
|
|
reckon Tom Sawyer would ever go by this thing? Not for pie, he wouldn't.
|
|
He'd call it an adventure--that's what he'd call it; and he'd land on
|
|
that wreck if it was his last act. And wouldn't he throw style into it?
|
|
--wouldn't he spread himself, nor nothing? Why, you'd think it was
|
|
Christopher C'lumbus discovering Kingdom-Come. I wish Tom Sawyer WAS
|
|
here."
|
|
|
|
Jim he grumbled a little, but give in. He said we mustn't talk any more
|
|
than we could help, and then talk mighty low. The lightning showed us
|
|
the wreck again just in time, and we fetched the stabboard derrick, and
|
|
made fast there.
|
|
|
|
The deck was high out here. We went sneaking down the slope of it to
|
|
labboard, in the dark, towards the texas, feeling our way slow with our
|
|
feet, and spreading our hands out to fend off the guys, for it was so
|
|
dark we couldn't see no sign of them. Pretty soon we struck the forward
|
|
end of the skylight, and clumb on to it; and the next step fetched us in
|
|
front of the captain's door, which was open, and by Jimminy, away down
|
|
through the texas-hall we see a light! and all in the same second we seem
|
|
to hear low voices in yonder!
|
|
|
|
Jim whispered and said he was feeling powerful sick, and told me to come
|
|
along. I says, all right, and was going to start for the raft; but just
|
|
then I heard a voice wail out and say:
|
|
|
|
"Oh, please don't, boys; I swear I won't ever tell!"
|
|
|
|
Another voice said, pretty loud:
|
|
|
|
"It's a lie, Jim Turner. You've acted this way before. You always want
|
|
more'n your share of the truck, and you've always got it, too, because
|
|
you've swore 't if you didn't you'd tell. But this time you've said it
|
|
jest one time too many. You're the meanest, treacherousest hound in this
|
|
country."
|
|
|
|
By this time Jim was gone for the raft. I was just a-biling with
|
|
curiosity; and I says to myself, Tom Sawyer wouldn't back out now, and so
|
|
I won't either; I'm a-going to see what's going on here. So I dropped on
|
|
my hands and knees in the little passage, and crept aft in the dark till
|
|
there warn't but one stateroom betwixt me and the cross-hall of the
|
|
texas. Then in there I see a man stretched on the floor and tied hand
|
|
and foot, and two men standing over him, and one of them had a dim
|
|
lantern in his hand, and the other one had a pistol. This one kept
|
|
pointing the pistol at the man's head on the floor, and saying:
|
|
|
|
"I'd LIKE to! And I orter, too--a mean skunk!"
|
|
|
|
The man on the floor would shrivel up and say, "Oh, please don't, Bill; I
|
|
hain't ever goin' to tell."
|
|
|
|
And every time he said that the man with the lantern would laugh and say:
|
|
|
|
"'Deed you AIN'T! You never said no truer thing 'n that, you bet you."
|
|
And once he said: "Hear him beg! and yit if we hadn't got the best of
|
|
him and tied him he'd a killed us both. And what FOR? Jist for noth'n.
|
|
Jist because we stood on our RIGHTS--that's what for. But I lay you
|
|
ain't a-goin' to threaten nobody any more, Jim Turner. Put UP that
|
|
pistol, Bill."
|
|
|
|
Bill says:
|
|
|
|
"I don't want to, Jake Packard. I'm for killin' him--and didn't he kill
|
|
old Hatfield jist the same way--and don't he deserve it?"
|
|
|
|
"But I don't WANT him killed, and I've got my reasons for it."
|
|
|
|
"Bless yo' heart for them words, Jake Packard! I'll never forgit you
|
|
long's I live!" says the man on the floor, sort of blubbering.
|
|
|
|
Packard didn't take no notice of that, but hung up his lantern on a nail
|
|
and started towards where I was there in the dark, and motioned Bill to
|
|
come. I crawfished as fast as I could about two yards, but the boat
|
|
slanted so that I couldn't make very good time; so to keep from getting
|
|
run over and catched I crawled into a stateroom on the upper side. The
|
|
man came a-pawing along in the dark, and when Packard got to my
|
|
stateroom, he says:
|
|
|
|
"Here--come in here."
|
|
|
|
And in he come, and Bill after him. But before they got in I was up in
|
|
the upper berth, cornered, and sorry I come. Then they stood there, with
|
|
their hands on the ledge of the berth, and talked. I couldn't see them,
|
|
but I could tell where they was by the whisky they'd been having. I was
|
|
glad I didn't drink whisky; but it wouldn't made much difference anyway,
|
|
because most of the time they couldn't a treed me because I didn't
|
|
breathe. I was too scared. And, besides, a body COULDN'T breathe and
|
|
hear such talk. They talked low and earnest. Bill wanted to kill
|
|
Turner. He says:
|
|
|
|
"He's said he'll tell, and he will. If we was to give both our shares to
|
|
him NOW it wouldn't make no difference after the row and the way we've
|
|
served him. Shore's you're born, he'll turn State's evidence; now you
|
|
hear ME. I'm for putting him out of his troubles."
|
|
|
|
"So'm I," says Packard, very quiet.
|
|
|
|
"Blame it, I'd sorter begun to think you wasn't. Well, then, that's all
|
|
right. Le's go and do it."
|
|
|
|
"Hold on a minute; I hain't had my say yit. You listen to me.
|
|
Shooting's good, but there's quieter ways if the thing's GOT to be done.
|
|
But what I say is this: it ain't good sense to go court'n around after a
|
|
halter if you can git at what you're up to in some way that's jist as
|
|
good and at the same time don't bring you into no resks. Ain't that so?"
|
|
|
|
"You bet it is. But how you goin' to manage it this time?"
|
|
|
|
"Well, my idea is this: we'll rustle around and gather up whatever
|
|
pickins we've overlooked in the staterooms, and shove for shore and hide
|
|
the truck. Then we'll wait. Now I say it ain't a-goin' to be more'n two
|
|
hours befo' this wrack breaks up and washes off down the river. See?
|
|
He'll be drownded, and won't have nobody to blame for it but his own
|
|
self. I reckon that's a considerble sight better 'n killin' of him. I'm
|
|
unfavorable to killin' a man as long as you can git aroun' it; it ain't
|
|
good sense, it ain't good morals. Ain't I right?"
|
|
|
|
"Yes, I reck'n you are. But s'pose she DON'T break up and wash off?"
|
|
|
|
"Well, we can wait the two hours anyway and see, can't we?"
|
|
|
|
"All right, then; come along."
|
|
|
|
So they started, and I lit out, all in a cold sweat, and scrambled
|
|
forward. It was dark as pitch there; but I said, in a kind of a coarse
|
|
whisper, "Jim !" and he answered up, right at my elbow, with a sort of a
|
|
moan, and I says:
|
|
|
|
"Quick, Jim, it ain't no time for fooling around and moaning; there's a
|
|
gang of murderers in yonder, and if we don't hunt up their boat and set
|
|
her drifting down the river so these fellows can't get away from the
|
|
wreck there's one of 'em going to be in a bad fix. But if we find their
|
|
boat we can put ALL of 'em in a bad fix--for the sheriff 'll get 'em.
|
|
Quick--hurry! I'll hunt the labboard side, you hunt the stabboard.
|
|
You start at the raft, and--"
|
|
|
|
"Oh, my lordy, lordy! RAF'? Dey ain' no raf' no mo'; she done broke
|
|
loose en gone I--en here we is!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XIII.
|
|
|
|
WELL, I catched my breath and most fainted. Shut up on a wreck with such
|
|
a gang as that! But it warn't no time to be sentimentering. We'd GOT to
|
|
find that boat now--had to have it for ourselves. So we went a-quaking
|
|
and shaking down the stabboard side, and slow work it was, too--seemed a
|
|
week before we got to the stern. No sign of a boat. Jim said he didn't
|
|
believe he could go any further--so scared he hadn't hardly any strength
|
|
left, he said. But I said, come on, if we get left on this wreck we are
|
|
in a fix, sure. So on we prowled again. We struck for the stern of the
|
|
texas, and found it, and then scrabbled along forwards on the skylight,
|
|
hanging on from shutter to shutter, for the edge of the skylight was in
|
|
the water. When we got pretty close to the cross-hall door there was the
|
|
skiff, sure enough! I could just barely see her. I felt ever so
|
|
thankful. In another second I would a been aboard of her, but just then
|
|
the door opened. One of the men stuck his head out only about a couple
|
|
of foot from me, and I thought I was gone; but he jerked it in again, and
|
|
says:
|
|
|
|
"Heave that blame lantern out o' sight, Bill!"
|
|
|
|
He flung a bag of something into the boat, and then got in himself and
|
|
set down. It was Packard. Then Bill HE come out and got in. Packard
|
|
says, in a low voice:
|
|
|
|
"All ready--shove off!"
|
|
|
|
I couldn't hardly hang on to the shutters, I was so weak. But Bill says:
|
|
|
|
"Hold on--'d you go through him?"
|
|
|
|
"No. Didn't you?"
|
|
|
|
"No. So he's got his share o' the cash yet."
|
|
|
|
"Well, then, come along; no use to take truck and leave money."
|
|
|
|
"Say, won't he suspicion what we're up to?"
|
|
|
|
"Maybe he won't. But we got to have it anyway. Come along."
|
|
|
|
So they got out and went in.
|
|
|
|
The door slammed to because it was on the careened side; and in a half
|
|
second I was in the boat, and Jim come tumbling after me. I out with my
|
|
knife and cut the rope, and away we went!
|
|
|
|
We didn't touch an oar, and we didn't speak nor whisper, nor hardly even
|
|
breathe. We went gliding swift along, dead silent, past the tip of the
|
|
paddle-box, and past the stern; then in a second or two more we was a
|
|
hundred yards below the wreck, and the darkness soaked her up, every last
|
|
sign of her, and we was safe, and knowed it.
|
|
|
|
When we was three or four hundred yards down-stream we see the lantern
|
|
show like a little spark at the texas door for a second, and we knowed by
|
|
that that the rascals had missed their boat, and was beginning to
|
|
understand that they was in just as much trouble now as Jim Turner was.
|
|
|
|
Then Jim manned the oars, and we took out after our raft. Now was the
|
|
first time that I begun to worry about the men--I reckon I hadn't had
|
|
time to before. I begun to think how dreadful it was, even for
|
|
murderers, to be in such a fix. I says to myself, there ain't no telling
|
|
but I might come to be a murderer myself yet, and then how would I like
|
|
it? So says I to Jim:
|
|
|
|
"The first light we see we'll land a hundred yards below it or above it,
|
|
in a place where it's a good hiding-place for you and the skiff, and then
|
|
I'll go and fix up some kind of a yarn, and get somebody to go for that
|
|
gang and get them out of their scrape, so they can be hung when their
|
|
time comes."
|
|
|
|
But that idea was a failure; for pretty soon it begun to storm again, and
|
|
this time worse than ever. The rain poured down, and never a light
|
|
showed; everybody in bed, I reckon. We boomed along down the river,
|
|
watching for lights and watching for our raft. After a long time the
|
|
rain let up, but the clouds stayed, and the lightning kept whimpering,
|
|
and by and by a flash showed us a black thing ahead, floating, and we
|
|
made for it.
|
|
|
|
It was the raft, and mighty glad was we to get aboard of it again. We
|
|
seen a light now away down to the right, on shore. So I said I would go
|
|
for it. The skiff was half full of plunder which that gang had stole
|
|
there on the wreck. We hustled it on to the raft in a pile, and I told
|
|
Jim to float along down, and show a light when he judged he had gone
|
|
about two mile, and keep it burning till I come; then I manned my oars
|
|
and shoved for the light. As I got down towards it three or four more
|
|
showed--up on a hillside. It was a village. I closed in above the shore
|
|
light, and laid on my oars and floated. As I went by I see it was a
|
|
lantern hanging on the jackstaff of a double-hull ferryboat. I skimmed
|
|
around for the watchman, a-wondering whereabouts he slept; and by and by
|
|
I found him roosting on the bitts forward, with his head down between his
|
|
knees. I gave his shoulder two or three little shoves, and begun to cry.
|
|
|
|
He stirred up in a kind of a startlish way; but when he see it was only
|
|
me he took a good gap and stretch, and then he says:
|
|
|
|
"Hello, what's up? Don't cry, bub. What's the trouble?"
|
|
|
|
I says:
|
|
|
|
"Pap, and mam, and sis, and--"
|
|
|
|
Then I broke down. He says:
|
|
|
|
"Oh, dang it now, DON'T take on so; we all has to have our troubles, and
|
|
this 'n 'll come out all right. What's the matter with 'em?"
|
|
|
|
"They're--they're--are you the watchman of the boat?"
|
|
|
|
"Yes," he says, kind of pretty-well-satisfied like. "I'm the captain and
|
|
the owner and the mate and the pilot and watchman and head deck-hand; and
|
|
sometimes I'm the freight and passengers. I ain't as rich as old Jim
|
|
Hornback, and I can't be so blame' generous and good to Tom, Dick, and
|
|
Harry as what he is, and slam around money the way he does; but I've told
|
|
him a many a time 't I wouldn't trade places with him; for, says I, a
|
|
sailor's life's the life for me, and I'm derned if I'D live two mile out
|
|
o' town, where there ain't nothing ever goin' on, not for all his
|
|
spondulicks and as much more on top of it. Says I--"
|
|
|
|
I broke in and says:
|
|
|
|
"They're in an awful peck of trouble, and--"
|
|
|
|
"WHO is?"
|
|
|
|
"Why, pap and mam and sis and Miss Hooker; and if you'd take your
|
|
ferryboat and go up there--"
|
|
|
|
"Up where? Where are they?"
|
|
|
|
"On the wreck."
|
|
|
|
"What wreck?"
|
|
|
|
"Why, there ain't but one."
|
|
|
|
"What, you don't mean the Walter Scott?"
|
|
|
|
"Yes."
|
|
|
|
"Good land! what are they doin' THERE, for gracious sakes?"
|
|
|
|
"Well, they didn't go there a-purpose."
|
|
|
|
"I bet they didn't! Why, great goodness, there ain't no chance for 'em
|
|
if they don't git off mighty quick! Why, how in the nation did they ever
|
|
git into such a scrape?"
|
|
|
|
"Easy enough. Miss Hooker was a-visiting up there to the town--"
|
|
|
|
"Yes, Booth's Landing--go on."
|
|
|
|
"She was a-visiting there at Booth's Landing, and just in the edge of the
|
|
evening she started over with her nigger woman in the horse-ferry to stay
|
|
all night at her friend's house, Miss What-you-may-call-her I disremember
|
|
her name--and they lost their steering-oar, and swung around and went
|
|
a-floating down, stern first, about two mile, and saddle-baggsed on the
|
|
wreck, and the ferryman and the nigger woman and the horses was all lost,
|
|
but Miss Hooker she made a grab and got aboard the wreck. Well, about an
|
|
hour after dark we come along down in our trading-scow, and it was so
|
|
dark we didn't notice the wreck till we was right on it; and so WE
|
|
saddle-baggsed; but all of us was saved but Bill Whipple--and oh, he WAS
|
|
the best cretur !--I most wish 't it had been me, I do."
|
|
|
|
"My George! It's the beatenest thing I ever struck. And THEN what did
|
|
you all do?"
|
|
|
|
"Well, we hollered and took on, but it's so wide there we couldn't make
|
|
nobody hear. So pap said somebody got to get ashore and get help
|
|
somehow. I was the only one that could swim, so I made a dash for it, and
|
|
Miss Hooker she said if I didn't strike help sooner, come here and hunt
|
|
up her uncle, and he'd fix the thing. I made the land about a mile
|
|
below, and been fooling along ever since, trying to get people to do
|
|
something, but they said, 'What, in such a night and such a current?
|
|
There ain't no sense in it; go for the steam ferry.' Now if you'll go
|
|
and--"
|
|
|
|
"By Jackson, I'd LIKE to, and, blame it, I don't know but I will; but who
|
|
in the dingnation's a-going' to PAY for it? Do you reckon your pap--"
|
|
|
|
"Why THAT'S all right. Miss Hooker she tole me, PARTICULAR, that her
|
|
uncle Hornback--"
|
|
|
|
"Great guns! is HE her uncle? Looky here, you break for that light over
|
|
yonder-way, and turn out west when you git there, and about a quarter of
|
|
a mile out you'll come to the tavern; tell 'em to dart you out to Jim
|
|
Hornback's, and he'll foot the bill. And don't you fool around any,
|
|
because he'll want to know the news. Tell him I'll have his niece all
|
|
safe before he can get to town. Hump yourself, now; I'm a-going up
|
|
around the corner here to roust out my engineer."
|
|
|
|
I struck for the light, but as soon as he turned the corner I went back
|
|
and got into my skiff and bailed her out, and then pulled up shore in the
|
|
easy water about six hundred yards, and tucked myself in among some
|
|
woodboats; for I couldn't rest easy till I could see the ferryboat start.
|
|
But take it all around, I was feeling ruther comfortable on accounts of
|
|
taking all this trouble for that gang, for not many would a done it. I
|
|
wished the widow knowed about it. I judged she would be proud of me for
|
|
helping these rapscallions, because rapscallions and dead beats is the
|
|
kind the widow and good people takes the most interest in.
|
|
|
|
Well, before long here comes the wreck, dim and dusky, sliding along
|
|
down! A kind of cold shiver went through me, and then I struck out for
|
|
her. She was very deep, and I see in a minute there warn't much chance
|
|
for anybody being alive in her. I pulled all around her and hollered a
|
|
little, but there wasn't any answer; all dead still. I felt a little bit
|
|
heavy-hearted about the gang, but not much, for I reckoned if they could
|
|
stand it I could.
|
|
|
|
Then here comes the ferryboat; so I shoved for the middle of the river on
|
|
a long down-stream slant; and when I judged I was out of eye-reach I laid
|
|
on my oars, and looked back and see her go and smell around the wreck for
|
|
Miss Hooker's remainders, because the captain would know her uncle
|
|
Hornback would want them; and then pretty soon the ferryboat give it up
|
|
and went for the shore, and I laid into my work and went a-booming down
|
|
the river.
|
|
|
|
It did seem a powerful long time before Jim's light showed up; and when
|
|
it did show it looked like it was a thousand mile off. By the time I got
|
|
there the sky was beginning to get a little gray in the east; so we
|
|
struck for an island, and hid the raft, and sunk the skiff, and turned in
|
|
and slept like dead people.
|
|
|
|
|
|
|
|
|
|
CHAPTER XIV.
|
|
|
|
BY and by, when we got up, we turned over the truck the gang had stole
|
|
off of the wreck, and found boots, and blankets, and clothes, and all
|
|
sorts of other things, and a lot of books, and a spyglass, and three
|
|
boxes of seegars. We hadn't ever been this rich before in neither of our
|
|
lives. The seegars was prime. We laid off all the afternoon in the
|
|
woods talking, and me reading the books, and having a general good time.
|
|
I told Jim all about what happened inside the wreck and at the ferryboat,
|
|
and I said these kinds of things was adventures; but he said he didn't
|
|
want no more adventures. He said that when I went in the texas and he
|
|
crawled back to get on the raft and found her gone he nearly died,
|
|
because he judged it was all up with HIM anyway it could be fixed; for if
|
|
he didn't get saved he would get drownded; and if he did get saved,
|
|
whoever saved him would send him back home so as to get the reward, and
|
|
then Miss Watson would sell him South, sure. Well, he was right; he was
|
|
most always right; he had an uncommon level head for a nigger.
|
|
|
|
I read considerable to Jim about kings and dukes and earls and such, and
|
|
how gaudy they dressed, and how much style they put on, and called each
|
|
other your majesty, and your grace, and your lordship, and so on, 'stead
|
|
of mister; and Jim's eyes bugged out, and he was interested. He says:
|
|
|
|
"I didn' know dey was so many un um. I hain't hearn 'bout none un um,
|
|
skasely, but ole King Sollermun, onless you counts dem kings dat's in a
|
|
pack er k'yards. How much do a king git?"
|
|
|
|
"Get?" I says; "why, they get a thousand dollars a month if they want
|
|
it; they can have just as much as they want; everything belongs to them."
|
|
|
|
"AIN' dat gay? En what dey got to do, Huck?"
|
|
|
|
"THEY don't do nothing! Why, how you talk! They just set around."
|
|
|
|
"No; is dat so?"
|
|
|
|
"Of course it is. They just set around--except, maybe, when there's a
|
|
war; then they go to the war. But other times they just lazy around; or
|
|
go hawking--just hawking and sp--Sh!--d' you hear a noise?"
|
|
|
|
We skipped out and looked; but it warn't nothing but the flutter of a
|
|
steamboat's wheel away down, coming around the point; so we come back.
|
|
|
|
"Yes," says I, "and other times, when things is dull, they fuss with the
|
|
parlyment; and if everybody don't go just so he whacks their heads off.
|
|
But mostly they hang round the harem."
|
|
|
|
"Roun' de which?"
|
|
|
|
"Harem."
|
|
|
|
"What's de harem?"
|
|
|
|
"The place where he keeps his wives. Don't you know about the harem?
|
|
Solomon had one; he had about a million wives."
|
|
|
|
"Why, yes, dat's so; I--I'd done forgot it. A harem's a bo'd'n-house, I
|
|
reck'n. Mos' likely dey has rackety times in de nussery. En I reck'n de
|
|
wives quarrels considable; en dat 'crease de racket. Yit dey say
|
|
Sollermun de wises' man dat ever live'. I doan' take no stock in dat.
|
|
Bekase why: would a wise man want to live in de mids' er sich a
|
|
blim-blammin' all de time? No--'deed he wouldn't. A wise man 'ud take
|
|
en buil' a biler-factry; en den he could shet DOWN de biler-factry when
|
|
he want to res'."
|
|
|
|
"Well, but he WAS the wisest man, anyway; because the widow she told me
|
|
so, her own self."
|
|
|
|
"I doan k'yer what de widder say, he WARN'T no wise man nuther. He had
|
|
some er de dad-fetchedes' ways I ever see. Does you know 'bout dat chile
|
|
dat he 'uz gwyne to chop in two?"
|
|
|
|
"Yes, the widow told me all about it."
|
|
|
|
"WELL, den! Warn' dat de beatenes' notion in de worl'? You jes' take en
|
|
look at it a minute. Dah's de stump, dah--dat's one er de women; heah's
|
|
you--dat's de yuther one; I's Sollermun; en dish yer dollar bill's de
|
|
chile. Bofe un you claims it. What does I do? Does I shin aroun'
|
|
mongs' de neighbors en fine out which un you de bill DO b'long to, en
|
|
han' it over to de right one, all safe en soun', de way dat anybody dat
|
|
had any gumption would? No; I take en whack de bill in TWO, en give half
|
|
un it to you, en de yuther half to de yuther woman. Dat's de way
|
|
Sollermun was gwyne to do wid de chile. Now I want to ast you: what's
|
|
de use er dat half a bill?--can't buy noth'n wid it. En what use is a
|
|
half a chile? I wouldn' give a dern for a million un um."
|
|
|
|
"But hang it, Jim, you've clean missed the point--blame it, you've missed
|
|
it a thousand mile."
|
|
|
|
"Who? Me? Go 'long. Doan' talk to me 'bout yo' pints. I reck'n I
|
|
knows sense when I sees it; en dey ain' no sense in sich doin's as dat.
|
|
De 'spute warn't 'bout a half a chile, de 'spute was 'bout a whole chile;
|
|
en de man dat think he kin settle a 'spute 'bout a whole chile wid a half
|
|
a chile doan' know enough to come in out'n de rain. Doan' talk to me
|
|
'bout Sollermun, Huck, I knows him by de back."
|
|
|
|
"But I tell you you don't get the point."
|
|
|
|
"Blame de point! I reck'n I knows what I knows. En mine you, de REAL
|
|
pint is down furder--it's down deeper. It lays in de way Sollermun was
|
|
raised. You take a man dat's got on'y one or two chillen; is dat man
|
|
gwyne to be waseful o' chillen? No, he ain't; he can't 'ford it. HE
|
|
know how to value 'em. But you take a man dat's got 'bout five million
|
|
chillen runnin' roun' de house, en it's diffunt. HE as soon chop a chile
|
|
in two as a cat. Dey's plenty mo'. A chile er two, mo' er less, warn't
|
|
no consekens to Sollermun, dad fatch him!"
|
|
|
|
I never see such a nigger. If he got a notion in his head once, there
|
|
warn't no getting it out again. He was the most down on Solomon of any
|
|
nigger I ever see. So I went to talking about other kings, and let
|
|
Solomon slide. I told about Louis Sixteenth that got his head cut off in
|
|
France long time ago; and about his little boy the dolphin, that would a
|
|
been a king, but they took and shut him up in jail, and some say he died
|
|
there.
|
|
|
|
"Po' little chap."
|
|
|
|
"But some says he got out and got away, and come to America."
|
|
|
|
"Dat's good! But he'll be pooty lonesome--dey ain' no kings here, is
|
|
dey, Huck?"
|
|
|
|
"No."
|
|
|
|
"Den he cain't git no situation. What he gwyne to do?"
|
|
|
|
"Well, I don't know. Some of them gets on the police, and some of them
|
|
learns people how to talk French."
|
|
|
|
"Why, Huck, doan' de French people talk de same way we does?"
|
|
|
|
"NO, Jim; you couldn't understand a word they said--not a single word."
|
|
|
|
"Well, now, I be ding-busted! How do dat come?"
|
|
|
|
"I don't know; but it's so. I got some of their jabber out of a book.
|
|
S'pose a man was to come to you and say Polly-voo-franzy--what would you
|
|
think?"
|
|
|
|
"I wouldn' think nuff'n; I'd take en bust him over de head--dat is, if he
|
|
warn't white. I wouldn't 'low no nigger to call me dat."
|
|
|
|
"Shucks, it ain't calling you anything. It's only saying, do you know
|
|
how to talk French?"
|
|
|
|
"Well, den, why couldn't he SAY it?"
|
|
|
|
"Why, he IS a-saying it. That's a Frenchman's WAY of saying it."
|
|
|
|
"Well, it's a blame ridicklous way, en I doan' want to hear no mo' 'bout
|
|
it. Dey ain' no sense in it."
|
|
|
|
"Looky here, Jim; does a cat talk like we do?"
|
|
|
|
"No, a cat don't."
|
|
|
|
"Well, does a cow?"
|
|
|
|
"No, a cow don't, nuther."
|
|
|
|
"Does a cat talk like a cow, or a cow talk like a cat?"
|
|
|
|
"No, dey don't."
|
|
|
|
"It's natural and right for 'em to talk different from each other, ain't
|
|
it?"
|
|
|
|
"Course."
|
|
|
|
"And ain't it natural and right for a cat and a cow to talk different
|
|
from US?"
|
|
|
|
"Why, mos' sholy it is."
|
|
|
|
"Well, then, why ain't it natural and right for a FRENCHMAN to talk
|
|
different from us? You answer me that."
|
|
|
|
"Is a cat a man, Huck?"
|
|
|
|
"No."
|
|
|
|
"Well, den, dey ain't no sense in a cat talkin' like a man. Is a cow a
|
|
man?--er is a cow a cat?"
|
|
|
|
"No, she ain't either of them."
|
|
|
|
"Well, den, she ain't got no business to talk like either one er the
|
|
yuther of 'em. Is a Frenchman a man?"
|
|
|
|
"Yes."
|
|
|
|
"WELL, den! Dad blame it, why doan' he TALK like a man? You answer me
|
|
DAT!"
|
|
|
|
I see it warn't no use wasting words--you can't learn a nigger to argue.
|
|
So I quit.
|
|
|
|
|
|
|
|
|
|
CHAPTER XV.
|
|
|
|
WE judged that three nights more would fetch us to Cairo, at the bottom
|
|
of Illinois, where the Ohio River comes in, and that was what we was
|
|
after. We would sell the raft and get on a steamboat and go way up the
|
|
Ohio amongst the free States, and then be out of trouble.
|
|
|
|
Well, the second night a fog begun to come on, and we made for a towhead
|
|
to tie to, for it wouldn't do to try to run in a fog; but when I paddled
|
|
ahead in the canoe, with the line to make fast, there warn't anything but
|
|
little saplings to tie to. I passed the line around one of them right on
|
|
the edge of the cut bank, but there was a stiff current, and the raft
|
|
come booming down so lively she tore it out by the roots and away she
|
|
went. I see the fog closing down, and it made me so sick and scared I
|
|
couldn't budge for most a half a minute it seemed to me--and then there
|
|
warn't no raft in sight; you couldn't see twenty yards. I jumped into
|
|
the canoe and run back to the stern, and grabbed the paddle and set her
|
|
back a stroke. But she didn't come. I was in such a hurry I hadn't
|
|
untied her. I got up and tried to untie her, but I was so excited my
|
|
hands shook so I couldn't hardly do anything with them.
|
|
|
|
As soon as I got started I took out after the raft, hot and heavy, right
|
|
down the towhead. That was all right as far as it went, but the towhead
|
|
warn't sixty yards long, and the minute I flew by the foot of it I shot
|
|
out into the solid white fog, and hadn't no more idea which way I was
|
|
going than a dead man.
|
|
|
|
Thinks I, it won't do to paddle; first I know I'll run into the bank or a
|
|
towhead or something; I got to set still and float, and yet it's mighty
|
|
fidgety business to have to hold your hands still at such a time. I
|
|
whooped and listened. Away down there somewheres I hears a small whoop,
|
|
and up comes my spirits. I went tearing after it, listening sharp to
|
|
hear it again. The next time it come I see I warn't heading for it, but
|
|
heading away to the right of it. And the next time I was heading away to
|
|
the left of it--and not gaining on it much either, for I was flying
|
|
around, this way and that and t'other, but it was going straight ahead
|
|
all the time.
|
|
|
|
I did wish the fool would think to beat a tin pan, and beat it all the
|
|
time, but he never did, and it was the still places between the whoops
|
|
that was making the trouble for me. Well, I fought along, and directly I
|
|
hears the whoop BEHIND me. I was tangled good now. That was somebody
|
|
else's whoop, or else I was turned around.
|
|
|
|
I throwed the paddle down. I heard the whoop again; it was behind me
|
|
yet, but in a different place; it kept coming, and kept changing its
|
|
place, and I kept answering, till by and by it was in front of me again,
|
|
and I knowed the current had swung the canoe's head down-stream, and I
|
|
was all right if that was Jim and not some other raftsman hollering. I
|
|
couldn't tell nothing about voices in a fog, for nothing don't look
|
|
natural nor sound natural in a fog.
|
|
|
|
The whooping went on, and in about a minute I come a-booming down on a
|
|
cut bank with smoky ghosts of big trees on it, and the current throwed me
|
|
off to the left and shot by, amongst a lot of snags that fairly roared,
|
|
the currrent was tearing by them so swift.
|
|
|
|
In another second or two it was solid white and still again. I set
|
|
perfectly still then, listening to my heart thump, and I reckon I didn't
|
|
draw a breath while it thumped a hundred.
|
|
|
|
I just give up then. I knowed what the matter was. That cut bank was an
|
|
island, and Jim had gone down t'other side of it. It warn't no towhead
|
|
that you could float by in ten minutes. It had the big timber of a
|
|
regular island; it might be five or six miles long and more than half a
|
|
mile wide.
|
|
|
|
I kept quiet, with my ears cocked, about fifteen minutes, I reckon. I
|
|
was floating along, of course, four or five miles an hour; but you don't
|
|
ever think of that. No, you FEEL like you are laying dead still on the
|
|
water; and if a little glimpse of a snag slips by you don't think to
|
|
yourself how fast YOU'RE going, but you catch your breath and think, my!
|
|
how that snag's tearing along. If you think it ain't dismal and lonesome
|
|
out in a fog that way by yourself in the night, you try it once--you'll
|
|
see.
|
|
|
|
Next, for about a half an hour, I whoops now and then; at last I hears
|
|
the answer a long ways off, and tries to follow it, but I couldn't do it,
|
|
and directly I judged I'd got into a nest of towheads, for I had little
|
|
dim glimpses of them on both sides of me--sometimes just a narrow channel
|
|
between, and some that I couldn't see I knowed was there because I'd hear
|
|
the wash of the current against the old dead brush and trash that hung
|
|
over the banks. Well, I warn't long loosing the whoops down amongst the
|
|
towheads; and I only tried to chase them a little while, anyway, because
|
|
it was worse than chasing a Jack-o'-lantern. You never knowed a sound
|
|
dodge around so, and swap places so quick and so much.
|
|
|
|
I had to claw away from the bank pretty lively four or five times, to
|
|
keep from knocking the islands out of the river; and so I judged the raft
|
|
must be butting into the bank every now and then, or else it would get
|
|
further ahead and clear out of hearing--it was floating a little faster
|
|
than what I was.
|
|
|
|
Well, I seemed to be in the open river again by and by, but I couldn't
|
|
hear no sign of a whoop nowheres. I reckoned Jim had fetched up on a
|
|
snag, maybe, and it was all up with him. I was good and tired, so I laid
|
|
down in the canoe and said I wouldn't bother no more. I didn't want to
|
|
go to sleep, of course; but I was so sleepy I couldn't help it; so I
|
|
thought I would take jest one little cat-nap.
|
|
|
|
But I reckon it was more than a cat-nap, for when I waked up the stars
|
|
was shining bright, the fog was all gone, and I was spinning down a big
|
|
bend stern first. First I didn't know where I was; I thought I was
|
|
dreaming; and when things began to come back to me they seemed to come up
|
|
dim out of last week.
|
|
|
|
It was a monstrous big river here, with the tallest and the thickest kind
|
|
of timber on both banks; just a solid wall, as well as I could see by the
|
|
stars. I looked away down-stream, and seen a black speck on the water.
|
|
I took after it; but when I got to it it warn't nothing but a couple of
|
|
sawlogs made fast together. Then I see another speck, and chased that;
|
|
then another, and this time I was right. It was the raft.
|
|
|
|
When I got to it Jim was setting there with his head down between his
|
|
knees, asleep, with his right arm hanging over the steering-oar. The
|
|
other oar was smashed off, and the raft was littered up with leaves and
|
|
branches and dirt. So she'd had a rough time.
|
|
|
|
I made fast and laid down under Jim's nose on the raft, and began to gap,
|
|
and stretch my fists out against Jim, and says:
|
|
|
|
"Hello, Jim, have I been asleep? Why didn't you stir me up?"
|
|
|
|
"Goodness gracious, is dat you, Huck? En you ain' dead--you ain'
|
|
drownded--you's back agin? It's too good for true, honey, it's too
|
|
good for true. Lemme look at you chile, lemme feel o' you. No, you ain'
|
|
dead! you's back agin, 'live en soun', jis de same ole Huck--de same ole
|
|
Huck, thanks to goodness!"
|
|
|
|
"What's the matter with you, Jim? You been a-drinking?"
|
|
|
|
"Drinkin'? Has I ben a-drinkin'? Has I had a chance to be a-drinkin'?"
|
|
|
|
"Well, then, what makes you talk so wild?"
|
|
|
|
"How does I talk wild?"
|
|
|
|
"HOW? Why, hain't you been talking about my coming back, and all that
|
|
stuff, as if I'd been gone away?"
|
|
|
|
"Huck--Huck Finn, you look me in de eye; look me in de eye. HAIN'T you
|
|
ben gone away?"
|
|
|
|
"Gone away? Why, what in the nation do you mean? I hain't been gone
|
|
anywheres. Where would I go to?"
|
|
|
|
"Well, looky here, boss, dey's sumf'n wrong, dey is. Is I ME, or who IS
|
|
I? Is I heah, or whah IS I? Now dat's what I wants to know."
|
|
|
|
"Well, I think you're here, plain enough, but I think you're a
|
|
tangle-headed old fool, Jim."
|
|
|
|
"I is, is I? Well, you answer me dis: Didn't you tote out de line in de
|
|
canoe fer to make fas' to de tow-head?"
|
|
|
|
"No, I didn't. What tow-head? I hain't see no tow-head."
|
|
|
|
"You hain't seen no towhead? Looky here, didn't de line pull loose en de
|
|
raf' go a-hummin' down de river, en leave you en de canoe behine in de
|
|
fog?"
|
|
|
|
"What fog?"
|
|
|
|
"Why, de fog!--de fog dat's been aroun' all night. En didn't you whoop,
|
|
en didn't I whoop, tell we got mix' up in de islands en one un us got
|
|
los' en t'other one was jis' as good as los', 'kase he didn' know whah he
|
|
wuz? En didn't I bust up agin a lot er dem islands en have a turrible
|
|
time en mos' git drownded? Now ain' dat so, boss--ain't it so? You
|
|
answer me dat."
|
|
|
|
"Well, this is too many for me, Jim. I hain't seen no fog, nor no
|
|
islands, nor no troubles, nor nothing. I been setting here talking with
|
|
you all night till you went to sleep about ten minutes ago, and I reckon
|
|
I done the same. You couldn't a got drunk in that time, so of course
|
|
you've been dreaming."
|
|
|
|
"Dad fetch it, how is I gwyne to dream all dat in ten minutes?"
|
|
|
|
"Well, hang it all, you did dream it, because there didn't any of it
|
|
happen."
|
|
|
|
"But, Huck, it's all jis' as plain to me as--"
|
|
|
|
"It don't make no difference how plain it is; there ain't nothing in it.
|
|
I know, because I've been here all the time."
|
|
|
|
Jim didn't say nothing for about five minutes, but set there studying
|
|
over it. Then he says:
|
|
|
|
"Well, den, I reck'n I did dream it, Huck; but dog my cats ef it ain't de
|
|
powerfullest dream I ever see. En I hain't ever had no dream b'fo' dat's
|
|
tired me like dis one."
|
|
|
|
"Oh, well, that's all right, because a dream does tire a body like
|
|
everything sometimes. But this one was a staving dream; tell me all
|
|
about it, Jim."
|
|
|
|
So Jim went to work and told me the whole thing right through, just as it
|
|
happened, only he painted it up considerable. Then he said he must start
|
|
in and "'terpret" it, because it was sent for a warning. He said the
|
|
first towhead stood for a man that would try to do us some good, but the
|
|
current was another man that would get us away from him. The whoops was
|
|
warnings that would come to us every now and then, and if we didn't try
|
|
hard to make out to understand them they'd just take us into bad luck,
|
|
'stead of keeping us out of it. The lot of towheads was troubles we was
|
|
going to get into with quarrelsome people and all kinds of mean folks,
|
|
but if we minded our business and didn't talk back and aggravate them, we
|
|
would pull through and get out of the fog and into the big clear river,
|
|
which was the free States, and wouldn't have no more trouble.
|
|
|
|
It had clouded up pretty dark just after I got on to the raft, but it was
|
|
clearing up again now.
|
|
|
|
"Oh, well, that's all interpreted well enough as far as it goes, Jim," I
|
|
says; "but what does THESE things stand for?"
|
|
|
|
It was the leaves and rubbish on the raft and the smashed oar. You could
|
|
see them first-rate now.
|
|
|
|
Jim looked at the trash, and then looked at me, and back at the trash
|
|
again. He had got the dream fixed so strong in his head that he couldn't
|
|
seem to shake it loose and get the facts back into its place again right
|
|
away. But when he did get the thing straightened around he looked at me
|
|
steady without ever smiling, and says:
|
|
|
|
"What do dey stan' for? I'se gwyne to tell you. When I got all wore out
|
|
wid work, en wid de callin' for you, en went to sleep, my heart wuz mos'
|
|
broke bekase you wuz los', en I didn' k'yer no' mo' what become er me en
|
|
de raf'. En when I wake up en fine you back agin, all safe en soun', de
|
|
tears come, en I could a got down on my knees en kiss yo' foot, I's so
|
|
thankful. En all you wuz thinkin' 'bout wuz how you could make a fool uv
|
|
ole Jim wid a lie. Dat truck dah is TRASH; en trash is what people is
|
|
dat puts dirt on de head er dey fren's en makes 'em ashamed."
|
|
|
|
Then he got up slow and walked to the wigwam, and went in there without
|
|
saying anything but that. But that was enough. It made me feel so mean
|
|
I could almost kissed HIS foot to get him to take it back.
|
|
|
|
It was fifteen minutes before I could work myself up to go and humble
|
|
myself to a nigger; but I done it, and I warn't ever sorry for it
|
|
afterwards, neither. I didn't do him no more mean tricks, and I wouldn't
|
|
done that one if I'd a knowed it would make him feel that way.
|
|
|
|
|
|
|
|
|
|
CHAPTER XVI.
|
|
|
|
WE slept most all day, and started out at night, a little ways behind a
|
|
monstrous long raft that was as long going by as a procession. She had
|
|
four long sweeps at each end, so we judged she carried as many as thirty
|
|
men, likely. She had five big wigwams aboard, wide apart, and an open
|
|
camp fire in the middle, and a tall flag-pole at each end. There was a
|
|
power of style about her. It AMOUNTED to something being a raftsman on
|
|
such a craft as that.
|
|
|
|
We went drifting down into a big bend, and the night clouded up and got
|
|
hot. The river was very wide, and was walled with solid timber on both
|
|
sides; you couldn't see a break in it hardly ever, or a light. We talked
|
|
about Cairo, and wondered whether we would know it when we got to it. I
|
|
said likely we wouldn't, because I had heard say there warn't but about a
|
|
dozen houses there, and if they didn't happen to have them lit up, how
|
|
was we going to know we was passing a town? Jim said if the two big
|
|
rivers joined together there, that would show. But I said maybe we might
|
|
think we was passing the foot of an island and coming into the same old
|
|
river again. That disturbed Jim--and me too. So the question was, what
|
|
to do? I said, paddle ashore the first time a light showed, and tell
|
|
them pap was behind, coming along with a trading-scow, and was a green
|
|
hand at the business, and wanted to know how far it was to Cairo. Jim
|
|
thought it was a good idea, so we took a smoke on it and waited.
|
|
|
|
There warn't nothing to do now but to look out sharp for the town, and
|
|
not pass it without seeing it. He said he'd be mighty sure to see it,
|
|
because he'd be a free man the minute he seen it, but if he missed it
|
|
he'd be in a slave country again and no more show for freedom. Every
|
|
little while he jumps up and says:
|
|
|
|
"Dah she is?"
|
|
|
|
But it warn't. It was Jack-o'-lanterns, or lightning bugs; so he set
|
|
down again, and went to watching, same as before. Jim said it made him
|
|
all over trembly and feverish to be so close to freedom. Well, I can
|
|
tell you it made me all over trembly and feverish, too, to hear him,
|
|
because I begun to get it through my head that he WAS most free--and who
|
|
was to blame for it? Why, ME. I couldn't get that out of my conscience,
|
|
no how nor no way. It got to troubling me so I couldn't rest; I couldn't
|
|
stay still in one place. It hadn't ever come home to me before, what
|
|
this thing was that I was doing. But now it did; and it stayed with me,
|
|
and scorched me more and more. I tried to make out to myself that I
|
|
warn't to blame, because I didn't run Jim off from his rightful owner;
|
|
but it warn't no use, conscience up and says, every time, "But you knowed
|
|
he was running for his freedom, and you could a paddled ashore and told
|
|
somebody." That was so--I couldn't get around that noway. That was
|
|
where it pinched. Conscience says to me, "What had poor Miss Watson done
|
|
to you that you could see her nigger go off right under your eyes and
|
|
never say one single word? What did that poor old woman do to you that
|
|
you could treat her so mean? Why, she tried to learn you your book, she
|
|
tried to learn you your manners, she tried to be good to you every way
|
|
she knowed how. THAT'S what she done."
|
|
|
|
I got to feeling so mean and so miserable I most wished I was dead. I
|
|
fidgeted up and down the raft, abusing myself to myself, and Jim was
|
|
fidgeting up and down past me. We neither of us could keep still. Every
|
|
time he danced around and says, "Dah's Cairo!" it went through me like a
|
|
shot, and I thought if it WAS Cairo I reckoned I would die of
|
|
miserableness.
|
|
|
|
Jim talked out loud all the time while I was talking to myself. He was
|
|
saying how the first thing he would do when he got to a free State he
|
|
would go to saving up money and never spend a single cent, and when he
|
|
got enough he would buy his wife, which was owned on a farm close to
|
|
where Miss Watson lived; and then they would both work to buy the two
|
|
children, and if their master wouldn't sell them, they'd get an
|
|
Ab'litionist to go and steal them.
|
|
|
|
It most froze me to hear such talk. He wouldn't ever dared to talk such
|
|
talk in his life before. Just see what a difference it made in him the
|
|
minute he judged he was about free. It was according to the old saying,
|
|
"Give a nigger an inch and he'll take an ell." Thinks I, this is what
|
|
comes of my not thinking. Here was this nigger, which I had as good as
|
|
helped to run away, coming right out flat-footed and saying he would
|
|
steal his children--children that belonged to a man I didn't even know; a
|
|
man that hadn't ever done me no harm.
|
|
|
|
I was sorry to hear Jim say that, it was such a lowering of him. My
|
|
conscience got to stirring me up hotter than ever, until at last I says
|
|
to it, "Let up on me--it ain't too late yet--I'll paddle ashore at the
|
|
first light and tell." I felt easy and happy and light as a feather
|
|
right off. All my troubles was gone. I went to looking out sharp for a
|
|
light, and sort of singing to myself. By and by one showed. Jim sings
|
|
out:
|
|
|
|
"We's safe, Huck, we's safe! Jump up and crack yo' heels! Dat's de good
|
|
ole Cairo at las', I jis knows it!"
|
|
|
|
I says:
|
|
|
|
"I'll take the canoe and go and see, Jim. It mightn't be, you know."
|
|
|
|
He jumped and got the canoe ready, and put his old coat in the bottom for
|
|
me to set on, and give me the paddle; and as I shoved off, he says:
|
|
|
|
"Pooty soon I'll be a-shout'n' for joy, en I'll say, it's all on accounts
|
|
o' Huck; I's a free man, en I couldn't ever ben free ef it hadn' ben for
|
|
Huck; Huck done it. Jim won't ever forgit you, Huck; you's de bes' fren'
|
|
Jim's ever had; en you's de ONLY fren' ole Jim's got now."
|
|
|
|
I was paddling off, all in a sweat to tell on him; but when he says this,
|
|
it seemed to kind of take the tuck all out of me. I went along slow
|
|
then, and I warn't right down certain whether I was glad I started or
|
|
whether I warn't. When I was fifty yards off, Jim says:
|
|
|
|
"Dah you goes, de ole true Huck; de on'y white genlman dat ever kep' his
|
|
promise to ole Jim."
|
|
|
|
Well, I just felt sick. But I says, I GOT to do it--I can't get OUT of
|
|
it. Right then along comes a skiff with two men in it with guns, and
|
|
they stopped and I stopped. One of them says:
|
|
|
|
"What's that yonder?"
|
|
|
|
"A piece of a raft," I says.
|
|
|
|
"Do you belong on it?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Any men on it?"
|
|
|
|
"Only one, sir."
|
|
|
|
"Well, there's five niggers run off to-night up yonder, above the head of
|
|
the bend. Is your man white or black?"
|
|
|
|
I didn't answer up prompt. I tried to, but the words wouldn't come. I
|
|
tried for a second or two to brace up and out with it, but I warn't man
|
|
enough--hadn't the spunk of a rabbit. I see I was weakening; so I just
|
|
give up trying, and up and says:
|
|
|
|
"He's white."
|
|
|
|
"I reckon we'll go and see for ourselves."
|
|
|
|
"I wish you would," says I, "because it's pap that's there, and maybe
|
|
you'd help me tow the raft ashore where the light is. He's sick--and so
|
|
is mam and Mary Ann."
|
|
|
|
"Oh, the devil! we're in a hurry, boy. But I s'pose we've got to. Come,
|
|
buckle to your paddle, and let's get along."
|
|
|
|
I buckled to my paddle and they laid to their oars. When we had made a
|
|
stroke or two, I says:
|
|
|
|
"Pap'll be mighty much obleeged to you, I can tell you. Everybody goes
|
|
away when I want them to help me tow the raft ashore, and I can't do it
|
|
by myself."
|
|
|
|
"Well, that's infernal mean. Odd, too. Say, boy, what's the matter with
|
|
your father?"
|
|
|
|
"It's the--a--the--well, it ain't anything much."
|
|
|
|
They stopped pulling. It warn't but a mighty little ways to the raft
|
|
now. One says:
|
|
|
|
"Boy, that's a lie. What IS the matter with your pap? Answer up square
|
|
now, and it'll be the better for you."
|
|
|
|
"I will, sir, I will, honest--but don't leave us, please. It's the--the
|
|
--Gentlemen, if you'll only pull ahead, and let me heave you the
|
|
headline, you won't have to come a-near the raft--please do."
|
|
|
|
"Set her back, John, set her back!" says one. They backed water. "Keep
|
|
away, boy--keep to looard. Confound it, I just expect the wind has
|
|
blowed it to us. Your pap's got the small-pox, and you know it precious
|
|
well. Why didn't you come out and say so? Do you want to spread it all
|
|
over?"
|
|
|
|
"Well," says I, a-blubbering, "I've told everybody before, and they just
|
|
went away and left us."
|
|
|
|
"Poor devil, there's something in that. We are right down sorry for you,
|
|
but we--well, hang it, we don't want the small-pox, you see. Look here,
|
|
I'll tell you what to do. Don't you try to land by yourself, or you'll
|
|
smash everything to pieces. You float along down about twenty miles, and
|
|
you'll come to a town on the left-hand side of the river. It will be
|
|
long after sun-up then, and when you ask for help you tell them your
|
|
folks are all down with chills and fever. Don't be a fool again, and let
|
|
people guess what is the matter. Now we're trying to do you a kindness;
|
|
so you just put twenty miles between us, that's a good boy. It wouldn't
|
|
do any good to land yonder where the light is--it's only a wood-yard.
|
|
Say, I reckon your father's poor, and I'm bound to say he's in pretty
|
|
hard luck. Here, I'll put a twenty-dollar gold piece on this board, and
|
|
you get it when it floats by. I feel mighty mean to leave you; but my
|
|
kingdom! it won't do to fool with small-pox, don't you see?"
|
|
|
|
"Hold on, Parker," says the other man, "here's a twenty to put on the
|
|
board for me. Good-bye, boy; you do as Mr. Parker told you, and you'll
|
|
be all right."
|
|
|
|
"That's so, my boy--good-bye, good-bye. If you see any runaway niggers
|
|
you get help and nab them, and you can make some money by it."
|
|
|
|
"Good-bye, sir," says I; "I won't let no runaway niggers get by me if I
|
|
can help it."
|
|
|
|
They went off and I got aboard the raft, feeling bad and low, because I
|
|
knowed very well I had done wrong, and I see it warn't no use for me to
|
|
try to learn to do right; a body that don't get STARTED right when he's
|
|
little ain't got no show--when the pinch comes there ain't nothing to
|
|
back him up and keep him to his work, and so he gets beat. Then I
|
|
thought a minute, and says to myself, hold on; s'pose you'd a done right
|
|
and give Jim up, would you felt better than what you do now? No, says I,
|
|
I'd feel bad--I'd feel just the same way I do now. Well, then, says I,
|
|
what's the use you learning to do right when it's troublesome to do right
|
|
and ain't no trouble to do wrong, and the wages is just the same? I was
|
|
stuck. I couldn't answer that. So I reckoned I wouldn't bother no more
|
|
about it, but after this always do whichever come handiest at the time.
|
|
|
|
I went into the wigwam; Jim warn't there. I looked all around; he warn't
|
|
anywhere. I says:
|
|
|
|
"Jim!"
|
|
|
|
"Here I is, Huck. Is dey out o' sight yit? Don't talk loud."
|
|
|
|
He was in the river under the stern oar, with just his nose out. I told
|
|
him they were out of sight, so he come aboard. He says:
|
|
|
|
"I was a-listenin' to all de talk, en I slips into de river en was gwyne
|
|
to shove for sho' if dey come aboard. Den I was gwyne to swim to de raf'
|
|
agin when dey was gone. But lawsy, how you did fool 'em, Huck! Dat WUZ
|
|
de smartes' dodge! I tell you, chile, I'spec it save' ole Jim--ole Jim
|
|
ain't going to forgit you for dat, honey."
|
|
|
|
Then we talked about the money. It was a pretty good raise--twenty
|
|
dollars apiece. Jim said we could take deck passage on a steamboat now,
|
|
and the money would last us as far as we wanted to go in the free States.
|
|
He said twenty mile more warn't far for the raft to go, but he wished we
|
|
was already there.
|
|
|
|
Towards daybreak we tied up, and Jim was mighty particular about hiding
|
|
the raft good. Then he worked all day fixing things in bundles, and
|
|
getting all ready to quit rafting.
|
|
|
|
That night about ten we hove in sight of the lights of a town away down
|
|
in a left-hand bend.
|
|
|
|
I went off in the canoe to ask about it. Pretty soon I found a man out
|
|
in the river with a skiff, setting a trot-line. I ranged up and says:
|
|
|
|
"Mister, is that town Cairo?"
|
|
|
|
"Cairo? no. You must be a blame' fool."
|
|
|
|
"What town is it, mister?"
|
|
|
|
"If you want to know, go and find out. If you stay here botherin' around
|
|
me for about a half a minute longer you'll get something you won't want."
|
|
|
|
I paddled to the raft. Jim was awful disappointed, but I said never
|
|
mind, Cairo would be the next place, I reckoned.
|
|
|
|
We passed another town before daylight, and I was going out again; but it
|
|
was high ground, so I didn't go. No high ground about Cairo, Jim said.
|
|
I had forgot it. We laid up for the day on a towhead tolerable close to
|
|
the left-hand bank. I begun to suspicion something. So did Jim. I
|
|
says:
|
|
|
|
"Maybe we went by Cairo in the fog that night."
|
|
|
|
He says:
|
|
|
|
"Doan' le's talk about it, Huck. Po' niggers can't have no luck. I
|
|
awluz 'spected dat rattlesnake-skin warn't done wid its work."
|
|
|
|
"I wish I'd never seen that snake-skin, Jim--I do wish I'd never laid
|
|
eyes on it."
|
|
|
|
"It ain't yo' fault, Huck; you didn' know. Don't you blame yo'self 'bout
|
|
it."
|
|
|
|
When it was daylight, here was the clear Ohio water inshore, sure enough,
|
|
and outside was the old regular Muddy! So it was all up with Cairo.
|
|
|
|
We talked it all over. It wouldn't do to take to the shore; we couldn't
|
|
take the raft up the stream, of course. There warn't no way but to wait
|
|
for dark, and start back in the canoe and take the chances. So we slept
|
|
all day amongst the cottonwood thicket, so as to be fresh for the work,
|
|
and when we went back to the raft about dark the canoe was gone!
|
|
|
|
We didn't say a word for a good while. There warn't anything to say. We
|
|
both knowed well enough it was some more work of the rattlesnake-skin; so
|
|
what was the use to talk about it? It would only look like we was
|
|
finding fault, and that would be bound to fetch more bad luck--and keep
|
|
on fetching it, too, till we knowed enough to keep still.
|
|
|
|
By and by we talked about what we better do, and found there warn't no
|
|
way but just to go along down with the raft till we got a chance to buy a
|
|
canoe to go back in. We warn't going to borrow it when there warn't
|
|
anybody around, the way pap would do, for that might set people after us.
|
|
|
|
So we shoved out after dark on the raft.
|
|
|
|
Anybody that don't believe yet that it's foolishness to handle a
|
|
snake-skin, after all that that snake-skin done for us, will believe
|
|
it now if they read on and see what more it done for us.
|
|
|
|
The place to buy canoes is off of rafts laying up at shore. But we
|
|
didn't see no rafts laying up; so we went along during three hours and
|
|
more. Well, the night got gray and ruther thick, which is the next
|
|
meanest thing to fog. You can't tell the shape of the river, and you
|
|
can't see no distance. It got to be very late and still, and then along
|
|
comes a steamboat up the river. We lit the lantern, and judged she would
|
|
see it. Up-stream boats didn't generly come close to us; they go out and
|
|
follow the bars and hunt for easy water under the reefs; but nights like
|
|
this they bull right up the channel against the whole river.
|
|
|
|
We could hear her pounding along, but we didn't see her good till she was
|
|
close. She aimed right for us. Often they do that and try to see how
|
|
close they can come without touching; sometimes the wheel bites off a
|
|
sweep, and then the pilot sticks his head out and laughs, and thinks he's
|
|
mighty smart. Well, here she comes, and we said she was going to try and
|
|
shave us; but she didn't seem to be sheering off a bit. She was a big
|
|
one, and she was coming in a hurry, too, looking like a black cloud with
|
|
rows of glow-worms around it; but all of a sudden she bulged out, big and
|
|
scary, with a long row of wide-open furnace doors shining like red-hot
|
|
teeth, and her monstrous bows and guards hanging right over us. There
|
|
was a yell at us, and a jingling of bells to stop the engines, a powwow
|
|
of cussing, and whistling of steam--and as Jim went overboard on one side
|
|
and I on the other, she come smashing straight through the raft.
|
|
|
|
I dived--and I aimed to find the bottom, too, for a thirty-foot wheel had
|
|
got to go over me, and I wanted it to have plenty of room. I could
|
|
always stay under water a minute; this time I reckon I stayed under a
|
|
minute and a half. Then I bounced for the top in a hurry, for I was
|
|
nearly busting. I popped out to my armpits and blowed the water out of
|
|
my nose, and puffed a bit. Of course there was a booming current; and of
|
|
course that boat started her engines again ten seconds after she stopped
|
|
them, for they never cared much for raftsmen; so now she was churning
|
|
along up the river, out of sight in the thick weather, though I could
|
|
hear her.
|
|
|
|
I sung out for Jim about a dozen times, but I didn't get any answer; so I
|
|
grabbed a plank that touched me while I was "treading water," and struck
|
|
out for shore, shoving it ahead of me. But I made out to see that the
|
|
drift of the current was towards the left-hand shore, which meant that I
|
|
was in a crossing; so I changed off and went that way.
|
|
|
|
It was one of these long, slanting, two-mile crossings; so I was a good
|
|
long time in getting over. I made a safe landing, and clumb up the bank.
|
|
I couldn't see but a little ways, but I went poking along over rough
|
|
ground for a quarter of a mile or more, and then I run across a big
|
|
old-fashioned double log-house before I noticed it. I was going to rush
|
|
by and get away, but a lot of dogs jumped out and went to howling and
|
|
barking at me, and I knowed better than to move another peg.
|
|
|
|
|
|
|
|
|
|
CHAPTER XVII.
|
|
|
|
IN about a minute somebody spoke out of a window without putting his head
|
|
out, and says:
|
|
|
|
"Be done, boys! Who's there?"
|
|
|
|
I says:
|
|
|
|
"It's me."
|
|
|
|
"Who's me?"
|
|
|
|
"George Jackson, sir."
|
|
|
|
"What do you want?"
|
|
|
|
"I don't want nothing, sir. I only want to go along by, but the dogs
|
|
won't let me."
|
|
|
|
"What are you prowling around here this time of night for--hey?"
|
|
|
|
"I warn't prowling around, sir, I fell overboard off of the steamboat."
|
|
|
|
"Oh, you did, did you? Strike a light there, somebody. What did you say
|
|
your name was?"
|
|
|
|
"George Jackson, sir. I'm only a boy."
|
|
|
|
"Look here, if you're telling the truth you needn't be afraid--nobody'll
|
|
hurt you. But don't try to budge; stand right where you are. Rouse out
|
|
Bob and Tom, some of you, and fetch the guns. George Jackson, is there
|
|
anybody with you?"
|
|
|
|
"No, sir, nobody."
|
|
|
|
I heard the people stirring around in the house now, and see a light.
|
|
The man sung out:
|
|
|
|
"Snatch that light away, Betsy, you old fool--ain't you got any sense?
|
|
Put it on the floor behind the front door. Bob, if you and Tom are
|
|
ready, take your places."
|
|
|
|
"All ready."
|
|
|
|
"Now, George Jackson, do you know the Shepherdsons?"
|
|
|
|
"No, sir; I never heard of them."
|
|
|
|
"Well, that may be so, and it mayn't. Now, all ready. Step forward,
|
|
George Jackson. And mind, don't you hurry--come mighty slow. If there's
|
|
anybody with you, let him keep back--if he shows himself he'll be shot.
|
|
Come along now. Come slow; push the door open yourself--just enough to
|
|
squeeze in, d' you hear?"
|
|
|
|
I didn't hurry; I couldn't if I'd a wanted to. I took one slow step at a
|
|
time and there warn't a sound, only I thought I could hear my heart. The
|
|
dogs were as still as the humans, but they followed a little behind me.
|
|
When I got to the three log doorsteps I heard them unlocking and
|
|
unbarring and unbolting. I put my hand on the door and pushed it a
|
|
little and a little more till somebody said, "There, that's enough--put
|
|
your head in." I done it, but I judged they would take it off.
|
|
|
|
The candle was on the floor, and there they all was, looking at me, and
|
|
me at them, for about a quarter of a minute: Three big men with guns
|
|
pointed at me, which made me wince, I tell you; the oldest, gray and
|
|
about sixty, the other two thirty or more--all of them fine and handsome
|
|
--and the sweetest old gray-headed lady, and back of her two young women
|
|
which I couldn't see right well. The old gentleman says:
|
|
|
|
"There; I reckon it's all right. Come in."
|
|
|
|
As soon as I was in the old gentleman he locked the door and barred it
|
|
and bolted it, and told the young men to come in with their guns, and
|
|
they all went in a big parlor that had a new rag carpet on the floor, and
|
|
got together in a corner that was out of the range of the front windows
|
|
--there warn't none on the side. They held the candle, and took a good
|
|
look at me, and all said, "Why, HE ain't a Shepherdson--no, there ain't
|
|
any Shepherdson about him." Then the old man said he hoped I wouldn't
|
|
mind being searched for arms, because he didn't mean no harm by it--it
|
|
was only to make sure. So he didn't pry into my pockets, but only felt
|
|
outside with his hands, and said it was all right. He told me to make
|
|
myself easy and at home, and tell all about myself; but the old lady
|
|
says:
|
|
|
|
"Why, bless you, Saul, the poor thing's as wet as he can be; and don't
|
|
you reckon it may be he's hungry?"
|
|
|
|
"True for you, Rachel--I forgot."
|
|
|
|
So the old lady says:
|
|
|
|
"Betsy" (this was a nigger woman), "you fly around and get him something
|
|
to eat as quick as you can, poor thing; and one of you girls go and wake
|
|
up Buck and tell him--oh, here he is himself. Buck, take this little
|
|
stranger and get the wet clothes off from him and dress him up in some of
|
|
yours that's dry."
|
|
|
|
Buck looked about as old as me--thirteen or fourteen or along there,
|
|
though he was a little bigger than me. He hadn't on anything but a
|
|
shirt, and he was very frowzy-headed. He came in gaping and digging one
|
|
fist into his eyes, and he was dragging a gun along with the other one.
|
|
He says:
|
|
|
|
"Ain't they no Shepherdsons around?"
|
|
|
|
They said, no, 'twas a false alarm.
|
|
|
|
"Well," he says, "if they'd a ben some, I reckon I'd a got one."
|
|
|
|
They all laughed, and Bob says:
|
|
|
|
"Why, Buck, they might have scalped us all, you've been so slow in
|
|
coming."
|
|
|
|
"Well, nobody come after me, and it ain't right I'm always kept down; I
|
|
don't get no show."
|
|
|
|
"Never mind, Buck, my boy," says the old man, "you'll have show enough,
|
|
all in good time, don't you fret about that. Go 'long with you now, and
|
|
do as your mother told you."
|
|
|
|
When we got up-stairs to his room he got me a coarse shirt and a
|
|
roundabout and pants of his, and I put them on. While I was at it he
|
|
asked me what my name was, but before I could tell him he started to tell
|
|
me about a bluejay and a young rabbit he had catched in the woods day
|
|
before yesterday, and he asked me where Moses was when the candle went
|
|
out. I said I didn't know; I hadn't heard about it before, no way.
|
|
|
|
"Well, guess," he says.
|
|
|
|
"How'm I going to guess," says I, "when I never heard tell of it before?"
|
|
|
|
"But you can guess, can't you? It's just as easy."
|
|
|
|
"WHICH candle?" I says.
|
|
|
|
"Why, any candle," he says.
|
|
|
|
"I don't know where he was," says I; "where was he?"
|
|
|
|
"Why, he was in the DARK! That's where he was!"
|
|
|
|
"Well, if you knowed where he was, what did you ask me for?"
|
|
|
|
"Why, blame it, it's a riddle, don't you see? Say, how long are you
|
|
going to stay here? You got to stay always. We can just have booming
|
|
times--they don't have no school now. Do you own a dog? I've got a
|
|
dog--and he'll go in the river and bring out chips that you throw in. Do
|
|
you like to comb up Sundays, and all that kind of foolishness? You bet I
|
|
don't, but ma she makes me. Confound these ole britches! I reckon I'd
|
|
better put 'em on, but I'd ruther not, it's so warm. Are you all ready?
|
|
All right. Come along, old hoss."
|
|
|
|
Cold corn-pone, cold corn-beef, butter and buttermilk--that is what they
|
|
had for me down there, and there ain't nothing better that ever I've come
|
|
across yet. Buck and his ma and all of them smoked cob pipes, except the
|
|
nigger woman, which was gone, and the two young women. They all smoked
|
|
and talked, and I eat and talked. The young women had quilts around
|
|
them, and their hair down their backs. They all asked me questions, and
|
|
I told them how pap and me and all the family was living on a little farm
|
|
down at the bottom of Arkansaw, and my sister Mary Ann run off and got
|
|
married and never was heard of no more, and Bill went to hunt them and he
|
|
warn't heard of no more, and Tom and Mort died, and then there warn't
|
|
nobody but just me and pap left, and he was just trimmed down to nothing,
|
|
on account of his troubles; so when he died I took what there was left,
|
|
because the farm didn't belong to us, and started up the river, deck
|
|
passage, and fell overboard; and that was how I come to be here. So they
|
|
said I could have a home there as long as I wanted it. Then it was most
|
|
daylight and everybody went to bed, and I went to bed with Buck, and when
|
|
I waked up in the morning, drat it all, I had forgot what my name was.
|
|
So I laid there about an hour trying to think, and when Buck waked up I
|
|
says:
|
|
|
|
"Can you spell, Buck?"
|
|
|
|
"Yes," he says.
|
|
|
|
"I bet you can't spell my name," says I.
|
|
|
|
"I bet you what you dare I can," says he.
|
|
|
|
"All right," says I, "go ahead."
|
|
|
|
"G-e-o-r-g-e J-a-x-o-n--there now," he says.
|
|
|
|
"Well," says I, "you done it, but I didn't think you could. It ain't no
|
|
slouch of a name to spell--right off without studying."
|
|
|
|
I set it down, private, because somebody might want ME to spell it next,
|
|
and so I wanted to be handy with it and rattle it off like I was used to
|
|
it.
|
|
|
|
It was a mighty nice family, and a mighty nice house, too. I hadn't seen
|
|
no house out in the country before that was so nice and had so much
|
|
style. It didn't have an iron latch on the front door, nor a wooden one
|
|
with a buckskin string, but a brass knob to turn, the same as houses in
|
|
town. There warn't no bed in the parlor, nor a sign of a bed; but heaps
|
|
of parlors in towns has beds in them. There was a big fireplace that was
|
|
bricked on the bottom, and the bricks was kept clean and red by pouring
|
|
water on them and scrubbing them with another brick; sometimes they wash
|
|
them over with red water-paint that they call Spanish-brown, same as they
|
|
do in town. They had big brass dog-irons that could hold up a saw-log.
|
|
There was a clock on the middle of the mantelpiece, with a picture of a
|
|
town painted on the bottom half of the glass front, and a round place in
|
|
the middle of it for the sun, and you could see the pendulum swinging
|
|
behind it. It was beautiful to hear that clock tick; and sometimes when
|
|
one of these peddlers had been along and scoured her up and got her in
|
|
good shape, she would start in and strike a hundred and fifty before she
|
|
got tuckered out. They wouldn't took any money for her.
|
|
|
|
Well, there was a big outlandish parrot on each side of the clock, made
|
|
out of something like chalk, and painted up gaudy. By one of the parrots
|
|
was a cat made of crockery, and a crockery dog by the other; and when you
|
|
pressed down on them they squeaked, but didn't open their mouths nor look
|
|
different nor interested. They squeaked through underneath. There was a
|
|
couple of big wild-turkey-wing fans spread out behind those things. On
|
|
the table in the middle of the room was a kind of a lovely crockery
|
|
basket that had apples and oranges and peaches and grapes piled up in it,
|
|
which was much redder and yellower and prettier than real ones is, but
|
|
they warn't real because you could see where pieces had got chipped off
|
|
and showed the white chalk, or whatever it was, underneath.
|
|
|
|
This table had a cover made out of beautiful oilcloth, with a red and
|
|
blue spread-eagle painted on it, and a painted border all around. It
|
|
come all the way from Philadelphia, they said. There was some books,
|
|
too, piled up perfectly exact, on each corner of the table. One was a
|
|
big family Bible full of pictures. One was Pilgrim's Progress, about a
|
|
man that left his family, it didn't say why. I read considerable in it
|
|
now and then. The statements was interesting, but tough. Another was
|
|
Friendship's Offering, full of beautiful stuff and poetry; but I didn't
|
|
read the poetry. Another was Henry Clay's Speeches, and another was Dr.
|
|
Gunn's Family Medicine, which told you all about what to do if a body was
|
|
sick or dead. There was a hymn book, and a lot of other books. And
|
|
there was nice split-bottom chairs, and perfectly sound, too--not bagged
|
|
down in the middle and busted, like an old basket.
|
|
|
|
They had pictures hung on the walls--mainly Washingtons and Lafayettes,
|
|
and battles, and Highland Marys, and one called "Signing the
|
|
Declaration." There was some that they called crayons, which one of the
|
|
daughters which was dead made her own self when she was only fifteen
|
|
years old. They was different from any pictures I ever see before
|
|
--blacker, mostly, than is common. One was a woman in a slim black dress,
|
|
belted small under the armpits, with bulges like a cabbage in the middle
|
|
of the sleeves, and a large black scoop-shovel bonnet with a black veil,
|
|
and white slim ankles crossed about with black tape, and very wee black
|
|
slippers, like a chisel, and she was leaning pensive on a tombstone on
|
|
her right elbow, under a weeping willow, and her other hand hanging down
|
|
her side holding a white handkerchief and a reticule, and underneath the
|
|
picture it said "Shall I Never See Thee More Alas." Another one was a
|
|
young lady with her hair all combed up straight to the top of her head,
|
|
and knotted there in front of a comb like a chair-back, and she was
|
|
crying into a handkerchief and had a dead bird laying on its back in her
|
|
other hand with its heels up, and underneath the picture it said "I Shall
|
|
Never Hear Thy Sweet Chirrup More Alas." There was one where a young
|
|
lady was at a window looking up at the moon, and tears running down her
|
|
cheeks; and she had an open letter in one hand with black sealing wax
|
|
showing on one edge of it, and she was mashing a locket with a chain to
|
|
it against her mouth, and underneath the picture it said "And Art Thou
|
|
Gone Yes Thou Art Gone Alas." These was all nice pictures, I reckon, but
|
|
I didn't somehow seem to take to them, because if ever I was down a
|
|
little they always give me the fan-tods. Everybody was sorry she died,
|
|
because she had laid out a lot more of these pictures to do, and a body
|
|
could see by what she had done what they had lost. But I reckoned that
|
|
with her disposition she was having a better time in the graveyard. She
|
|
was at work on what they said was her greatest picture when she took
|
|
sick, and every day and every night it was her prayer to be allowed to
|
|
live till she got it done, but she never got the chance. It was a
|
|
picture of a young woman in a long white gown, standing on the rail of a
|
|
bridge all ready to jump off, with her hair all down her back, and
|
|
looking up to the moon, with the tears running down her face, and she had
|
|
two arms folded across her breast, and two arms stretched out in front,
|
|
and two more reaching up towards the moon--and the idea was to see which
|
|
pair would look best, and then scratch out all the other arms; but, as I
|
|
was saying, she died before she got her mind made up, and now they kept
|
|
this picture over the head of the bed in her room, and every time her
|
|
birthday come they hung flowers on it. Other times it was hid with a
|
|
little curtain. The young woman in the picture had a kind of a nice
|
|
sweet face, but there was so many arms it made her look too spidery,
|
|
seemed to me.
|
|
|
|
This young girl kept a scrap-book when she was alive, and used to paste
|
|
obituaries and accidents and cases of patient suffering in it out of the
|
|
Presbyterian Observer, and write poetry after them out of her own head.
|
|
It was very good poetry. This is what she wrote about a boy by the name
|
|
of Stephen Dowling Bots that fell down a well and was drownded:
|
|
|
|
ODE TO STEPHEN DOWLING BOTS, DEC'D
|
|
|
|
And did young Stephen sicken, And did young Stephen die? And did the sad
|
|
hearts thicken, And did the mourners cry?
|
|
|
|
No; such was not the fate of Young Stephen Dowling Bots; Though sad
|
|
hearts round him thickened, 'Twas not from sickness' shots.
|
|
|
|
No whooping-cough did rack his frame, Nor measles drear with spots; Not
|
|
these impaired the sacred name Of Stephen Dowling Bots.
|
|
|
|
Despised love struck not with woe That head of curly knots, Nor stomach
|
|
troubles laid him low, Young Stephen Dowling Bots.
|
|
|
|
O no. Then list with tearful eye, Whilst I his fate do tell. His soul
|
|
did from this cold world fly By falling down a well.
|
|
|
|
They got him out and emptied him; Alas it was too late; His spirit was
|
|
gone for to sport aloft In the realms of the good and great.
|
|
|
|
If Emmeline Grangerford could make poetry like that before she was
|
|
fourteen, there ain't no telling what she could a done by and by. Buck
|
|
said she could rattle off poetry like nothing. She didn't ever have to
|
|
stop to think. He said she would slap down a line, and if she couldn't
|
|
find anything to rhyme with it would just scratch it out and slap down
|
|
another one, and go ahead. She warn't particular; she could write about
|
|
anything you choose to give her to write about just so it was sadful.
|
|
Every time a man died, or a woman died, or a child died, she would be on
|
|
hand with her "tribute" before he was cold. She called them tributes.
|
|
The neighbors said it was the doctor first, then Emmeline, then the
|
|
undertaker--the undertaker never got in ahead of Emmeline but once, and
|
|
then she hung fire on a rhyme for the dead person's name, which was
|
|
Whistler. She warn't ever the same after that; she never complained, but
|
|
she kinder pined away and did not live long. Poor thing, many's the time
|
|
I made myself go up to the little room that used to be hers and get out
|
|
her poor old scrap-book and read in it when her pictures had been
|
|
aggravating me and I had soured on her a little. I liked all that
|
|
family, dead ones and all, and warn't going to let anything come between
|
|
us. Poor Emmeline made poetry about all the dead people when she was
|
|
alive, and it didn't seem right that there warn't nobody to make some
|
|
about her now she was gone; so I tried to sweat out a verse or two
|
|
myself, but I couldn't seem to make it go somehow. They kept Emmeline's
|
|
room trim and nice, and all the things fixed in it just the way she liked
|
|
to have them when she was alive, and nobody ever slept there. The old
|
|
lady took care of the room herself, though there was plenty of niggers,
|
|
and she sewed there a good deal and read her Bible there mostly.
|
|
|
|
Well, as I was saying about the parlor, there was beautiful curtains on
|
|
the windows: white, with pictures painted on them of castles with vines
|
|
all down the walls, and cattle coming down to drink. There was a little
|
|
old piano, too, that had tin pans in it, I reckon, and nothing was ever
|
|
so lovely as to hear the young ladies sing "The Last Link is Broken" and
|
|
play "The Battle of Prague" on it. The walls of all the rooms was
|
|
plastered, and most had carpets on the floors, and the whole house was
|
|
whitewashed on the outside.
|
|
|
|
It was a double house, and the big open place betwixt them was roofed and
|
|
floored, and sometimes the table was set there in the middle of the day,
|
|
and it was a cool, comfortable place. Nothing couldn't be better. And
|
|
warn't the cooking good, and just bushels of it too!
|
|
|
|
|
|
|
|
|
|
CHAPTER XVIII.
|
|
|
|
COL. GRANGERFORD was a gentleman, you see. He was a gentleman all over;
|
|
and so was his family. He was well born, as the saying is, and that's
|
|
worth as much in a man as it is in a horse, so the Widow Douglas said,
|
|
and nobody ever denied that she was of the first aristocracy in our town;
|
|
and pap he always said it, too, though he warn't no more quality than a
|
|
mudcat himself. Col. Grangerford was very tall and very slim, and had a
|
|
darkish-paly complexion, not a sign of red in it anywheres; he was clean
|
|
shaved every morning all over his thin face, and he had the thinnest kind
|
|
of lips, and the thinnest kind of nostrils, and a high nose, and heavy
|
|
eyebrows, and the blackest kind of eyes, sunk so deep back that they
|
|
seemed like they was looking out of caverns at you, as you may say. His
|
|
forehead was high, and his hair was black and straight and hung to his
|
|
shoulders. His hands was long and thin, and every day of his life he put
|
|
on a clean shirt and a full suit from head to foot made out of linen so
|
|
white it hurt your eyes to look at it; and on Sundays he wore a blue
|
|
tail-coat with brass buttons on it. He carried a mahogany cane with a
|
|
silver head to it. There warn't no frivolishness about him, not a bit,
|
|
and he warn't ever loud. He was as kind as he could be--you could feel
|
|
that, you know, and so you had confidence. Sometimes he smiled, and it
|
|
was good to see; but when he straightened himself up like a liberty-pole,
|
|
and the lightning begun to flicker out from under his eyebrows, you
|
|
wanted to climb a tree first, and find out what the matter was
|
|
afterwards. He didn't ever have to tell anybody to mind their manners
|
|
--everybody was always good-mannered where he was. Everybody loved to have
|
|
him around, too; he was sunshine most always--I mean he made it seem
|
|
like good weather. When he turned into a cloudbank it was awful dark for
|
|
half a minute, and that was enough; there wouldn't nothing go wrong again
|
|
for a week.
|
|
|
|
When him and the old lady come down in the morning all the family got up
|
|
out of their chairs and give them good-day, and didn't set down again
|
|
till they had set down. Then Tom and Bob went to the sideboard where the
|
|
decanter was, and mixed a glass of bitters and handed it to him, and he
|
|
held it in his hand and waited till Tom's and Bob's was mixed, and then
|
|
they bowed and said, "Our duty to you, sir, and madam;" and THEY bowed
|
|
the least bit in the world and said thank you, and so they drank, all
|
|
three, and Bob and Tom poured a spoonful of water on the sugar and the
|
|
mite of whisky or apple brandy in the bottom of their tumblers, and give
|
|
it to me and Buck, and we drank to the old people too.
|
|
|
|
Bob was the oldest and Tom next--tall, beautiful men with very broad
|
|
shoulders and brown faces, and long black hair and black eyes. They
|
|
dressed in white linen from head to foot, like the old gentleman, and
|
|
wore broad Panama hats.
|
|
|
|
Then there was Miss Charlotte; she was twenty-five, and tall and proud
|
|
and grand, but as good as she could be when she warn't stirred up; but
|
|
when she was she had a look that would make you wilt in your tracks, like
|
|
her father. She was beautiful.
|
|
|
|
So was her sister, Miss Sophia, but it was a different kind. She was
|
|
gentle and sweet like a dove, and she was only twenty.
|
|
|
|
Each person had their own nigger to wait on them--Buck too. My nigger
|
|
had a monstrous easy time, because I warn't used to having anybody do
|
|
anything for me, but Buck's was on the jump most of the time.
|
|
|
|
This was all there was of the family now, but there used to be more
|
|
--three sons; they got killed; and Emmeline that died.
|
|
|
|
The old gentleman owned a lot of farms and over a hundred niggers.
|
|
Sometimes a stack of people would come there, horseback, from ten or
|
|
fifteen mile around, and stay five or six days, and have such junketings
|
|
round about and on the river, and dances and picnics in the woods
|
|
daytimes, and balls at the house nights. These people was mostly
|
|
kinfolks of the family. The men brought their guns with them. It was a
|
|
handsome lot of quality, I tell you.
|
|
|
|
There was another clan of aristocracy around there--five or six families
|
|
--mostly of the name of Shepherdson. They was as high-toned and well
|
|
born and rich and grand as the tribe of Grangerfords. The Shepherdsons
|
|
and Grangerfords used the same steamboat landing, which was about two
|
|
mile above our house; so sometimes when I went up there with a lot of our
|
|
folks I used to see a lot of the Shepherdsons there on their fine horses.
|
|
|
|
One day Buck and me was away out in the woods hunting, and heard a horse
|
|
coming. We was crossing the road. Buck says:
|
|
|
|
"Quick! Jump for the woods!"
|
|
|
|
We done it, and then peeped down the woods through the leaves. Pretty
|
|
soon a splendid young man come galloping down the road, setting his horse
|
|
easy and looking like a soldier. He had his gun across his pommel. I
|
|
had seen him before. It was young Harney Shepherdson. I heard Buck's
|
|
gun go off at my ear, and Harney's hat tumbled off from his head. He
|
|
grabbed his gun and rode straight to the place where we was hid. But we
|
|
didn't wait. We started through the woods on a run. The woods warn't
|
|
thick, so I looked over my shoulder to dodge the bullet, and twice I seen
|
|
Harney cover Buck with his gun; and then he rode away the way he come--to
|
|
get his hat, I reckon, but I couldn't see. We never stopped running till
|
|
we got home. The old gentleman's eyes blazed a minute--'twas pleasure,
|
|
mainly, I judged--then his face sort of smoothed down, and he says,
|
|
kind of gentle:
|
|
|
|
"I don't like that shooting from behind a bush. Why didn't you step into
|
|
the road, my boy?"
|
|
|
|
"The Shepherdsons don't, father. They always take advantage."
|
|
|
|
Miss Charlotte she held her head up like a queen while Buck was telling
|
|
his tale, and her nostrils spread and her eyes snapped. The two young
|
|
men looked dark, but never said nothing. Miss Sophia she turned pale,
|
|
but the color come back when she found the man warn't hurt.
|
|
|
|
Soon as I could get Buck down by the corn-cribs under the trees by
|
|
ourselves, I says:
|
|
|
|
"Did you want to kill him, Buck?"
|
|
|
|
"Well, I bet I did."
|
|
|
|
"What did he do to you?"
|
|
|
|
"Him? He never done nothing to me."
|
|
|
|
"Well, then, what did you want to kill him for?"
|
|
|
|
"Why, nothing--only it's on account of the feud."
|
|
|
|
"What's a feud?"
|
|
|
|
"Why, where was you raised? Don't you know what a feud is?"
|
|
|
|
"Never heard of it before--tell me about it."
|
|
|
|
"Well," says Buck, "a feud is this way: A man has a quarrel with another
|
|
man, and kills him; then that other man's brother kills HIM; then the
|
|
other brothers, on both sides, goes for one another; then the COUSINS
|
|
chip in--and by and by everybody's killed off, and there ain't no more
|
|
feud. But it's kind of slow, and takes a long time."
|
|
|
|
"Has this one been going on long, Buck?"
|
|
|
|
"Well, I should RECKON! It started thirty year ago, or som'ers along
|
|
there. There was trouble 'bout something, and then a lawsuit to settle
|
|
it; and the suit went agin one of the men, and so he up and shot the man
|
|
that won the suit--which he would naturally do, of course. Anybody
|
|
would."
|
|
|
|
"What was the trouble about, Buck?--land?"
|
|
|
|
"I reckon maybe--I don't know."
|
|
|
|
"Well, who done the shooting? Was it a Grangerford or a Shepherdson?"
|
|
|
|
"Laws, how do I know? It was so long ago."
|
|
|
|
"Don't anybody know?"
|
|
|
|
"Oh, yes, pa knows, I reckon, and some of the other old people; but they
|
|
don't know now what the row was about in the first place."
|
|
|
|
"Has there been many killed, Buck?"
|
|
|
|
"Yes; right smart chance of funerals. But they don't always kill. Pa's
|
|
got a few buckshot in him; but he don't mind it 'cuz he don't weigh much,
|
|
anyway. Bob's been carved up some with a bowie, and Tom's been hurt once
|
|
or twice."
|
|
|
|
"Has anybody been killed this year, Buck?"
|
|
|
|
"Yes; we got one and they got one. 'Bout three months ago my cousin Bud,
|
|
fourteen year old, was riding through the woods on t'other side of the
|
|
river, and didn't have no weapon with him, which was blame' foolishness,
|
|
and in a lonesome place he hears a horse a-coming behind him, and sees
|
|
old Baldy Shepherdson a-linkin' after him with his gun in his hand and
|
|
his white hair a-flying in the wind; and 'stead of jumping off and taking
|
|
to the brush, Bud 'lowed he could out-run him; so they had it, nip and
|
|
tuck, for five mile or more, the old man a-gaining all the time; so at
|
|
last Bud seen it warn't any use, so he stopped and faced around so as to
|
|
have the bullet holes in front, you know, and the old man he rode up and
|
|
shot him down. But he didn't git much chance to enjoy his luck, for
|
|
inside of a week our folks laid HIM out."
|
|
|
|
"I reckon that old man was a coward, Buck."
|
|
|
|
"I reckon he WARN'T a coward. Not by a blame' sight. There ain't a
|
|
coward amongst them Shepherdsons--not a one. And there ain't no cowards
|
|
amongst the Grangerfords either. Why, that old man kep' up his end in a
|
|
fight one day for half an hour against three Grangerfords, and come out
|
|
winner. They was all a-horseback; he lit off of his horse and got behind
|
|
a little woodpile, and kep' his horse before him to stop the bullets; but
|
|
the Grangerfords stayed on their horses and capered around the old man,
|
|
and peppered away at him, and he peppered away at them. Him and his
|
|
horse both went home pretty leaky and crippled, but the Grangerfords had
|
|
to be FETCHED home--and one of 'em was dead, and another died the next
|
|
day. No, sir; if a body's out hunting for cowards he don't want to fool
|
|
away any time amongst them Shepherdsons, becuz they don't breed any of
|
|
that KIND."
|
|
|
|
Next Sunday we all went to church, about three mile, everybody
|
|
a-horseback. The men took their guns along, so did Buck, and kept them
|
|
between their knees or stood them handy against the wall. The
|
|
Shepherdsons done the same. It was pretty ornery preaching--all about
|
|
brotherly love, and such-like tiresomeness; but everybody said it was a
|
|
good sermon, and they all talked it over going home, and had such a
|
|
powerful lot to say about faith and good works and free grace and
|
|
preforeordestination, and I don't know what all, that it did seem to me
|
|
to be one of the roughest Sundays I had run across yet.
|
|
|
|
About an hour after dinner everybody was dozing around, some in their
|
|
chairs and some in their rooms, and it got to be pretty dull. Buck and a
|
|
dog was stretched out on the grass in the sun sound asleep. I went up to
|
|
our room, and judged I would take a nap myself. I found that sweet Miss
|
|
Sophia standing in her door, which was next to ours, and she took me in
|
|
her room and shut the door very soft, and asked me if I liked her, and I
|
|
said I did; and she asked me if I would do something for her and not tell
|
|
anybody, and I said I would. Then she said she'd forgot her Testament,
|
|
and left it in the seat at church between two other books, and would I
|
|
slip out quiet and go there and fetch it to her, and not say nothing to
|
|
nobody. I said I would. So I slid out and slipped off up the road, and
|
|
there warn't anybody at the church, except maybe a hog or two, for there
|
|
warn't any lock on the door, and hogs likes a puncheon floor in
|
|
summer-time because it's cool. If you notice, most folks don't go
|
|
to church only when they've got to; but a hog is different.
|
|
|
|
Says I to myself, something's up; it ain't natural for a girl to be in
|
|
such a sweat about a Testament. So I give it a shake, and out drops a
|
|
little piece of paper with "HALF-PAST TWO" wrote on it with a pencil. I
|
|
ransacked it, but couldn't find anything else. I couldn't make anything
|
|
out of that, so I put the paper in the book again, and when I got home
|
|
and upstairs there was Miss Sophia in her door waiting for me. She
|
|
pulled me in and shut the door; then she looked in the Testament till she
|
|
found the paper, and as soon as she read it she looked glad; and before a
|
|
body could think she grabbed me and give me a squeeze, and said I was the
|
|
best boy in the world, and not to tell anybody. She was mighty red in
|
|
the face for a minute, and her eyes lighted up, and it made her powerful
|
|
pretty. I was a good deal astonished, but when I got my breath I asked
|
|
her what the paper was about, and she asked me if I had read it, and I
|
|
said no, and she asked me if I could read writing, and I told her "no,
|
|
only coarse-hand," and then she said the paper warn't anything but a
|
|
book-mark to keep her place, and I might go and play now.
|
|
|
|
I went off down to the river, studying over this thing, and pretty soon I
|
|
noticed that my nigger was following along behind. When we was out of
|
|
sight of the house he looked back and around a second, and then comes
|
|
a-running, and says:
|
|
|
|
"Mars Jawge, if you'll come down into de swamp I'll show you a whole
|
|
stack o' water-moccasins."
|
|
|
|
Thinks I, that's mighty curious; he said that yesterday. He oughter know
|
|
a body don't love water-moccasins enough to go around hunting for them.
|
|
What is he up to, anyway? So I says:
|
|
|
|
"All right; trot ahead."
|
|
|
|
I followed a half a mile; then he struck out over the swamp, and waded
|
|
ankle deep as much as another half-mile. We come to a little flat piece
|
|
of land which was dry and very thick with trees and bushes and vines, and
|
|
he says:
|
|
|
|
"You shove right in dah jist a few steps, Mars Jawge; dah's whah dey is.
|
|
I's seed 'm befo'; I don't k'yer to see 'em no mo'."
|
|
|
|
Then he slopped right along and went away, and pretty soon the trees hid
|
|
him. I poked into the place a-ways and come to a little open patch as
|
|
big as a bedroom all hung around with vines, and found a man laying there
|
|
asleep--and, by jings, it was my old Jim!
|
|
|
|
I waked him up, and I reckoned it was going to be a grand surprise to him
|
|
to see me again, but it warn't. He nearly cried he was so glad, but he
|
|
warn't surprised. Said he swum along behind me that night, and heard me
|
|
yell every time, but dasn't answer, because he didn't want nobody to pick
|
|
HIM up and take him into slavery again. Says he:
|
|
|
|
"I got hurt a little, en couldn't swim fas', so I wuz a considable ways
|
|
behine you towards de las'; when you landed I reck'ned I could ketch up
|
|
wid you on de lan' 'dout havin' to shout at you, but when I see dat house
|
|
I begin to go slow. I 'uz off too fur to hear what dey say to you--I wuz
|
|
'fraid o' de dogs; but when it 'uz all quiet agin I knowed you's in de
|
|
house, so I struck out for de woods to wait for day. Early in de mawnin'
|
|
some er de niggers come along, gwyne to de fields, en dey tuk me en
|
|
showed me dis place, whah de dogs can't track me on accounts o' de water,
|
|
en dey brings me truck to eat every night, en tells me how you's a-gitt'n
|
|
along."
|
|
|
|
"Why didn't you tell my Jack to fetch me here sooner, Jim?"
|
|
|
|
"Well, 'twarn't no use to 'sturb you, Huck, tell we could do sumfn--but
|
|
we's all right now. I ben a-buyin' pots en pans en vittles, as I got a
|
|
chanst, en a-patchin' up de raf' nights when--"
|
|
|
|
"WHAT raft, Jim?"
|
|
|
|
"Our ole raf'."
|
|
|
|
"You mean to say our old raft warn't smashed all to flinders?"
|
|
|
|
"No, she warn't. She was tore up a good deal--one en' of her was; but
|
|
dey warn't no great harm done, on'y our traps was mos' all los'. Ef we
|
|
hadn' dive' so deep en swum so fur under water, en de night hadn' ben so
|
|
dark, en we warn't so sk'yerd, en ben sich punkin-heads, as de sayin' is,
|
|
we'd a seed de raf'. But it's jis' as well we didn't, 'kase now she's
|
|
all fixed up agin mos' as good as new, en we's got a new lot o' stuff, in
|
|
de place o' what 'uz los'."
|
|
|
|
"Why, how did you get hold of the raft again, Jim--did you catch her?"
|
|
|
|
"How I gwyne to ketch her en I out in de woods? No; some er de niggers
|
|
foun' her ketched on a snag along heah in de ben', en dey hid her in a
|
|
crick 'mongst de willows, en dey wuz so much jawin' 'bout which un 'um
|
|
she b'long to de mos' dat I come to heah 'bout it pooty soon, so I ups en
|
|
settles de trouble by tellin' 'um she don't b'long to none uv um, but to
|
|
you en me; en I ast 'm if dey gwyne to grab a young white genlman's
|
|
propaty, en git a hid'n for it? Den I gin 'm ten cents apiece, en dey
|
|
'uz mighty well satisfied, en wisht some mo' raf's 'ud come along en make
|
|
'm rich agin. Dey's mighty good to me, dese niggers is, en whatever I
|
|
wants 'm to do fur me I doan' have to ast 'm twice, honey. Dat Jack's a
|
|
good nigger, en pooty smart."
|
|
|
|
"Yes, he is. He ain't ever told me you was here; told me to come, and
|
|
he'd show me a lot of water-moccasins. If anything happens HE ain't
|
|
mixed up in it. He can say he never seen us together, and it 'll be the
|
|
truth."
|
|
|
|
I don't want to talk much about the next day. I reckon I'll cut it
|
|
pretty short. I waked up about dawn, and was a-going to turn over and go
|
|
to sleep again when I noticed how still it was--didn't seem to be anybody
|
|
stirring. That warn't usual. Next I noticed that Buck was up and gone.
|
|
Well, I gets up, a-wondering, and goes down stairs--nobody around;
|
|
everything as still as a mouse. Just the same outside. Thinks I, what
|
|
does it mean? Down by the wood-pile I comes across my Jack, and says:
|
|
|
|
"What's it all about?"
|
|
|
|
Says he:
|
|
|
|
"Don't you know, Mars Jawge?"
|
|
|
|
"No," says I, "I don't."
|
|
|
|
"Well, den, Miss Sophia's run off! 'deed she has. She run off in de
|
|
night some time--nobody don't know jis' when; run off to get married to
|
|
dat young Harney Shepherdson, you know--leastways, so dey 'spec. De
|
|
fambly foun' it out 'bout half an hour ago--maybe a little mo'--en' I
|
|
TELL you dey warn't no time los'. Sich another hurryin' up guns en
|
|
hosses YOU never see! De women folks has gone for to stir up de
|
|
relations, en ole Mars Saul en de boys tuck dey guns en rode up de river
|
|
road for to try to ketch dat young man en kill him 'fo' he kin git acrost
|
|
de river wid Miss Sophia. I reck'n dey's gwyne to be mighty rough
|
|
times."
|
|
|
|
"Buck went off 'thout waking me up."
|
|
|
|
"Well, I reck'n he DID! Dey warn't gwyne to mix you up in it. Mars Buck
|
|
he loaded up his gun en 'lowed he's gwyne to fetch home a Shepherdson or
|
|
bust. Well, dey'll be plenty un 'm dah, I reck'n, en you bet you he'll
|
|
fetch one ef he gits a chanst."
|
|
|
|
I took up the river road as hard as I could put. By and by I begin to
|
|
hear guns a good ways off. When I came in sight of the log store and the
|
|
woodpile where the steamboats lands I worked along under the trees and
|
|
brush till I got to a good place, and then I clumb up into the forks of a
|
|
cottonwood that was out of reach, and watched. There was a wood-rank
|
|
four foot high a little ways in front of the tree, and first I was going
|
|
to hide behind that; but maybe it was luckier I didn't.
|
|
|
|
There was four or five men cavorting around on their horses in the open
|
|
place before the log store, cussing and yelling, and trying to get at a
|
|
couple of young chaps that was behind the wood-rank alongside of the
|
|
steamboat landing; but they couldn't come it. Every time one of them
|
|
showed himself on the river side of the woodpile he got shot at. The two
|
|
boys was squatting back to back behind the pile, so they could watch both
|
|
ways.
|
|
|
|
By and by the men stopped cavorting around and yelling. They started
|
|
riding towards the store; then up gets one of the boys, draws a steady
|
|
bead over the wood-rank, and drops one of them out of his saddle. All
|
|
the men jumped off of their horses and grabbed the hurt one and started
|
|
to carry him to the store; and that minute the two boys started on the
|
|
run. They got half way to the tree I was in before the men noticed.
|
|
Then the men see them, and jumped on their horses and took out after
|
|
them. They gained on the boys, but it didn't do no good, the boys had
|
|
too good a start; they got to the woodpile that was in front of my tree,
|
|
and slipped in behind it, and so they had the bulge on the men again.
|
|
One of the boys was Buck, and the other was a slim young chap about
|
|
nineteen years old.
|
|
|
|
The men ripped around awhile, and then rode away. As soon as they was
|
|
out of sight I sung out to Buck and told him. He didn't know what to
|
|
make of my voice coming out of the tree at first. He was awful
|
|
surprised. He told me to watch out sharp and let him know when the men
|
|
come in sight again; said they was up to some devilment or other
|
|
--wouldn't be gone long. I wished I was out of that tree, but I dasn't
|
|
come down. Buck begun to cry and rip, and 'lowed that him and his cousin
|
|
Joe (that was the other young chap) would make up for this day yet. He
|
|
said his father and his two brothers was killed, and two or three of the
|
|
enemy. Said the Shepherdsons laid for them in ambush. Buck said his
|
|
father and brothers ought to waited for their relations--the Shepherdsons
|
|
was too strong for them. I asked him what was become of young Harney and
|
|
Miss Sophia. He said they'd got across the river and was safe. I was
|
|
glad of that; but the way Buck did take on because he didn't manage to
|
|
kill Harney that day he shot at him--I hain't ever heard anything like
|
|
it.
|
|
|
|
All of a sudden, bang! bang! bang! goes three or four guns--the men had
|
|
slipped around through the woods and come in from behind without their
|
|
horses! The boys jumped for the river--both of them hurt--and as they
|
|
swum down the current the men run along the bank shooting at them and
|
|
singing out, "Kill them, kill them!" It made me so sick I most fell out
|
|
of the tree. I ain't a-going to tell ALL that happened--it would make me
|
|
sick again if I was to do that. I wished I hadn't ever come ashore that
|
|
night to see such things. I ain't ever going to get shut of them--lots
|
|
of times I dream about them.
|
|
|
|
I stayed in the tree till it begun to get dark, afraid to come down.
|
|
Sometimes I heard guns away off in the woods; and twice I seen little
|
|
gangs of men gallop past the log store with guns; so I reckoned the
|
|
trouble was still a-going on. I was mighty downhearted; so I made up my
|
|
mind I wouldn't ever go anear that house again, because I reckoned I was
|
|
to blame, somehow. I judged that that piece of paper meant that Miss
|
|
Sophia was to meet Harney somewheres at half-past two and run off; and I
|
|
judged I ought to told her father about that paper and the curious way
|
|
she acted, and then maybe he would a locked her up, and this awful mess
|
|
wouldn't ever happened.
|
|
|
|
When I got down out of the tree I crept along down the river bank a
|
|
piece, and found the two bodies laying in the edge of the water, and
|
|
tugged at them till I got them ashore; then I covered up their faces, and
|
|
got away as quick as I could. I cried a little when I was covering up
|
|
Buck's face, for he was mighty good to me.
|
|
|
|
It was just dark now. I never went near the house, but struck through
|
|
the woods and made for the swamp. Jim warn't on his island, so I tramped
|
|
off in a hurry for the crick, and crowded through the willows, red-hot to
|
|
jump aboard and get out of that awful country. The raft was gone! My
|
|
souls, but I was scared! I couldn't get my breath for most a minute.
|
|
Then I raised a yell. A voice not twenty-five foot from me says:
|
|
|
|
"Good lan'! is dat you, honey? Doan' make no noise."
|
|
|
|
It was Jim's voice--nothing ever sounded so good before. I run along the
|
|
bank a piece and got aboard, and Jim he grabbed me and hugged me, he was
|
|
so glad to see me. He says:
|
|
|
|
"Laws bless you, chile, I 'uz right down sho' you's dead agin. Jack's
|
|
been heah; he say he reck'n you's ben shot, kase you didn' come home no
|
|
mo'; so I's jes' dis minute a startin' de raf' down towards de mouf er de
|
|
crick, so's to be all ready for to shove out en leave soon as Jack comes
|
|
agin en tells me for certain you IS dead. Lawsy, I's mighty glad to git
|
|
you back again, honey."
|
|
|
|
I says:
|
|
|
|
"All right--that's mighty good; they won't find me, and they'll think
|
|
I've been killed, and floated down the river--there's something up there
|
|
that 'll help them think so--so don't you lose no time, Jim, but just
|
|
shove off for the big water as fast as ever you can."
|
|
|
|
I never felt easy till the raft was two mile below there and out in the
|
|
middle of the Mississippi. Then we hung up our signal lantern, and
|
|
judged that we was free and safe once more. I hadn't had a bite to eat
|
|
since yesterday, so Jim he got out some corn-dodgers and buttermilk, and
|
|
pork and cabbage and greens--there ain't nothing in the world so good
|
|
when it's cooked right--and whilst I eat my supper we talked and had a
|
|
good time. I was powerful glad to get away from the feuds, and so was
|
|
Jim to get away from the swamp. We said there warn't no home like a
|
|
raft, after all. Other places do seem so cramped up and smothery, but a
|
|
raft don't. You feel mighty free and easy and comfortable on a raft.
|
|
|
|
|
|
|
|
|
|
CHAPTER XIX.
|
|
|
|
TWO or three days and nights went by; I reckon I might say they swum by,
|
|
they slid along so quiet and smooth and lovely. Here is the way we put
|
|
in the time. It was a monstrous big river down there--sometimes a mile
|
|
and a half wide; we run nights, and laid up and hid daytimes; soon as
|
|
night was most gone we stopped navigating and tied up--nearly always in
|
|
the dead water under a towhead; and then cut young cottonwoods and
|
|
willows, and hid the raft with them. Then we set out the lines. Next we
|
|
slid into the river and had a swim, so as to freshen up and cool off;
|
|
then we set down on the sandy bottom where the water was about knee deep,
|
|
and watched the daylight come. Not a sound anywheres--perfectly still
|
|
--just like the whole world was asleep, only sometimes the bullfrogs
|
|
a-cluttering, maybe. The first thing to see, looking away over the water,
|
|
was a kind of dull line--that was the woods on t'other side; you couldn't
|
|
make nothing else out; then a pale place in the sky; then more paleness
|
|
spreading around; then the river softened up away off, and warn't black
|
|
any more, but gray; you could see little dark spots drifting along ever
|
|
so far away--trading scows, and such things; and long black streaks
|
|
--rafts; sometimes you could hear a sweep screaking; or jumbled up voices,
|
|
it was so still, and sounds come so far; and by and by you could see a
|
|
streak on the water which you know by the look of the streak that there's
|
|
a snag there in a swift current which breaks on it and makes that streak
|
|
look that way; and you see the mist curl up off of the water, and the
|
|
east reddens up, and the river, and you make out a log-cabin in the edge
|
|
of the woods, away on the bank on t'other side of the river, being a
|
|
woodyard, likely, and piled by them cheats so you can throw a dog through
|
|
it anywheres; then the nice breeze springs up, and comes fanning you from
|
|
over there, so cool and fresh and sweet to smell on account of the woods
|
|
and the flowers; but sometimes not that way, because they've left dead
|
|
fish laying around, gars and such, and they do get pretty rank; and next
|
|
you've got the full day, and everything smiling in the sun, and the
|
|
song-birds just going it!
|
|
|
|
A little smoke couldn't be noticed now, so we would take some fish off of
|
|
the lines and cook up a hot breakfast. And afterwards we would watch the
|
|
lonesomeness of the river, and kind of lazy along, and by and by lazy off
|
|
to sleep. Wake up by and by, and look to see what done it, and maybe see
|
|
a steamboat coughing along up-stream, so far off towards the other side
|
|
you couldn't tell nothing about her only whether she was a stern-wheel or
|
|
side-wheel; then for about an hour there wouldn't be nothing to hear nor
|
|
nothing to see--just solid lonesomeness. Next you'd see a raft sliding
|
|
by, away off yonder, and maybe a galoot on it chopping, because they're
|
|
most always doing it on a raft; you'd see the axe flash and come down
|
|
--you don't hear nothing; you see that axe go up again, and by the time
|
|
it's above the man's head then you hear the K'CHUNK!--it had took all
|
|
that time to come over the water. So we would put in the day, lazying
|
|
around, listening to the stillness. Once there was a thick fog, and the
|
|
rafts and things that went by was beating tin pans so the steamboats
|
|
wouldn't run over them. A scow or a raft went by so close we could hear
|
|
them talking and cussing and laughing--heard them plain; but we couldn't
|
|
see no sign of them; it made you feel crawly; it was like spirits
|
|
carrying on that way in the air. Jim said he believed it was spirits;
|
|
but I says:
|
|
|
|
"No; spirits wouldn't say, 'Dern the dern fog.'"
|
|
|
|
Soon as it was night out we shoved; when we got her out to about the
|
|
middle we let her alone, and let her float wherever the current wanted
|
|
her to; then we lit the pipes, and dangled our legs in the water, and
|
|
talked about all kinds of things--we was always naked, day and night,
|
|
whenever the mosquitoes would let us--the new clothes Buck's folks made
|
|
for me was too good to be comfortable, and besides I didn't go much on
|
|
clothes, nohow.
|
|
|
|
Sometimes we'd have that whole river all to ourselves for the longest
|
|
time. Yonder was the banks and the islands, across the water; and maybe a
|
|
spark--which was a candle in a cabin window; and sometimes on the water
|
|
you could see a spark or two--on a raft or a scow, you know; and maybe
|
|
you could hear a fiddle or a song coming over from one of them crafts.
|
|
It's lovely to live on a raft. We had the sky up there, all speckled
|
|
with stars, and we used to lay on our backs and look up at them, and
|
|
discuss about whether they was made or only just happened. Jim he
|
|
allowed they was made, but I allowed they happened; I judged it would
|
|
have took too long to MAKE so many. Jim said the moon could a LAID them;
|
|
well, that looked kind of reasonable, so I didn't say nothing against it,
|
|
because I've seen a frog lay most as many, so of course it could be done.
|
|
We used to watch the stars that fell, too, and see them streak down. Jim
|
|
allowed they'd got spoiled and was hove out of the nest.
|
|
|
|
Once or twice of a night we would see a steamboat slipping along in the
|
|
dark, and now and then she would belch a whole world of sparks up out of
|
|
her chimbleys, and they would rain down in the river and look awful
|
|
pretty; then she would turn a corner and her lights would wink out and
|
|
her powwow shut off and leave the river still again; and by and by her
|
|
waves would get to us, a long time after she was gone, and joggle the
|
|
raft a bit, and after that you wouldn't hear nothing for you couldn't
|
|
tell how long, except maybe frogs or something.
|
|
|
|
After midnight the people on shore went to bed, and then for two or three
|
|
hours the shores was black--no more sparks in the cabin windows. These
|
|
sparks was our clock--the first one that showed again meant morning was
|
|
coming, so we hunted a place to hide and tie up right away.
|
|
|
|
One morning about daybreak I found a canoe and crossed over a chute to
|
|
the main shore--it was only two hundred yards--and paddled about a mile
|
|
up a crick amongst the cypress woods, to see if I couldn't get some
|
|
berries. Just as I was passing a place where a kind of a cowpath crossed
|
|
the crick, here comes a couple of men tearing up the path as tight as
|
|
they could foot it. I thought I was a goner, for whenever anybody was
|
|
after anybody I judged it was ME--or maybe Jim. I was about to dig out
|
|
from there in a hurry, but they was pretty close to me then, and sung out
|
|
and begged me to save their lives--said they hadn't been doing nothing,
|
|
and was being chased for it--said there was men and dogs a-coming. They
|
|
wanted to jump right in, but I says:
|
|
|
|
"Don't you do it. I don't hear the dogs and horses yet; you've got time
|
|
to crowd through the brush and get up the crick a little ways; then you
|
|
take to the water and wade down to me and get in--that'll throw the dogs
|
|
off the scent."
|
|
|
|
They done it, and soon as they was aboard I lit out for our towhead, and
|
|
in about five or ten minutes we heard the dogs and the men away off,
|
|
shouting. We heard them come along towards the crick, but couldn't see
|
|
them; they seemed to stop and fool around a while; then, as we got
|
|
further and further away all the time, we couldn't hardly hear them at
|
|
all; by the time we had left a mile of woods behind us and struck the
|
|
river, everything was quiet, and we paddled over to the towhead and hid
|
|
in the cottonwoods and was safe.
|
|
|
|
One of these fellows was about seventy or upwards, and had a bald head
|
|
and very gray whiskers. He had an old battered-up slouch hat on, and a
|
|
greasy blue woollen shirt, and ragged old blue jeans britches stuffed
|
|
into his boot-tops, and home-knit galluses--no, he only had one. He had
|
|
an old long-tailed blue jeans coat with slick brass buttons flung over
|
|
his arm, and both of them had big, fat, ratty-looking carpet-bags.
|
|
|
|
The other fellow was about thirty, and dressed about as ornery. After
|
|
breakfast we all laid off and talked, and the first thing that come out
|
|
was that these chaps didn't know one another.
|
|
|
|
"What got you into trouble?" says the baldhead to t'other chap.
|
|
|
|
"Well, I'd been selling an article to take the tartar off the teeth--and
|
|
it does take it off, too, and generly the enamel along with it--but I
|
|
stayed about one night longer than I ought to, and was just in the act of
|
|
sliding out when I ran across you on the trail this side of town, and you
|
|
told me they were coming, and begged me to help you to get off. So I
|
|
told you I was expecting trouble myself, and would scatter out WITH you.
|
|
That's the whole yarn--what's yourn?
|
|
|
|
"Well, I'd ben a-running' a little temperance revival thar 'bout a week,
|
|
and was the pet of the women folks, big and little, for I was makin' it
|
|
mighty warm for the rummies, I TELL you, and takin' as much as five or
|
|
six dollars a night--ten cents a head, children and niggers free--and
|
|
business a-growin' all the time, when somehow or another a little report
|
|
got around last night that I had a way of puttin' in my time with a
|
|
private jug on the sly. A nigger rousted me out this mornin', and told
|
|
me the people was getherin' on the quiet with their dogs and horses, and
|
|
they'd be along pretty soon and give me 'bout half an hour's start, and
|
|
then run me down if they could; and if they got me they'd tar and feather
|
|
me and ride me on a rail, sure. I didn't wait for no breakfast--I warn't
|
|
hungry."
|
|
|
|
"Old man," said the young one, "I reckon we might double-team it
|
|
together; what do you think?"
|
|
|
|
"I ain't undisposed. What's your line--mainly?"
|
|
|
|
"Jour printer by trade; do a little in patent medicines; theater-actor
|
|
--tragedy, you know; take a turn to mesmerism and phrenology when there's a
|
|
chance; teach singing-geography school for a change; sling a lecture
|
|
sometimes--oh, I do lots of things--most anything that comes handy, so it
|
|
ain't work. What's your lay?"
|
|
|
|
"I've done considerble in the doctoring way in my time. Layin' on o'
|
|
hands is my best holt--for cancer and paralysis, and sich things; and I
|
|
k'n tell a fortune pretty good when I've got somebody along to find out
|
|
the facts for me. Preachin's my line, too, and workin' camp-meetin's,
|
|
and missionaryin' around."
|
|
|
|
Nobody never said anything for a while; then the young man hove a sigh
|
|
and says:
|
|
|
|
"Alas!"
|
|
|
|
"What 're you alassin' about?" says the bald-head.
|
|
|
|
"To think I should have lived to be leading such a life, and be degraded
|
|
down into such company." And he begun to wipe the corner of his eye with
|
|
a rag.
|
|
|
|
"Dern your skin, ain't the company good enough for you?" says the
|
|
baldhead, pretty pert and uppish.
|
|
|
|
"Yes, it IS good enough for me; it's as good as I deserve; for who
|
|
fetched me so low when I was so high? I did myself. I don't blame YOU,
|
|
gentlemen--far from it; I don't blame anybody. I deserve it all. Let
|
|
the cold world do its worst; one thing I know--there's a grave somewhere
|
|
for me. The world may go on just as it's always done, and take everything
|
|
from me--loved ones, property, everything; but it can't take that.
|
|
Some day I'll lie down in it and forget it all, and my poor broken heart
|
|
will be at rest." He went on a-wiping.
|
|
|
|
"Drot your pore broken heart," says the baldhead; "what are you heaving
|
|
your pore broken heart at US f'r? WE hain't done nothing."
|
|
|
|
"No, I know you haven't. I ain't blaming you, gentlemen. I brought
|
|
myself down--yes, I did it myself. It's right I should suffer--perfectly
|
|
right--I don't make any moan."
|
|
|
|
"Brought you down from whar? Whar was you brought down from?"
|
|
|
|
"Ah, you would not believe me; the world never believes--let it pass
|
|
--'tis no matter. The secret of my birth--"
|
|
|
|
"The secret of your birth! Do you mean to say--"
|
|
|
|
"Gentlemen," says the young man, very solemn, "I will reveal it to you,
|
|
for I feel I may have confidence in you. By rights I am a duke!"
|
|
|
|
Jim's eyes bugged out when he heard that; and I reckon mine did, too.
|
|
Then the baldhead says: "No! you can't mean it?"
|
|
|
|
"Yes. My great-grandfather, eldest son of the Duke of Bridgewater, fled
|
|
to this country about the end of the last century, to breathe the pure
|
|
air of freedom; married here, and died, leaving a son, his own father
|
|
dying about the same time. The second son of the late duke seized the
|
|
titles and estates--the infant real duke was ignored. I am the lineal
|
|
descendant of that infant--I am the rightful Duke of Bridgewater; and
|
|
here am I, forlorn, torn from my high estate, hunted of men, despised by
|
|
the cold world, ragged, worn, heart-broken, and degraded to the
|
|
companionship of felons on a raft!"
|
|
|
|
Jim pitied him ever so much, and so did I. We tried to comfort him, but
|
|
he said it warn't much use, he couldn't be much comforted; said if we was
|
|
a mind to acknowledge him, that would do him more good than most anything
|
|
else; so we said we would, if he would tell us how. He said we ought to
|
|
bow when we spoke to him, and say "Your Grace," or "My Lord," or "Your
|
|
Lordship"--and he wouldn't mind it if we called him plain
|
|
"Bridgewater," which, he said, was a title anyway, and not a name; and
|
|
one of us ought to wait on him at dinner, and do any little thing for him
|
|
he wanted done.
|
|
|
|
Well, that was all easy, so we done it. All through dinner Jim stood
|
|
around and waited on him, and says, "Will yo' Grace have some o' dis or
|
|
some o' dat?" and so on, and a body could see it was mighty pleasing to
|
|
him.
|
|
|
|
But the old man got pretty silent by and by--didn't have much to say, and
|
|
didn't look pretty comfortable over all that petting that was going on
|
|
around that duke. He seemed to have something on his mind. So, along in
|
|
the afternoon, he says:
|
|
|
|
"Looky here, Bilgewater," he says, "I'm nation sorry for you, but you
|
|
ain't the only person that's had troubles like that."
|
|
|
|
"No?"
|
|
|
|
"No you ain't. You ain't the only person that's ben snaked down
|
|
wrongfully out'n a high place."
|
|
|
|
"Alas!"
|
|
|
|
"No, you ain't the only person that's had a secret of his birth." And,
|
|
by jings, HE begins to cry.
|
|
|
|
"Hold! What do you mean?"
|
|
|
|
"Bilgewater, kin I trust you?" says the old man, still sort of sobbing.
|
|
|
|
"To the bitter death!" He took the old man by the hand and squeezed it,
|
|
and says, "That secret of your being: speak!"
|
|
|
|
"Bilgewater, I am the late Dauphin!"
|
|
|
|
You bet you, Jim and me stared this time. Then the duke says:
|
|
|
|
"You are what?"
|
|
|
|
"Yes, my friend, it is too true--your eyes is lookin' at this very moment
|
|
on the pore disappeared Dauphin, Looy the Seventeen, son of Looy the
|
|
Sixteen and Marry Antonette."
|
|
|
|
"You! At your age! No! You mean you're the late Charlemagne; you must
|
|
be six or seven hundred years old, at the very least."
|
|
|
|
"Trouble has done it, Bilgewater, trouble has done it; trouble has brung
|
|
these gray hairs and this premature balditude. Yes, gentlemen, you see
|
|
before you, in blue jeans and misery, the wanderin', exiled, trampled-on,
|
|
and sufferin' rightful King of France."
|
|
|
|
Well, he cried and took on so that me and Jim didn't know hardly what to
|
|
do, we was so sorry--and so glad and proud we'd got him with us, too. So
|
|
we set in, like we done before with the duke, and tried to comfort HIM.
|
|
But he said it warn't no use, nothing but to be dead and done with it all
|
|
could do him any good; though he said it often made him feel easier and
|
|
better for a while if people treated him according to his rights, and got
|
|
down on one knee to speak to him, and always called him "Your Majesty,"
|
|
and waited on him first at meals, and didn't set down in his presence
|
|
till he asked them. So Jim and me set to majestying him, and doing this
|
|
and that and t'other for him, and standing up till he told us we might
|
|
set down. This done him heaps of good, and so he got cheerful and
|
|
comfortable. But the duke kind of soured on him, and didn't look a bit
|
|
satisfied with the way things was going; still, the king acted real
|
|
friendly towards him, and said the duke's great-grandfather and all the
|
|
other Dukes of Bilgewater was a good deal thought of by HIS father, and
|
|
was allowed to come to the palace considerable; but the duke stayed huffy
|
|
a good while, till by and by the king says:
|
|
|
|
"Like as not we got to be together a blamed long time on this h-yer raft,
|
|
Bilgewater, and so what's the use o' your bein' sour? It 'll only make
|
|
things oncomfortable. It ain't my fault I warn't born a duke, it ain't
|
|
your fault you warn't born a king--so what's the use to worry? Make the
|
|
best o' things the way you find 'em, says I--that's my motto. This ain't
|
|
no bad thing that we've struck here--plenty grub and an easy life--come,
|
|
give us your hand, duke, and le's all be friends."
|
|
|
|
The duke done it, and Jim and me was pretty glad to see it. It took away
|
|
all the uncomfortableness and we felt mighty good over it, because it
|
|
would a been a miserable business to have any unfriendliness on the raft;
|
|
for what you want, above all things, on a raft, is for everybody to be
|
|
satisfied, and feel right and kind towards the others.
|
|
|
|
It didn't take me long to make up my mind that these liars warn't no
|
|
kings nor dukes at all, but just low-down humbugs and frauds. But I
|
|
never said nothing, never let on; kept it to myself; it's the best way;
|
|
then you don't have no quarrels, and don't get into no trouble. If they
|
|
wanted us to call them kings and dukes, I hadn't no objections, 'long as
|
|
it would keep peace in the family; and it warn't no use to tell Jim, so I
|
|
didn't tell him. If I never learnt nothing else out of pap, I learnt
|
|
that the best way to get along with his kind of people is to let them
|
|
have their own way.
|
|
|
|
|
|
|
|
|
|
CHAPTER XX.
|
|
|
|
THEY asked us considerable many questions; wanted to know what we covered
|
|
up the raft that way for, and laid by in the daytime instead of running
|
|
--was Jim a runaway nigger? Says I:
|
|
|
|
"Goodness sakes! would a runaway nigger run SOUTH?"
|
|
|
|
No, they allowed he wouldn't. I had to account for things some way, so I
|
|
says:
|
|
|
|
"My folks was living in Pike County, in Missouri, where I was born, and
|
|
they all died off but me and pa and my brother Ike. Pa, he 'lowed he'd
|
|
break up and go down and live with Uncle Ben, who's got a little
|
|
one-horse place on the river, forty-four mile below Orleans. Pa was
|
|
pretty poor, and had some debts; so when he'd squared up there warn't
|
|
nothing left but sixteen dollars and our nigger, Jim. That warn't enough
|
|
to take us fourteen hundred mile, deck passage nor no other way. Well,
|
|
when the river rose pa had a streak of luck one day; he ketched this
|
|
piece of a raft; so we reckoned we'd go down to Orleans on it. Pa's luck
|
|
didn't hold out; a steamboat run over the forrard corner of the raft one
|
|
night, and we all went overboard and dove under the wheel; Jim and me
|
|
come up all right, but pa was drunk, and Ike was only four years old, so
|
|
they never come up no more. Well, for the next day or two we had
|
|
considerable trouble, because people was always coming out in skiffs and
|
|
trying to take Jim away from me, saying they believed he was a runaway
|
|
nigger. We don't run daytimes no more now; nights they don't bother us."
|
|
|
|
The duke says:
|
|
|
|
"Leave me alone to cipher out a way so we can run in the daytime if we
|
|
want to. I'll think the thing over--I'll invent a plan that'll fix it.
|
|
We'll let it alone for to-day, because of course we don't want to go by
|
|
that town yonder in daylight--it mightn't be healthy."
|
|
|
|
Towards night it begun to darken up and look like rain; the heat
|
|
lightning was squirting around low down in the sky, and the leaves was
|
|
beginning to shiver--it was going to be pretty ugly, it was easy to see
|
|
that. So the duke and the king went to overhauling our wigwam, to see
|
|
what the beds was like. My bed was a straw tick better than Jim's, which
|
|
was a corn-shuck tick; there's always cobs around about in a shuck tick,
|
|
and they poke into you and hurt; and when you roll over the dry shucks
|
|
sound like you was rolling over in a pile of dead leaves; it makes such a
|
|
rustling that you wake up. Well, the duke allowed he would take my bed;
|
|
but the king allowed he wouldn't. He says:
|
|
|
|
"I should a reckoned the difference in rank would a sejested to you that
|
|
a corn-shuck bed warn't just fitten for me to sleep on. Your Grace 'll
|
|
take the shuck bed yourself."
|
|
|
|
Jim and me was in a sweat again for a minute, being afraid there was
|
|
going to be some more trouble amongst them; so we was pretty glad when
|
|
the duke says:
|
|
|
|
"'Tis my fate to be always ground into the mire under the iron heel of
|
|
oppression. Misfortune has broken my once haughty spirit; I yield, I
|
|
submit; 'tis my fate. I am alone in the world--let me suffer; can bear
|
|
it."
|
|
|
|
We got away as soon as it was good and dark. The king told us to stand
|
|
well out towards the middle of the river, and not show a light till we
|
|
got a long ways below the town. We come in sight of the little bunch of
|
|
lights by and by--that was the town, you know--and slid by, about a half
|
|
a mile out, all right. When we was three-quarters of a mile below we
|
|
hoisted up our signal lantern; and about ten o'clock it come on to rain
|
|
and blow and thunder and lighten like everything; so the king told us to
|
|
both stay on watch till the weather got better; then him and the duke
|
|
crawled into the wigwam and turned in for the night. It was my watch
|
|
below till twelve, but I wouldn't a turned in anyway if I'd had a bed,
|
|
because a body don't see such a storm as that every day in the week, not
|
|
by a long sight. My souls, how the wind did scream along! And every
|
|
second or two there'd come a glare that lit up the white-caps for a half
|
|
a mile around, and you'd see the islands looking dusty through the rain,
|
|
and the trees thrashing around in the wind; then comes a H-WHACK!--bum!
|
|
bum! bumble-umble-um-bum-bum-bum-bum--and the thunder would go rumbling
|
|
and grumbling away, and quit--and then RIP comes another flash and
|
|
another sockdolager. The waves most washed me off the raft sometimes,
|
|
but I hadn't any clothes on, and didn't mind. We didn't have no trouble
|
|
about snags; the lightning was glaring and flittering around so constant
|
|
that we could see them plenty soon enough to throw her head this way or
|
|
that and miss them.
|
|
|
|
I had the middle watch, you know, but I was pretty sleepy by that time,
|
|
so Jim he said he would stand the first half of it for me; he was always
|
|
mighty good that way, Jim was. I crawled into the wigwam, but the king
|
|
and the duke had their legs sprawled around so there warn't no show for
|
|
me; so I laid outside--I didn't mind the rain, because it was warm, and
|
|
the waves warn't running so high now. About two they come up again,
|
|
though, and Jim was going to call me; but he changed his mind, because he
|
|
reckoned they warn't high enough yet to do any harm; but he was mistaken
|
|
about that, for pretty soon all of a sudden along comes a regular ripper
|
|
and washed me overboard. It most killed Jim a-laughing. He was the
|
|
easiest nigger to laugh that ever was, anyway.
|
|
|
|
I took the watch, and Jim he laid down and snored away; and by and by the
|
|
storm let up for good and all; and the first cabin-light that showed I
|
|
rousted him out, and we slid the raft into hiding quarters for the day.
|
|
|
|
The king got out an old ratty deck of cards after breakfast, and him and
|
|
the duke played seven-up a while, five cents a game. Then they got tired
|
|
of it, and allowed they would "lay out a campaign," as they called it.
|
|
The duke went down into his carpet-bag, and fetched up a lot of little
|
|
printed bills and read them out loud. One bill said, "The celebrated Dr.
|
|
Armand de Montalban, of Paris," would "lecture on the Science of
|
|
Phrenology" at such and such a place, on the blank day of blank, at ten
|
|
cents admission, and "furnish charts of character at twenty-five cents
|
|
apiece." The duke said that was HIM. In another bill he was the
|
|
"world-renowned Shakespearian tragedian, Garrick the Younger, of Drury
|
|
Lane, London." In other bills he had a lot of other names and done other
|
|
wonderful things, like finding water and gold with a "divining-rod,"
|
|
"dissipating witch spells," and so on. By and by he says:
|
|
|
|
"But the histrionic muse is the darling. Have you ever trod the boards,
|
|
Royalty?"
|
|
|
|
"No," says the king.
|
|
|
|
"You shall, then, before you're three days older, Fallen Grandeur," says
|
|
the duke. "The first good town we come to we'll hire a hall and do the
|
|
sword fight in Richard III. and the balcony scene in Romeo and Juliet.
|
|
How does that strike you?"
|
|
|
|
"I'm in, up to the hub, for anything that will pay, Bilgewater; but, you
|
|
see, I don't know nothing about play-actin', and hain't ever seen much of
|
|
it. I was too small when pap used to have 'em at the palace. Do you
|
|
reckon you can learn me?"
|
|
|
|
"Easy!"
|
|
|
|
"All right. I'm jist a-freezn' for something fresh, anyway. Le's
|
|
commence right away."
|
|
|
|
So the duke he told him all about who Romeo was and who Juliet was, and
|
|
said he was used to being Romeo, so the king could be Juliet.
|
|
|
|
"But if Juliet's such a young gal, duke, my peeled head and my white
|
|
whiskers is goin' to look oncommon odd on her, maybe."
|
|
|
|
"No, don't you worry; these country jakes won't ever think of that.
|
|
Besides, you know, you'll be in costume, and that makes all the
|
|
difference in the world; Juliet's in a balcony, enjoying the moonlight
|
|
before she goes to bed, and she's got on her night-gown and her ruffled
|
|
nightcap. Here are the costumes for the parts."
|
|
|
|
He got out two or three curtain-calico suits, which he said was meedyevil
|
|
armor for Richard III. and t'other chap, and a long white cotton
|
|
nightshirt and a ruffled nightcap to match. The king was satisfied; so
|
|
the duke got out his book and read the parts over in the most splendid
|
|
spread-eagle way, prancing around and acting at the same time, to show
|
|
how it had got to be done; then he give the book to the king and told him
|
|
to get his part by heart.
|
|
|
|
There was a little one-horse town about three mile down the bend, and
|
|
after dinner the duke said he had ciphered out his idea about how to run
|
|
in daylight without it being dangersome for Jim; so he allowed he would
|
|
go down to the town and fix that thing. The king allowed he would go,
|
|
too, and see if he couldn't strike something. We was out of coffee, so
|
|
Jim said I better go along with them in the canoe and get some.
|
|
|
|
When we got there there warn't nobody stirring; streets empty, and
|
|
perfectly dead and still, like Sunday. We found a sick nigger sunning
|
|
himself in a back yard, and he said everybody that warn't too young or
|
|
too sick or too old was gone to camp-meeting, about two mile back in the
|
|
woods. The king got the directions, and allowed he'd go and work that
|
|
camp-meeting for all it was worth, and I might go, too.
|
|
|
|
The duke said what he was after was a printing-office. We found it; a
|
|
little bit of a concern, up over a carpenter shop--carpenters and
|
|
printers all gone to the meeting, and no doors locked. It was a dirty,
|
|
littered-up place, and had ink marks, and handbills with pictures of
|
|
horses and runaway niggers on them, all over the walls. The duke shed
|
|
his coat and said he was all right now. So me and the king lit out for
|
|
the camp-meeting.
|
|
|
|
We got there in about a half an hour fairly dripping, for it was a most
|
|
awful hot day. There was as much as a thousand people there from twenty
|
|
mile around. The woods was full of teams and wagons, hitched
|
|
everywheres, feeding out of the wagon-troughs and stomping to keep off
|
|
the flies. There was sheds made out of poles and roofed over with
|
|
branches, where they had lemonade and gingerbread to sell, and piles of
|
|
watermelons and green corn and such-like truck.
|
|
|
|
The preaching was going on under the same kinds of sheds, only they was
|
|
bigger and held crowds of people. The benches was made out of outside
|
|
slabs of logs, with holes bored in the round side to drive sticks into
|
|
for legs. They didn't have no backs. The preachers had high platforms to
|
|
stand on at one end of the sheds. The women had on sun-bonnets; and some
|
|
had linsey-woolsey frocks, some gingham ones, and a few of the young ones
|
|
had on calico. Some of the young men was barefooted, and some of the
|
|
children didn't have on any clothes but just a tow-linen shirt. Some of
|
|
the old women was knitting, and some of the young folks was courting on
|
|
the sly.
|
|
|
|
The first shed we come to the preacher was lining out a hymn. He lined
|
|
out two lines, everybody sung it, and it was kind of grand to hear it,
|
|
there was so many of them and they done it in such a rousing way; then he
|
|
lined out two more for them to sing--and so on. The people woke up more
|
|
and more, and sung louder and louder; and towards the end some begun to
|
|
groan, and some begun to shout. Then the preacher begun to preach, and
|
|
begun in earnest, too; and went weaving first to one side of the platform
|
|
and then the other, and then a-leaning down over the front of it, with
|
|
his arms and his body going all the time, and shouting his words out with
|
|
all his might; and every now and then he would hold up his Bible and
|
|
spread it open, and kind of pass it around this way and that, shouting,
|
|
"It's the brazen serpent in the wilderness! Look upon it and live!" And
|
|
people would shout out, "Glory!--A-a-MEN!" And so he went on, and the
|
|
people groaning and crying and saying amen:
|
|
|
|
"Oh, come to the mourners' bench! come, black with sin! (AMEN!) come,
|
|
sick and sore! (AMEN!) come, lame and halt and blind! (AMEN!) come, pore
|
|
and needy, sunk in shame! (A-A-MEN!) come, all that's worn and soiled and
|
|
suffering!--come with a broken spirit! come with a contrite heart! come
|
|
in your rags and sin and dirt! the waters that cleanse is free, the door
|
|
of heaven stands open--oh, enter in and be at rest!" (A-A-MEN! GLORY,
|
|
GLORY HALLELUJAH!)
|
|
|
|
And so on. You couldn't make out what the preacher said any more, on
|
|
account of the shouting and crying. Folks got up everywheres in the
|
|
crowd, and worked their way just by main strength to the mourners' bench,
|
|
with the tears running down their faces; and when all the mourners had
|
|
got up there to the front benches in a crowd, they sung and shouted and
|
|
flung themselves down on the straw, just crazy and wild.
|
|
|
|
Well, the first I knowed the king got a-going, and you could hear him
|
|
over everybody; and next he went a-charging up on to the platform, and
|
|
the preacher he begged him to speak to the people, and he done it. He
|
|
told them he was a pirate--been a pirate for thirty years out in the
|
|
Indian Ocean--and his crew was thinned out considerable last spring in
|
|
a fight, and he was home now to take out some fresh men, and thanks to
|
|
goodness he'd been robbed last night and put ashore off of a steamboat
|
|
without a cent, and he was glad of it; it was the blessedest thing that
|
|
ever happened to him, because he was a changed man now, and happy for the
|
|
first time in his life; and, poor as he was, he was going to start right
|
|
off and work his way back to the Indian Ocean, and put in the rest of his
|
|
life trying to turn the pirates into the true path; for he could do it
|
|
better than anybody else, being acquainted with all pirate crews in that
|
|
ocean; and though it would take him a long time to get there without
|
|
money, he would get there anyway, and every time he convinced a pirate he
|
|
would say to him, "Don't you thank me, don't you give me no credit; it
|
|
all belongs to them dear people in Pokeville camp-meeting, natural
|
|
brothers and benefactors of the race, and that dear preacher there, the
|
|
truest friend a pirate ever had!"
|
|
|
|
And then he busted into tears, and so did everybody. Then somebody sings
|
|
out, "Take up a collection for him, take up a collection!" Well, a half
|
|
a dozen made a jump to do it, but somebody sings out, "Let HIM pass the
|
|
hat around!" Then everybody said it, the preacher too.
|
|
|
|
So the king went all through the crowd with his hat swabbing his eyes,
|
|
and blessing the people and praising them and thanking them for being so
|
|
good to the poor pirates away off there; and every little while the
|
|
prettiest kind of girls, with the tears running down their cheeks, would
|
|
up and ask him would he let them kiss him for to remember him by; and he
|
|
always done it; and some of them he hugged and kissed as many as five or
|
|
six times--and he was invited to stay a week; and everybody wanted him to
|
|
live in their houses, and said they'd think it was an honor; but he said
|
|
as this was the last day of the camp-meeting he couldn't do no good, and
|
|
besides he was in a sweat to get to the Indian Ocean right off and go to
|
|
work on the pirates.
|
|
|
|
When we got back to the raft and he come to count up he found he had
|
|
collected eighty-seven dollars and seventy-five cents. And then he had
|
|
fetched away a three-gallon jug of whisky, too, that he found under a
|
|
wagon when he was starting home through the woods. The king said, take
|
|
it all around, it laid over any day he'd ever put in in the missionarying
|
|
line. He said it warn't no use talking, heathens don't amount to shucks
|
|
alongside of pirates to work a camp-meeting with.
|
|
|
|
The duke was thinking HE'D been doing pretty well till the king come to
|
|
show up, but after that he didn't think so so much. He had set up and
|
|
printed off two little jobs for farmers in that printing-office--horse
|
|
bills--and took the money, four dollars. And he had got in ten
|
|
dollars' worth of advertisements for the paper, which he said he would
|
|
put in for four dollars if they would pay in advance--so they done it.
|
|
The price of the paper was two dollars a year, but he took in three
|
|
subscriptions for half a dollar apiece on condition of them paying him in
|
|
advance; they were going to pay in cordwood and onions as usual, but he
|
|
said he had just bought the concern and knocked down the price as low as
|
|
he could afford it, and was going to run it for cash. He set up a little
|
|
piece of poetry, which he made, himself, out of his own head--three
|
|
verses--kind of sweet and saddish--the name of it was, "Yes, crush, cold
|
|
world, this breaking heart"--and he left that all set up and ready to
|
|
print in the paper, and didn't charge nothing for it. Well, he took in
|
|
nine dollars and a half, and said he'd done a pretty square day's work
|
|
for it.
|
|
|
|
Then he showed us another little job he'd printed and hadn't charged for,
|
|
because it was for us. It had a picture of a runaway nigger with a
|
|
bundle on a stick over his shoulder, and "$200 reward" under it. The
|
|
reading was all about Jim, and just described him to a dot. It said he
|
|
run away from St. Jacques' plantation, forty mile below New Orleans, last
|
|
winter, and likely went north, and whoever would catch him and send him
|
|
back he could have the reward and expenses.
|
|
|
|
"Now," says the duke, "after to-night we can run in the daytime if we
|
|
want to. Whenever we see anybody coming we can tie Jim hand and foot
|
|
with a rope, and lay him in the wigwam and show this handbill and say we
|
|
captured him up the river, and were too poor to travel on a steamboat, so
|
|
we got this little raft on credit from our friends and are going down to
|
|
get the reward. Handcuffs and chains would look still better on Jim, but
|
|
it wouldn't go well with the story of us being so poor. Too much like
|
|
jewelry. Ropes are the correct thing--we must preserve the unities, as
|
|
we say on the boards."
|
|
|
|
We all said the duke was pretty smart, and there couldn't be no trouble
|
|
about running daytimes. We judged we could make miles enough that night
|
|
to get out of the reach of the powwow we reckoned the duke's work in the
|
|
printing office was going to make in that little town; then we could boom
|
|
right along if we wanted to.
|
|
|
|
We laid low and kept still, and never shoved out till nearly ten o'clock;
|
|
then we slid by, pretty wide away from the town, and didn't hoist our
|
|
lantern till we was clear out of sight of it.
|
|
|
|
When Jim called me to take the watch at four in the morning, he says:
|
|
|
|
"Huck, does you reck'n we gwyne to run acrost any mo' kings on dis trip?"
|
|
|
|
"No," I says, "I reckon not."
|
|
|
|
"Well," says he, "dat's all right, den. I doan' mine one er two kings,
|
|
but dat's enough. Dis one's powerful drunk, en de duke ain' much
|
|
better."
|
|
|
|
I found Jim had been trying to get him to talk French, so he could hear
|
|
what it was like; but he said he had been in this country so long, and
|
|
had so much trouble, he'd forgot it.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXI.
|
|
|
|
IT was after sun-up now, but we went right on and didn't tie up. The
|
|
king and the duke turned out by and by looking pretty rusty; but after
|
|
they'd jumped overboard and took a swim it chippered them up a good deal.
|
|
After breakfast the king he took a seat on the corner of the raft, and
|
|
pulled off his boots and rolled up his britches, and let his legs dangle
|
|
in the water, so as to be comfortable, and lit his pipe, and went to
|
|
getting his Romeo and Juliet by heart. When he had got it pretty good
|
|
him and the duke begun to practice it together. The duke had to learn
|
|
him over and over again how to say every speech; and he made him sigh,
|
|
and put his hand on his heart, and after a while he said he done it
|
|
pretty well; "only," he says, "you mustn't bellow out ROMEO! that way,
|
|
like a bull--you must say it soft and sick and languishy, so--R-o-o-meo!
|
|
that is the idea; for Juliet's a dear sweet mere child of a girl, you
|
|
know, and she doesn't bray like a jackass."
|
|
|
|
Well, next they got out a couple of long swords that the duke made out of
|
|
oak laths, and begun to practice the sword fight--the duke called himself
|
|
Richard III.; and the way they laid on and pranced around the raft was
|
|
grand to see. But by and by the king tripped and fell overboard, and
|
|
after that they took a rest, and had a talk about all kinds of adventures
|
|
they'd had in other times along the river.
|
|
|
|
After dinner the duke says:
|
|
|
|
"Well, Capet, we'll want to make this a first-class show, you know, so I
|
|
guess we'll add a little more to it. We want a little something to
|
|
answer encores with, anyway."
|
|
|
|
"What's onkores, Bilgewater?"
|
|
|
|
The duke told him, and then says:
|
|
|
|
"I'll answer by doing the Highland fling or the sailor's hornpipe; and
|
|
you--well, let me see--oh, I've got it--you can do Hamlet's soliloquy."
|
|
|
|
"Hamlet's which?"
|
|
|
|
"Hamlet's soliloquy, you know; the most celebrated thing in Shakespeare.
|
|
Ah, it's sublime, sublime! Always fetches the house. I haven't got it
|
|
in the book--I've only got one volume--but I reckon I can piece it out
|
|
from memory. I'll just walk up and down a minute, and see if I can call
|
|
it back from recollection's vaults."
|
|
|
|
So he went to marching up and down, thinking, and frowning horrible every
|
|
now and then; then he would hoist up his eyebrows; next he would squeeze
|
|
his hand on his forehead and stagger back and kind of moan; next he would
|
|
sigh, and next he'd let on to drop a tear. It was beautiful to see him.
|
|
By and by he got it. He told us to give attention. Then he strikes a
|
|
most noble attitude, with one leg shoved forwards, and his arms stretched
|
|
away up, and his head tilted back, looking up at the sky; and then he
|
|
begins to rip and rave and grit his teeth; and after that, all through
|
|
his speech, he howled, and spread around, and swelled up his chest, and
|
|
just knocked the spots out of any acting ever I see before. This is the
|
|
speech--I learned it, easy enough, while he was learning it to the king:
|
|
|
|
To be, or not to be; that is the bare bodkin That makes calamity of so
|
|
long life; For who would fardels bear, till Birnam Wood do come to
|
|
Dunsinane, But that the fear of something after death Murders the
|
|
innocent sleep, Great nature's second course, And makes us rather sling
|
|
the arrows of outrageous fortune Than fly to others that we know not of.
|
|
There's the respect must give us pause: Wake Duncan with thy knocking! I
|
|
would thou couldst; For who would bear the whips and scorns of time, The
|
|
oppressor's wrong, the proud man's contumely, The law's delay, and the
|
|
quietus which his pangs might take, In the dead waste and middle of the
|
|
night, when churchyards yawn In customary suits of solemn black, But that
|
|
the undiscovered country from whose bourne no traveler returns, Breathes
|
|
forth contagion on the world, And thus the native hue of resolution, like
|
|
the poor cat i' the adage, Is sicklied o'er with care, And all the clouds
|
|
that lowered o'er our housetops, With this regard their currents turn
|
|
awry, And lose the name of action. 'Tis a consummation devoutly to be
|
|
wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble
|
|
jaws, But get thee to a nunnery--go!
|
|
|
|
Well, the old man he liked that speech, and he mighty soon got it so he
|
|
could do it first-rate. It seemed like he was just born for it; and when
|
|
he had his hand in and was excited, it was perfectly lovely the way he
|
|
would rip and tear and rair up behind when he was getting it off.
|
|
|
|
The first chance we got the duke he had some showbills printed; and after
|
|
that, for two or three days as we floated along, the raft was a most
|
|
uncommon lively place, for there warn't nothing but sword fighting and
|
|
rehearsing--as the duke called it--going on all the time. One morning,
|
|
when we was pretty well down the State of Arkansaw, we come in sight of a
|
|
little one-horse town in a big bend; so we tied up about three-quarters
|
|
of a mile above it, in the mouth of a crick which was shut in like a
|
|
tunnel by the cypress trees, and all of us but Jim took the canoe and
|
|
went down there to see if there was any chance in that place for our
|
|
show.
|
|
|
|
We struck it mighty lucky; there was going to be a circus there that
|
|
afternoon, and the country people was already beginning to come in, in
|
|
all kinds of old shackly wagons, and on horses. The circus would leave
|
|
before night, so our show would have a pretty good chance. The duke he
|
|
hired the courthouse, and we went around and stuck up our bills. They
|
|
read like this:
|
|
|
|
Shaksperean Revival ! ! !
|
|
Wonderful Attraction!
|
|
For One Night Only!
|
|
|
|
The world renowned tragedians, David Garrick the Younger, of Drury Lane
|
|
Theatre London, and Edmund Kean the elder, of the Royal Haymarket
|
|
Theatre, Whitechapel, Pudding Lane, Piccadilly, London, and the Royal
|
|
Continental Theatres, in their sublime Shaksperean Spectacle entitled
|
|
|
|
TheBalcony Scene in Romeo and Juliet ! ! !
|
|
|
|
Romeo...................Mr. Garrick
|
|
Juliet..................Mr. Kean
|
|
|
|
Assisted by the whole strength of the company!
|
|
New costumes, new scenes, new appointments!
|
|
Also: The thrilling, masterly, and blood-curdling
|
|
Broad-sword conflict In Richard III. ! ! !
|
|
|
|
Richard III.............Mr. Garrick
|
|
Richmond................Mr. Kean
|
|
|
|
Also: (by special request) Hamlet's Immortal Soliloquy ! !
|
|
By The Illustrious Kean! Done by him 300 consecutive nights in Paris!
|
|
For One Night Only, On account of imperative European engagements!
|
|
Admission 25 cents; children and servants, 10 cents.
|
|
|
|
Then we went loafing around town. The stores and houses was most all
|
|
old, shackly, dried up frame concerns that hadn't ever been painted; they
|
|
was set up three or four foot above ground on stilts, so as to be out of
|
|
reach of the water when the river was over-flowed. The houses had little
|
|
gardens around them, but they didn't seem to raise hardly anything in
|
|
them but jimpson-weeds, and sunflowers, and ash piles, and old curled-up
|
|
boots and shoes, and pieces of bottles, and rags, and played-out tinware.
|
|
The fences was made of different kinds of boards, nailed on at different
|
|
times; and they leaned every which way, and had gates that didn't generly
|
|
have but one hinge--a leather one. Some of the fences had been
|
|
white-washed some time or another, but the duke said it was in Clumbus'
|
|
time, like enough. There was generly hogs in the garden, and people
|
|
driving them out.
|
|
|
|
All the stores was along one street. They had white domestic awnings in
|
|
front, and the country people hitched their horses to the awning-posts.
|
|
There was empty drygoods boxes under the awnings, and loafers roosting on
|
|
them all day long, whittling them with their Barlow knives; and chawing
|
|
tobacco, and gaping and yawning and stretching--a mighty ornery lot.
|
|
They generly had on yellow straw hats most as wide as an umbrella, but
|
|
didn't wear no coats nor waistcoats, they called one another Bill, and
|
|
Buck, and Hank, and Joe, and Andy, and talked lazy and drawly, and used
|
|
considerable many cuss words. There was as many as one loafer leaning up
|
|
against every awning-post, and he most always had his hands in his
|
|
britches-pockets, except when he fetched them out to lend a chaw of
|
|
tobacco or scratch. What a body was hearing amongst them all the time
|
|
was:
|
|
|
|
"Gimme a chaw 'v tobacker, Hank."
|
|
|
|
"Cain't; I hain't got but one chaw left. Ask Bill."
|
|
|
|
Maybe Bill he gives him a chaw; maybe he lies and says he ain't got none.
|
|
Some of them kinds of loafers never has a cent in the world, nor a chaw
|
|
of tobacco of their own. They get all their chawing by borrowing; they
|
|
say to a fellow, "I wisht you'd len' me a chaw, Jack, I jist this minute
|
|
give Ben Thompson the last chaw I had"--which is a lie pretty much
|
|
everytime; it don't fool nobody but a stranger; but Jack ain't no
|
|
stranger, so he says:
|
|
|
|
"YOU give him a chaw, did you? So did your sister's cat's grandmother.
|
|
You pay me back the chaws you've awready borry'd off'n me, Lafe Buckner,
|
|
then I'll loan you one or two ton of it, and won't charge you no back
|
|
intrust, nuther."
|
|
|
|
"Well, I DID pay you back some of it wunst."
|
|
|
|
"Yes, you did--'bout six chaws. You borry'd store tobacker and paid back
|
|
nigger-head."
|
|
|
|
Store tobacco is flat black plug, but these fellows mostly chaws the
|
|
natural leaf twisted. When they borrow a chaw they don't generly cut it
|
|
off with a knife, but set the plug in between their teeth, and gnaw with
|
|
their teeth and tug at the plug with their hands till they get it in two;
|
|
then sometimes the one that owns the tobacco looks mournful at it when
|
|
it's handed back, and says, sarcastic:
|
|
|
|
"Here, gimme the CHAW, and you take the PLUG."
|
|
|
|
All the streets and lanes was just mud; they warn't nothing else BUT mud
|
|
--mud as black as tar and nigh about a foot deep in some places, and two
|
|
or three inches deep in ALL the places. The hogs loafed and grunted
|
|
around everywheres. You'd see a muddy sow and a litter of pigs come
|
|
lazying along the street and whollop herself right down in the way, where
|
|
folks had to walk around her, and she'd stretch out and shut her eyes and
|
|
wave her ears whilst the pigs was milking her, and look as happy as if
|
|
she was on salary. And pretty soon you'd hear a loafer sing out, "Hi! SO
|
|
boy! sick him, Tige!" and away the sow would go, squealing most horrible,
|
|
with a dog or two swinging to each ear, and three or four dozen more
|
|
a-coming; and then you would see all the loafers get up and watch the thing
|
|
out of sight, and laugh at the fun and look grateful for the noise. Then
|
|
they'd settle back again till there was a dog fight. There couldn't
|
|
anything wake them up all over, and make them happy all over, like a dog
|
|
fight--unless it might be putting turpentine on a stray dog and setting
|
|
fire to him, or tying a tin pan to his tail and see him run himself to
|
|
death.
|
|
|
|
On the river front some of the houses was sticking out over the bank, and
|
|
they was bowed and bent, and about ready to tumble in, The people had
|
|
moved out of them. The bank was caved away under one corner of some
|
|
others, and that corner was hanging over. People lived in them yet, but
|
|
it was dangersome, because sometimes a strip of land as wide as a house
|
|
caves in at a time. Sometimes a belt of land a quarter of a mile deep
|
|
will start in and cave along and cave along till it all caves into the
|
|
river in one summer. Such a town as that has to be always moving back,
|
|
and back, and back, because the river's always gnawing at it.
|
|
|
|
The nearer it got to noon that day the thicker and thicker was the wagons
|
|
and horses in the streets, and more coming all the time. Families
|
|
fetched their dinners with them from the country, and eat them in the
|
|
wagons. There was considerable whisky drinking going on, and I seen
|
|
three fights. By and by somebody sings out:
|
|
|
|
"Here comes old Boggs!--in from the country for his little old monthly
|
|
drunk; here he comes, boys!"
|
|
|
|
All the loafers looked glad; I reckoned they was used to having fun out
|
|
of Boggs. One of them says:
|
|
|
|
"Wonder who he's a-gwyne to chaw up this time. If he'd a-chawed up all
|
|
the men he's ben a-gwyne to chaw up in the last twenty year he'd have
|
|
considerable ruputation now."
|
|
|
|
Another one says, "I wisht old Boggs 'd threaten me, 'cuz then I'd know I
|
|
warn't gwyne to die for a thousan' year."
|
|
|
|
Boggs comes a-tearing along on his horse, whooping and yelling like an
|
|
Injun, and singing out:
|
|
|
|
"Cler the track, thar. I'm on the waw-path, and the price uv coffins is
|
|
a-gwyne to raise."
|
|
|
|
He was drunk, and weaving about in his saddle; he was over fifty year
|
|
old, and had a very red face. Everybody yelled at him and laughed at him
|
|
and sassed him, and he sassed back, and said he'd attend to them and lay
|
|
them out in their regular turns, but he couldn't wait now because he'd
|
|
come to town to kill old Colonel Sherburn, and his motto was, "Meat
|
|
first, and spoon vittles to top off on."
|
|
|
|
He see me, and rode up and says:
|
|
|
|
"Whar'd you come f'm, boy? You prepared to die?"
|
|
|
|
Then he rode on. I was scared, but a man says:
|
|
|
|
"He don't mean nothing; he's always a-carryin' on like that when he's
|
|
drunk. He's the best naturedest old fool in Arkansaw--never hurt nobody,
|
|
drunk nor sober."
|
|
|
|
Boggs rode up before the biggest store in town, and bent his head down so
|
|
he could see under the curtain of the awning and yells:
|
|
|
|
"Come out here, Sherburn! Come out and meet the man you've swindled.
|
|
You're the houn' I'm after, and I'm a-gwyne to have you, too!"
|
|
|
|
And so he went on, calling Sherburn everything he could lay his tongue
|
|
to, and the whole street packed with people listening and laughing and
|
|
going on. By and by a proud-looking man about fifty-five--and he was a
|
|
heap the best dressed man in that town, too--steps out of the store, and
|
|
the crowd drops back on each side to let him come. He says to Boggs,
|
|
mighty ca'm and slow--he says:
|
|
|
|
"I'm tired of this, but I'll endure it till one o'clock. Till one
|
|
o'clock, mind--no longer. If you open your mouth against me only once
|
|
after that time you can't travel so far but I will find you."
|
|
|
|
Then he turns and goes in. The crowd looked mighty sober; nobody
|
|
stirred, and there warn't no more laughing. Boggs rode off blackguarding
|
|
Sherburn as loud as he could yell, all down the street; and pretty soon
|
|
back he comes and stops before the store, still keeping it up. Some men
|
|
crowded around him and tried to get him to shut up, but he wouldn't; they
|
|
told him it would be one o'clock in about fifteen minutes, and so he MUST
|
|
go home--he must go right away. But it didn't do no good. He cussed
|
|
away with all his might, and throwed his hat down in the mud and rode
|
|
over it, and pretty soon away he went a-raging down the street again,
|
|
with his gray hair a-flying. Everybody that could get a chance at him
|
|
tried their best to coax him off of his horse so they could lock him up
|
|
and get him sober; but it warn't no use--up the street he would tear
|
|
again, and give Sherburn another cussing. By and by somebody says:
|
|
|
|
"Go for his daughter!--quick, go for his daughter; sometimes he'll listen
|
|
to her. If anybody can persuade him, she can."
|
|
|
|
So somebody started on a run. I walked down street a ways and stopped.
|
|
In about five or ten minutes here comes Boggs again, but not on his
|
|
horse. He was a-reeling across the street towards me, bare-headed, with
|
|
a friend on both sides of him a-holt of his arms and hurrying him along.
|
|
He was quiet, and looked uneasy; and he warn't hanging back any, but was
|
|
doing some of the hurrying himself. Somebody sings out:
|
|
|
|
"Boggs!"
|
|
|
|
I looked over there to see who said it, and it was that Colonel Sherburn.
|
|
He was standing perfectly still in the street, and had a pistol raised in
|
|
his right hand--not aiming it, but holding it out with the barrel tilted
|
|
up towards the sky. The same second I see a young girl coming on the
|
|
run, and two men with her. Boggs and the men turned round to see who
|
|
called him, and when they see the pistol the men jumped to one side, and
|
|
the pistol-barrel come down slow and steady to a level--both barrels
|
|
cocked. Boggs throws up both of his hands and says, "O Lord, don't
|
|
shoot!" Bang! goes the first shot, and he staggers back, clawing at the
|
|
air--bang! goes the second one, and he tumbles backwards on to the
|
|
ground, heavy and solid, with his arms spread out. That young girl
|
|
screamed out and comes rushing, and down she throws herself on her
|
|
father, crying, and saying, "Oh, he's killed him, he's killed him!" The
|
|
crowd closed up around them, and shouldered and jammed one another, with
|
|
their necks stretched, trying to see, and people on the inside trying to
|
|
shove them back and shouting, "Back, back! give him air, give him air!"
|
|
|
|
Colonel Sherburn he tossed his pistol on to the ground, and turned around
|
|
on his heels and walked off.
|
|
|
|
They took Boggs to a little drug store, the crowd pressing around just
|
|
the same, and the whole town following, and I rushed and got a good place
|
|
at the window, where I was close to him and could see in. They laid him
|
|
on the floor and put one large Bible under his head, and opened another
|
|
one and spread it on his breast; but they tore open his shirt first, and
|
|
I seen where one of the bullets went in. He made about a dozen long
|
|
gasps, his breast lifting the Bible up when he drawed in his breath, and
|
|
letting it down again when he breathed it out--and after that he laid
|
|
still; he was dead. Then they pulled his daughter away from him,
|
|
screaming and crying, and took her off. She was about sixteen, and very
|
|
sweet and gentle looking, but awful pale and scared.
|
|
|
|
Well, pretty soon the whole town was there, squirming and scrouging and
|
|
pushing and shoving to get at the window and have a look, but people that
|
|
had the places wouldn't give them up, and folks behind them was saying
|
|
all the time, "Say, now, you've looked enough, you fellows; 'tain't right
|
|
and 'tain't fair for you to stay thar all the time, and never give nobody
|
|
a chance; other folks has their rights as well as you."
|
|
|
|
There was considerable jawing back, so I slid out, thinking maybe there
|
|
was going to be trouble. The streets was full, and everybody was
|
|
excited. Everybody that seen the shooting was telling how it happened,
|
|
and there was a big crowd packed around each one of these fellows,
|
|
stretching their necks and listening. One long, lanky man, with long
|
|
hair and a big white fur stovepipe hat on the back of his head, and a
|
|
crooked-handled cane, marked out the places on the ground where Boggs
|
|
stood and where Sherburn stood, and the people following him around from
|
|
one place to t'other and watching everything he done, and bobbing their
|
|
heads to show they understood, and stooping a little and resting their
|
|
hands on their thighs to watch him mark the places on the ground with his
|
|
cane; and then he stood up straight and stiff where Sherburn had stood,
|
|
frowning and having his hat-brim down over his eyes, and sung out,
|
|
"Boggs!" and then fetched his cane down slow to a level, and says "Bang!"
|
|
staggered backwards, says "Bang!" again, and fell down flat on his back.
|
|
The people that had seen the thing said he done it perfect; said it was
|
|
just exactly the way it all happened. Then as much as a dozen people got
|
|
out their bottles and treated him.
|
|
|
|
Well, by and by somebody said Sherburn ought to be lynched. In about a
|
|
minute everybody was saying it; so away they went, mad and yelling, and
|
|
snatching down every clothes-line they come to to do the hanging with.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXII.
|
|
|
|
THEY swarmed up towards Sherburn's house, a-whooping and raging like
|
|
Injuns, and everything had to clear the way or get run over and tromped
|
|
to mush, and it was awful to see. Children was heeling it ahead of the
|
|
mob, screaming and trying to get out of the way; and every window along
|
|
the road was full of women's heads, and there was nigger boys in every
|
|
tree, and bucks and wenches looking over every fence; and as soon as the
|
|
mob would get nearly to them they would break and skaddle back out of
|
|
reach. Lots of the women and girls was crying and taking on, scared most
|
|
to death.
|
|
|
|
They swarmed up in front of Sherburn's palings as thick as they could jam
|
|
together, and you couldn't hear yourself think for the noise. It was a
|
|
little twenty-foot yard. Some sung out "Tear down the fence! tear down
|
|
the fence!" Then there was a racket of ripping and tearing and smashing,
|
|
and down she goes, and the front wall of the crowd begins to roll in like
|
|
a wave.
|
|
|
|
Just then Sherburn steps out on to the roof of his little front porch,
|
|
with a double-barrel gun in his hand, and takes his stand, perfectly ca'm
|
|
and deliberate, not saying a word. The racket stopped, and the wave
|
|
sucked back.
|
|
|
|
Sherburn never said a word--just stood there, looking down. The
|
|
stillness was awful creepy and uncomfortable. Sherburn run his eye slow
|
|
along the crowd; and wherever it struck the people tried a little to
|
|
out-gaze him, but they couldn't; they dropped their eyes and looked sneaky.
|
|
Then pretty soon Sherburn sort of laughed; not the pleasant kind, but the
|
|
kind that makes you feel like when you are eating bread that's got sand
|
|
in it.
|
|
|
|
Then he says, slow and scornful:
|
|
|
|
"The idea of YOU lynching anybody! It's amusing. The idea of you
|
|
thinking you had pluck enough to lynch a MAN! Because you're brave
|
|
enough to tar and feather poor friendless cast-out women that come along
|
|
here, did that make you think you had grit enough to lay your hands on a
|
|
MAN? Why, a MAN'S safe in the hands of ten thousand of your kind--as
|
|
long as it's daytime and you're not behind him.
|
|
|
|
"Do I know you? I know you clear through was born and raised in the
|
|
South, and I've lived in the North; so I know the average all around.
|
|
The average man's a coward. In the North he lets anybody walk over him
|
|
that wants to, and goes home and prays for a humble spirit to bear it.
|
|
In the South one man all by himself, has stopped a stage full of men in
|
|
the daytime, and robbed the lot. Your newspapers call you a brave people
|
|
so much that you think you are braver than any other people--whereas
|
|
you're just AS brave, and no braver. Why don't your juries hang
|
|
murderers? Because they're afraid the man's friends will shoot them in
|
|
the back, in the dark--and it's just what they WOULD do.
|
|
|
|
"So they always acquit; and then a MAN goes in the night, with a hundred
|
|
masked cowards at his back and lynches the rascal. Your mistake is, that
|
|
you didn't bring a man with you; that's one mistake, and the other is
|
|
that you didn't come in the dark and fetch your masks. You brought PART
|
|
of a man--Buck Harkness, there--and if you hadn't had him to start you,
|
|
you'd a taken it out in blowing.
|
|
|
|
"You didn't want to come. The average man don't like trouble and danger.
|
|
YOU don't like trouble and danger. But if only HALF a man--like Buck
|
|
Harkness, there--shouts 'Lynch him! lynch him!' you're afraid to back
|
|
down--afraid you'll be found out to be what you are--COWARDS--and so
|
|
you raise a yell, and hang yourselves on to that half-a-man's coat-tail,
|
|
and come raging up here, swearing what big things you're going to do.
|
|
The pitifulest thing out is a mob; that's what an army is--a mob; they
|
|
don't fight with courage that's born in them, but with courage that's
|
|
borrowed from their mass, and from their officers. But a mob without any
|
|
MAN at the head of it is BENEATH pitifulness. Now the thing for YOU to
|
|
do is to droop your tails and go home and crawl in a hole. If any real
|
|
lynching's going to be done it will be done in the dark, Southern
|
|
fashion; and when they come they'll bring their masks, and fetch a MAN
|
|
along. Now LEAVE--and take your half-a-man with you"--tossing his gun up
|
|
across his left arm and cocking it when he says this.
|
|
|
|
The crowd washed back sudden, and then broke all apart, and went tearing
|
|
off every which way, and Buck Harkness he heeled it after them, looking
|
|
tolerable cheap. I could a stayed if I wanted to, but I didn't want to.
|
|
|
|
I went to the circus and loafed around the back side till the watchman
|
|
went by, and then dived in under the tent. I had my twenty-dollar gold
|
|
piece and some other money, but I reckoned I better save it, because
|
|
there ain't no telling how soon you are going to need it, away from home
|
|
and amongst strangers that way. You can't be too careful. I ain't
|
|
opposed to spending money on circuses when there ain't no other way, but
|
|
there ain't no use in WASTING it on them.
|
|
|
|
It was a real bully circus. It was the splendidest sight that ever was
|
|
when they all come riding in, two and two, a gentleman and lady, side by
|
|
side, the men just in their drawers and undershirts, and no shoes nor
|
|
stirrups, and resting their hands on their thighs easy and comfortable
|
|
--there must a been twenty of them--and every lady with a lovely
|
|
complexion, and perfectly beautiful, and looking just like a gang of real
|
|
sure-enough queens, and dressed in clothes that cost millions of dollars,
|
|
and just littered with diamonds. It was a powerful fine sight; I never
|
|
see anything so lovely. And then one by one they got up and stood, and
|
|
went a-weaving around the ring so gentle and wavy and graceful, the men
|
|
looking ever so tall and airy and straight, with their heads bobbing and
|
|
skimming along, away up there under the tent-roof, and every lady's
|
|
rose-leafy dress flapping soft and silky around her hips, and she looking
|
|
like the most loveliest parasol.
|
|
|
|
And then faster and faster they went, all of them dancing, first one foot
|
|
out in the air and then the other, the horses leaning more and more, and
|
|
the ringmaster going round and round the center-pole, cracking his whip
|
|
and shouting "Hi!--hi!" and the clown cracking jokes behind him; and by
|
|
and by all hands dropped the reins, and every lady put her knuckles on
|
|
her hips and every gentleman folded his arms, and then how the horses did
|
|
lean over and hump themselves! And so one after the other they all
|
|
skipped off into the ring, and made the sweetest bow I ever see, and then
|
|
scampered out, and everybody clapped their hands and went just about
|
|
wild.
|
|
|
|
Well, all through the circus they done the most astonishing things; and
|
|
all the time that clown carried on so it most killed the people. The
|
|
ringmaster couldn't ever say a word to him but he was back at him quick
|
|
as a wink with the funniest things a body ever said; and how he ever
|
|
COULD think of so many of them, and so sudden and so pat, was what I
|
|
couldn't noway understand. Why, I couldn't a thought of them in a year.
|
|
And by and by a drunk man tried to get into the ring--said he wanted to
|
|
ride; said he could ride as well as anybody that ever was. They argued
|
|
and tried to keep him out, but he wouldn't listen, and the whole show
|
|
come to a standstill. Then the people begun to holler at him and make
|
|
fun of him, and that made him mad, and he begun to rip and tear; so that
|
|
stirred up the people, and a lot of men begun to pile down off of the
|
|
benches and swarm towards the ring, saying, "Knock him down! throw him
|
|
out!" and one or two women begun to scream. So, then, the ringmaster he
|
|
made a little speech, and said he hoped there wouldn't be no disturbance,
|
|
and if the man would promise he wouldn't make no more trouble he would
|
|
let him ride if he thought he could stay on the horse. So everybody
|
|
laughed and said all right, and the man got on. The minute he was on, the
|
|
horse begun to rip and tear and jump and cavort around, with two circus
|
|
men hanging on to his bridle trying to hold him, and the drunk man
|
|
hanging on to his neck, and his heels flying in the air every jump, and
|
|
the whole crowd of people standing up shouting and laughing till tears
|
|
rolled down. And at last, sure enough, all the circus men could do, the
|
|
horse broke loose, and away he went like the very nation, round and round
|
|
the ring, with that sot laying down on him and hanging to his neck, with
|
|
first one leg hanging most to the ground on one side, and then t'other
|
|
one on t'other side, and the people just crazy. It warn't funny to me,
|
|
though; I was all of a tremble to see his danger. But pretty soon he
|
|
struggled up astraddle and grabbed the bridle, a-reeling this way and
|
|
that; and the next minute he sprung up and dropped the bridle and stood!
|
|
and the horse a-going like a house afire too. He just stood up there,
|
|
a-sailing around as easy and comfortable as if he warn't ever drunk in his
|
|
life--and then he begun to pull off his clothes and sling them. He shed
|
|
them so thick they kind of clogged up the air, and altogether he shed
|
|
seventeen suits. And, then, there he was, slim and handsome, and dressed
|
|
the gaudiest and prettiest you ever saw, and he lit into that horse with
|
|
his whip and made him fairly hum--and finally skipped off, and made his
|
|
bow and danced off to the dressing-room, and everybody just a-howling
|
|
with pleasure and astonishment.
|
|
|
|
Then the ringmaster he see how he had been fooled, and he WAS the sickest
|
|
ringmaster you ever see, I reckon. Why, it was one of his own men! He
|
|
had got up that joke all out of his own head, and never let on to nobody.
|
|
Well, I felt sheepish enough to be took in so, but I wouldn't a been in
|
|
that ringmaster's place, not for a thousand dollars. I don't know; there
|
|
may be bullier circuses than what that one was, but I never struck them
|
|
yet. Anyways, it was plenty good enough for ME; and wherever I run across
|
|
it, it can have all of MY custom every time.
|
|
|
|
Well, that night we had OUR show; but there warn't only about twelve
|
|
people there--just enough to pay expenses. And they laughed all the
|
|
time, and that made the duke mad; and everybody left, anyway, before the
|
|
show was over, but one boy which was asleep. So the duke said these
|
|
Arkansaw lunkheads couldn't come up to Shakespeare; what they wanted was
|
|
low comedy--and maybe something ruther worse than low comedy, he
|
|
reckoned. He said he could size their style. So next morning he got
|
|
some big sheets of wrapping paper and some black paint, and drawed off
|
|
some handbills, and stuck them up all over the village. The bills said:
|
|
|
|
AT THE COURT HOUSE! FOR 3 NIGHTS ONLY!
|
|
The World-Renowned Tragedians
|
|
DAVID GARRICK THE YOUNGER!
|
|
AND EDMUND KEAN THE ELDER!
|
|
Of the London and
|
|
Continental Theatres,
|
|
In their Thrilling Tragedy of
|
|
THE KING'S CAMELEOPARD,
|
|
OR THE ROYAL NONESUCH ! ! !
|
|
Admission 50 cents.
|
|
|
|
Then at the bottom was the biggest line of all, which said:
|
|
|
|
LADIES AND CHILDREN NOT ADMITTED.
|
|
|
|
"There," says he, "if that line don't fetch them, I don't know Arkansaw!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIII.
|
|
|
|
WELL, all day him and the king was hard at it, rigging up a stage and a
|
|
curtain and a row of candles for footlights; and that night the house was
|
|
jam full of men in no time. When the place couldn't hold no more, the
|
|
duke he quit tending door and went around the back way and come on to the
|
|
stage and stood up before the curtain and made a little speech, and
|
|
praised up this tragedy, and said it was the most thrillingest one that
|
|
ever was; and so he went on a-bragging about the tragedy, and about
|
|
Edmund Kean the Elder, which was to play the main principal part in it;
|
|
and at last when he'd got everybody's expectations up high enough, he
|
|
rolled up the curtain, and the next minute the king come a-prancing out
|
|
on all fours, naked; and he was painted all over, ring-streaked-and-
|
|
striped, all sorts of colors, as splendid as a rainbow. And--but never
|
|
mind the rest of his outfit; it was just wild, but it was awful funny.
|
|
The people most killed themselves laughing; and when the king got done
|
|
capering and capered off behind the scenes, they roared and clapped and
|
|
stormed and haw-hawed till he come back and done it over again, and after
|
|
that they made him do it another time. Well, it would make a cow laugh to
|
|
see the shines that old idiot cut.
|
|
|
|
Then the duke he lets the curtain down, and bows to the people, and says
|
|
the great tragedy will be performed only two nights more, on accounts of
|
|
pressing London engagements, where the seats is all sold already for it
|
|
in Drury Lane; and then he makes them another bow, and says if he has
|
|
succeeded in pleasing them and instructing them, he will be deeply
|
|
obleeged if they will mention it to their friends and get them to come
|
|
and see it.
|
|
|
|
Twenty people sings out:
|
|
|
|
"What, is it over? Is that ALL?"
|
|
|
|
The duke says yes. Then there was a fine time. Everybody sings out,
|
|
"Sold!" and rose up mad, and was a-going for that stage and them
|
|
tragedians. But a big, fine looking man jumps up on a bench and shouts:
|
|
|
|
"Hold on! Just a word, gentlemen." They stopped to listen. "We are
|
|
sold--mighty badly sold. But we don't want to be the laughing stock of
|
|
this whole town, I reckon, and never hear the last of this thing as long
|
|
as we live. NO. What we want is to go out of here quiet, and talk this
|
|
show up, and sell the REST of the town! Then we'll all be in the same
|
|
boat. Ain't that sensible?" ("You bet it is!--the jedge is right!"
|
|
everybody sings out.) "All right, then--not a word about any sell. Go
|
|
along home, and advise everybody to come and see the tragedy."
|
|
|
|
Next day you couldn't hear nothing around that town but how splendid that
|
|
show was. House was jammed again that night, and we sold this crowd the
|
|
same way. When me and the king and the duke got home to the raft we all
|
|
had a supper; and by and by, about midnight, they made Jim and me back
|
|
her out and float her down the middle of the river, and fetch her in and
|
|
hide her about two mile below town.
|
|
|
|
The third night the house was crammed again--and they warn't new-comers
|
|
this time, but people that was at the show the other two nights. I stood
|
|
by the duke at the door, and I see that every man that went in had his
|
|
pockets bulging, or something muffled up under his coat--and I see it
|
|
warn't no perfumery, neither, not by a long sight. I smelt sickly eggs
|
|
by the barrel, and rotten cabbages, and such things; and if I know the
|
|
signs of a dead cat being around, and I bet I do, there was sixty-four of
|
|
them went in. I shoved in there for a minute, but it was too various for
|
|
me; I couldn't stand it. Well, when the place couldn't hold no more
|
|
people the duke he give a fellow a quarter and told him to tend door for
|
|
him a minute, and then he started around for the stage door, I after him;
|
|
but the minute we turned the corner and was in the dark he says:
|
|
|
|
"Walk fast now till you get away from the houses, and then shin for the
|
|
raft like the dickens was after you!"
|
|
|
|
I done it, and he done the same. We struck the raft at the same time,
|
|
and in less than two seconds we was gliding down stream, all dark and
|
|
still, and edging towards the middle of the river, nobody saying a word.
|
|
I reckoned the poor king was in for a gaudy time of it with the audience,
|
|
but nothing of the sort; pretty soon he crawls out from under the wigwam,
|
|
and says:
|
|
|
|
"Well, how'd the old thing pan out this time, duke?" He hadn't been
|
|
up-town at all.
|
|
|
|
We never showed a light till we was about ten mile below the village.
|
|
Then we lit up and had a supper, and the king and the duke fairly laughed
|
|
their bones loose over the way they'd served them people. The duke says:
|
|
|
|
"Greenhorns, flatheads! I knew the first house would keep mum and let
|
|
the rest of the town get roped in; and I knew they'd lay for us the third
|
|
night, and consider it was THEIR turn now. Well, it IS their turn, and
|
|
I'd give something to know how much they'd take for it. I WOULD just
|
|
like to know how they're putting in their opportunity. They can turn it
|
|
into a picnic if they want to--they brought plenty provisions."
|
|
|
|
Them rapscallions took in four hundred and sixty-five dollars in that
|
|
three nights. I never see money hauled in by the wagon-load like that
|
|
before. By and by, when they was asleep and snoring, Jim says:
|
|
|
|
"Don't it s'prise you de way dem kings carries on, Huck?"
|
|
|
|
"No," I says, "it don't."
|
|
|
|
"Why don't it, Huck?"
|
|
|
|
"Well, it don't, because it's in the breed. I reckon they're all alike,"
|
|
|
|
"But, Huck, dese kings o' ourn is reglar rapscallions; dat's jist what
|
|
dey is; dey's reglar rapscallions."
|
|
|
|
"Well, that's what I'm a-saying; all kings is mostly rapscallions, as fur
|
|
as I can make out."
|
|
|
|
"Is dat so?"
|
|
|
|
"You read about them once--you'll see. Look at Henry the Eight; this 'n
|
|
's a Sunday-school Superintendent to HIM. And look at Charles Second,
|
|
and Louis Fourteen, and Louis Fifteen, and James Second, and Edward
|
|
Second, and Richard Third, and forty more; besides all them Saxon
|
|
heptarchies that used to rip around so in old times and raise Cain. My,
|
|
you ought to seen old Henry the Eight when he was in bloom. He WAS a
|
|
blossom. He used to marry a new wife every day, and chop off her head
|
|
next morning. And he would do it just as indifferent as if he was
|
|
ordering up eggs. 'Fetch up Nell Gwynn,' he says. They fetch her up.
|
|
Next morning, 'Chop off her head!' And they chop it off. 'Fetch up Jane
|
|
Shore,' he says; and up she comes, Next morning, 'Chop off her head'--and
|
|
they chop it off. 'Ring up Fair Rosamun.' Fair Rosamun answers the
|
|
bell. Next morning, 'Chop off her head.' And he made every one of them
|
|
tell him a tale every night; and he kept that up till he had hogged a
|
|
thousand and one tales that way, and then he put them all in a book, and
|
|
called it Domesday Book--which was a good name and stated the case. You
|
|
don't know kings, Jim, but I know them; and this old rip of ourn is one
|
|
of the cleanest I've struck in history. Well, Henry he takes a notion he
|
|
wants to get up some trouble with this country. How does he go at it
|
|
--give notice?--give the country a show? No. All of a sudden he heaves
|
|
all the tea in Boston Harbor overboard, and whacks out a declaration of
|
|
independence, and dares them to come on. That was HIS style--he never
|
|
give anybody a chance. He had suspicions of his father, the Duke of
|
|
Wellington. Well, what did he do? Ask him to show up? No--drownded
|
|
him in a butt of mamsey, like a cat. S'pose people left money laying
|
|
around where he was--what did he do? He collared it. S'pose he
|
|
contracted to do a thing, and you paid him, and didn't set down there and
|
|
see that he done it--what did he do? He always done the other thing.
|
|
S'pose he opened his mouth--what then? If he didn't shut it up powerful
|
|
quick he'd lose a lie every time. That's the kind of a bug Henry was;
|
|
and if we'd a had him along 'stead of our kings he'd a fooled that town a
|
|
heap worse than ourn done. I don't say that ourn is lambs, because they
|
|
ain't, when you come right down to the cold facts; but they ain't nothing
|
|
to THAT old ram, anyway. All I say is, kings is kings, and you got to
|
|
make allowances. Take them all around, they're a mighty ornery lot.
|
|
It's the way they're raised."
|
|
|
|
"But dis one do SMELL so like de nation, Huck."
|
|
|
|
"Well, they all do, Jim. We can't help the way a king smells; history
|
|
don't tell no way."
|
|
|
|
"Now de duke, he's a tolerble likely man in some ways."
|
|
|
|
"Yes, a duke's different. But not very different. This one's a middling
|
|
hard lot for a duke. When he's drunk there ain't no near-sighted man
|
|
could tell him from a king."
|
|
|
|
"Well, anyways, I doan' hanker for no mo' un um, Huck. Dese is all I kin
|
|
stan'."
|
|
|
|
"It's the way I feel, too, Jim. But we've got them on our hands, and we
|
|
got to remember what they are, and make allowances. Sometimes I wish we
|
|
could hear of a country that's out of kings."
|
|
|
|
What was the use to tell Jim these warn't real kings and dukes? It
|
|
wouldn't a done no good; and, besides, it was just as I said: you
|
|
couldn't tell them from the real kind.
|
|
|
|
I went to sleep, and Jim didn't call me when it was my turn. He often
|
|
done that. When I waked up just at daybreak he was sitting there with
|
|
his head down betwixt his knees, moaning and mourning to himself. I
|
|
didn't take notice nor let on. I knowed what it was about. He was
|
|
thinking about his wife and his children, away up yonder, and he was low
|
|
and homesick; because he hadn't ever been away from home before in his
|
|
life; and I do believe he cared just as much for his people as white
|
|
folks does for their'n. It don't seem natural, but I reckon it's so. He
|
|
was often moaning and mourning that way nights, when he judged I was
|
|
asleep, and saying, "Po' little 'Lizabeth! po' little Johnny! it's mighty
|
|
hard; I spec' I ain't ever gwyne to see you no mo', no mo'!" He was a
|
|
mighty good nigger, Jim was.
|
|
|
|
But this time I somehow got to talking to him about his wife and young
|
|
ones; and by and by he says:
|
|
|
|
"What makes me feel so bad dis time 'uz bekase I hear sumpn over yonder
|
|
on de bank like a whack, er a slam, while ago, en it mine me er de time I
|
|
treat my little 'Lizabeth so ornery. She warn't on'y 'bout fo' year ole,
|
|
en she tuck de sk'yarlet fever, en had a powful rough spell; but she got
|
|
well, en one day she was a-stannin' aroun', en I says to her, I says:
|
|
|
|
"'Shet de do'.'
|
|
|
|
"She never done it; jis' stood dah, kiner smilin' up at me. It make me
|
|
mad; en I says agin, mighty loud, I says:
|
|
|
|
"'Doan' you hear me? Shet de do'!'
|
|
|
|
"She jis stood de same way, kiner smilin' up. I was a-bilin'! I says:
|
|
|
|
"'I lay I MAKE you mine!'
|
|
|
|
"En wid dat I fetch' her a slap side de head dat sont her a-sprawlin'.
|
|
Den I went into de yuther room, en 'uz gone 'bout ten minutes; en when I
|
|
come back dah was dat do' a-stannin' open YIT, en dat chile stannin' mos'
|
|
right in it, a-lookin' down and mournin', en de tears runnin' down. My,
|
|
but I WUZ mad! I was a-gwyne for de chile, but jis' den--it was a do'
|
|
dat open innerds--jis' den, 'long come de wind en slam it to, behine de
|
|
chile, ker-BLAM!--en my lan', de chile never move'! My breff mos' hop
|
|
outer me; en I feel so--so--I doan' know HOW I feel. I crope out, all
|
|
a-tremblin', en crope aroun' en open de do' easy en slow, en poke my head
|
|
in behine de chile, sof' en still, en all uv a sudden I says POW! jis' as
|
|
loud as I could yell. SHE NEVER BUDGE! Oh, Huck, I bust out a-cryin' en
|
|
grab her up in my arms, en say, 'Oh, de po' little thing! De Lord God
|
|
Amighty fogive po' ole Jim, kaze he never gwyne to fogive hisself as
|
|
long's he live!' Oh, she was plumb deef en dumb, Huck, plumb deef en
|
|
dumb--en I'd ben a-treat'n her so!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIV.
|
|
|
|
NEXT day, towards night, we laid up under a little willow towhead out in
|
|
the middle, where there was a village on each side of the river, and the
|
|
duke and the king begun to lay out a plan for working them towns. Jim he
|
|
spoke to the duke, and said he hoped it wouldn't take but a few hours,
|
|
because it got mighty heavy and tiresome to him when he had to lay all
|
|
day in the wigwam tied with the rope. You see, when we left him all
|
|
alone we had to tie him, because if anybody happened on to him all by
|
|
himself and not tied it wouldn't look much like he was a runaway nigger,
|
|
you know. So the duke said it WAS kind of hard to have to lay roped all
|
|
day, and he'd cipher out some way to get around it.
|
|
|
|
He was uncommon bright, the duke was, and he soon struck it. He dressed
|
|
Jim up in King Lear's outfit--it was a long curtain-calico gown, and a
|
|
white horse-hair wig and whiskers; and then he took his theater paint and
|
|
painted Jim's face and hands and ears and neck all over a dead, dull,
|
|
solid blue, like a man that's been drownded nine days. Blamed if he
|
|
warn't the horriblest looking outrage I ever see. Then the duke took and
|
|
wrote out a sign on a shingle so:
|
|
|
|
Sick Arab--but harmless when not out of his head.
|
|
|
|
And he nailed that shingle to a lath, and stood the lath up four or five
|
|
foot in front of the wigwam. Jim was satisfied. He said it was a sight
|
|
better than lying tied a couple of years every day, and trembling all
|
|
over every time there was a sound. The duke told him to make himself
|
|
free and easy, and if anybody ever come meddling around, he must hop out
|
|
of the wigwam, and carry on a little, and fetch a howl or two like a wild
|
|
beast, and he reckoned they would light out and leave him alone. Which
|
|
was sound enough judgment; but you take the average man, and he wouldn't
|
|
wait for him to howl. Why, he didn't only look like he was dead, he
|
|
looked considerable more than that.
|
|
|
|
These rapscallions wanted to try the Nonesuch again, because there was so
|
|
much money in it, but they judged it wouldn't be safe, because maybe the
|
|
news might a worked along down by this time. They couldn't hit no
|
|
project that suited exactly; so at last the duke said he reckoned he'd
|
|
lay off and work his brains an hour or two and see if he couldn't put up
|
|
something on the Arkansaw village; and the king he allowed he would drop
|
|
over to t'other village without any plan, but just trust in Providence to
|
|
lead him the profitable way--meaning the devil, I reckon. We had all
|
|
bought store clothes where we stopped last; and now the king put his'n
|
|
on, and he told me to put mine on. I done it, of course. The king's
|
|
duds was all black, and he did look real swell and starchy. I never
|
|
knowed how clothes could change a body before. Why, before, he looked
|
|
like the orneriest old rip that ever was; but now, when he'd take off his
|
|
new white beaver and make a bow and do a smile, he looked that grand and
|
|
good and pious that you'd say he had walked right out of the ark, and
|
|
maybe was old Leviticus himself. Jim cleaned up the canoe, and I got my
|
|
paddle ready. There was a big steamboat laying at the shore away up
|
|
under the point, about three mile above the town--been there a couple
|
|
of hours, taking on freight. Says the king:
|
|
|
|
"Seein' how I'm dressed, I reckon maybe I better arrive down from St.
|
|
Louis or Cincinnati, or some other big place. Go for the steamboat,
|
|
Huckleberry; we'll come down to the village on her."
|
|
|
|
I didn't have to be ordered twice to go and take a steamboat ride. I
|
|
fetched the shore a half a mile above the village, and then went scooting
|
|
along the bluff bank in the easy water. Pretty soon we come to a nice
|
|
innocent-looking young country jake setting on a log swabbing the sweat
|
|
off of his face, for it was powerful warm weather; and he had a couple of
|
|
big carpet-bags by him.
|
|
|
|
"Run her nose in shore," says the king. I done it. "Wher' you bound
|
|
for, young man?"
|
|
|
|
"For the steamboat; going to Orleans."
|
|
|
|
"Git aboard," says the king. "Hold on a minute, my servant 'll he'p you
|
|
with them bags. Jump out and he'p the gentleman, Adolphus"--meaning me,
|
|
I see.
|
|
|
|
I done so, and then we all three started on again. The young chap was
|
|
mighty thankful; said it was tough work toting his baggage such weather.
|
|
He asked the king where he was going, and the king told him he'd come
|
|
down the river and landed at the other village this morning, and now he
|
|
was going up a few mile to see an old friend on a farm up there. The
|
|
young fellow says:
|
|
|
|
"When I first see you I says to myself, 'It's Mr. Wilks, sure, and he
|
|
come mighty near getting here in time.' But then I says again, 'No, I
|
|
reckon it ain't him, or else he wouldn't be paddling up the river.' You
|
|
AIN'T him, are you?"
|
|
|
|
"No, my name's Blodgett--Elexander Blodgett--REVEREND Elexander Blodgett,
|
|
I s'pose I must say, as I'm one o' the Lord's poor servants. But still
|
|
I'm jist as able to be sorry for Mr. Wilks for not arriving in time, all
|
|
the same, if he's missed anything by it--which I hope he hasn't."
|
|
|
|
"Well, he don't miss any property by it, because he'll get that all
|
|
right; but he's missed seeing his brother Peter die--which he mayn't
|
|
mind, nobody can tell as to that--but his brother would a give anything
|
|
in this world to see HIM before he died; never talked about nothing else
|
|
all these three weeks; hadn't seen him since they was boys together--and
|
|
hadn't ever seen his brother William at all--that's the deef and dumb
|
|
one--William ain't more than thirty or thirty-five. Peter and George
|
|
were the only ones that come out here; George was the married brother;
|
|
him and his wife both died last year. Harvey and William's the only ones
|
|
that's left now; and, as I was saying, they haven't got here in time."
|
|
|
|
"Did anybody send 'em word?"
|
|
|
|
"Oh, yes; a month or two ago, when Peter was first took; because Peter
|
|
said then that he sorter felt like he warn't going to get well this time.
|
|
You see, he was pretty old, and George's g'yirls was too young to be much
|
|
company for him, except Mary Jane, the red-headed one; and so he was
|
|
kinder lonesome after George and his wife died, and didn't seem to care
|
|
much to live. He most desperately wanted to see Harvey--and William,
|
|
too, for that matter--because he was one of them kind that can't bear to
|
|
make a will. He left a letter behind for Harvey, and said he'd told in
|
|
it where his money was hid, and how he wanted the rest of the property
|
|
divided up so George's g'yirls would be all right--for George didn't
|
|
leave nothing. And that letter was all they could get him to put a pen
|
|
to."
|
|
|
|
"Why do you reckon Harvey don't come? Wher' does he live?"
|
|
|
|
"Oh, he lives in England--Sheffield--preaches there--hasn't ever been in
|
|
this country. He hasn't had any too much time--and besides he mightn't a
|
|
got the letter at all, you know."
|
|
|
|
"Too bad, too bad he couldn't a lived to see his brothers, poor soul.
|
|
You going to Orleans, you say?"
|
|
|
|
"Yes, but that ain't only a part of it. I'm going in a ship, next
|
|
Wednesday, for Ryo Janeero, where my uncle lives."
|
|
|
|
"It's a pretty long journey. But it'll be lovely; wisht I was a-going.
|
|
Is Mary Jane the oldest? How old is the others?"
|
|
|
|
"Mary Jane's nineteen, Susan's fifteen, and Joanna's about fourteen
|
|
--that's the one that gives herself to good works and has a hare-lip."
|
|
|
|
|
|
"Poor things! to be left alone in the cold world so."
|
|
|
|
"Well, they could be worse off. Old Peter had friends, and they ain't
|
|
going to let them come to no harm. There's Hobson, the Babtis' preacher;
|
|
and Deacon Lot Hovey, and Ben Rucker, and Abner Shackleford, and Levi
|
|
Bell, the lawyer; and Dr. Robinson, and their wives, and the widow
|
|
Bartley, and--well, there's a lot of them; but these are the ones that
|
|
Peter was thickest with, and used to write about sometimes, when he wrote
|
|
home; so Harvey 'll know where to look for friends when he gets here."
|
|
|
|
Well, the old man went on asking questions till he just fairly emptied
|
|
that young fellow. Blamed if he didn't inquire about everybody and
|
|
everything in that blessed town, and all about the Wilkses; and about
|
|
Peter's business--which was a tanner; and about George's--which was a
|
|
carpenter; and about Harvey's--which was a dissentering minister; and so
|
|
on, and so on. Then he says:
|
|
|
|
"What did you want to walk all the way up to the steamboat for?"
|
|
|
|
"Because she's a big Orleans boat, and I was afeard she mightn't stop
|
|
there. When they're deep they won't stop for a hail. A Cincinnati boat
|
|
will, but this is a St. Louis one."
|
|
|
|
"Was Peter Wilks well off?"
|
|
|
|
"Oh, yes, pretty well off. He had houses and land, and it's reckoned he
|
|
left three or four thousand in cash hid up som'ers."
|
|
|
|
"When did you say he died?"
|
|
|
|
"I didn't say, but it was last night."
|
|
|
|
"Funeral to-morrow, likely?"
|
|
|
|
"Yes, 'bout the middle of the day."
|
|
|
|
"Well, it's all terrible sad; but we've all got to go, one time or
|
|
another. So what we want to do is to be prepared; then we're all right."
|
|
|
|
"Yes, sir, it's the best way. Ma used to always say that."
|
|
|
|
When we struck the boat she was about done loading, and pretty soon she
|
|
got off. The king never said nothing about going aboard, so I lost my
|
|
ride, after all. When the boat was gone the king made me paddle up
|
|
another mile to a lonesome place, and then he got ashore and says:
|
|
|
|
"Now hustle back, right off, and fetch the duke up here, and the new
|
|
carpet-bags. And if he's gone over to t'other side, go over there and
|
|
git him. And tell him to git himself up regardless. Shove along, now."
|
|
|
|
I see what HE was up to; but I never said nothing, of course. When I got
|
|
back with the duke we hid the canoe, and then they set down on a log, and
|
|
the king told him everything, just like the young fellow had said it
|
|
--every last word of it. And all the time he was a-doing it he tried to
|
|
talk like an Englishman; and he done it pretty well, too, for a slouch.
|
|
I can't imitate him, and so I ain't a-going to try to; but he really done
|
|
it pretty good. Then he says:
|
|
|
|
"How are you on the deef and dumb, Bilgewater?"
|
|
|
|
The duke said, leave him alone for that; said he had played a deef and
|
|
dumb person on the histronic boards. So then they waited for a
|
|
steamboat.
|
|
|
|
About the middle of the afternoon a couple of little boats come along,
|
|
but they didn't come from high enough up the river; but at last there was
|
|
a big one, and they hailed her. She sent out her yawl, and we went
|
|
aboard, and she was from Cincinnati; and when they found we only wanted
|
|
to go four or five mile they was booming mad, and gave us a cussing, and
|
|
said they wouldn't land us. But the king was ca'm. He says:
|
|
|
|
"If gentlemen kin afford to pay a dollar a mile apiece to be took on and
|
|
put off in a yawl, a steamboat kin afford to carry 'em, can't it?"
|
|
|
|
So they softened down and said it was all right; and when we got to the
|
|
village they yawled us ashore. About two dozen men flocked down when
|
|
they see the yawl a-coming, and when the king says:
|
|
|
|
"Kin any of you gentlemen tell me wher' Mr. Peter Wilks lives?" they give
|
|
a glance at one another, and nodded their heads, as much as to say, "What
|
|
d' I tell you?" Then one of them says, kind of soft and gentle:
|
|
|
|
"I'm sorry sir, but the best we can do is to tell you where he DID live
|
|
yesterday evening."
|
|
|
|
Sudden as winking the ornery old cretur went an to smash, and fell up
|
|
against the man, and put his chin on his shoulder, and cried down his
|
|
back, and says:
|
|
|
|
"Alas, alas, our poor brother--gone, and we never got to see him; oh,
|
|
it's too, too hard!"
|
|
|
|
Then he turns around, blubbering, and makes a lot of idiotic signs to the
|
|
duke on his hands, and blamed if he didn't drop a carpet-bag and bust out
|
|
a-crying. If they warn't the beatenest lot, them two frauds, that ever I
|
|
struck.
|
|
|
|
Well, the men gathered around and sympathized with them, and said all
|
|
sorts of kind things to them, and carried their carpet-bags up the hill
|
|
for them, and let them lean on them and cry, and told the king all about
|
|
his brother's last moments, and the king he told it all over again on his
|
|
hands to the duke, and both of them took on about that dead tanner like
|
|
they'd lost the twelve disciples. Well, if ever I struck anything like
|
|
it, I'm a nigger. It was enough to make a body ashamed of the human race.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXV.
|
|
|
|
THE news was all over town in two minutes, and you could see the people
|
|
tearing down on the run from every which way, some of them putting on
|
|
their coats as they come. Pretty soon we was in the middle of a crowd,
|
|
and the noise of the tramping was like a soldier march. The windows and
|
|
dooryards was full; and every minute somebody would say, over a fence:
|
|
|
|
"Is it THEM?"
|
|
|
|
And somebody trotting along with the gang would answer back and say:
|
|
|
|
"You bet it is."
|
|
|
|
When we got to the house the street in front of it was packed, and the
|
|
three girls was standing in the door. Mary Jane WAS red-headed, but that
|
|
don't make no difference, she was most awful beautiful, and her face and
|
|
her eyes was all lit up like glory, she was so glad her uncles was come.
|
|
The king he spread his arms, and Mary Jane she jumped for them, and the
|
|
hare-lip jumped for the duke, and there they HAD it! Everybody most,
|
|
leastways women, cried for joy to see them meet again at last and have
|
|
such good times.
|
|
|
|
Then the king he hunched the duke private--I see him do it--and then he
|
|
looked around and see the coffin, over in the corner on two chairs; so
|
|
then him and the duke, with a hand across each other's shoulder, and
|
|
t'other hand to their eyes, walked slow and solemn over there, everybody
|
|
dropping back to give them room, and all the talk and noise stopping,
|
|
people saying "Sh!" and all the men taking their hats off and drooping
|
|
their heads, so you could a heard a pin fall. And when they got there
|
|
they bent over and looked in the coffin, and took one sight, and then
|
|
they bust out a-crying so you could a heard them to Orleans, most; and
|
|
then they put their arms around each other's necks, and hung their chins
|
|
over each other's shoulders; and then for three minutes, or maybe four, I
|
|
never see two men leak the way they done. And, mind you, everybody was
|
|
doing the same; and the place was that damp I never see anything like it.
|
|
Then one of them got on one side of the coffin, and t'other on t'other
|
|
side, and they kneeled down and rested their foreheads on the coffin, and
|
|
let on to pray all to themselves. Well, when it come to that it worked
|
|
the crowd like you never see anything like it, and everybody broke down
|
|
and went to sobbing right out loud--the poor girls, too; and every woman,
|
|
nearly, went up to the girls, without saying a word, and kissed them,
|
|
solemn, on the forehead, and then put their hand on their head, and
|
|
looked up towards the sky, with the tears running down, and then busted
|
|
out and went off sobbing and swabbing, and give the next woman a show. I
|
|
never see anything so disgusting.
|
|
|
|
Well, by and by the king he gets up and comes forward a little, and works
|
|
himself up and slobbers out a speech, all full of tears and flapdoodle
|
|
about its being a sore trial for him and his poor brother to lose the
|
|
diseased, and to miss seeing diseased alive after the long journey of
|
|
four thousand mile, but it's a trial that's sweetened and sanctified to
|
|
us by this dear sympathy and these holy tears, and so he thanks them out
|
|
of his heart and out of his brother's heart, because out of their mouths
|
|
they can't, words being too weak and cold, and all that kind of rot and
|
|
slush, till it was just sickening; and then he blubbers out a pious
|
|
goody-goody Amen, and turns himself loose and goes to crying fit to bust.
|
|
|
|
And the minute the words were out of his mouth somebody over in the crowd
|
|
struck up the doxolojer, and everybody joined in with all their might,
|
|
and it just warmed you up and made you feel as good as church letting
|
|
out. Music is a good thing; and after all that soul-butter and hogwash I
|
|
never see it freshen up things so, and sound so honest and bully.
|
|
|
|
Then the king begins to work his jaw again, and says how him and his
|
|
nieces would be glad if a few of the main principal friends of the family
|
|
would take supper here with them this evening, and help set up with the
|
|
ashes of the diseased; and says if his poor brother laying yonder could
|
|
speak he knows who he would name, for they was names that was very dear
|
|
to him, and mentioned often in his letters; and so he will name the same,
|
|
to wit, as follows, vizz.:--Rev. Mr. Hobson, and Deacon Lot Hovey, and
|
|
Mr. Ben Rucker, and Abner Shackleford, and Levi Bell, and Dr. Robinson,
|
|
and their wives, and the widow Bartley.
|
|
|
|
Rev. Hobson and Dr. Robinson was down to the end of the town a-hunting
|
|
together--that is, I mean the doctor was shipping a sick man to t'other
|
|
world, and the preacher was pinting him right. Lawyer Bell was away up
|
|
to Louisville on business. But the rest was on hand, and so they all
|
|
come and shook hands with the king and thanked him and talked to him; and
|
|
then they shook hands with the duke and didn't say nothing, but just kept
|
|
a-smiling and bobbing their heads like a passel of sapheads whilst he
|
|
made all sorts of signs with his hands and said "Goo-goo--goo-goo-goo"
|
|
all the time, like a baby that can't talk.
|
|
|
|
So the king he blattered along, and managed to inquire about pretty much
|
|
everybody and dog in town, by his name, and mentioned all sorts of little
|
|
things that happened one time or another in the town, or to George's
|
|
family, or to Peter. And he always let on that Peter wrote him the
|
|
things; but that was a lie: he got every blessed one of them out of that
|
|
young flathead that we canoed up to the steamboat.
|
|
|
|
Then Mary Jane she fetched the letter her father left behind, and the
|
|
king he read it out loud and cried over it. It give the dwelling-house
|
|
and three thousand dollars, gold, to the girls; and it give the tanyard
|
|
(which was doing a good business), along with some other houses and land
|
|
(worth about seven thousand), and three thousand dollars in gold to
|
|
Harvey and William, and told where the six thousand cash was hid down
|
|
cellar. So these two frauds said they'd go and fetch it up, and have
|
|
everything square and above-board; and told me to come with a candle. We
|
|
shut the cellar door behind us, and when they found the bag they spilt it
|
|
out on the floor, and it was a lovely sight, all them yaller-boys. My,
|
|
the way the king's eyes did shine! He slaps the duke on the shoulder and
|
|
says:
|
|
|
|
"Oh, THIS ain't bully nor noth'n! Oh, no, I reckon not! Why, Billy, it
|
|
beats the Nonesuch, DON'T it?"
|
|
|
|
The duke allowed it did. They pawed the yaller-boys, and sifted them
|
|
through their fingers and let them jingle down on the floor; and the king
|
|
says:
|
|
|
|
"It ain't no use talkin'; bein' brothers to a rich dead man and
|
|
representatives of furrin heirs that's got left is the line for you and
|
|
me, Bilge. Thish yer comes of trust'n to Providence. It's the best way,
|
|
in the long run. I've tried 'em all, and ther' ain't no better way."
|
|
|
|
Most everybody would a been satisfied with the pile, and took it on
|
|
trust; but no, they must count it. So they counts it, and it comes out
|
|
four hundred and fifteen dollars short. Says the king:
|
|
|
|
"Dern him, I wonder what he done with that four hundred and fifteen
|
|
dollars?"
|
|
|
|
They worried over that awhile, and ransacked all around for it. Then the
|
|
duke says:
|
|
|
|
"Well, he was a pretty sick man, and likely he made a mistake--I reckon
|
|
that's the way of it. The best way's to let it go, and keep still about
|
|
it. We can spare it."
|
|
|
|
"Oh, shucks, yes, we can SPARE it. I don't k'yer noth'n 'bout that--it's
|
|
the COUNT I'm thinkin' about. We want to be awful square and open and
|
|
above-board here, you know. We want to lug this h-yer money up stairs
|
|
and count it before everybody--then ther' ain't noth'n suspicious. But
|
|
when the dead man says ther's six thous'n dollars, you know, we don't
|
|
want to--"
|
|
|
|
"Hold on," says the duke. "Le's make up the deffisit," and he begun to
|
|
haul out yaller-boys out of his pocket.
|
|
|
|
"It's a most amaz'n' good idea, duke--you HAVE got a rattlin' clever head
|
|
on you," says the king. "Blest if the old Nonesuch ain't a heppin' us
|
|
out agin," and HE begun to haul out yaller-jackets and stack them up.
|
|
|
|
It most busted them, but they made up the six thousand clean and clear.
|
|
|
|
"Say," says the duke, "I got another idea. Le's go up stairs and count
|
|
this money, and then take and GIVE IT TO THE GIRLS."
|
|
|
|
"Good land, duke, lemme hug you! It's the most dazzling idea 'at ever a
|
|
man struck. You have cert'nly got the most astonishin' head I ever see.
|
|
Oh, this is the boss dodge, ther' ain't no mistake 'bout it. Let 'em
|
|
fetch along their suspicions now if they want to--this 'll lay 'em out."
|
|
|
|
When we got up-stairs everybody gethered around the table, and the king
|
|
he counted it and stacked it up, three hundred dollars in a pile--twenty
|
|
elegant little piles. Everybody looked hungry at it, and licked their
|
|
chops. Then they raked it into the bag again, and I see the king begin
|
|
to swell himself up for another speech. He says:
|
|
|
|
"Friends all, my poor brother that lays yonder has done generous by them
|
|
that's left behind in the vale of sorrers. He has done generous by these
|
|
yer poor little lambs that he loved and sheltered, and that's left
|
|
fatherless and motherless. Yes, and we that knowed him knows that he
|
|
would a done MORE generous by 'em if he hadn't ben afeard o' woundin' his
|
|
dear William and me. Now, WOULDN'T he? Ther' ain't no question 'bout it
|
|
in MY mind. Well, then, what kind o' brothers would it be that 'd stand
|
|
in his way at sech a time? And what kind o' uncles would it be that 'd
|
|
rob--yes, ROB--sech poor sweet lambs as these 'at he loved so at sech a
|
|
time? If I know William--and I THINK I do--he--well, I'll jest ask him."
|
|
He turns around and begins to make a lot of signs to the duke with his
|
|
hands, and the duke he looks at him stupid and leather-headed a while;
|
|
then all of a sudden he seems to catch his meaning, and jumps for the
|
|
king, goo-gooing with all his might for joy, and hugs him about fifteen
|
|
times before he lets up. Then the king says, "I knowed it; I reckon THAT
|
|
'll convince anybody the way HE feels about it. Here, Mary Jane, Susan,
|
|
Joanner, take the money--take it ALL. It's the gift of him that lays
|
|
yonder, cold but joyful."
|
|
|
|
Mary Jane she went for him, Susan and the hare-lip went for the duke, and
|
|
then such another hugging and kissing I never see yet. And everybody
|
|
crowded up with the tears in their eyes, and most shook the hands off of
|
|
them frauds, saying all the time:
|
|
|
|
"You DEAR good souls!--how LOVELY!--how COULD you!"
|
|
|
|
Well, then, pretty soon all hands got to talking about the diseased
|
|
again, and how good he was, and what a loss he was, and all that; and
|
|
before long a big iron-jawed man worked himself in there from outside,
|
|
and stood a-listening and looking, and not saying anything; and nobody
|
|
saying anything to him either, because the king was talking and they was
|
|
all busy listening. The king was saying--in the middle of something he'd
|
|
started in on--
|
|
|
|
"--they bein' partickler friends o' the diseased. That's why they're
|
|
invited here this evenin'; but tomorrow we want ALL to come--everybody;
|
|
for he respected everybody, he liked everybody, and so it's fitten that
|
|
his funeral orgies sh'd be public."
|
|
|
|
And so he went a-mooning on and on, liking to hear himself talk, and
|
|
every little while he fetched in his funeral orgies again, till the duke
|
|
he couldn't stand it no more; so he writes on a little scrap of paper,
|
|
"OBSEQUIES, you old fool," and folds it up, and goes to goo-gooing and
|
|
reaching it over people's heads to him. The king he reads it and puts it
|
|
in his pocket, and says:
|
|
|
|
"Poor William, afflicted as he is, his HEART'S aluz right. Asks me to
|
|
invite everybody to come to the funeral--wants me to make 'em all
|
|
welcome. But he needn't a worried--it was jest what I was at."
|
|
|
|
Then he weaves along again, perfectly ca'm, and goes to dropping in his
|
|
funeral orgies again every now and then, just like he done before. And
|
|
when he done it the third time he says:
|
|
|
|
"I say orgies, not because it's the common term, because it ain't
|
|
--obsequies bein' the common term--but because orgies is the right term.
|
|
Obsequies ain't used in England no more now--it's gone out. We say
|
|
orgies now in England. Orgies is better, because it means the thing
|
|
you're after more exact. It's a word that's made up out'n the Greek
|
|
ORGO, outside, open, abroad; and the Hebrew JEESUM, to plant, cover up;
|
|
hence inTER. So, you see, funeral orgies is an open er public funeral."
|
|
|
|
He was the WORST I ever struck. Well, the iron-jawed man he laughed
|
|
right in his face. Everybody was shocked. Everybody says, "Why,
|
|
DOCTOR!" and Abner Shackleford says:
|
|
|
|
"Why, Robinson, hain't you heard the news? This is Harvey Wilks."
|
|
|
|
The king he smiled eager, and shoved out his flapper, and says:
|
|
|
|
"Is it my poor brother's dear good friend and physician? I--"
|
|
|
|
"Keep your hands off of me!" says the doctor. "YOU talk like an
|
|
Englishman, DON'T you? It's the worst imitation I ever heard. YOU Peter
|
|
Wilks's brother! You're a fraud, that's what you are!"
|
|
|
|
Well, how they all took on! They crowded around the doctor and tried to
|
|
quiet him down, and tried to explain to him and tell him how Harvey 'd
|
|
showed in forty ways that he WAS Harvey, and knowed everybody by name,
|
|
and the names of the very dogs, and begged and BEGGED him not to hurt
|
|
Harvey's feelings and the poor girl's feelings, and all that. But it
|
|
warn't no use; he stormed right along, and said any man that pretended to
|
|
be an Englishman and couldn't imitate the lingo no better than what he
|
|
did was a fraud and a liar. The poor girls was hanging to the king and
|
|
crying; and all of a sudden the doctor ups and turns on THEM. He says:
|
|
|
|
"I was your father's friend, and I'm your friend; and I warn you as a
|
|
friend, and an honest one that wants to protect you and keep you out of
|
|
harm and trouble, to turn your backs on that scoundrel and have nothing
|
|
to do with him, the ignorant tramp, with his idiotic Greek and Hebrew, as
|
|
he calls it. He is the thinnest kind of an impostor--has come here with
|
|
a lot of empty names and facts which he picked up somewheres, and you
|
|
take them for PROOFS, and are helped to fool yourselves by these foolish
|
|
friends here, who ought to know better. Mary Jane Wilks, you know me for
|
|
your friend, and for your unselfish friend, too. Now listen to me; turn
|
|
this pitiful rascal out--I BEG you to do it. Will you?"
|
|
|
|
Mary Jane straightened herself up, and my, but she was handsome! She
|
|
says:
|
|
|
|
"HERE is my answer." She hove up the bag of money and put it in the
|
|
king's hands, and says, "Take this six thousand dollars, and invest for
|
|
me and my sisters any way you want to, and don't give us no receipt for
|
|
it."
|
|
|
|
Then she put her arm around the king on one side, and Susan and the
|
|
hare-lip done the same on the other. Everybody clapped their hands and
|
|
stomped on the floor like a perfect storm, whilst the king held up his
|
|
head and smiled proud. The doctor says:
|
|
|
|
"All right; I wash MY hands of the matter. But I warn you all that a
|
|
time 's coming when you're going to feel sick whenever you think of this
|
|
day." And away he went.
|
|
|
|
"All right, doctor," says the king, kinder mocking him; "we'll try and
|
|
get 'em to send for you;" which made them all laugh, and they said it was
|
|
a prime good hit.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVI.
|
|
|
|
WELL, when they was all gone the king he asks Mary Jane how they was off
|
|
for spare rooms, and she said she had one spare room, which would do for
|
|
Uncle William, and she'd give her own room to Uncle Harvey, which was a
|
|
little bigger, and she would turn into the room with her sisters and
|
|
sleep on a cot; and up garret was a little cubby, with a pallet in it.
|
|
The king said the cubby would do for his valley--meaning me.
|
|
|
|
So Mary Jane took us up, and she showed them their rooms, which was plain
|
|
but nice. She said she'd have her frocks and a lot of other traps took
|
|
out of her room if they was in Uncle Harvey's way, but he said they
|
|
warn't. The frocks was hung along the wall, and before them was a
|
|
curtain made out of calico that hung down to the floor. There was an old
|
|
hair trunk in one corner, and a guitar-box in another, and all sorts of
|
|
little knickknacks and jimcracks around, like girls brisken up a room
|
|
with. The king said it was all the more homely and more pleasanter for
|
|
these fixings, and so don't disturb them. The duke's room was pretty
|
|
small, but plenty good enough, and so was my cubby.
|
|
|
|
That night they had a big supper, and all them men and women was there,
|
|
and I stood behind the king and the duke's chairs and waited on them, and
|
|
the niggers waited on the rest. Mary Jane she set at the head of the
|
|
table, with Susan alongside of her, and said how bad the biscuits was,
|
|
and how mean the preserves was, and how ornery and tough the fried
|
|
chickens was--and all that kind of rot, the way women always do for to
|
|
force out compliments; and the people all knowed everything was tiptop,
|
|
and said so--said "How DO you get biscuits to brown so nice?" and "Where,
|
|
for the land's sake, DID you get these amaz'n pickles?" and all that kind
|
|
of humbug talky-talk, just the way people always does at a supper, you
|
|
know.
|
|
|
|
And when it was all done me and the hare-lip had supper in the kitchen
|
|
off of the leavings, whilst the others was helping the niggers clean up
|
|
the things. The hare-lip she got to pumping me about England, and blest
|
|
if I didn't think the ice was getting mighty thin sometimes. She says:
|
|
|
|
"Did you ever see the king?"
|
|
|
|
"Who? William Fourth? Well, I bet I have--he goes to our church." I
|
|
knowed he was dead years ago, but I never let on. So when I says he goes
|
|
to our church, she says:
|
|
|
|
"What--regular?"
|
|
|
|
"Yes--regular. His pew's right over opposite ourn--on t'other side the
|
|
pulpit."
|
|
|
|
"I thought he lived in London?"
|
|
|
|
"Well, he does. Where WOULD he live?"
|
|
|
|
"But I thought YOU lived in Sheffield?"
|
|
|
|
I see I was up a stump. I had to let on to get choked with a chicken
|
|
bone, so as to get time to think how to get down again. Then I says:
|
|
|
|
"I mean he goes to our church regular when he's in Sheffield. That's
|
|
only in the summer time, when he comes there to take the sea baths."
|
|
|
|
"Why, how you talk--Sheffield ain't on the sea."
|
|
|
|
"Well, who said it was?"
|
|
|
|
"Why, you did."
|
|
|
|
"I DIDN'T nuther."
|
|
|
|
"You did!"
|
|
|
|
"I didn't."
|
|
|
|
"You did."
|
|
|
|
"I never said nothing of the kind."
|
|
|
|
"Well, what DID you say, then?"
|
|
|
|
"Said he come to take the sea BATHS--that's what I said."
|
|
|
|
"Well, then, how's he going to take the sea baths if it ain't on the
|
|
sea?"
|
|
|
|
"Looky here," I says; "did you ever see any Congress-water?"
|
|
|
|
"Yes."
|
|
|
|
"Well, did you have to go to Congress to get it?"
|
|
|
|
"Why, no."
|
|
|
|
"Well, neither does William Fourth have to go to the sea to get a sea
|
|
bath."
|
|
|
|
"How does he get it, then?"
|
|
|
|
"Gets it the way people down here gets Congress-water--in barrels. There
|
|
in the palace at Sheffield they've got furnaces, and he wants his water
|
|
hot. They can't bile that amount of water away off there at the sea.
|
|
They haven't got no conveniences for it."
|
|
|
|
"Oh, I see, now. You might a said that in the first place and saved
|
|
time."
|
|
|
|
When she said that I see I was out of the woods again, and so I was
|
|
comfortable and glad. Next, she says:
|
|
|
|
"Do you go to church, too?"
|
|
|
|
"Yes--regular."
|
|
|
|
"Where do you set?"
|
|
|
|
"Why, in our pew."
|
|
|
|
"WHOSE pew?"
|
|
|
|
"Why, OURN--your Uncle Harvey's."
|
|
|
|
"His'n? What does HE want with a pew?"
|
|
|
|
"Wants it to set in. What did you RECKON he wanted with it?"
|
|
|
|
"Why, I thought he'd be in the pulpit."
|
|
|
|
Rot him, I forgot he was a preacher. I see I was up a stump again, so I
|
|
played another chicken bone and got another think. Then I says:
|
|
|
|
"Blame it, do you suppose there ain't but one preacher to a church?"
|
|
|
|
"Why, what do they want with more?"
|
|
|
|
"What!--to preach before a king? I never did see such a girl as you.
|
|
They don't have no less than seventeen."
|
|
|
|
"Seventeen! My land! Why, I wouldn't set out such a string as that, not
|
|
if I NEVER got to glory. It must take 'em a week."
|
|
|
|
"Shucks, they don't ALL of 'em preach the same day--only ONE of 'em."
|
|
|
|
"Well, then, what does the rest of 'em do?"
|
|
|
|
"Oh, nothing much. Loll around, pass the plate--and one thing or
|
|
another. But mainly they don't do nothing."
|
|
|
|
"Well, then, what are they FOR?"
|
|
|
|
"Why, they're for STYLE. Don't you know nothing?"
|
|
|
|
"Well, I don't WANT to know no such foolishness as that. How is servants
|
|
treated in England? Do they treat 'em better 'n we treat our niggers?"
|
|
|
|
"NO! A servant ain't nobody there. They treat them worse than dogs."
|
|
|
|
"Don't they give 'em holidays, the way we do, Christmas and New Year's
|
|
week, and Fourth of July?"
|
|
|
|
"Oh, just listen! A body could tell YOU hain't ever been to England by
|
|
that. Why, Hare-l--why, Joanna, they never see a holiday from year's end
|
|
to year's end; never go to the circus, nor theater, nor nigger shows, nor
|
|
nowheres."
|
|
|
|
"Nor church?"
|
|
|
|
"Nor church."
|
|
|
|
"But YOU always went to church."
|
|
|
|
Well, I was gone up again. I forgot I was the old man's servant. But
|
|
next minute I whirled in on a kind of an explanation how a valley was
|
|
different from a common servant and HAD to go to church whether he wanted
|
|
to or not, and set with the family, on account of its being the law. But
|
|
I didn't do it pretty good, and when I got done I see she warn't
|
|
satisfied. She says:
|
|
|
|
"Honest injun, now, hain't you been telling me a lot of lies?"
|
|
|
|
"Honest injun," says I.
|
|
|
|
"None of it at all?"
|
|
|
|
"None of it at all. Not a lie in it," says I.
|
|
|
|
"Lay your hand on this book and say it."
|
|
|
|
I see it warn't nothing but a dictionary, so I laid my hand on it and
|
|
said it. So then she looked a little better satisfied, and says:
|
|
|
|
"Well, then, I'll believe some of it; but I hope to gracious if I'll
|
|
believe the rest."
|
|
|
|
"What is it you won't believe, Joe?" says Mary Jane, stepping in with
|
|
Susan behind her. "It ain't right nor kind for you to talk so to him,
|
|
and him a stranger and so far from his people. How would you like to be
|
|
treated so?"
|
|
|
|
"That's always your way, Maim--always sailing in to help somebody before
|
|
they're hurt. I hain't done nothing to him. He's told some stretchers,
|
|
I reckon, and I said I wouldn't swallow it all; and that's every bit and
|
|
grain I DID say. I reckon he can stand a little thing like that, can't
|
|
he?"
|
|
|
|
"I don't care whether 'twas little or whether 'twas big; he's here in our
|
|
house and a stranger, and it wasn't good of you to say it. If you was in
|
|
his place it would make you feel ashamed; and so you oughtn't to say a
|
|
thing to another person that will make THEM feel ashamed."
|
|
|
|
"Why, Maim, he said--"
|
|
|
|
"It don't make no difference what he SAID--that ain't the thing. The
|
|
thing is for you to treat him KIND, and not be saying things to make him
|
|
remember he ain't in his own country and amongst his own folks."
|
|
|
|
I says to myself, THIS is a girl that I'm letting that old reptle rob her
|
|
of her money!
|
|
|
|
Then Susan SHE waltzed in; and if you'll believe me, she did give
|
|
Hare-lip hark from the tomb!
|
|
|
|
Says I to myself, and this is ANOTHER one that I'm letting him rob her of
|
|
her money!
|
|
|
|
Then Mary Jane she took another inning, and went in sweet and lovely
|
|
again--which was her way; but when she got done there warn't hardly
|
|
anything left o' poor Hare-lip. So she hollered.
|
|
|
|
"All right, then," says the other girls; "you just ask his pardon."
|
|
|
|
She done it, too; and she done it beautiful. She done it so beautiful it
|
|
was good to hear; and I wished I could tell her a thousand lies, so she
|
|
could do it again.
|
|
|
|
I says to myself, this is ANOTHER one that I'm letting him rob her of her
|
|
money. And when she got through they all jest laid theirselves out to
|
|
make me feel at home and know I was amongst friends. I felt so ornery
|
|
and low down and mean that I says to myself, my mind's made up; I'll hive
|
|
that money for them or bust.
|
|
|
|
So then I lit out--for bed, I said, meaning some time or another. When I
|
|
got by myself I went to thinking the thing over. I says to myself, shall
|
|
I go to that doctor, private, and blow on these frauds? No--that won't
|
|
do. He might tell who told him; then the king and the duke would make it
|
|
warm for me. Shall I go, private, and tell Mary Jane? No--I dasn't do
|
|
it. Her face would give them a hint, sure; they've got the money, and
|
|
they'd slide right out and get away with it. If she was to fetch in help
|
|
I'd get mixed up in the business before it was done with, I judge. No;
|
|
there ain't no good way but one. I got to steal that money, somehow; and
|
|
I got to steal it some way that they won't suspicion that I done it.
|
|
They've got a good thing here, and they ain't a-going to leave till
|
|
they've played this family and this town for all they're worth, so I'll
|
|
find a chance time enough. I'll steal it and hide it; and by and by, when
|
|
I'm away down the river, I'll write a letter and tell Mary Jane where
|
|
it's hid. But I better hive it tonight if I can, because the doctor
|
|
maybe hasn't let up as much as he lets on he has; he might scare them out
|
|
of here yet.
|
|
|
|
So, thinks I, I'll go and search them rooms. Upstairs the hall was dark,
|
|
but I found the duke's room, and started to paw around it with my hands;
|
|
but I recollected it wouldn't be much like the king to let anybody else
|
|
take care of that money but his own self; so then I went to his room and
|
|
begun to paw around there. But I see I couldn't do nothing without a
|
|
candle, and I dasn't light one, of course. So I judged I'd got to do the
|
|
other thing--lay for them and eavesdrop. About that time I hears their
|
|
footsteps coming, and was going to skip under the bed; I reached for it,
|
|
but it wasn't where I thought it would be; but I touched the curtain that
|
|
hid Mary Jane's frocks, so I jumped in behind that and snuggled in
|
|
amongst the gowns, and stood there perfectly still.
|
|
|
|
They come in and shut the door; and the first thing the duke done was to
|
|
get down and look under the bed. Then I was glad I hadn't found the bed
|
|
when I wanted it. And yet, you know, it's kind of natural to hide under
|
|
the bed when you are up to anything private. They sets down then, and
|
|
the king says:
|
|
|
|
"Well, what is it? And cut it middlin' short, because it's better for us
|
|
to be down there a-whoopin' up the mournin' than up here givin' 'em a
|
|
chance to talk us over."
|
|
|
|
"Well, this is it, Capet. I ain't easy; I ain't comfortable. That
|
|
doctor lays on my mind. I wanted to know your plans. I've got a notion,
|
|
and I think it's a sound one."
|
|
|
|
"What is it, duke?"
|
|
|
|
"That we better glide out of this before three in the morning, and clip
|
|
it down the river with what we've got. Specially, seeing we got it so
|
|
easy--GIVEN back to us, flung at our heads, as you may say, when of
|
|
course we allowed to have to steal it back. I'm for knocking off and
|
|
lighting out."
|
|
|
|
That made me feel pretty bad. About an hour or two ago it would a been a
|
|
little different, but now it made me feel bad and disappointed, The king
|
|
rips out and says:
|
|
|
|
"What! And not sell out the rest o' the property? March off like a
|
|
passel of fools and leave eight or nine thous'n' dollars' worth o'
|
|
property layin' around jest sufferin' to be scooped in?--and all good,
|
|
salable stuff, too."
|
|
|
|
The duke he grumbled; said the bag of gold was enough, and he didn't want
|
|
to go no deeper--didn't want to rob a lot of orphans of EVERYTHING they
|
|
had.
|
|
|
|
"Why, how you talk!" says the king. "We sha'n't rob 'em of nothing at
|
|
all but jest this money. The people that BUYS the property is the
|
|
suff'rers; because as soon 's it's found out 'at we didn't own it--which
|
|
won't be long after we've slid--the sale won't be valid, and it 'll all
|
|
go back to the estate. These yer orphans 'll git their house back agin,
|
|
and that's enough for THEM; they're young and spry, and k'n easy earn a
|
|
livin'. THEY ain't a-goin to suffer. Why, jest think--there's thous'n's
|
|
and thous'n's that ain't nigh so well off. Bless you, THEY ain't got
|
|
noth'n' to complain of."
|
|
|
|
Well, the king he talked him blind; so at last he give in, and said all
|
|
right, but said he believed it was blamed foolishness to stay, and that
|
|
doctor hanging over them. But the king says:
|
|
|
|
"Cuss the doctor! What do we k'yer for HIM? Hain't we got all the fools
|
|
in town on our side? And ain't that a big enough majority in any town?"
|
|
|
|
So they got ready to go down stairs again. The duke says:
|
|
|
|
"I don't think we put that money in a good place."
|
|
|
|
That cheered me up. I'd begun to think I warn't going to get a hint of
|
|
no kind to help me. The king says:
|
|
|
|
"Why?"
|
|
|
|
"Because Mary Jane 'll be in mourning from this out; and first you know
|
|
the nigger that does up the rooms will get an order to box these duds up
|
|
and put 'em away; and do you reckon a nigger can run across money and not
|
|
borrow some of it?"
|
|
|
|
"Your head's level agin, duke," says the king; and he comes a-fumbling
|
|
under the curtain two or three foot from where I was. I stuck tight to
|
|
the wall and kept mighty still, though quivery; and I wondered what them
|
|
fellows would say to me if they catched me; and I tried to think what I'd
|
|
better do if they did catch me. But the king he got the bag before I
|
|
could think more than about a half a thought, and he never suspicioned I
|
|
was around. They took and shoved the bag through a rip in the straw tick
|
|
that was under the feather-bed, and crammed it in a foot or two amongst
|
|
the straw and said it was all right now, because a nigger only makes up
|
|
the feather-bed, and don't turn over the straw tick only about twice a
|
|
year, and so it warn't in no danger of getting stole now.
|
|
|
|
But I knowed better. I had it out of there before they was half-way down
|
|
stairs. I groped along up to my cubby, and hid it there till I could get
|
|
a chance to do better. I judged I better hide it outside of the house
|
|
somewheres, because if they missed it they would give the house a good
|
|
ransacking: I knowed that very well. Then I turned in, with my clothes
|
|
all on; but I couldn't a gone to sleep if I'd a wanted to, I was in such
|
|
a sweat to get through with the business. By and by I heard the king and
|
|
the duke come up; so I rolled off my pallet and laid with my chin at the
|
|
top of my ladder, and waited to see if anything was going to happen. But
|
|
nothing did.
|
|
|
|
So I held on till all the late sounds had quit and the early ones hadn't
|
|
begun yet; and then I slipped down the ladder.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVII.
|
|
|
|
I CREPT to their doors and listened; they was snoring. So I tiptoed
|
|
along, and got down stairs all right. There warn't a sound anywheres. I
|
|
peeped through a crack of the dining-room door, and see the men that was
|
|
watching the corpse all sound asleep on their chairs. The door was open
|
|
into the parlor, where the corpse was laying, and there was a candle in
|
|
both rooms. I passed along, and the parlor door was open; but I see there
|
|
warn't nobody in there but the remainders of Peter; so I shoved on by;
|
|
but the front door was locked, and the key wasn't there. Just then I
|
|
heard somebody coming down the stairs, back behind me. I run in the
|
|
parlor and took a swift look around, and the only place I see to hide the
|
|
bag was in the coffin. The lid was shoved along about a foot, showing
|
|
the dead man's face down in there, with a wet cloth over it, and his
|
|
shroud on. I tucked the money-bag in under the lid, just down beyond
|
|
where his hands was crossed, which made me creep, they was so cold, and
|
|
then I run back across the room and in behind the door.
|
|
|
|
The person coming was Mary Jane. She went to the coffin, very soft, and
|
|
kneeled down and looked in; then she put up her handkerchief, and I see
|
|
she begun to cry, though I couldn't hear her, and her back was to me. I
|
|
slid out, and as I passed the dining-room I thought I'd make sure them
|
|
watchers hadn't seen me; so I looked through the crack, and everything
|
|
was all right. They hadn't stirred.
|
|
|
|
I slipped up to bed, feeling ruther blue, on accounts of the thing
|
|
playing out that way after I had took so much trouble and run so much
|
|
resk about it. Says I, if it could stay where it is, all right; because
|
|
when we get down the river a hundred mile or two I could write back to
|
|
Mary Jane, and she could dig him up again and get it; but that ain't the
|
|
thing that's going to happen; the thing that's going to happen is, the
|
|
money 'll be found when they come to screw on the lid. Then the king 'll
|
|
get it again, and it 'll be a long day before he gives anybody another
|
|
chance to smouch it from him. Of course I WANTED to slide down and get it
|
|
out of there, but I dasn't try it. Every minute it was getting earlier
|
|
now, and pretty soon some of them watchers would begin to stir, and I
|
|
might get catched--catched with six thousand dollars in my hands that
|
|
nobody hadn't hired me to take care of. I don't wish to be mixed up in
|
|
no such business as that, I says to myself.
|
|
|
|
When I got down stairs in the morning the parlor was shut up, and the
|
|
watchers was gone. There warn't nobody around but the family and the
|
|
widow Bartley and our tribe. I watched their faces to see if anything
|
|
had been happening, but I couldn't tell.
|
|
|
|
Towards the middle of the day the undertaker come with his man, and they
|
|
set the coffin in the middle of the room on a couple of chairs, and then
|
|
set all our chairs in rows, and borrowed more from the neighbors till the
|
|
hall and the parlor and the dining-room was full. I see the coffin lid
|
|
was the way it was before, but I dasn't go to look in under it, with
|
|
folks around.
|
|
|
|
Then the people begun to flock in, and the beats and the girls took seats
|
|
in the front row at the head of the coffin, and for a half an hour the
|
|
people filed around slow, in single rank, and looked down at the dead
|
|
man's face a minute, and some dropped in a tear, and it was all very
|
|
still and solemn, only the girls and the beats holding handkerchiefs to
|
|
their eyes and keeping their heads bent, and sobbing a little. There
|
|
warn't no other sound but the scraping of the feet on the floor and
|
|
blowing noses--because people always blows them more at a funeral than
|
|
they do at other places except church.
|
|
|
|
When the place was packed full the undertaker he slid around in his black
|
|
gloves with his softy soothering ways, putting on the last touches, and
|
|
getting people and things all ship-shape and comfortable, and making no
|
|
more sound than a cat. He never spoke; he moved people around, he
|
|
squeezed in late ones, he opened up passageways, and done it with nods,
|
|
and signs with his hands. Then he took his place over against the wall.
|
|
He was the softest, glidingest, stealthiest man I ever see; and there
|
|
warn't no more smile to him than there is to a ham.
|
|
|
|
They had borrowed a melodeum--a sick one; and when everything was ready a
|
|
young woman set down and worked it, and it was pretty skreeky and
|
|
colicky, and everybody joined in and sung, and Peter was the only one
|
|
that had a good thing, according to my notion. Then the Reverend Hobson
|
|
opened up, slow and solemn, and begun to talk; and straight off the most
|
|
outrageous row busted out in the cellar a body ever heard; it was only
|
|
one dog, but he made a most powerful racket, and he kept it up right
|
|
along; the parson he had to stand there, over the coffin, and wait--you
|
|
couldn't hear yourself think. It was right down awkward, and nobody
|
|
didn't seem to know what to do. But pretty soon they see that
|
|
long-legged undertaker make a sign to the preacher as much as to say,
|
|
"Don't you worry--just depend on me." Then he stooped down and begun to
|
|
glide along the wall, just his shoulders showing over the people's heads.
|
|
So he glided along, and the powwow and racket getting more and more
|
|
outrageous all the time; and at last, when he had gone around two sides
|
|
of the room, he disappears down cellar. Then in about two seconds we
|
|
heard a whack, and the dog he finished up with a most amazing howl or
|
|
two, and then everything was dead still, and the parson begun his solemn
|
|
talk where he left off. In a minute or two here comes this undertaker's
|
|
back and shoulders gliding along the wall again; and so he glided and
|
|
glided around three sides of the room, and then rose up, and shaded his
|
|
mouth with his hands, and stretched his neck out towards the preacher,
|
|
over the people's heads, and says, in a kind of a coarse whisper, "HE HAD
|
|
A RAT!" Then he drooped down and glided along the wall again to his
|
|
place. You could see it was a great satisfaction to the people, because
|
|
naturally they wanted to know. A little thing like that don't cost
|
|
nothing, and it's just the little things that makes a man to be looked up
|
|
to and liked. There warn't no more popular man in town than what that
|
|
undertaker was.
|
|
|
|
Well, the funeral sermon was very good, but pison long and tiresome; and
|
|
then the king he shoved in and got off some of his usual rubbage, and at
|
|
last the job was through, and the undertaker begun to sneak up on the
|
|
coffin with his screw-driver. I was in a sweat then, and watched him
|
|
pretty keen. But he never meddled at all; just slid the lid along as soft
|
|
as mush, and screwed it down tight and fast. So there I was! I didn't
|
|
know whether the money was in there or not. So, says I, s'pose somebody
|
|
has hogged that bag on the sly?--now how do I know whether to write to
|
|
Mary Jane or not? S'pose she dug him up and didn't find nothing, what
|
|
would she think of me? Blame it, I says, I might get hunted up and
|
|
jailed; I'd better lay low and keep dark, and not write at all; the
|
|
thing's awful mixed now; trying to better it, I've worsened it a hundred
|
|
times, and I wish to goodness I'd just let it alone, dad fetch the whole
|
|
business!
|
|
|
|
They buried him, and we come back home, and I went to watching faces
|
|
again--I couldn't help it, and I couldn't rest easy. But nothing come
|
|
of it; the faces didn't tell me nothing.
|
|
|
|
The king he visited around in the evening, and sweetened everybody up,
|
|
and made himself ever so friendly; and he give out the idea that his
|
|
congregation over in England would be in a sweat about him, so he must
|
|
hurry and settle up the estate right away and leave for home. He was
|
|
very sorry he was so pushed, and so was everybody; they wished he could
|
|
stay longer, but they said they could see it couldn't be done. And he
|
|
said of course him and William would take the girls home with them; and
|
|
that pleased everybody too, because then the girls would be well fixed
|
|
and amongst their own relations; and it pleased the girls, too--tickled
|
|
them so they clean forgot they ever had a trouble in the world; and told
|
|
him to sell out as quick as he wanted to, they would be ready. Them poor
|
|
things was that glad and happy it made my heart ache to see them getting
|
|
fooled and lied to so, but I didn't see no safe way for me to chip in and
|
|
change the general tune.
|
|
|
|
Well, blamed if the king didn't bill the house and the niggers and all
|
|
the property for auction straight off--sale two days after the funeral;
|
|
but anybody could buy private beforehand if they wanted to.
|
|
|
|
So the next day after the funeral, along about noon-time, the girls' joy
|
|
got the first jolt. A couple of nigger traders come along, and the king
|
|
sold them the niggers reasonable, for three-day drafts as they called it,
|
|
and away they went, the two sons up the river to Memphis, and their
|
|
mother down the river to Orleans. I thought them poor girls and them
|
|
niggers would break their hearts for grief; they cried around each other,
|
|
and took on so it most made me down sick to see it. The girls said they
|
|
hadn't ever dreamed of seeing the family separated or sold away from the
|
|
town. I can't ever get it out of my memory, the sight of them poor
|
|
miserable girls and niggers hanging around each other's necks and crying;
|
|
and I reckon I couldn't a stood it all, but would a had to bust out and
|
|
tell on our gang if I hadn't knowed the sale warn't no account and the
|
|
niggers would be back home in a week or two.
|
|
|
|
The thing made a big stir in the town, too, and a good many come out
|
|
flatfooted and said it was scandalous to separate the mother and the
|
|
children that way. It injured the frauds some; but the old fool he
|
|
bulled right along, spite of all the duke could say or do, and I tell you
|
|
the duke was powerful uneasy.
|
|
|
|
Next day was auction day. About broad day in the morning the king and
|
|
the duke come up in the garret and woke me up, and I see by their look
|
|
that there was trouble. The king says:
|
|
|
|
"Was you in my room night before last?"
|
|
|
|
"No, your majesty"--which was the way I always called him when nobody but
|
|
our gang warn't around.
|
|
|
|
"Was you in there yisterday er last night?"
|
|
|
|
"No, your majesty."
|
|
|
|
"Honor bright, now--no lies."
|
|
|
|
"Honor bright, your majesty, I'm telling you the truth. I hain't been
|
|
a-near your room since Miss Mary Jane took you and the duke and showed it
|
|
to you."
|
|
|
|
The duke says:
|
|
|
|
"Have you seen anybody else go in there?"
|
|
|
|
"No, your grace, not as I remember, I believe."
|
|
|
|
"Stop and think."
|
|
|
|
I studied awhile and see my chance; then I says:
|
|
|
|
"Well, I see the niggers go in there several times."
|
|
|
|
Both of them gave a little jump, and looked like they hadn't ever
|
|
expected it, and then like they HAD. Then the duke says:
|
|
|
|
"What, all of them?"
|
|
|
|
"No--leastways, not all at once--that is, I don't think I ever see them
|
|
all come OUT at once but just one time."
|
|
|
|
"Hello! When was that?"
|
|
|
|
"It was the day we had the funeral. In the morning. It warn't early,
|
|
because I overslept. I was just starting down the ladder, and I see
|
|
them."
|
|
|
|
"Well, go on, GO on! What did they do? How'd they act?"
|
|
|
|
"They didn't do nothing. And they didn't act anyway much, as fur as I
|
|
see. They tiptoed away; so I seen, easy enough, that they'd shoved in
|
|
there to do up your majesty's room, or something, s'posing you was up;
|
|
and found you WARN'T up, and so they was hoping to slide out of the way
|
|
of trouble without waking you up, if they hadn't already waked you up."
|
|
|
|
"Great guns, THIS is a go!" says the king; and both of them looked pretty
|
|
sick and tolerable silly. They stood there a-thinking and scratching
|
|
their heads a minute, and the duke he bust into a kind of a little raspy
|
|
chuckle, and says:
|
|
|
|
"It does beat all how neat the niggers played their hand. They let on to
|
|
be SORRY they was going out of this region! And I believed they WAS
|
|
sorry, and so did you, and so did everybody. Don't ever tell ME any more
|
|
that a nigger ain't got any histrionic talent. Why, the way they played
|
|
that thing it would fool ANYBODY. In my opinion, there's a fortune in
|
|
'em. If I had capital and a theater, I wouldn't want a better lay-out
|
|
than that--and here we've gone and sold 'em for a song. Yes, and ain't
|
|
privileged to sing the song yet. Say, where IS that song--that draft?"
|
|
|
|
"In the bank for to be collected. Where WOULD it be?"
|
|
|
|
"Well, THAT'S all right then, thank goodness."
|
|
|
|
Says I, kind of timid-like:
|
|
|
|
"Is something gone wrong?"
|
|
|
|
The king whirls on me and rips out:
|
|
|
|
"None o' your business! You keep your head shet, and mind y'r own
|
|
affairs--if you got any. Long as you're in this town don't you forgit
|
|
THAT--you hear?" Then he says to the duke, "We got to jest swaller it
|
|
and say noth'n': mum's the word for US."
|
|
|
|
As they was starting down the ladder the duke he chuckles again, and
|
|
says:
|
|
|
|
"Quick sales AND small profits! It's a good business--yes."
|
|
|
|
The king snarls around on him and says:
|
|
|
|
"I was trying to do for the best in sellin' 'em out so quick. If the
|
|
profits has turned out to be none, lackin' considable, and none to carry,
|
|
is it my fault any more'n it's yourn?"
|
|
|
|
"Well, THEY'D be in this house yet and we WOULDN'T if I could a got my
|
|
advice listened to."
|
|
|
|
The king sassed back as much as was safe for him, and then swapped around
|
|
and lit into ME again. He give me down the banks for not coming and
|
|
TELLING him I see the niggers come out of his room acting that way--said
|
|
any fool would a KNOWED something was up. And then waltzed in and cussed
|
|
HIMSELF awhile, and said it all come of him not laying late and taking
|
|
his natural rest that morning, and he'd be blamed if he'd ever do it
|
|
again. So they went off a-jawing; and I felt dreadful glad I'd worked it
|
|
all off on to the niggers, and yet hadn't done the niggers no harm by it.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVIII.
|
|
|
|
BY and by it was getting-up time. So I come down the ladder and started
|
|
for down-stairs; but as I come to the girls' room the door was open, and
|
|
I see Mary Jane setting by her old hair trunk, which was open and she'd
|
|
been packing things in it--getting ready to go to England. But she had
|
|
stopped now with a folded gown in her lap, and had her face in her hands,
|
|
crying. I felt awful bad to see it; of course anybody would. I went in
|
|
there and says:
|
|
|
|
"Miss Mary Jane, you can't a-bear to see people in trouble, and I can't
|
|
--most always. Tell me about it."
|
|
|
|
So she done it. And it was the niggers--I just expected it. She said
|
|
the beautiful trip to England was most about spoiled for her; she didn't
|
|
know HOW she was ever going to be happy there, knowing the mother and the
|
|
children warn't ever going to see each other no more--and then busted out
|
|
bitterer than ever, and flung up her hands, and says:
|
|
|
|
"Oh, dear, dear, to think they ain't EVER going to see each other any
|
|
more!"
|
|
|
|
"But they WILL--and inside of two weeks--and I KNOW it!" says I.
|
|
|
|
Laws, it was out before I could think! And before I could budge she
|
|
throws her arms around my neck and told me to say it AGAIN, say it AGAIN,
|
|
say it AGAIN!
|
|
|
|
I see I had spoke too sudden and said too much, and was in a close place.
|
|
I asked her to let me think a minute; and she set there, very impatient
|
|
and excited and handsome, but looking kind of happy and eased-up, like a
|
|
person that's had a tooth pulled out. So I went to studying it out. I
|
|
says to myself, I reckon a body that ups and tells the truth when he is
|
|
in a tight place is taking considerable many resks, though I ain't had no
|
|
experience, and can't say for certain; but it looks so to me, anyway; and
|
|
yet here's a case where I'm blest if it don't look to me like the truth
|
|
is better and actuly SAFER than a lie. I must lay it by in my mind, and
|
|
think it over some time or other, it's so kind of strange and unregular.
|
|
I never see nothing like it. Well, I says to myself at last, I'm a-going
|
|
to chance it; I'll up and tell the truth this time, though it does seem
|
|
most like setting down on a kag of powder and touching it off just to see
|
|
where you'll go to. Then I says:
|
|
|
|
"Miss Mary Jane, is there any place out of town a little ways where you
|
|
could go and stay three or four days?"
|
|
|
|
"Yes; Mr. Lothrop's. Why?"
|
|
|
|
"Never mind why yet. If I'll tell you how I know the niggers will see
|
|
each other again inside of two weeks--here in this house--and PROVE how I
|
|
know it--will you go to Mr. Lothrop's and stay four days?"
|
|
|
|
"Four days!" she says; "I'll stay a year!"
|
|
|
|
"All right," I says, "I don't want nothing more out of YOU than just your
|
|
word--I druther have it than another man's kiss-the-Bible." She smiled
|
|
and reddened up very sweet, and I says, "If you don't mind it, I'll shut
|
|
the door--and bolt it."
|
|
|
|
Then I come back and set down again, and says:
|
|
|
|
"Don't you holler. Just set still and take it like a man. I got to tell
|
|
the truth, and you want to brace up, Miss Mary, because it's a bad kind,
|
|
and going to be hard to take, but there ain't no help for it. These
|
|
uncles of yourn ain't no uncles at all; they're a couple of frauds
|
|
--regular dead-beats. There, now we're over the worst of it, you can stand
|
|
the rest middling easy."
|
|
|
|
It jolted her up like everything, of course; but I was over the shoal
|
|
water now, so I went right along, her eyes a-blazing higher and higher
|
|
all the time, and told her every blame thing, from where we first struck
|
|
that young fool going up to the steamboat, clear through to where she
|
|
flung herself on to the king's breast at the front door and he kissed her
|
|
sixteen or seventeen times--and then up she jumps, with her face afire
|
|
like sunset, and says:
|
|
|
|
"The brute! Come, don't waste a minute--not a SECOND--we'll have them
|
|
tarred and feathered, and flung in the river!"
|
|
|
|
Says I:
|
|
|
|
"Cert'nly. But do you mean BEFORE you go to Mr. Lothrop's, or--"
|
|
|
|
"Oh," she says, "what am I THINKING about!" she says, and set right down
|
|
again. "Don't mind what I said--please don't--you WON'T, now, WILL you?"
|
|
Laying her silky hand on mine in that kind of a way that I said I would
|
|
die first. "I never thought, I was so stirred up," she says; "now go on,
|
|
and I won't do so any more. You tell me what to do, and whatever you say
|
|
I'll do it."
|
|
|
|
"Well," I says, "it's a rough gang, them two frauds, and I'm fixed so I
|
|
got to travel with them a while longer, whether I want to or not--I
|
|
druther not tell you why; and if you was to blow on them this town would
|
|
get me out of their claws, and I'd be all right; but there'd be another
|
|
person that you don't know about who'd be in big trouble. Well, we got
|
|
to save HIM, hain't we? Of course. Well, then, we won't blow on them."
|
|
|
|
Saying them words put a good idea in my head. I see how maybe I could
|
|
get me and Jim rid of the frauds; get them jailed here, and then leave.
|
|
But I didn't want to run the raft in the daytime without anybody aboard
|
|
to answer questions but me; so I didn't want the plan to begin working
|
|
till pretty late to-night. I says:
|
|
|
|
"Miss Mary Jane, I'll tell you what we'll do, and you won't have to stay
|
|
at Mr. Lothrop's so long, nuther. How fur is it?"
|
|
|
|
"A little short of four miles--right out in the country, back here."
|
|
|
|
"Well, that 'll answer. Now you go along out there, and lay low till
|
|
nine or half-past to-night, and then get them to fetch you home again
|
|
--tell them you've thought of something. If you get here before eleven put
|
|
a candle in this window, and if I don't turn up wait TILL eleven, and
|
|
THEN if I don't turn up it means I'm gone, and out of the way, and safe.
|
|
Then you come out and spread the news around, and get these beats
|
|
jailed."
|
|
|
|
"Good," she says, "I'll do it."
|
|
|
|
"And if it just happens so that I don't get away, but get took up along
|
|
with them, you must up and say I told you the whole thing beforehand, and
|
|
you must stand by me all you can."
|
|
|
|
"Stand by you! indeed I will. They sha'n't touch a hair of your head!"
|
|
she says, and I see her nostrils spread and her eyes snap when she said
|
|
it, too.
|
|
|
|
"If I get away I sha'n't be here," I says, "to prove these rapscallions
|
|
ain't your uncles, and I couldn't do it if I WAS here. I could swear
|
|
they was beats and bummers, that's all, though that's worth something.
|
|
Well, there's others can do that better than what I can, and they're
|
|
people that ain't going to be doubted as quick as I'd be. I'll tell you
|
|
how to find them. Gimme a pencil and a piece of paper. There--'Royal
|
|
Nonesuch, Bricksville.' Put it away, and don't lose it. When the court
|
|
wants to find out something about these two, let them send up to
|
|
Bricksville and say they've got the men that played the Royal Nonesuch,
|
|
and ask for some witnesses--why, you'll have that entire town down here
|
|
before you can hardly wink, Miss Mary. And they'll come a-biling, too."
|
|
|
|
I judged we had got everything fixed about right now. So I says:
|
|
|
|
"Just let the auction go right along, and don't worry. Nobody don't have
|
|
to pay for the things they buy till a whole day after the auction on
|
|
accounts of the short notice, and they ain't going out of this till they
|
|
get that money; and the way we've fixed it the sale ain't going to count,
|
|
and they ain't going to get no money. It's just like the way it was with
|
|
the niggers--it warn't no sale, and the niggers will be back before
|
|
long. Why, they can't collect the money for the NIGGERS yet--they're in
|
|
the worst kind of a fix, Miss Mary."
|
|
|
|
"Well," she says, "I'll run down to breakfast now, and then I'll start
|
|
straight for Mr. Lothrop's."
|
|
|
|
"'Deed, THAT ain't the ticket, Miss Mary Jane," I says, "by no manner of
|
|
means; go BEFORE breakfast."
|
|
|
|
"Why?"
|
|
|
|
"What did you reckon I wanted you to go at all for, Miss Mary?"
|
|
|
|
"Well, I never thought--and come to think, I don't know. What was it?"
|
|
|
|
"Why, it's because you ain't one of these leather-face people. I don't
|
|
want no better book than what your face is. A body can set down and read
|
|
it off like coarse print. Do you reckon you can go and face your uncles
|
|
when they come to kiss you good-morning, and never--"
|
|
|
|
"There, there, don't! Yes, I'll go before breakfast--I'll be glad to.
|
|
And leave my sisters with them?"
|
|
|
|
"Yes; never mind about them. They've got to stand it yet a while. They
|
|
might suspicion something if all of you was to go. I don't want you to
|
|
see them, nor your sisters, nor nobody in this town; if a neighbor was to
|
|
ask how is your uncles this morning your face would tell something. No,
|
|
you go right along, Miss Mary Jane, and I'll fix it with all of them.
|
|
I'll tell Miss Susan to give your love to your uncles and say you've went
|
|
away for a few hours for to get a little rest and change, or to see a
|
|
friend, and you'll be back to-night or early in the morning."
|
|
|
|
"Gone to see a friend is all right, but I won't have my love given to
|
|
them."
|
|
|
|
"Well, then, it sha'n't be." It was well enough to tell HER so--no harm
|
|
in it. It was only a little thing to do, and no trouble; and it's the
|
|
little things that smooths people's roads the most, down here below; it
|
|
would make Mary Jane comfortable, and it wouldn't cost nothing. Then I
|
|
says: "There's one more thing--that bag of money."
|
|
|
|
"Well, they've got that; and it makes me feel pretty silly to think HOW
|
|
they got it."
|
|
|
|
"No, you're out, there. They hain't got it."
|
|
|
|
"Why, who's got it?"
|
|
|
|
"I wish I knowed, but I don't. I HAD it, because I stole it from them;
|
|
and I stole it to give to you; and I know where I hid it, but I'm afraid
|
|
it ain't there no more. I'm awful sorry, Miss Mary Jane, I'm just as
|
|
sorry as I can be; but I done the best I could; I did honest. I come
|
|
nigh getting caught, and I had to shove it into the first place I come
|
|
to, and run--and it warn't a good place."
|
|
|
|
"Oh, stop blaming yourself--it's too bad to do it, and I won't allow it
|
|
--you couldn't help it; it wasn't your fault. Where did you hide it?"
|
|
|
|
I didn't want to set her to thinking about her troubles again; and I
|
|
couldn't seem to get my mouth to tell her what would make her see that
|
|
corpse laying in the coffin with that bag of money on his stomach. So
|
|
for a minute I didn't say nothing; then I says:
|
|
|
|
"I'd ruther not TELL you where I put it, Miss Mary Jane, if you don't
|
|
mind letting me off; but I'll write it for you on a piece of paper, and
|
|
you can read it along the road to Mr. Lothrop's, if you want to. Do you
|
|
reckon that 'll do?"
|
|
|
|
"Oh, yes."
|
|
|
|
So I wrote: "I put it in the coffin. It was in there when you was
|
|
crying there, away in the night. I was behind the door, and I was mighty
|
|
sorry for you, Miss Mary Jane."
|
|
|
|
It made my eyes water a little to remember her crying there all by
|
|
herself in the night, and them devils laying there right under her own
|
|
roof, shaming her and robbing her; and when I folded it up and give it to
|
|
her I see the water come into her eyes, too; and she shook me by the
|
|
hand, hard, and says:
|
|
|
|
"GOOD-bye. I'm going to do everything just as you've told me; and if I
|
|
don't ever see you again, I sha'n't ever forget you and I'll think of
|
|
you a many and a many a time, and I'll PRAY for you, too!"--and she was
|
|
gone.
|
|
|
|
Pray for me! I reckoned if she knowed me she'd take a job that was more
|
|
nearer her size. But I bet she done it, just the same--she was just that
|
|
kind. She had the grit to pray for Judus if she took the notion--there
|
|
warn't no back-down to her, I judge. You may say what you want to, but
|
|
in my opinion she had more sand in her than any girl I ever see; in my
|
|
opinion she was just full of sand. It sounds like flattery, but it ain't
|
|
no flattery. And when it comes to beauty--and goodness, too--she lays
|
|
over them all. I hain't ever seen her since that time that I see her go
|
|
out of that door; no, I hain't ever seen her since, but I reckon I've
|
|
thought of her a many and a many a million times, and of her saying she
|
|
would pray for me; and if ever I'd a thought it would do any good for me
|
|
to pray for HER, blamed if I wouldn't a done it or bust.
|
|
|
|
Well, Mary Jane she lit out the back way, I reckon; because nobody see
|
|
her go. When I struck Susan and the hare-lip, I says:
|
|
|
|
"What's the name of them people over on t'other side of the river that
|
|
you all goes to see sometimes?"
|
|
|
|
They says:
|
|
|
|
"There's several; but it's the Proctors, mainly."
|
|
|
|
"That's the name," I says; "I most forgot it. Well, Miss Mary Jane she
|
|
told me to tell you she's gone over there in a dreadful hurry--one of
|
|
them's sick."
|
|
|
|
"Which one?"
|
|
|
|
"I don't know; leastways, I kinder forget; but I thinks it's--"
|
|
|
|
"Sakes alive, I hope it ain't HANNER?"
|
|
|
|
"I'm sorry to say it," I says, "but Hanner's the very one."
|
|
|
|
"My goodness, and she so well only last week! Is she took bad?"
|
|
|
|
"It ain't no name for it. They set up with her all night, Miss Mary Jane
|
|
said, and they don't think she'll last many hours."
|
|
|
|
"Only think of that, now! What's the matter with her?"
|
|
|
|
I couldn't think of anything reasonable, right off that way, so I says:
|
|
|
|
"Mumps."
|
|
|
|
"Mumps your granny! They don't set up with people that's got the mumps."
|
|
|
|
"They don't, don't they? You better bet they do with THESE mumps. These
|
|
mumps is different. It's a new kind, Miss Mary Jane said."
|
|
|
|
"How's it a new kind?"
|
|
|
|
"Because it's mixed up with other things."
|
|
|
|
"What other things?"
|
|
|
|
"Well, measles, and whooping-cough, and erysiplas, and consumption, and
|
|
yaller janders, and brain-fever, and I don't know what all."
|
|
|
|
"My land! And they call it the MUMPS?"
|
|
|
|
"That's what Miss Mary Jane said."
|
|
|
|
"Well, what in the nation do they call it the MUMPS for?"
|
|
|
|
"Why, because it IS the mumps. That's what it starts with."
|
|
|
|
"Well, ther' ain't no sense in it. A body might stump his toe, and take
|
|
pison, and fall down the well, and break his neck, and bust his brains
|
|
out, and somebody come along and ask what killed him, and some numskull
|
|
up and say, 'Why, he stumped his TOE.' Would ther' be any sense in that?
|
|
NO. And ther' ain't no sense in THIS, nuther. Is it ketching?"
|
|
|
|
"Is it KETCHING? Why, how you talk. Is a HARROW catching--in the dark?
|
|
If you don't hitch on to one tooth, you're bound to on another, ain't
|
|
you? And you can't get away with that tooth without fetching the whole
|
|
harrow along, can you? Well, these kind of mumps is a kind of a harrow,
|
|
as you may say--and it ain't no slouch of a harrow, nuther, you come to
|
|
get it hitched on good."
|
|
|
|
"Well, it's awful, I think," says the hare-lip. "I'll go to Uncle Harvey
|
|
and--"
|
|
|
|
"Oh, yes," I says, "I WOULD. Of COURSE I would. I wouldn't lose no
|
|
time."
|
|
|
|
"Well, why wouldn't you?"
|
|
|
|
"Just look at it a minute, and maybe you can see. Hain't your uncles
|
|
obleegd to get along home to England as fast as they can? And do you
|
|
reckon they'd be mean enough to go off and leave you to go all that
|
|
journey by yourselves? YOU know they'll wait for you. So fur, so good.
|
|
Your uncle Harvey's a preacher, ain't he? Very well, then; is a PREACHER
|
|
going to deceive a steamboat clerk? is he going to deceive a SHIP CLERK?
|
|
--so as to get them to let Miss Mary Jane go aboard? Now YOU know he
|
|
ain't. What WILL he do, then? Why, he'll say, 'It's a great pity, but
|
|
my church matters has got to get along the best way they can; for my
|
|
niece has been exposed to the dreadful pluribus-unum mumps, and so it's
|
|
my bounden duty to set down here and wait the three months it takes to
|
|
show on her if she's got it.' But never mind, if you think it's best to
|
|
tell your uncle Harvey--"
|
|
|
|
"Shucks, and stay fooling around here when we could all be having good
|
|
times in England whilst we was waiting to find out whether Mary Jane's
|
|
got it or not? Why, you talk like a muggins."
|
|
|
|
"Well, anyway, maybe you'd better tell some of the neighbors."
|
|
|
|
"Listen at that, now. You do beat all for natural stupidness. Can't you
|
|
SEE that THEY'D go and tell? Ther' ain't no way but just to not tell
|
|
anybody at ALL."
|
|
|
|
"Well, maybe you're right--yes, I judge you ARE right."
|
|
|
|
"But I reckon we ought to tell Uncle Harvey she's gone out a while,
|
|
anyway, so he won't be uneasy about her?"
|
|
|
|
"Yes, Miss Mary Jane she wanted you to do that. She says, 'Tell them to
|
|
give Uncle Harvey and William my love and a kiss, and say I've run over
|
|
the river to see Mr.'--Mr.--what IS the name of that rich family your
|
|
uncle Peter used to think so much of?--I mean the one that--"
|
|
|
|
"Why, you must mean the Apthorps, ain't it?"
|
|
|
|
"Of course; bother them kind of names, a body can't ever seem to remember
|
|
them, half the time, somehow. Yes, she said, say she has run over for to
|
|
ask the Apthorps to be sure and come to the auction and buy this house,
|
|
because she allowed her uncle Peter would ruther they had it than anybody
|
|
else; and she's going to stick to them till they say they'll come, and
|
|
then, if she ain't too tired, she's coming home; and if she is, she'll be
|
|
home in the morning anyway. She said, don't say nothing about the
|
|
Proctors, but only about the Apthorps--which 'll be perfectly true,
|
|
because she is going there to speak about their buying the house; I know
|
|
it, because she told me so herself."
|
|
|
|
"All right," they said, and cleared out to lay for their uncles, and give
|
|
them the love and the kisses, and tell them the message.
|
|
|
|
Everything was all right now. The girls wouldn't say nothing because
|
|
they wanted to go to England; and the king and the duke would ruther Mary
|
|
Jane was off working for the auction than around in reach of Doctor
|
|
Robinson. I felt very good; I judged I had done it pretty neat--I
|
|
reckoned Tom Sawyer couldn't a done it no neater himself. Of course he
|
|
would a throwed more style into it, but I can't do that very handy, not
|
|
being brung up to it.
|
|
|
|
Well, they held the auction in the public square, along towards the end
|
|
of the afternoon, and it strung along, and strung along, and the old man
|
|
he was on hand and looking his level pisonest, up there longside of the
|
|
auctioneer, and chipping in a little Scripture now and then, or a little
|
|
goody-goody saying of some kind, and the duke he was around goo-gooing
|
|
for sympathy all he knowed how, and just spreading himself generly.
|
|
|
|
But by and by the thing dragged through, and everything was sold
|
|
--everything but a little old trifling lot in the graveyard. So they'd got
|
|
to work that off--I never see such a girafft as the king was for wanting
|
|
to swallow EVERYTHING. Well, whilst they was at it a steamboat landed,
|
|
and in about two minutes up comes a crowd a-whooping and yelling and
|
|
laughing and carrying on, and singing out:
|
|
|
|
"HERE'S your opposition line! here's your two sets o' heirs to old Peter
|
|
Wilks--and you pays your money and you takes your choice!"
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIX.
|
|
|
|
|
|
THEY was fetching a very nice-looking old gentleman along, and a
|
|
nice-looking younger one, with his right arm in a sling. And, my souls,
|
|
how the people yelled and laughed, and kept it up. But I didn't see no
|
|
joke about it, and I judged it would strain the duke and the king some to
|
|
see any. I reckoned they'd turn pale. But no, nary a pale did THEY
|
|
turn. The duke he never let on he suspicioned what was up, but just went
|
|
a goo-gooing around, happy and satisfied, like a jug that's googling out
|
|
buttermilk; and as for the king, he just gazed and gazed down sorrowful
|
|
on them new-comers like it give him the stomach-ache in his very heart to
|
|
think there could be such frauds and rascals in the world. Oh, he done
|
|
it admirable. Lots of the principal people gethered around the king, to
|
|
let him see they was on his side. That old gentleman that had just come
|
|
looked all puzzled to death. Pretty soon he begun to speak, and I see
|
|
straight off he pronounced LIKE an Englishman--not the king's way, though
|
|
the king's WAS pretty good for an imitation. I can't give the old gent's
|
|
words, nor I can't imitate him; but he turned around to the crowd, and
|
|
says, about like this:
|
|
|
|
"This is a surprise to me which I wasn't looking for; and I'll
|
|
acknowledge, candid and frank, I ain't very well fixed to meet it and
|
|
answer it; for my brother and me has had misfortunes; he's broke his arm,
|
|
and our baggage got put off at a town above here last night in the night
|
|
by a mistake. I am Peter Wilks' brother Harvey, and this is his brother
|
|
William, which can't hear nor speak--and can't even make signs to amount
|
|
to much, now't he's only got one hand to work them with. We are who we
|
|
say we are; and in a day or two, when I get the baggage, I can prove it.
|
|
But up till then I won't say nothing more, but go to the hotel and wait."
|
|
|
|
So him and the new dummy started off; and the king he laughs, and
|
|
blethers out:
|
|
|
|
"Broke his arm--VERY likely, AIN'T it?--and very convenient, too, for a
|
|
fraud that's got to make signs, and ain't learnt how. Lost their
|
|
baggage! That's MIGHTY good!--and mighty ingenious--under the
|
|
CIRCUMSTANCES!"
|
|
|
|
So he laughed again; and so did everybody else, except three or four, or
|
|
maybe half a dozen. One of these was that doctor; another one was a
|
|
sharp-looking gentleman, with a carpet-bag of the old-fashioned kind made
|
|
out of carpet-stuff, that had just come off of the steamboat and was
|
|
talking to him in a low voice, and glancing towards the king now and then
|
|
and nodding their heads--it was Levi Bell, the lawyer that was gone up to
|
|
Louisville; and another one was a big rough husky that come along and
|
|
listened to all the old gentleman said, and was listening to the king
|
|
now. And when the king got done this husky up and says:
|
|
|
|
"Say, looky here; if you are Harvey Wilks, when'd you come to this town?"
|
|
|
|
"The day before the funeral, friend," says the king.
|
|
|
|
"But what time o' day?"
|
|
|
|
"In the evenin'--'bout an hour er two before sundown."
|
|
|
|
"HOW'D you come?"
|
|
|
|
"I come down on the Susan Powell from Cincinnati."
|
|
|
|
"Well, then, how'd you come to be up at the Pint in the MORNIN'--in a
|
|
canoe?"
|
|
|
|
"I warn't up at the Pint in the mornin'."
|
|
|
|
"It's a lie."
|
|
|
|
Several of them jumped for him and begged him not to talk that way to an
|
|
old man and a preacher.
|
|
|
|
"Preacher be hanged, he's a fraud and a liar. He was up at the Pint that
|
|
mornin'. I live up there, don't I? Well, I was up there, and he was up
|
|
there. I see him there. He come in a canoe, along with Tim Collins and
|
|
a boy."
|
|
|
|
The doctor he up and says:
|
|
|
|
"Would you know the boy again if you was to see him, Hines?"
|
|
|
|
"I reckon I would, but I don't know. Why, yonder he is, now. I know him
|
|
perfectly easy."
|
|
|
|
It was me he pointed at. The doctor says:
|
|
|
|
"Neighbors, I don't know whether the new couple is frauds or not; but if
|
|
THESE two ain't frauds, I am an idiot, that's all. I think it's our duty
|
|
to see that they don't get away from here till we've looked into this
|
|
thing. Come along, Hines; come along, the rest of you. We'll take these
|
|
fellows to the tavern and affront them with t'other couple, and I reckon
|
|
we'll find out SOMETHING before we get through."
|
|
|
|
It was nuts for the crowd, though maybe not for the king's friends; so we
|
|
all started. It was about sundown. The doctor he led me along by the
|
|
hand, and was plenty kind enough, but he never let go my hand.
|
|
|
|
We all got in a big room in the hotel, and lit up some candles, and
|
|
fetched in the new couple. First, the doctor says:
|
|
|
|
"I don't wish to be too hard on these two men, but I think they're
|
|
frauds, and they may have complices that we don't know nothing about. If
|
|
they have, won't the complices get away with that bag of gold Peter Wilks
|
|
left? It ain't unlikely. If these men ain't frauds, they won't object
|
|
to sending for that money and letting us keep it till they prove they're
|
|
all right--ain't that so?"
|
|
|
|
Everybody agreed to that. So I judged they had our gang in a pretty
|
|
tight place right at the outstart. But the king he only looked
|
|
sorrowful, and says:
|
|
|
|
"Gentlemen, I wish the money was there, for I ain't got no disposition to
|
|
throw anything in the way of a fair, open, out-and-out investigation o'
|
|
this misable business; but, alas, the money ain't there; you k'n send and
|
|
see, if you want to."
|
|
|
|
"Where is it, then?"
|
|
|
|
"Well, when my niece give it to me to keep for her I took and hid it
|
|
inside o' the straw tick o' my bed, not wishin' to bank it for the few
|
|
days we'd be here, and considerin' the bed a safe place, we not bein'
|
|
used to niggers, and suppos'n' 'em honest, like servants in England. The
|
|
niggers stole it the very next mornin' after I had went down stairs; and
|
|
when I sold 'em I hadn't missed the money yit, so they got clean away
|
|
with it. My servant here k'n tell you 'bout it, gentlemen."
|
|
|
|
The doctor and several said "Shucks!" and I see nobody didn't altogether
|
|
believe him. One man asked me if I see the niggers steal it. I said no,
|
|
but I see them sneaking out of the room and hustling away, and I never
|
|
thought nothing, only I reckoned they was afraid they had waked up my
|
|
master and was trying to get away before he made trouble with them. That
|
|
was all they asked me. Then the doctor whirls on me and says:
|
|
|
|
"Are YOU English, too?"
|
|
|
|
I says yes; and him and some others laughed, and said, "Stuff!"
|
|
|
|
Well, then they sailed in on the general investigation, and there we had
|
|
it, up and down, hour in, hour out, and nobody never said a word about
|
|
supper, nor ever seemed to think about it--and so they kept it up, and
|
|
kept it up; and it WAS the worst mixed-up thing you ever see. They made
|
|
the king tell his yarn, and they made the old gentleman tell his'n; and
|
|
anybody but a lot of prejudiced chuckleheads would a SEEN that the old
|
|
gentleman was spinning truth and t'other one lies. And by and by they
|
|
had me up to tell what I knowed. The king he give me a left-handed look
|
|
out of the corner of his eye, and so I knowed enough to talk on the right
|
|
side. I begun to tell about Sheffield, and how we lived there, and all
|
|
about the English Wilkses, and so on; but I didn't get pretty fur till
|
|
the doctor begun to laugh; and Levi Bell, the lawyer, says:
|
|
|
|
"Set down, my boy; I wouldn't strain myself if I was you. I reckon you
|
|
ain't used to lying, it don't seem to come handy; what you want is
|
|
practice. You do it pretty awkward."
|
|
|
|
I didn't care nothing for the compliment, but I was glad to be let off,
|
|
anyway.
|
|
|
|
The doctor he started to say something, and turns and says:
|
|
|
|
"If you'd been in town at first, Levi Bell--" The king broke in and
|
|
reached out his hand, and says:
|
|
|
|
"Why, is this my poor dead brother's old friend that he's wrote so often
|
|
about?"
|
|
|
|
The lawyer and him shook hands, and the lawyer smiled and looked pleased,
|
|
and they talked right along awhile, and then got to one side and talked
|
|
low; and at last the lawyer speaks up and says:
|
|
|
|
"That 'll fix it. I'll take the order and send it, along with your
|
|
brother's, and then they'll know it's all right."
|
|
|
|
So they got some paper and a pen, and the king he set down and twisted
|
|
his head to one side, and chawed his tongue, and scrawled off something;
|
|
and then they give the pen to the duke--and then for the first time the
|
|
duke looked sick. But he took the pen and wrote. So then the lawyer
|
|
turns to the new old gentleman and says:
|
|
|
|
"You and your brother please write a line or two and sign your names."
|
|
|
|
The old gentleman wrote, but nobody couldn't read it. The lawyer looked
|
|
powerful astonished, and says:
|
|
|
|
"Well, it beats ME"--and snaked a lot of old letters out of his pocket,
|
|
and examined them, and then examined the old man's writing, and then THEM
|
|
again; and then says: "These old letters is from Harvey Wilks; and
|
|
here's THESE two handwritings, and anybody can see they didn't write
|
|
them" (the king and the duke looked sold and foolish, I tell you, to see
|
|
how the lawyer had took them in), "and here's THIS old gentleman's hand
|
|
writing, and anybody can tell, easy enough, HE didn't write them--fact
|
|
is, the scratches he makes ain't properly WRITING at all. Now, here's
|
|
some letters from--"
|
|
|
|
The new old gentleman says:
|
|
|
|
"If you please, let me explain. Nobody can read my hand but my brother
|
|
there--so he copies for me. It's HIS hand you've got there, not mine."
|
|
|
|
"WELL!" says the lawyer, "this IS a state of things. I've got some of
|
|
William's letters, too; so if you'll get him to write a line or so we can
|
|
com--"
|
|
|
|
"He CAN'T write with his left hand," says the old gentleman. "If he
|
|
could use his right hand, you would see that he wrote his own letters and
|
|
mine too. Look at both, please--they're by the same hand."
|
|
|
|
The lawyer done it, and says:
|
|
|
|
"I believe it's so--and if it ain't so, there's a heap stronger
|
|
resemblance than I'd noticed before, anyway. Well, well, well! I
|
|
thought we was right on the track of a solution, but it's gone to grass,
|
|
partly. But anyway, one thing is proved--THESE two ain't either of 'em
|
|
Wilkses"--and he wagged his head towards the king and the duke.
|
|
|
|
Well, what do you think? That muleheaded old fool wouldn't give in THEN!
|
|
Indeed he wouldn't. Said it warn't no fair test. Said his brother
|
|
William was the cussedest joker in the world, and hadn't tried to write
|
|
--HE see William was going to play one of his jokes the minute he put the
|
|
pen to paper. And so he warmed up and went warbling right along till he
|
|
was actuly beginning to believe what he was saying HIMSELF; but pretty
|
|
soon the new gentleman broke in, and says:
|
|
|
|
"I've thought of something. Is there anybody here that helped to lay out
|
|
my br--helped to lay out the late Peter Wilks for burying?"
|
|
|
|
"Yes," says somebody, "me and Ab Turner done it. We're both here."
|
|
|
|
Then the old man turns towards the king, and says:
|
|
|
|
"Perhaps this gentleman can tell me what was tattooed on his breast?"
|
|
|
|
Blamed if the king didn't have to brace up mighty quick, or he'd a
|
|
squshed down like a bluff bank that the river has cut under, it took him
|
|
so sudden; and, mind you, it was a thing that was calculated to make most
|
|
ANYBODY sqush to get fetched such a solid one as that without any notice,
|
|
because how was HE going to know what was tattooed on the man? He
|
|
whitened a little; he couldn't help it; and it was mighty still in there,
|
|
and everybody bending a little forwards and gazing at him. Says I to
|
|
myself, NOW he'll throw up the sponge--there ain't no more use. Well,
|
|
did he? A body can't hardly believe it, but he didn't. I reckon he
|
|
thought he'd keep the thing up till he tired them people out, so they'd
|
|
thin out, and him and the duke could break loose and get away. Anyway,
|
|
he set there, and pretty soon he begun to smile, and says:
|
|
|
|
"Mf! It's a VERY tough question, AIN'T it! YES, sir, I k'n tell you
|
|
what's tattooed on his breast. It's jest a small, thin, blue arrow
|
|
--that's what it is; and if you don't look clost, you can't see it. NOW
|
|
what do you say--hey?"
|
|
|
|
Well, I never see anything like that old blister for clean out-and-out
|
|
cheek.
|
|
|
|
The new old gentleman turns brisk towards Ab Turner and his pard, and his
|
|
eye lights up like he judged he'd got the king THIS time, and says:
|
|
|
|
"There--you've heard what he said! Was there any such mark on Peter
|
|
Wilks' breast?"
|
|
|
|
Both of them spoke up and says:
|
|
|
|
"We didn't see no such mark."
|
|
|
|
"Good!" says the old gentleman. "Now, what you DID see on his breast was
|
|
a small dim P, and a B (which is an initial he dropped when he was
|
|
young), and a W, with dashes between them, so: P--B--W"--and he marked
|
|
them that way on a piece of paper. "Come, ain't that what you saw?"
|
|
|
|
Both of them spoke up again, and says:
|
|
|
|
"No, we DIDN'T. We never seen any marks at all."
|
|
|
|
Well, everybody WAS in a state of mind now, and they sings out:
|
|
|
|
"The whole BILIN' of 'm 's frauds! Le's duck 'em! le's drown 'em! le's
|
|
ride 'em on a rail!" and everybody was whooping at once, and there was a
|
|
rattling powwow. But the lawyer he jumps on the table and yells, and
|
|
says:
|
|
|
|
"Gentlemen--gentleMEN! Hear me just a word--just a SINGLE word--if you
|
|
PLEASE! There's one way yet--let's go and dig up the corpse and look."
|
|
|
|
That took them.
|
|
|
|
"Hooray!" they all shouted, and was starting right off; but the lawyer
|
|
and the doctor sung out:
|
|
|
|
"Hold on, hold on! Collar all these four men and the boy, and fetch THEM
|
|
along, too!"
|
|
|
|
"We'll do it!" they all shouted; "and if we don't find them marks we'll
|
|
lynch the whole gang!"
|
|
|
|
I WAS scared, now, I tell you. But there warn't no getting away, you
|
|
know. They gripped us all, and marched us right along, straight for the
|
|
graveyard, which was a mile and a half down the river, and the whole town
|
|
at our heels, for we made noise enough, and it was only nine in the
|
|
evening.
|
|
|
|
As we went by our house I wished I hadn't sent Mary Jane out of town;
|
|
because now if I could tip her the wink she'd light out and save me, and
|
|
blow on our dead-beats.
|
|
|
|
Well, we swarmed along down the river road, just carrying on like
|
|
wildcats; and to make it more scary the sky was darking up, and the
|
|
lightning beginning to wink and flitter, and the wind to shiver amongst
|
|
the leaves. This was the most awful trouble and most dangersome I ever
|
|
was in; and I was kinder stunned; everything was going so different from
|
|
what I had allowed for; stead of being fixed so I could take my own time
|
|
if I wanted to, and see all the fun, and have Mary Jane at my back to
|
|
save me and set me free when the close-fit come, here was nothing in the
|
|
world betwixt me and sudden death but just them tattoo-marks. If they
|
|
didn't find them--
|
|
|
|
I couldn't bear to think about it; and yet, somehow, I couldn't think
|
|
about nothing else. It got darker and darker, and it was a beautiful
|
|
time to give the crowd the slip; but that big husky had me by the wrist
|
|
--Hines--and a body might as well try to give Goliar the slip. He dragged
|
|
me right along, he was so excited, and I had to run to keep up.
|
|
|
|
When they got there they swarmed into the graveyard and washed over it
|
|
like an overflow. And when they got to the grave they found they had
|
|
about a hundred times as many shovels as they wanted, but nobody hadn't
|
|
thought to fetch a lantern. But they sailed into digging anyway by the
|
|
flicker of the lightning, and sent a man to the nearest house, a half a
|
|
mile off, to borrow one.
|
|
|
|
So they dug and dug like everything; and it got awful dark, and the rain
|
|
started, and the wind swished and swushed along, and the lightning come
|
|
brisker and brisker, and the thunder boomed; but them people never took
|
|
no notice of it, they was so full of this business; and one minute you
|
|
could see everything and every face in that big crowd, and the shovelfuls
|
|
of dirt sailing up out of the grave, and the next second the dark wiped
|
|
it all out, and you couldn't see nothing at all.
|
|
|
|
At last they got out the coffin and begun to unscrew the lid, and then
|
|
such another crowding and shouldering and shoving as there was, to
|
|
scrouge in and get a sight, you never see; and in the dark, that way, it
|
|
was awful. Hines he hurt my wrist dreadful pulling and tugging so, and I
|
|
reckon he clean forgot I was in the world, he was so excited and panting.
|
|
|
|
All of a sudden the lightning let go a perfect sluice of white glare, and
|
|
somebody sings out:
|
|
|
|
"By the living jingo, here's the bag of gold on his breast!"
|
|
|
|
Hines let out a whoop, like everybody else, and dropped my wrist and give
|
|
a big surge to bust his way in and get a look, and the way I lit out and
|
|
shinned for the road in the dark there ain't nobody can tell.
|
|
|
|
I had the road all to myself, and I fairly flew--leastways, I had it all
|
|
to myself except the solid dark, and the now-and-then glares, and the
|
|
buzzing of the rain, and the thrashing of the wind, and the splitting of
|
|
the thunder; and sure as you are born I did clip it along!
|
|
|
|
When I struck the town I see there warn't nobody out in the storm, so I
|
|
never hunted for no back streets, but humped it straight through the main
|
|
one; and when I begun to get towards our house I aimed my eye and set it.
|
|
No light there; the house all dark--which made me feel sorry and
|
|
disappointed, I didn't know why. But at last, just as I was sailing by,
|
|
FLASH comes the light in Mary Jane's window! and my heart swelled up
|
|
sudden, like to bust; and the same second the house and all was behind me
|
|
in the dark, and wasn't ever going to be before me no more in this world.
|
|
She WAS the best girl I ever see, and had the most sand.
|
|
|
|
The minute I was far enough above the town to see I could make the
|
|
towhead, I begun to look sharp for a boat to borrow, and the first time
|
|
the lightning showed me one that wasn't chained I snatched it and shoved.
|
|
It was a canoe, and warn't fastened with nothing but a rope. The towhead
|
|
was a rattling big distance off, away out there in the middle of the
|
|
river, but I didn't lose no time; and when I struck the raft at last I
|
|
was so fagged I would a just laid down to blow and gasp if I could
|
|
afforded it. But I didn't. As I sprung aboard I sung out:
|
|
|
|
"Out with you, Jim, and set her loose! Glory be to goodness, we're shut
|
|
of them!"
|
|
|
|
Jim lit out, and was a-coming for me with both arms spread, he was so
|
|
full of joy; but when I glimpsed him in the lightning my heart shot up in
|
|
my mouth and I went overboard backwards; for I forgot he was old King
|
|
Lear and a drownded A-rab all in one, and it most scared the livers and
|
|
lights out of me. But Jim fished me out, and was going to hug me and
|
|
bless me, and so on, he was so glad I was back and we was shut of the
|
|
king and the duke, but I says:
|
|
|
|
"Not now; have it for breakfast, have it for breakfast! Cut loose and
|
|
let her slide!"
|
|
|
|
So in two seconds away we went a-sliding down the river, and it DID seem
|
|
so good to be free again and all by ourselves on the big river, and
|
|
nobody to bother us. I had to skip around a bit, and jump up and crack
|
|
my heels a few times--I couldn't help it; but about the third crack I
|
|
noticed a sound that I knowed mighty well, and held my breath and
|
|
listened and waited; and sure enough, when the next flash busted out over
|
|
the water, here they come!--and just a-laying to their oars and making
|
|
their skiff hum! It was the king and the duke.
|
|
|
|
So I wilted right down on to the planks then, and give up; and it was all
|
|
I could do to keep from crying.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXX.
|
|
|
|
WHEN they got aboard the king went for me, and shook me by the collar,
|
|
and says:
|
|
|
|
"Tryin' to give us the slip, was ye, you pup! Tired of our company,
|
|
hey?"
|
|
|
|
I says:
|
|
|
|
"No, your majesty, we warn't--PLEASE don't, your majesty!"
|
|
|
|
"Quick, then, and tell us what WAS your idea, or I'll shake the insides
|
|
out o' you!"
|
|
|
|
"Honest, I'll tell you everything just as it happened, your majesty. The
|
|
man that had a-holt of me was very good to me, and kept saying he had a
|
|
boy about as big as me that died last year, and he was sorry to see a boy
|
|
in such a dangerous fix; and when they was all took by surprise by
|
|
finding the gold, and made a rush for the coffin, he lets go of me and
|
|
whispers, 'Heel it now, or they'll hang ye, sure!' and I lit out. It
|
|
didn't seem no good for ME to stay--I couldn't do nothing, and I didn't
|
|
want to be hung if I could get away. So I never stopped running till I
|
|
found the canoe; and when I got here I told Jim to hurry, or they'd catch
|
|
me and hang me yet, and said I was afeard you and the duke wasn't alive
|
|
now, and I was awful sorry, and so was Jim, and was awful glad when we
|
|
see you coming; you may ask Jim if I didn't."
|
|
|
|
Jim said it was so; and the king told him to shut up, and said, "Oh, yes,
|
|
it's MIGHTY likely!" and shook me up again, and said he reckoned he'd
|
|
drownd me. But the duke says:
|
|
|
|
"Leggo the boy, you old idiot! Would YOU a done any different? Did you
|
|
inquire around for HIM when you got loose? I don't remember it."
|
|
|
|
So the king let go of me, and begun to cuss that town and everybody in
|
|
it. But the duke says:
|
|
|
|
"You better a blame' sight give YOURSELF a good cussing, for you're the
|
|
one that's entitled to it most. You hain't done a thing from the start
|
|
that had any sense in it, except coming out so cool and cheeky with that
|
|
imaginary blue-arrow mark. That WAS bright--it was right down bully; and
|
|
it was the thing that saved us. For if it hadn't been for that they'd a
|
|
jailed us till them Englishmen's baggage come--and then--the
|
|
penitentiary, you bet! But that trick took 'em to the graveyard, and the
|
|
gold done us a still bigger kindness; for if the excited fools hadn't let
|
|
go all holts and made that rush to get a look we'd a slept in our cravats
|
|
to-night--cravats warranted to WEAR, too--longer than WE'D need 'em."
|
|
|
|
They was still a minute--thinking; then the king says, kind of
|
|
absent-minded like:
|
|
|
|
"Mf! And we reckoned the NIGGERS stole it!"
|
|
|
|
That made me squirm!
|
|
|
|
"Yes," says the duke, kinder slow and deliberate and sarcastic, "WE did."
|
|
|
|
After about a half a minute the king drawls out:
|
|
|
|
"Leastways, I did."
|
|
|
|
The duke says, the same way:
|
|
|
|
"On the contrary, I did."
|
|
|
|
The king kind of ruffles up, and says:
|
|
|
|
"Looky here, Bilgewater, what'r you referrin' to?"
|
|
|
|
The duke says, pretty brisk:
|
|
|
|
"When it comes to that, maybe you'll let me ask, what was YOU referring
|
|
to?"
|
|
|
|
"Shucks!" says the king, very sarcastic; "but I don't know--maybe you was
|
|
asleep, and didn't know what you was about."
|
|
|
|
The duke bristles up now, and says:
|
|
|
|
"Oh, let UP on this cussed nonsense; do you take me for a blame' fool?
|
|
Don't you reckon I know who hid that money in that coffin?"
|
|
|
|
"YES, sir! I know you DO know, because you done it yourself!"
|
|
|
|
"It's a lie!"--and the duke went for him. The king sings out:
|
|
|
|
"Take y'r hands off!--leggo my throat!--I take it all back!"
|
|
|
|
The duke says:
|
|
|
|
"Well, you just own up, first, that you DID hide that money there,
|
|
intending to give me the slip one of these days, and come back and dig it
|
|
up, and have it all to yourself."
|
|
|
|
"Wait jest a minute, duke--answer me this one question, honest and fair;
|
|
if you didn't put the money there, say it, and I'll b'lieve you, and take
|
|
back everything I said."
|
|
|
|
"You old scoundrel, I didn't, and you know I didn't. There, now!"
|
|
|
|
"Well, then, I b'lieve you. But answer me only jest this one more--now
|
|
DON'T git mad; didn't you have it in your mind to hook the money and hide
|
|
it?"
|
|
|
|
The duke never said nothing for a little bit; then he says:
|
|
|
|
"Well, I don't care if I DID, I didn't DO it, anyway. But you not only
|
|
had it in mind to do it, but you DONE it."
|
|
|
|
"I wisht I never die if I done it, duke, and that's honest. I won't say
|
|
I warn't goin' to do it, because I WAS; but you--I mean somebody--got in
|
|
ahead o' me."
|
|
|
|
"It's a lie! You done it, and you got to SAY you done it, or--"
|
|
|
|
The king began to gurgle, and then he gasps out:
|
|
|
|
"'Nough!--I OWN UP!"
|
|
|
|
I was very glad to hear him say that; it made me feel much more easier
|
|
than what I was feeling before. So the duke took his hands off and says:
|
|
|
|
"If you ever deny it again I'll drown you. It's WELL for you to set
|
|
there and blubber like a baby--it's fitten for you, after the way you've
|
|
acted. I never see such an old ostrich for wanting to gobble everything
|
|
--and I a-trusting you all the time, like you was my own father. You ought
|
|
to been ashamed of yourself to stand by and hear it saddled on to a lot
|
|
of poor niggers, and you never say a word for 'em. It makes me feel
|
|
ridiculous to think I was soft enough to BELIEVE that rubbage. Cuss you,
|
|
I can see now why you was so anxious to make up the deffisit--you wanted
|
|
to get what money I'd got out of the Nonesuch and one thing or another,
|
|
and scoop it ALL!"
|
|
|
|
The king says, timid, and still a-snuffling:
|
|
|
|
"Why, duke, it was you that said make up the deffisit; it warn't me."
|
|
|
|
"Dry up! I don't want to hear no more out of you!" says the duke. "And
|
|
NOW you see what you GOT by it. They've got all their own money back,
|
|
and all of OURN but a shekel or two BESIDES. G'long to bed, and don't
|
|
you deffersit ME no more deffersits, long 's YOU live!"
|
|
|
|
So the king sneaked into the wigwam and took to his bottle for comfort,
|
|
and before long the duke tackled HIS bottle; and so in about a half an
|
|
hour they was as thick as thieves again, and the tighter they got the
|
|
lovinger they got, and went off a-snoring in each other's arms. They
|
|
both got powerful mellow, but I noticed the king didn't get mellow enough
|
|
to forget to remember to not deny about hiding the money-bag again. That
|
|
made me feel easy and satisfied. Of course when they got to snoring we
|
|
had a long gabble, and I told Jim everything.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXI.
|
|
|
|
WE dasn't stop again at any town for days and days; kept right along down
|
|
the river. We was down south in the warm weather now, and a mighty long
|
|
ways from home. We begun to come to trees with Spanish moss on them,
|
|
hanging down from the limbs like long, gray beards. It was the first I
|
|
ever see it growing, and it made the woods look solemn and dismal. So
|
|
now the frauds reckoned they was out of danger, and they begun to work
|
|
the villages again.
|
|
|
|
First they done a lecture on temperance; but they didn't make enough for
|
|
them both to get drunk on. Then in another village they started a
|
|
dancing-school; but they didn't know no more how to dance than a kangaroo
|
|
does; so the first prance they made the general public jumped in and
|
|
pranced them out of town. Another time they tried to go at yellocution;
|
|
but they didn't yellocute long till the audience got up and give them a
|
|
solid good cussing, and made them skip out. They tackled missionarying,
|
|
and mesmerizing, and doctoring, and telling fortunes, and a little of
|
|
everything; but they couldn't seem to have no luck. So at last they got
|
|
just about dead broke, and laid around the raft as she floated along,
|
|
thinking and thinking, and never saying nothing, by the half a day at a
|
|
time, and dreadful blue and desperate.
|
|
|
|
And at last they took a change and begun to lay their heads together in
|
|
the wigwam and talk low and confidential two or three hours at a time.
|
|
Jim and me got uneasy. We didn't like the look of it. We judged they
|
|
was studying up some kind of worse deviltry than ever. We turned it over
|
|
and over, and at last we made up our minds they was going to break into
|
|
somebody's house or store, or was going into the counterfeit-money
|
|
business, or something. So then we was pretty scared, and made up an
|
|
agreement that we wouldn't have nothing in the world to do with such
|
|
actions, and if we ever got the least show we would give them the cold
|
|
shake and clear out and leave them behind. Well, early one morning we hid
|
|
the raft in a good, safe place about two mile below a little bit of a
|
|
shabby village named Pikesville, and the king he went ashore and told us
|
|
all to stay hid whilst he went up to town and smelt around to see if
|
|
anybody had got any wind of the Royal Nonesuch there yet. ("House to rob,
|
|
you MEAN," says I to myself; "and when you get through robbing it you'll
|
|
come back here and wonder what has become of me and Jim and the raft--and
|
|
you'll have to take it out in wondering.") And he said if he warn't back
|
|
by midday the duke and me would know it was all right, and we was to come
|
|
along.
|
|
|
|
So we stayed where we was. The duke he fretted and sweated around, and
|
|
was in a mighty sour way. He scolded us for everything, and we couldn't
|
|
seem to do nothing right; he found fault with every little thing.
|
|
Something was a-brewing, sure. I was good and glad when midday come and
|
|
no king; we could have a change, anyway--and maybe a chance for THE
|
|
chance on top of it. So me and the duke went up to the village, and
|
|
hunted around there for the king, and by and by we found him in the back
|
|
room of a little low doggery, very tight, and a lot of loafers
|
|
bullyragging him for sport, and he a-cussing and a-threatening with all
|
|
his might, and so tight he couldn't walk, and couldn't do nothing to
|
|
them. The duke he begun to abuse him for an old fool, and the king begun
|
|
to sass back, and the minute they was fairly at it I lit out and shook
|
|
the reefs out of my hind legs, and spun down the river road like a deer,
|
|
for I see our chance; and I made up my mind that it would be a long day
|
|
before they ever see me and Jim again. I got down there all out of
|
|
breath but loaded up with joy, and sung out:
|
|
|
|
"Set her loose, Jim! we're all right now!"
|
|
|
|
But there warn't no answer, and nobody come out of the wigwam. Jim was
|
|
gone! I set up a shout--and then another--and then another one; and run
|
|
this way and that in the woods, whooping and screeching; but it warn't no
|
|
use--old Jim was gone. Then I set down and cried; I couldn't help it.
|
|
But I couldn't set still long. Pretty soon I went out on the road,
|
|
trying to think what I better do, and I run across a boy walking, and
|
|
asked him if he'd seen a strange nigger dressed so and so, and he says:
|
|
|
|
"Yes."
|
|
|
|
"Whereabouts?" says I.
|
|
|
|
"Down to Silas Phelps' place, two mile below here. He's a runaway
|
|
nigger, and they've got him. Was you looking for him?"
|
|
|
|
"You bet I ain't! I run across him in the woods about an hour or two
|
|
ago, and he said if I hollered he'd cut my livers out--and told me to lay
|
|
down and stay where I was; and I done it. Been there ever since; afeard
|
|
to come out."
|
|
|
|
"Well," he says, "you needn't be afeard no more, becuz they've got him.
|
|
He run off f'm down South, som'ers."
|
|
|
|
"It's a good job they got him."
|
|
|
|
"Well, I RECKON! There's two hunderd dollars reward on him. It's like
|
|
picking up money out'n the road."
|
|
|
|
"Yes, it is--and I could a had it if I'd been big enough; I see him
|
|
FIRST. Who nailed him?"
|
|
|
|
"It was an old fellow--a stranger--and he sold out his chance in him for
|
|
forty dollars, becuz he's got to go up the river and can't wait. Think
|
|
o' that, now! You bet I'D wait, if it was seven year."
|
|
|
|
"That's me, every time," says I. "But maybe his chance ain't worth no
|
|
more than that, if he'll sell it so cheap. Maybe there's something ain't
|
|
straight about it."
|
|
|
|
"But it IS, though--straight as a string. I see the handbill myself. It
|
|
tells all about him, to a dot--paints him like a picture, and tells the
|
|
plantation he's frum, below NewrLEANS. No-sirree-BOB, they ain't no
|
|
trouble 'bout THAT speculation, you bet you. Say, gimme a chaw tobacker,
|
|
won't ye?"
|
|
|
|
I didn't have none, so he left. I went to the raft, and set down in the
|
|
wigwam to think. But I couldn't come to nothing. I thought till I wore
|
|
my head sore, but I couldn't see no way out of the trouble. After all
|
|
this long journey, and after all we'd done for them scoundrels, here it
|
|
was all come to nothing, everything all busted up and ruined, because
|
|
they could have the heart to serve Jim such a trick as that, and make him
|
|
a slave again all his life, and amongst strangers, too, for forty dirty
|
|
dollars.
|
|
|
|
Once I said to myself it would be a thousand times better for Jim to be a
|
|
slave at home where his family was, as long as he'd GOT to be a slave,
|
|
and so I'd better write a letter to Tom Sawyer and tell him to tell Miss
|
|
Watson where he was. But I soon give up that notion for two things:
|
|
she'd be mad and disgusted at his rascality and ungratefulness for
|
|
leaving her, and so she'd sell him straight down the river again; and if
|
|
she didn't, everybody naturally despises an ungrateful nigger, and they'd
|
|
make Jim feel it all the time, and so he'd feel ornery and disgraced.
|
|
And then think of ME! It would get all around that Huck Finn helped a
|
|
nigger to get his freedom; and if I was ever to see anybody from that
|
|
town again I'd be ready to get down and lick his boots for shame. That's
|
|
just the way: a person does a low-down thing, and then he don't want to
|
|
take no consequences of it. Thinks as long as he can hide, it ain't no
|
|
disgrace. That was my fix exactly. The more I studied about this the
|
|
more my conscience went to grinding me, and the more wicked and low-down
|
|
and ornery I got to feeling. And at last, when it hit me all of a sudden
|
|
that here was the plain hand of Providence slapping me in the face and
|
|
letting me know my wickedness was being watched all the time from up
|
|
there in heaven, whilst I was stealing a poor old woman's nigger that
|
|
hadn't ever done me no harm, and now was showing me there's One that's
|
|
always on the lookout, and ain't a-going to allow no such miserable
|
|
doings to go only just so fur and no further, I most dropped in my tracks
|
|
I was so scared. Well, I tried the best I could to kinder soften it up
|
|
somehow for myself by saying I was brung up wicked, and so I warn't so
|
|
much to blame; but something inside of me kept saying, "There was the
|
|
Sunday-school, you could a gone to it; and if you'd a done it they'd a
|
|
learnt you there that people that acts as I'd been acting about that
|
|
nigger goes to everlasting fire."
|
|
|
|
It made me shiver. And I about made up my mind to pray, and see if I
|
|
couldn't try to quit being the kind of a boy I was and be better. So I
|
|
kneeled down. But the words wouldn't come. Why wouldn't they? It
|
|
warn't no use to try and hide it from Him. Nor from ME, neither. I
|
|
knowed very well why they wouldn't come. It was because my heart warn't
|
|
right; it was because I warn't square; it was because I was playing
|
|
double. I was letting ON to give up sin, but away inside of me I was
|
|
holding on to the biggest one of all. I was trying to make my mouth SAY
|
|
I would do the right thing and the clean thing, and go and write to that
|
|
nigger's owner and tell where he was; but deep down in me I knowed it was
|
|
a lie, and He knowed it. You can't pray a lie--I found that out.
|
|
|
|
So I was full of trouble, full as I could be; and didn't know what to do.
|
|
At last I had an idea; and I says, I'll go and write the letter--and then
|
|
see if I can pray. Why, it was astonishing, the way I felt as light as a
|
|
feather right straight off, and my troubles all gone. So I got a piece
|
|
of paper and a pencil, all glad and excited, and set down and wrote:
|
|
|
|
Miss Watson, your runaway nigger Jim is down here two mile below
|
|
Pikesville, and Mr. Phelps has got him and he will give him up for the
|
|
reward if you send.
|
|
|
|
HUCK FINN.
|
|
|
|
I felt good and all washed clean of sin for the first time I had ever
|
|
felt so in my life, and I knowed I could pray now. But I didn't do it
|
|
straight off, but laid the paper down and set there thinking--thinking
|
|
how good it was all this happened so, and how near I come to being lost
|
|
and going to hell. And went on thinking. And got to thinking over our
|
|
trip down the river; and I see Jim before me all the time: in the day
|
|
and in the night-time, sometimes moonlight, sometimes storms, and we
|
|
a-floating along, talking and singing and laughing. But somehow I
|
|
couldn't seem to strike no places to harden me against him, but only the
|
|
other kind. I'd see him standing my watch on top of his'n, 'stead of
|
|
calling me, so I could go on sleeping; and see him how glad he was when I
|
|
come back out of the fog; and when I come to him again in the swamp, up
|
|
there where the feud was; and such-like times; and would always call me
|
|
honey, and pet me and do everything he could think of for me, and how
|
|
good he always was; and at last I struck the time I saved him by telling
|
|
the men we had small-pox aboard, and he was so grateful, and said I was
|
|
the best friend old Jim ever had in the world, and the ONLY one he's got
|
|
now; and then I happened to look around and see that paper.
|
|
|
|
It was a close place. I took it up, and held it in my hand. I was
|
|
a-trembling, because I'd got to decide, forever, betwixt two things, and
|
|
I knowed it. I studied a minute, sort of holding my breath, and then
|
|
says to myself:
|
|
|
|
"All right, then, I'll GO to hell"--and tore it up.
|
|
|
|
It was awful thoughts and awful words, but they was said. And I let them
|
|
stay said; and never thought no more about reforming. I shoved the whole
|
|
thing out of my head, and said I would take up wickedness again, which
|
|
was in my line, being brung up to it, and the other warn't. And for a
|
|
starter I would go to work and steal Jim out of slavery again; and if I
|
|
could think up anything worse, I would do that, too; because as long as I
|
|
was in, and in for good, I might as well go the whole hog.
|
|
|
|
Then I set to thinking over how to get at it, and turned over some
|
|
considerable many ways in my mind; and at last fixed up a plan that
|
|
suited me. So then I took the bearings of a woody island that was down
|
|
the river a piece, and as soon as it was fairly dark I crept out with my
|
|
raft and went for it, and hid it there, and then turned in. I slept the
|
|
night through, and got up before it was light, and had my breakfast, and
|
|
put on my store clothes, and tied up some others and one thing or another
|
|
in a bundle, and took the canoe and cleared for shore. I landed below
|
|
where I judged was Phelps's place, and hid my bundle in the woods, and
|
|
then filled up the canoe with water, and loaded rocks into her and sunk
|
|
her where I could find her again when I wanted her, about a quarter of a
|
|
mile below a little steam sawmill that was on the bank.
|
|
|
|
Then I struck up the road, and when I passed the mill I see a sign on it,
|
|
"Phelps's Sawmill," and when I come to the farm-houses, two or three
|
|
hundred yards further along, I kept my eyes peeled, but didn't see nobody
|
|
around, though it was good daylight now. But I didn't mind, because I
|
|
didn't want to see nobody just yet--I only wanted to get the lay of the
|
|
land. According to my plan, I was going to turn up there from the
|
|
village, not from below. So I just took a look, and shoved along,
|
|
straight for town. Well, the very first man I see when I got there was
|
|
the duke. He was sticking up a bill for the Royal Nonesuch--three-night
|
|
performance--like that other time. They had the cheek, them frauds! I
|
|
was right on him before I could shirk. He looked astonished, and says:
|
|
|
|
"Hel-LO! Where'd YOU come from?" Then he says, kind of glad and eager,
|
|
"Where's the raft?--got her in a good place?"
|
|
|
|
I says:
|
|
|
|
"Why, that's just what I was going to ask your grace."
|
|
|
|
Then he didn't look so joyful, and says:
|
|
|
|
"What was your idea for asking ME?" he says.
|
|
|
|
"Well," I says, "when I see the king in that doggery yesterday I says to
|
|
myself, we can't get him home for hours, till he's soberer; so I went
|
|
a-loafing around town to put in the time and wait. A man up and offered
|
|
me ten cents to help him pull a skiff over the river and back to fetch a
|
|
sheep, and so I went along; but when we was dragging him to the boat, and
|
|
the man left me a-holt of the rope and went behind him to shove him
|
|
along, he was too strong for me and jerked loose and run, and we after
|
|
him. We didn't have no dog, and so we had to chase him all over the
|
|
country till we tired him out. We never got him till dark; then we
|
|
fetched him over, and I started down for the raft. When I got there and
|
|
see it was gone, I says to myself, 'They've got into trouble and had to
|
|
leave; and they've took my nigger, which is the only nigger I've got in
|
|
the world, and now I'm in a strange country, and ain't got no property no
|
|
more, nor nothing, and no way to make my living;' so I set down and
|
|
cried. I slept in the woods all night. But what DID become of the raft,
|
|
then?--and Jim--poor Jim!"
|
|
|
|
"Blamed if I know--that is, what's become of the raft. That old fool had
|
|
made a trade and got forty dollars, and when we found him in the doggery
|
|
the loafers had matched half-dollars with him and got every cent but what
|
|
he'd spent for whisky; and when I got him home late last night and found
|
|
the raft gone, we said, 'That little rascal has stole our raft and shook
|
|
us, and run off down the river.'"
|
|
|
|
"I wouldn't shake my NIGGER, would I?--the only nigger I had in the
|
|
world, and the only property."
|
|
|
|
"We never thought of that. Fact is, I reckon we'd come to consider him
|
|
OUR nigger; yes, we did consider him so--goodness knows we had trouble
|
|
enough for him. So when we see the raft was gone and we flat broke,
|
|
there warn't anything for it but to try the Royal Nonesuch another shake.
|
|
And I've pegged along ever since, dry as a powder-horn. Where's that ten
|
|
cents? Give it here."
|
|
|
|
I had considerable money, so I give him ten cents, but begged him to
|
|
spend it for something to eat, and give me some, because it was all the
|
|
money I had, and I hadn't had nothing to eat since yesterday. He never
|
|
said nothing. The next minute he whirls on me and says:
|
|
|
|
"Do you reckon that nigger would blow on us? We'd skin him if he done
|
|
that!"
|
|
|
|
"How can he blow? Hain't he run off?"
|
|
|
|
"No! That old fool sold him, and never divided with me, and the money's
|
|
gone."
|
|
|
|
"SOLD him?" I says, and begun to cry; "why, he was MY nigger, and that
|
|
was my money. Where is he?--I want my nigger."
|
|
|
|
"Well, you can't GET your nigger, that's all--so dry up your blubbering.
|
|
Looky here--do you think YOU'D venture to blow on us? Blamed if I think
|
|
I'd trust you. Why, if you WAS to blow on us--"
|
|
|
|
He stopped, but I never see the duke look so ugly out of his eyes before.
|
|
I went on a-whimpering, and says:
|
|
|
|
"I don't want to blow on nobody; and I ain't got no time to blow, nohow.
|
|
I got to turn out and find my nigger."
|
|
|
|
He looked kinder bothered, and stood there with his bills fluttering on
|
|
his arm, thinking, and wrinkling up his forehead. At last he says:
|
|
|
|
"I'll tell you something. We got to be here three days. If you'll
|
|
promise you won't blow, and won't let the nigger blow, I'll tell you
|
|
where to find him."
|
|
|
|
So I promised, and he says:
|
|
|
|
"A farmer by the name of Silas Ph--" and then he stopped. You see, he
|
|
started to tell me the truth; but when he stopped that way, and begun to
|
|
study and think again, I reckoned he was changing his mind. And so he
|
|
was. He wouldn't trust me; he wanted to make sure of having me out of the
|
|
way the whole three days. So pretty soon he says:
|
|
|
|
"The man that bought him is named Abram Foster--Abram G. Foster--and he
|
|
lives forty mile back here in the country, on the road to Lafayette."
|
|
|
|
"All right," I says, "I can walk it in three days. And I'll start this
|
|
very afternoon."
|
|
|
|
"No you wont, you'll start NOW; and don't you lose any time about it,
|
|
neither, nor do any gabbling by the way. Just keep a tight tongue in
|
|
your head and move right along, and then you won't get into trouble with
|
|
US, d'ye hear?"
|
|
|
|
That was the order I wanted, and that was the one I played for. I wanted
|
|
to be left free to work my plans.
|
|
|
|
"So clear out," he says; "and you can tell Mr. Foster whatever you want
|
|
to. Maybe you can get him to believe that Jim IS your nigger--some idiots
|
|
don't require documents--leastways I've heard there's such down South
|
|
here. And when you tell him the handbill and the reward's bogus, maybe
|
|
he'll believe you when you explain to him what the idea was for getting
|
|
'em out. Go 'long now, and tell him anything you want to; but mind you
|
|
don't work your jaw any BETWEEN here and there."
|
|
|
|
So I left, and struck for the back country. I didn't look around, but I
|
|
kinder felt like he was watching me. But I knowed I could tire him out
|
|
at that. I went straight out in the country as much as a mile before I
|
|
stopped; then I doubled back through the woods towards Phelps'. I
|
|
reckoned I better start in on my plan straight off without fooling
|
|
around, because I wanted to stop Jim's mouth till these fellows could get
|
|
away. I didn't want no trouble with their kind. I'd seen all I wanted
|
|
to of them, and wanted to get entirely shut of them.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXII.
|
|
|
|
WHEN I got there it was all still and Sunday-like, and hot and sunshiny;
|
|
the hands was gone to the fields; and there was them kind of faint
|
|
dronings of bugs and flies in the air that makes it seem so lonesome and
|
|
like everybody's dead and gone; and if a breeze fans along and quivers
|
|
the leaves it makes you feel mournful, because you feel like it's spirits
|
|
whispering--spirits that's been dead ever so many years--and you always
|
|
think they're talking about YOU. As a general thing it makes a body wish
|
|
HE was dead, too, and done with it all.
|
|
|
|
Phelps' was one of these little one-horse cotton plantations, and they
|
|
all look alike. A rail fence round a two-acre yard; a stile made out of
|
|
logs sawed off and up-ended in steps, like barrels of a different length,
|
|
to climb over the fence with, and for the women to stand on when they are
|
|
going to jump on to a horse; some sickly grass-patches in the big yard,
|
|
but mostly it was bare and smooth, like an old hat with the nap rubbed
|
|
off; big double log-house for the white folks--hewed logs, with the
|
|
chinks stopped up with mud or mortar, and these mud-stripes been
|
|
whitewashed some time or another; round-log kitchen, with a big broad,
|
|
open but roofed passage joining it to the house; log smoke-house back of
|
|
the kitchen; three little log nigger-cabins in a row t'other side the
|
|
smoke-house; one little hut all by itself away down against the back
|
|
fence, and some outbuildings down a piece the other side; ash-hopper and
|
|
big kettle to bile soap in by the little hut; bench by the kitchen door,
|
|
with bucket of water and a gourd; hound asleep there in the sun; more
|
|
hounds asleep round about; about three shade trees away off in a corner;
|
|
some currant bushes and gooseberry bushes in one place by the fence;
|
|
outside of the fence a garden and a watermelon patch; then the cotton
|
|
fields begins, and after the fields the woods.
|
|
|
|
I went around and clumb over the back stile by the ash-hopper, and
|
|
started for the kitchen. When I got a little ways I heard the dim hum of
|
|
a spinning-wheel wailing along up and sinking along down again; and then
|
|
I knowed for certain I wished I was dead--for that IS the lonesomest
|
|
sound in the whole world.
|
|
|
|
I went right along, not fixing up any particular plan, but just trusting
|
|
to Providence to put the right words in my mouth when the time come; for
|
|
I'd noticed that Providence always did put the right words in my mouth if
|
|
I left it alone.
|
|
|
|
When I got half-way, first one hound and then another got up and went for
|
|
me, and of course I stopped and faced them, and kept still. And such
|
|
another powwow as they made! In a quarter of a minute I was a kind of a
|
|
hub of a wheel, as you may say--spokes made out of dogs--circle of
|
|
fifteen of them packed together around me, with their necks and noses
|
|
stretched up towards me, a-barking and howling; and more a-coming; you
|
|
could see them sailing over fences and around corners from everywheres.
|
|
|
|
A nigger woman come tearing out of the kitchen with a rolling-pin in her
|
|
hand, singing out, "Begone YOU Tige! you Spot! begone sah!" and she
|
|
fetched first one and then another of them a clip and sent them howling,
|
|
and then the rest followed; and the next second half of them come back,
|
|
wagging their tails around me, and making friends with me. There ain't
|
|
no harm in a hound, nohow.
|
|
|
|
And behind the woman comes a little nigger girl and two little nigger
|
|
boys without anything on but tow-linen shirts, and they hung on to their
|
|
mother's gown, and peeped out from behind her at me, bashful, the way
|
|
they always do. And here comes the white woman running from the house,
|
|
about forty-five or fifty year old, bareheaded, and her spinning-stick in
|
|
her hand; and behind her comes her little white children, acting the same
|
|
way the little niggers was going. She was smiling all over so she could
|
|
hardly stand--and says:
|
|
|
|
"It's YOU, at last!--AIN'T it?"
|
|
|
|
I out with a "Yes'm" before I thought.
|
|
|
|
She grabbed me and hugged me tight; and then gripped me by both hands and
|
|
shook and shook; and the tears come in her eyes, and run down over; and
|
|
she couldn't seem to hug and shake enough, and kept saying, "You don't
|
|
look as much like your mother as I reckoned you would; but law sakes, I
|
|
don't care for that, I'm so glad to see you! Dear, dear, it does seem
|
|
like I could eat you up! Children, it's your cousin Tom!--tell him
|
|
howdy."
|
|
|
|
But they ducked their heads, and put their fingers in their mouths, and
|
|
hid behind her. So she run on:
|
|
|
|
"Lize, hurry up and get him a hot breakfast right away--or did you get
|
|
your breakfast on the boat?"
|
|
|
|
I said I had got it on the boat. So then she started for the house,
|
|
leading me by the hand, and the children tagging after. When we got
|
|
there she set me down in a split-bottomed chair, and set herself down on
|
|
a little low stool in front of me, holding both of my hands, and says:
|
|
|
|
"Now I can have a GOOD look at you; and, laws-a-me, I've been hungry for
|
|
it a many and a many a time, all these long years, and it's come at last!
|
|
We been expecting you a couple of days and more. What kep' you?--boat
|
|
get aground?"
|
|
|
|
"Yes'm--she--"
|
|
|
|
"Don't say yes'm--say Aunt Sally. Where'd she get aground?"
|
|
|
|
I didn't rightly know what to say, because I didn't know whether the boat
|
|
would be coming up the river or down. But I go a good deal on instinct;
|
|
and my instinct said she would be coming up--from down towards Orleans.
|
|
That didn't help me much, though; for I didn't know the names of bars
|
|
down that way. I see I'd got to invent a bar, or forget the name of the
|
|
one we got aground on--or--Now I struck an idea, and fetched it out:
|
|
|
|
"It warn't the grounding--that didn't keep us back but a little. We
|
|
blowed out a cylinder-head."
|
|
|
|
"Good gracious! anybody hurt?"
|
|
|
|
"No'm. Killed a nigger."
|
|
|
|
"Well, it's lucky; because sometimes people do get hurt. Two years ago
|
|
last Christmas your uncle Silas was coming up from Newrleans on the old
|
|
Lally Rook, and she blowed out a cylinder-head and crippled a man. And I
|
|
think he died afterwards. He was a Baptist. Your uncle Silas knowed a
|
|
family in Baton Rouge that knowed his people very well. Yes, I remember
|
|
now, he DID die. Mortification set in, and they had to amputate him.
|
|
But it didn't save him. Yes, it was mortification--that was it. He
|
|
turned blue all over, and died in the hope of a glorious resurrection.
|
|
They say he was a sight to look at. Your uncle's been up to the town
|
|
every day to fetch you. And he's gone again, not more'n an hour ago;
|
|
he'll be back any minute now. You must a met him on the road, didn't
|
|
you?--oldish man, with a--"
|
|
|
|
"No, I didn't see nobody, Aunt Sally. The boat landed just at daylight,
|
|
and I left my baggage on the wharf-boat and went looking around the town
|
|
and out a piece in the country, to put in the time and not get here too
|
|
soon; and so I come down the back way."
|
|
|
|
"Who'd you give the baggage to?"
|
|
|
|
"Nobody."
|
|
|
|
"Why, child, it 'll be stole!"
|
|
|
|
"Not where I hid it I reckon it won't," I says.
|
|
|
|
"How'd you get your breakfast so early on the boat?"
|
|
|
|
It was kinder thin ice, but I says:
|
|
|
|
"The captain see me standing around, and told me I better have something
|
|
to eat before I went ashore; so he took me in the texas to the officers'
|
|
lunch, and give me all I wanted."
|
|
|
|
I was getting so uneasy I couldn't listen good. I had my mind on the
|
|
children all the time; I wanted to get them out to one side and pump them
|
|
a little, and find out who I was. But I couldn't get no show, Mrs.
|
|
Phelps kept it up and run on so. Pretty soon she made the cold chills
|
|
streak all down my back, because she says:
|
|
|
|
"But here we're a-running on this way, and you hain't told me a word
|
|
about Sis, nor any of them. Now I'll rest my works a little, and you
|
|
start up yourn; just tell me EVERYTHING--tell me all about 'm all every
|
|
one of 'm; and how they are, and what they're doing, and what they told
|
|
you to tell me; and every last thing you can think of."
|
|
|
|
Well, I see I was up a stump--and up it good. Providence had stood by me
|
|
this fur all right, but I was hard and tight aground now. I see it
|
|
warn't a bit of use to try to go ahead--I'd got to throw up my hand. So
|
|
I says to myself, here's another place where I got to resk the truth. I
|
|
opened my mouth to begin; but she grabbed me and hustled me in behind the
|
|
bed, and says:
|
|
|
|
"Here he comes! Stick your head down lower--there, that'll do; you can't
|
|
be seen now. Don't you let on you're here. I'll play a joke on him.
|
|
Children, don't you say a word."
|
|
|
|
I see I was in a fix now. But it warn't no use to worry; there warn't
|
|
nothing to do but just hold still, and try and be ready to stand from
|
|
under when the lightning struck.
|
|
|
|
I had just one little glimpse of the old gentleman when he come in; then
|
|
the bed hid him. Mrs. Phelps she jumps for him, and says:
|
|
|
|
"Has he come?"
|
|
|
|
"No," says her husband.
|
|
|
|
"Good-NESS gracious!" she says, "what in the warld can have become of
|
|
him?"
|
|
|
|
"I can't imagine," says the old gentleman; "and I must say it makes me
|
|
dreadful uneasy."
|
|
|
|
"Uneasy!" she says; "I'm ready to go distracted! He MUST a come; and
|
|
you've missed him along the road. I KNOW it's so--something tells me
|
|
so."
|
|
|
|
"Why, Sally, I COULDN'T miss him along the road--YOU know that."
|
|
|
|
"But oh, dear, dear, what WILL Sis say! He must a come! You must a
|
|
missed him. He--"
|
|
|
|
"Oh, don't distress me any more'n I'm already distressed. I don't know
|
|
what in the world to make of it. I'm at my wit's end, and I don't mind
|
|
acknowledging 't I'm right down scared. But there's no hope that he's
|
|
come; for he COULDN'T come and me miss him. Sally, it's terrible--just
|
|
terrible--something's happened to the boat, sure!"
|
|
|
|
"Why, Silas! Look yonder!--up the road!--ain't that somebody coming?"
|
|
|
|
He sprung to the window at the head of the bed, and that give Mrs. Phelps
|
|
the chance she wanted. She stooped down quick at the foot of the bed and
|
|
give me a pull, and out I come; and when he turned back from the window
|
|
there she stood, a-beaming and a-smiling like a house afire, and I
|
|
standing pretty meek and sweaty alongside. The old gentleman stared, and
|
|
says:
|
|
|
|
"Why, who's that?"
|
|
|
|
"Who do you reckon 't is?"
|
|
|
|
"I hain't no idea. Who IS it?"
|
|
|
|
"It's TOM SAWYER!"
|
|
|
|
By jings, I most slumped through the floor! But there warn't no time to
|
|
swap knives; the old man grabbed me by the hand and shook, and kept on
|
|
shaking; and all the time how the woman did dance around and laugh and
|
|
cry; and then how they both did fire off questions about Sid, and Mary,
|
|
and the rest of the tribe.
|
|
|
|
But if they was joyful, it warn't nothing to what I was; for it was like
|
|
being born again, I was so glad to find out who I was. Well, they froze
|
|
to me for two hours; and at last, when my chin was so tired it couldn't
|
|
hardly go any more, I had told them more about my family--I mean the
|
|
Sawyer family--than ever happened to any six Sawyer families. And I
|
|
explained all about how we blowed out a cylinder-head at the mouth of
|
|
White River, and it took us three days to fix it. Which was all right,
|
|
and worked first-rate; because THEY didn't know but what it would take
|
|
three days to fix it. If I'd a called it a bolthead it would a done just
|
|
as well.
|
|
|
|
Now I was feeling pretty comfortable all down one side, and pretty
|
|
uncomfortable all up the other. Being Tom Sawyer was easy and
|
|
comfortable, and it stayed easy and comfortable till by and by I hear a
|
|
steamboat coughing along down the river. Then I says to myself, s'pose
|
|
Tom Sawyer comes down on that boat? And s'pose he steps in here any
|
|
minute, and sings out my name before I can throw him a wink to keep
|
|
quiet?
|
|
|
|
Well, I couldn't HAVE it that way; it wouldn't do at all. I must go up
|
|
the road and waylay him. So I told the folks I reckoned I would go up to
|
|
the town and fetch down my baggage. The old gentleman was for going
|
|
along with me, but I said no, I could drive the horse myself, and I
|
|
druther he wouldn't take no trouble about me.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXIII.
|
|
|
|
SO I started for town in the wagon, and when I was half-way I see a wagon
|
|
coming, and sure enough it was Tom Sawyer, and I stopped and waited till
|
|
he come along. I says "Hold on!" and it stopped alongside, and his mouth
|
|
opened up like a trunk, and stayed so; and he swallowed two or three
|
|
times like a person that's got a dry throat, and then says:
|
|
|
|
"I hain't ever done you no harm. You know that. So, then, what you want
|
|
to come back and ha'nt ME for?"
|
|
|
|
I says:
|
|
|
|
"I hain't come back--I hain't been GONE."
|
|
|
|
When he heard my voice it righted him up some, but he warn't quite
|
|
satisfied yet. He says:
|
|
|
|
"Don't you play nothing on me, because I wouldn't on you. Honest injun,
|
|
you ain't a ghost?"
|
|
|
|
"Honest injun, I ain't," I says.
|
|
|
|
"Well--I--I--well, that ought to settle it, of course; but I can't
|
|
somehow seem to understand it no way. Looky here, warn't you ever
|
|
murdered AT ALL?"
|
|
|
|
"No. I warn't ever murdered at all--I played it on them. You come in
|
|
here and feel of me if you don't believe me."
|
|
|
|
So he done it; and it satisfied him; and he was that glad to see me again
|
|
he didn't know what to do. And he wanted to know all about it right off,
|
|
because it was a grand adventure, and mysterious, and so it hit him where
|
|
he lived. But I said, leave it alone till by and by; and told his driver
|
|
to wait, and we drove off a little piece, and I told him the kind of a
|
|
fix I was in, and what did he reckon we better do? He said, let him
|
|
alone a minute, and don't disturb him. So he thought and thought, and
|
|
pretty soon he says:
|
|
|
|
"It's all right; I've got it. Take my trunk in your wagon, and let on
|
|
it's your'n; and you turn back and fool along slow, so as to get to the
|
|
house about the time you ought to; and I'll go towards town a piece, and
|
|
take a fresh start, and get there a quarter or a half an hour after you;
|
|
and you needn't let on to know me at first."
|
|
|
|
I says:
|
|
|
|
"All right; but wait a minute. There's one more thing--a thing that
|
|
NOBODY don't know but me. And that is, there's a nigger here that I'm
|
|
a-trying to steal out of slavery, and his name is JIM--old Miss Watson's
|
|
Jim."
|
|
|
|
He says:
|
|
|
|
"What! Why, Jim is--"
|
|
|
|
He stopped and went to studying. I says:
|
|
|
|
"I know what you'll say. You'll say it's dirty, low-down business; but
|
|
what if it is? I'm low down; and I'm a-going to steal him, and I want
|
|
you keep mum and not let on. Will you?"
|
|
|
|
His eye lit up, and he says:
|
|
|
|
"I'll HELP you steal him!"
|
|
|
|
Well, I let go all holts then, like I was shot. It was the most
|
|
astonishing speech I ever heard--and I'm bound to say Tom Sawyer fell
|
|
considerable in my estimation. Only I couldn't believe it. Tom Sawyer a
|
|
NIGGER-STEALER!
|
|
|
|
"Oh, shucks!" I says; "you're joking."
|
|
|
|
"I ain't joking, either."
|
|
|
|
"Well, then," I says, "joking or no joking, if you hear anything said
|
|
about a runaway nigger, don't forget to remember that YOU don't know
|
|
nothing about him, and I don't know nothing about him."
|
|
|
|
Then we took the trunk and put it in my wagon, and he drove off his way
|
|
and I drove mine. But of course I forgot all about driving slow on
|
|
accounts of being glad and full of thinking; so I got home a heap too
|
|
quick for that length of a trip. The old gentleman was at the door, and
|
|
he says:
|
|
|
|
"Why, this is wonderful! Whoever would a thought it was in that mare to
|
|
do it? I wish we'd a timed her. And she hain't sweated a hair--not a
|
|
hair. It's wonderful. Why, I wouldn't take a hundred dollars for that
|
|
horse now--I wouldn't, honest; and yet I'd a sold her for fifteen
|
|
before, and thought 'twas all she was worth."
|
|
|
|
That's all he said. He was the innocentest, best old soul I ever see.
|
|
But it warn't surprising; because he warn't only just a farmer, he was a
|
|
preacher, too, and had a little one-horse log church down back of the
|
|
plantation, which he built it himself at his own expense, for a church
|
|
and schoolhouse, and never charged nothing for his preaching, and it was
|
|
worth it, too. There was plenty other farmer-preachers like that, and
|
|
done the same way, down South.
|
|
|
|
In about half an hour Tom's wagon drove up to the front stile, and Aunt
|
|
Sally she see it through the window, because it was only about fifty
|
|
yards, and says:
|
|
|
|
"Why, there's somebody come! I wonder who 'tis? Why, I do believe it's
|
|
a stranger. Jimmy" (that's one of the children) "run and tell Lize to
|
|
put on another plate for dinner."
|
|
|
|
Everybody made a rush for the front door, because, of course, a stranger
|
|
don't come EVERY year, and so he lays over the yaller-fever, for
|
|
interest, when he does come. Tom was over the stile and starting for the
|
|
house; the wagon was spinning up the road for the village, and we was all
|
|
bunched in the front door. Tom had his store clothes on, and an
|
|
audience--and that was always nuts for Tom Sawyer. In them circumstances
|
|
it warn't no trouble to him to throw in an amount of style that was
|
|
suitable. He warn't a boy to meeky along up that yard like a sheep; no,
|
|
he come ca'm and important, like the ram. When he got a-front of us he
|
|
lifts his hat ever so gracious and dainty, like it was the lid of a box
|
|
that had butterflies asleep in it and he didn't want to disturb them, and
|
|
says:
|
|
|
|
"Mr. Archibald Nichols, I presume?"
|
|
|
|
"No, my boy," says the old gentleman, "I'm sorry to say 't your driver
|
|
has deceived you; Nichols's place is down a matter of three mile more.
|
|
Come in, come in."
|
|
|
|
Tom he took a look back over his shoulder, and says, "Too late--he's out
|
|
of sight."
|
|
|
|
"Yes, he's gone, my son, and you must come in and eat your dinner with
|
|
us; and then we'll hitch up and take you down to Nichols's."
|
|
|
|
"Oh, I CAN'T make you so much trouble; I couldn't think of it. I'll walk
|
|
--I don't mind the distance."
|
|
|
|
"But we won't LET you walk--it wouldn't be Southern hospitality to do it.
|
|
Come right in."
|
|
|
|
"Oh, DO," says Aunt Sally; "it ain't a bit of trouble to us, not a bit in
|
|
the world. You must stay. It's a long, dusty three mile, and we can't
|
|
let you walk. And, besides, I've already told 'em to put on another
|
|
plate when I see you coming; so you mustn't disappoint us. Come right in
|
|
and make yourself at home."
|
|
|
|
So Tom he thanked them very hearty and handsome, and let himself be
|
|
persuaded, and come in; and when he was in he said he was a stranger from
|
|
Hicksville, Ohio, and his name was William Thompson--and he made another
|
|
bow.
|
|
|
|
Well, he run on, and on, and on, making up stuff about Hicksville and
|
|
everybody in it he could invent, and I getting a little nervious, and
|
|
wondering how this was going to help me out of my scrape; and at last,
|
|
still talking along, he reached over and kissed Aunt Sally right on the
|
|
mouth, and then settled back again in his chair comfortable, and was
|
|
going on talking; but she jumped up and wiped it off with the back of her
|
|
hand, and says:
|
|
|
|
"You owdacious puppy!"
|
|
|
|
He looked kind of hurt, and says:
|
|
|
|
"I'm surprised at you, m'am."
|
|
|
|
"You're s'rp--Why, what do you reckon I am? I've a good notion to take
|
|
and--Say, what do you mean by kissing me?"
|
|
|
|
He looked kind of humble, and says:
|
|
|
|
"I didn't mean nothing, m'am. I didn't mean no harm. I--I--thought
|
|
you'd like it."
|
|
|
|
"Why, you born fool!" She took up the spinning stick, and it looked like
|
|
it was all she could do to keep from giving him a crack with it. "What
|
|
made you think I'd like it?"
|
|
|
|
"Well, I don't know. Only, they--they--told me you would."
|
|
|
|
"THEY told you I would. Whoever told you's ANOTHER lunatic. I never
|
|
heard the beat of it. Who's THEY?"
|
|
|
|
"Why, everybody. They all said so, m'am."
|
|
|
|
It was all she could do to hold in; and her eyes snapped, and her fingers
|
|
worked like she wanted to scratch him; and she says:
|
|
|
|
"Who's 'everybody'? Out with their names, or ther'll be an idiot short."
|
|
|
|
He got up and looked distressed, and fumbled his hat, and says:
|
|
|
|
"I'm sorry, and I warn't expecting it. They told me to. They all told
|
|
me to. They all said, kiss her; and said she'd like it. They all said
|
|
it--every one of them. But I'm sorry, m'am, and I won't do it no more
|
|
--I won't, honest."
|
|
|
|
"You won't, won't you? Well, I sh'd RECKON you won't!"
|
|
|
|
"No'm, I'm honest about it; I won't ever do it again--till you ask me."
|
|
|
|
"Till I ASK you! Well, I never see the beat of it in my born days! I
|
|
lay you'll be the Methusalem-numskull of creation before ever I ask you
|
|
--or the likes of you."
|
|
|
|
"Well," he says, "it does surprise me so. I can't make it out, somehow.
|
|
They said you would, and I thought you would. But--" He stopped and
|
|
looked around slow, like he wished he could run across a friendly eye
|
|
somewheres, and fetched up on the old gentleman's, and says, "Didn't YOU
|
|
think she'd like me to kiss her, sir?"
|
|
|
|
"Why, no; I--I--well, no, I b'lieve I didn't."
|
|
|
|
Then he looks on around the same way to me, and says:
|
|
|
|
"Tom, didn't YOU think Aunt Sally 'd open out her arms and say, 'Sid
|
|
Sawyer--'"
|
|
|
|
"My land!" she says, breaking in and jumping for him, "you impudent young
|
|
rascal, to fool a body so--" and was going to hug him, but he fended her
|
|
off, and says:
|
|
|
|
"No, not till you've asked me first."
|
|
|
|
So she didn't lose no time, but asked him; and hugged him and kissed him
|
|
over and over again, and then turned him over to the old man, and he took
|
|
what was left. And after they got a little quiet again she says:
|
|
|
|
"Why, dear me, I never see such a surprise. We warn't looking for YOU at
|
|
all, but only Tom. Sis never wrote to me about anybody coming but him."
|
|
|
|
"It's because it warn't INTENDED for any of us to come but Tom," he says;
|
|
"but I begged and begged, and at the last minute she let me come, too;
|
|
so, coming down the river, me and Tom thought it would be a first-rate
|
|
surprise for him to come here to the house first, and for me to by and by
|
|
tag along and drop in, and let on to be a stranger. But it was a
|
|
mistake, Aunt Sally. This ain't no healthy place for a stranger to
|
|
come."
|
|
|
|
"No--not impudent whelps, Sid. You ought to had your jaws boxed; I
|
|
hain't been so put out since I don't know when. But I don't care, I
|
|
don't mind the terms--I'd be willing to stand a thousand such jokes to
|
|
have you here. Well, to think of that performance! I don't deny it, I
|
|
was most putrified with astonishment when you give me that smack."
|
|
|
|
We had dinner out in that broad open passage betwixt the house and the
|
|
kitchen; and there was things enough on that table for seven families
|
|
--and all hot, too; none of your flabby, tough meat that's laid in a
|
|
cupboard in a damp cellar all night and tastes like a hunk of old cold
|
|
cannibal in the morning. Uncle Silas he asked a pretty long blessing
|
|
over it, but it was worth it; and it didn't cool it a bit, neither, the
|
|
way I've seen them kind of interruptions do lots of times. There was a
|
|
considerable good deal of talk all the afternoon, and me and Tom was on
|
|
the lookout all the time; but it warn't no use, they didn't happen to say
|
|
nothing about any runaway nigger, and we was afraid to try to work up to
|
|
it. But at supper, at night, one of the little boys says:
|
|
|
|
"Pa, mayn't Tom and Sid and me go to the show?"
|
|
|
|
"No," says the old man, "I reckon there ain't going to be any; and you
|
|
couldn't go if there was; because the runaway nigger told Burton and me
|
|
all about that scandalous show, and Burton said he would tell the people;
|
|
so I reckon they've drove the owdacious loafers out of town before this
|
|
time."
|
|
|
|
So there it was!--but I couldn't help it. Tom and me was to sleep in the
|
|
same room and bed; so, being tired, we bid good-night and went up to bed
|
|
right after supper, and clumb out of the window and down the
|
|
lightning-rod, and shoved for the town; for I didn't believe anybody was
|
|
going to give the king and the duke a hint, and so if I didn't hurry up
|
|
and give them one they'd get into trouble sure.
|
|
|
|
On the road Tom he told me all about how it was reckoned I was murdered,
|
|
and how pap disappeared pretty soon, and didn't come back no more, and
|
|
what a stir there was when Jim run away; and I told Tom all about our
|
|
Royal Nonesuch rapscallions, and as much of the raft voyage as I had time
|
|
to; and as we struck into the town and up through the--here comes a
|
|
raging rush of people with torches, and an awful whooping and yelling,
|
|
and banging tin pans and blowing horns; and we jumped to one side to let
|
|
them go by; and as they went by I see they had the king and the duke
|
|
astraddle of a rail--that is, I knowed it WAS the king and the duke,
|
|
though they was all over tar and feathers, and didn't look like nothing
|
|
in the world that was human--just looked like a couple of monstrous big
|
|
soldier-plumes. Well, it made me sick to see it; and I was sorry for
|
|
them poor pitiful rascals, it seemed like I couldn't ever feel any
|
|
hardness against them any more in the world. It was a dreadful thing to
|
|
see. Human beings CAN be awful cruel to one another.
|
|
|
|
We see we was too late--couldn't do no good. We asked some stragglers
|
|
about it, and they said everybody went to the show looking very innocent;
|
|
and laid low and kept dark till the poor old king was in the middle of
|
|
his cavortings on the stage; then somebody give a signal, and the house
|
|
rose up and went for them.
|
|
|
|
So we poked along back home, and I warn't feeling so brash as I was
|
|
before, but kind of ornery, and humble, and to blame, somehow--though I
|
|
hadn't done nothing. But that's always the way; it don't make no
|
|
difference whether you do right or wrong, a person's conscience ain't got
|
|
no sense, and just goes for him anyway. If I had a yaller dog that
|
|
didn't know no more than a person's conscience does I would pison him.
|
|
It takes up more room than all the rest of a person's insides, and yet
|
|
ain't no good, nohow. Tom Sawyer he says the same.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXIV.
|
|
|
|
WE stopped talking, and got to thinking. By and by Tom says:
|
|
|
|
"Looky here, Huck, what fools we are to not think of it before! I bet I
|
|
know where Jim is."
|
|
|
|
"No! Where?"
|
|
|
|
"In that hut down by the ash-hopper. Why, looky here. When we was at
|
|
dinner, didn't you see a nigger man go in there with some vittles?"
|
|
|
|
"Yes."
|
|
|
|
"What did you think the vittles was for?"
|
|
|
|
"For a dog."
|
|
|
|
"So 'd I. Well, it wasn't for a dog."
|
|
|
|
"Why?"
|
|
|
|
"Because part of it was watermelon."
|
|
|
|
"So it was--I noticed it. Well, it does beat all that I never thought
|
|
about a dog not eating watermelon. It shows how a body can see and don't
|
|
see at the same time."
|
|
|
|
"Well, the nigger unlocked the padlock when he went in, and he locked it
|
|
again when he came out. He fetched uncle a key about the time we got up
|
|
from table--same key, I bet. Watermelon shows man, lock shows prisoner;
|
|
and it ain't likely there's two prisoners on such a little plantation,
|
|
and where the people's all so kind and good. Jim's the prisoner. All
|
|
right--I'm glad we found it out detective fashion; I wouldn't give
|
|
shucks for any other way. Now you work your mind, and study out a plan
|
|
to steal Jim, and I will study out one, too; and we'll take the one we
|
|
like the best."
|
|
|
|
What a head for just a boy to have! If I had Tom Sawyer's head I
|
|
wouldn't trade it off to be a duke, nor mate of a steamboat, nor clown in
|
|
a circus, nor nothing I can think of. I went to thinking out a plan, but
|
|
only just to be doing something; I knowed very well where the right plan
|
|
was going to come from. Pretty soon Tom says:
|
|
|
|
"Ready?"
|
|
|
|
"Yes," I says.
|
|
|
|
"All right--bring it out."
|
|
|
|
"My plan is this," I says. "We can easy find out if it's Jim in there.
|
|
Then get up my canoe to-morrow night, and fetch my raft over from the
|
|
island. Then the first dark night that comes steal the key out of the
|
|
old man's britches after he goes to bed, and shove off down the river on
|
|
the raft with Jim, hiding daytimes and running nights, the way me and Jim
|
|
used to do before. Wouldn't that plan work?"
|
|
|
|
"WORK? Why, cert'nly it would work, like rats a-fighting. But it's too
|
|
blame' simple; there ain't nothing TO it. What's the good of a plan that
|
|
ain't no more trouble than that? It's as mild as goose-milk. Why, Huck,
|
|
it wouldn't make no more talk than breaking into a soap factory."
|
|
|
|
I never said nothing, because I warn't expecting nothing different; but I
|
|
knowed mighty well that whenever he got HIS plan ready it wouldn't have
|
|
none of them objections to it.
|
|
|
|
And it didn't. He told me what it was, and I see in a minute it was
|
|
worth fifteen of mine for style, and would make Jim just as free a man as
|
|
mine would, and maybe get us all killed besides. So I was satisfied, and
|
|
said we would waltz in on it. I needn't tell what it was here, because I
|
|
knowed it wouldn't stay the way, it was. I knowed he would be changing
|
|
it around every which way as we went along, and heaving in new
|
|
bullinesses wherever he got a chance. And that is what he done.
|
|
|
|
Well, one thing was dead sure, and that was that Tom Sawyer was in
|
|
earnest, and was actuly going to help steal that nigger out of slavery.
|
|
That was the thing that was too many for me. Here was a boy that was
|
|
respectable and well brung up; and had a character to lose; and folks at
|
|
home that had characters; and he was bright and not leather-headed; and
|
|
knowing and not ignorant; and not mean, but kind; and yet here he was,
|
|
without any more pride, or rightness, or feeling, than to stoop to this
|
|
business, and make himself a shame, and his family a shame, before
|
|
everybody. I COULDN'T understand it no way at all. It was outrageous,
|
|
and I knowed I ought to just up and tell him so; and so be his true
|
|
friend, and let him quit the thing right where he was and save himself.
|
|
And I DID start to tell him; but he shut me up, and says:
|
|
|
|
"Don't you reckon I know what I'm about? Don't I generly know what I'm
|
|
about?"
|
|
|
|
"Yes."
|
|
|
|
"Didn't I SAY I was going to help steal the nigger?"
|
|
|
|
"Yes."
|
|
|
|
"WELL, then."
|
|
|
|
That's all he said, and that's all I said. It warn't no use to say any
|
|
more; because when he said he'd do a thing, he always done it. But I
|
|
couldn't make out how he was willing to go into this thing; so I just let
|
|
it go, and never bothered no more about it. If he was bound to have it
|
|
so, I couldn't help it.
|
|
|
|
When we got home the house was all dark and still; so we went on down to
|
|
the hut by the ash-hopper for to examine it. We went through the yard so
|
|
as to see what the hounds would do. They knowed us, and didn't make no
|
|
more noise than country dogs is always doing when anything comes by in
|
|
the night. When we got to the cabin we took a look at the front and the
|
|
two sides; and on the side I warn't acquainted with--which was the north
|
|
side--we found a square window-hole, up tolerable high, with just one
|
|
stout board nailed across it. I says:
|
|
|
|
"Here's the ticket. This hole's big enough for Jim to get through if we
|
|
wrench off the board."
|
|
|
|
Tom says:
|
|
|
|
"It's as simple as tit-tat-toe, three-in-a-row, and as easy as playing
|
|
hooky. I should HOPE we can find a way that's a little more complicated
|
|
than THAT, Huck Finn."
|
|
|
|
"Well, then," I says, "how 'll it do to saw him out, the way I done
|
|
before I was murdered that time?"
|
|
|
|
"That's more LIKE," he says. "It's real mysterious, and troublesome, and
|
|
good," he says; "but I bet we can find a way that's twice as long. There
|
|
ain't no hurry; le's keep on looking around."
|
|
|
|
Betwixt the hut and the fence, on the back side, was a lean-to that
|
|
joined the hut at the eaves, and was made out of plank. It was as long
|
|
as the hut, but narrow--only about six foot wide. The door to it was at
|
|
the south end, and was padlocked. Tom he went to the soap-kettle and
|
|
searched around, and fetched back the iron thing they lift the lid with;
|
|
so he took it and prized out one of the staples. The chain fell down,
|
|
and we opened the door and went in, and shut it, and struck a match, and
|
|
see the shed was only built against a cabin and hadn't no connection with
|
|
it; and there warn't no floor to the shed, nor nothing in it but some old
|
|
rusty played-out hoes and spades and picks and a crippled plow. The
|
|
match went out, and so did we, and shoved in the staple again, and the
|
|
door was locked as good as ever. Tom was joyful. He says;
|
|
|
|
"Now we're all right. We'll DIG him out. It 'll take about a week!"
|
|
|
|
Then we started for the house, and I went in the back door--you only have
|
|
to pull a buckskin latch-string, they don't fasten the doors--but that
|
|
warn't romantical enough for Tom Sawyer; no way would do him but he must
|
|
climb up the lightning-rod. But after he got up half way about three
|
|
times, and missed fire and fell every time, and the last time most busted
|
|
his brains out, he thought he'd got to give it up; but after he was
|
|
rested he allowed he would give her one more turn for luck, and this time
|
|
he made the trip.
|
|
|
|
In the morning we was up at break of day, and down to the nigger cabins
|
|
to pet the dogs and make friends with the nigger that fed Jim--if it WAS
|
|
Jim that was being fed. The niggers was just getting through breakfast
|
|
and starting for the fields; and Jim's nigger was piling up a tin pan
|
|
with bread and meat and things; and whilst the others was leaving, the
|
|
key come from the house.
|
|
|
|
This nigger had a good-natured, chuckle-headed face, and his wool was all
|
|
tied up in little bunches with thread. That was to keep witches off. He
|
|
said the witches was pestering him awful these nights, and making him see
|
|
all kinds of strange things, and hear all kinds of strange words and
|
|
noises, and he didn't believe he was ever witched so long before in his
|
|
life. He got so worked up, and got to running on so about his troubles,
|
|
he forgot all about what he'd been a-going to do. So Tom says:
|
|
|
|
"What's the vittles for? Going to feed the dogs?"
|
|
|
|
The nigger kind of smiled around gradually over his face, like when you
|
|
heave a brickbat in a mud-puddle, and he says:
|
|
|
|
"Yes, Mars Sid, A dog. Cur'us dog, too. Does you want to go en look at
|
|
'im?"
|
|
|
|
"Yes."
|
|
|
|
I hunched Tom, and whispers:
|
|
|
|
"You going, right here in the daybreak? THAT warn't the plan."
|
|
|
|
"No, it warn't; but it's the plan NOW."
|
|
|
|
So, drat him, we went along, but I didn't like it much. When we got in
|
|
we couldn't hardly see anything, it was so dark; but Jim was there, sure
|
|
enough, and could see us; and he sings out:
|
|
|
|
"Why, HUCK! En good LAN'! ain' dat Misto Tom?"
|
|
|
|
I just knowed how it would be; I just expected it. I didn't know nothing
|
|
to do; and if I had I couldn't a done it, because that nigger busted in
|
|
and says:
|
|
|
|
"Why, de gracious sakes! do he know you genlmen?"
|
|
|
|
We could see pretty well now. Tom he looked at the nigger, steady and
|
|
kind of wondering, and says:
|
|
|
|
"Does WHO know us?"
|
|
|
|
"Why, dis-yer runaway nigger."
|
|
|
|
"I don't reckon he does; but what put that into your head?"
|
|
|
|
"What PUT it dar? Didn' he jis' dis minute sing out like he knowed you?"
|
|
|
|
Tom says, in a puzzled-up kind of way:
|
|
|
|
"Well, that's mighty curious. WHO sung out? WHEN did he sing out? WHAT
|
|
did he sing out?" And turns to me, perfectly ca'm, and says, "Did YOU
|
|
hear anybody sing out?"
|
|
|
|
Of course there warn't nothing to be said but the one thing; so I says:
|
|
|
|
"No; I ain't heard nobody say nothing."
|
|
|
|
Then he turns to Jim, and looks him over like he never see him before,
|
|
and says:
|
|
|
|
"Did you sing out?"
|
|
|
|
"No, sah," says Jim; "I hain't said nothing, sah."
|
|
|
|
"Not a word?"
|
|
|
|
"No, sah, I hain't said a word."
|
|
|
|
"Did you ever see us before?"
|
|
|
|
"No, sah; not as I knows on."
|
|
|
|
So Tom turns to the nigger, which was looking wild and distressed, and
|
|
says, kind of severe:
|
|
|
|
"What do you reckon's the matter with you, anyway? What made you think
|
|
somebody sung out?"
|
|
|
|
"Oh, it's de dad-blame' witches, sah, en I wisht I was dead, I do. Dey's
|
|
awluz at it, sah, en dey do mos' kill me, dey sk'yers me so. Please to
|
|
don't tell nobody 'bout it sah, er ole Mars Silas he'll scole me; 'kase
|
|
he say dey AIN'T no witches. I jis' wish to goodness he was heah now
|
|
--DEN what would he say! I jis' bet he couldn' fine no way to git aroun'
|
|
it DIS time. But it's awluz jis' so; people dat's SOT, stays sot; dey
|
|
won't look into noth'n'en fine it out f'r deyselves, en when YOU fine it
|
|
out en tell um 'bout it, dey doan' b'lieve you."
|
|
|
|
Tom give him a dime, and said we wouldn't tell nobody; and told him to
|
|
buy some more thread to tie up his wool with; and then looks at Jim, and
|
|
says:
|
|
|
|
"I wonder if Uncle Silas is going to hang this nigger. If I was to catch
|
|
a nigger that was ungrateful enough to run away, I wouldn't give him up,
|
|
I'd hang him." And whilst the nigger stepped to the door to look at the
|
|
dime and bite it to see if it was good, he whispers to Jim and says:
|
|
|
|
"Don't ever let on to know us. And if you hear any digging going on
|
|
nights, it's us; we're going to set you free."
|
|
|
|
Jim only had time to grab us by the hand and squeeze it; then the nigger
|
|
come back, and we said we'd come again some time if the nigger wanted us
|
|
to; and he said he would, more particular if it was dark, because the
|
|
witches went for him mostly in the dark, and it was good to have folks
|
|
around then.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXV.
|
|
|
|
IT would be most an hour yet till breakfast, so we left and struck down
|
|
into the woods; because Tom said we got to have SOME light to see how to
|
|
dig by, and a lantern makes too much, and might get us into trouble; what
|
|
we must have was a lot of them rotten chunks that's called fox-fire, and
|
|
just makes a soft kind of a glow when you lay them in a dark place. We
|
|
fetched an armful and hid it in the weeds, and set down to rest, and Tom
|
|
says, kind of dissatisfied:
|
|
|
|
"Blame it, this whole thing is just as easy and awkward as it can be.
|
|
And so it makes it so rotten difficult to get up a difficult plan. There
|
|
ain't no watchman to be drugged--now there OUGHT to be a watchman. There
|
|
ain't even a dog to give a sleeping-mixture to. And there's Jim chained
|
|
by one leg, with a ten-foot chain, to the leg of his bed: why, all you
|
|
got to do is to lift up the bedstead and slip off the chain. And Uncle
|
|
Silas he trusts everybody; sends the key to the punkin-headed nigger, and
|
|
don't send nobody to watch the nigger. Jim could a got out of that
|
|
window-hole before this, only there wouldn't be no use trying to travel
|
|
with a ten-foot chain on his leg. Why, drat it, Huck, it's the stupidest
|
|
arrangement I ever see. You got to invent ALL the difficulties. Well, we
|
|
can't help it; we got to do the best we can with the materials we've got.
|
|
Anyhow, there's one thing--there's more honor in getting him out
|
|
through a lot of difficulties and dangers, where there warn't one of them
|
|
furnished to you by the people who it was their duty to furnish them, and
|
|
you had to contrive them all out of your own head. Now look at just that
|
|
one thing of the lantern. When you come down to the cold facts, we
|
|
simply got to LET ON that a lantern's resky. Why, we could work with a
|
|
torchlight procession if we wanted to, I believe. Now, whilst I think of
|
|
it, we got to hunt up something to make a saw out of the first chance we
|
|
get."
|
|
|
|
"What do we want of a saw?"
|
|
|
|
"What do we WANT of a saw? Hain't we got to saw the leg of Jim's bed
|
|
off, so as to get the chain loose?"
|
|
|
|
"Why, you just said a body could lift up the bedstead and slip the chain
|
|
off."
|
|
|
|
"Well, if that ain't just like you, Huck Finn. You CAN get up the
|
|
infant-schooliest ways of going at a thing. Why, hain't you ever read
|
|
any books at all?--Baron Trenck, nor Casanova, nor Benvenuto Chelleeny,
|
|
nor Henri IV., nor none of them heroes? Who ever heard of getting a
|
|
prisoner loose in such an old-maidy way as that? No; the way all the
|
|
best authorities does is to saw the bed-leg in two, and leave it just so,
|
|
and swallow the sawdust, so it can't be found, and put some dirt and
|
|
grease around the sawed place so the very keenest seneskal can't see no
|
|
sign of it's being sawed, and thinks the bed-leg is perfectly sound.
|
|
Then, the night you're ready, fetch the leg a kick, down she goes; slip
|
|
off your chain, and there you are. Nothing to do but hitch your rope
|
|
ladder to the battlements, shin down it, break your leg in the moat
|
|
--because a rope ladder is nineteen foot too short, you know--and there's
|
|
your horses and your trusty vassles, and they scoop you up and fling you
|
|
across a saddle, and away you go to your native Langudoc, or Navarre, or
|
|
wherever it is. It's gaudy, Huck. I wish there was a moat to this cabin.
|
|
If we get time, the night of the escape, we'll dig one."
|
|
|
|
I says:
|
|
|
|
"What do we want of a moat when we're going to snake him out from under
|
|
the cabin?"
|
|
|
|
But he never heard me. He had forgot me and everything else. He had his
|
|
chin in his hand, thinking. Pretty soon he sighs and shakes his head;
|
|
then sighs again, and says:
|
|
|
|
"No, it wouldn't do--there ain't necessity enough for it."
|
|
|
|
"For what?" I says.
|
|
|
|
"Why, to saw Jim's leg off," he says.
|
|
|
|
"Good land!" I says; "why, there ain't NO necessity for it. And what
|
|
would you want to saw his leg off for, anyway?"
|
|
|
|
"Well, some of the best authorities has done it. They couldn't get the
|
|
chain off, so they just cut their hand off and shoved. And a leg would
|
|
be better still. But we got to let that go. There ain't necessity
|
|
enough in this case; and, besides, Jim's a nigger, and wouldn't
|
|
understand the reasons for it, and how it's the custom in Europe; so
|
|
we'll let it go. But there's one thing--he can have a rope ladder; we
|
|
can tear up our sheets and make him a rope ladder easy enough. And we
|
|
can send it to him in a pie; it's mostly done that way. And I've et
|
|
worse pies."
|
|
|
|
"Why, Tom Sawyer, how you talk," I says; "Jim ain't got no use for a rope
|
|
ladder."
|
|
|
|
"He HAS got use for it. How YOU talk, you better say; you don't know
|
|
nothing about it. He's GOT to have a rope ladder; they all do."
|
|
|
|
"What in the nation can he DO with it?"
|
|
|
|
"DO with it? He can hide it in his bed, can't he?" That's what they all
|
|
do; and HE'S got to, too. Huck, you don't ever seem to want to do
|
|
anything that's regular; you want to be starting something fresh all the
|
|
time. S'pose he DON'T do nothing with it? ain't it there in his bed, for
|
|
a clew, after he's gone? and don't you reckon they'll want clews? Of
|
|
course they will. And you wouldn't leave them any? That would be a
|
|
PRETTY howdy-do, WOULDN'T it! I never heard of such a thing."
|
|
|
|
"Well," I says, "if it's in the regulations, and he's got to have it, all
|
|
right, let him have it; because I don't wish to go back on no
|
|
regulations; but there's one thing, Tom Sawyer--if we go to tearing up
|
|
our sheets to make Jim a rope ladder, we're going to get into trouble
|
|
with Aunt Sally, just as sure as you're born. Now, the way I look at it,
|
|
a hickry-bark ladder don't cost nothing, and don't waste nothing, and is
|
|
just as good to load up a pie with, and hide in a straw tick, as any rag
|
|
ladder you can start; and as for Jim, he ain't had no experience, and so
|
|
he don't care what kind of a--"
|
|
|
|
"Oh, shucks, Huck Finn, if I was as ignorant as you I'd keep still
|
|
--that's what I'D do. Who ever heard of a state prisoner escaping by a
|
|
hickry-bark ladder? Why, it's perfectly ridiculous."
|
|
|
|
"Well, all right, Tom, fix it your own way; but if you'll take my advice,
|
|
you'll let me borrow a sheet off of the clothesline."
|
|
|
|
He said that would do. And that gave him another idea, and he says:
|
|
|
|
"Borrow a shirt, too."
|
|
|
|
"What do we want of a shirt, Tom?"
|
|
|
|
"Want it for Jim to keep a journal on."
|
|
|
|
"Journal your granny--JIM can't write."
|
|
|
|
"S'pose he CAN'T write--he can make marks on the shirt, can't he, if we
|
|
make him a pen out of an old pewter spoon or a piece of an old iron
|
|
barrel-hoop?"
|
|
|
|
"Why, Tom, we can pull a feather out of a goose and make him a better
|
|
one; and quicker, too."
|
|
|
|
"PRISONERS don't have geese running around the donjon-keep to pull pens
|
|
out of, you muggins. They ALWAYS make their pens out of the hardest,
|
|
toughest, troublesomest piece of old brass candlestick or something like
|
|
that they can get their hands on; and it takes them weeks and weeks and
|
|
months and months to file it out, too, because they've got to do it by
|
|
rubbing it on the wall. THEY wouldn't use a goose-quill if they had it.
|
|
It ain't regular."
|
|
|
|
"Well, then, what'll we make him the ink out of?"
|
|
|
|
"Many makes it out of iron-rust and tears; but that's the common sort and
|
|
women; the best authorities uses their own blood. Jim can do that; and
|
|
when he wants to send any little common ordinary mysterious message to
|
|
let the world know where he's captivated, he can write it on the bottom
|
|
of a tin plate with a fork and throw it out of the window. The Iron Mask
|
|
always done that, and it's a blame' good way, too."
|
|
|
|
"Jim ain't got no tin plates. They feed him in a pan."
|
|
|
|
"That ain't nothing; we can get him some."
|
|
|
|
"Can't nobody READ his plates."
|
|
|
|
"That ain't got anything to DO with it, Huck Finn. All HE'S got to do is
|
|
to write on the plate and throw it out. You don't HAVE to be able to
|
|
read it. Why, half the time you can't read anything a prisoner writes on
|
|
a tin plate, or anywhere else."
|
|
|
|
"Well, then, what's the sense in wasting the plates?"
|
|
|
|
"Why, blame it all, it ain't the PRISONER'S plates."
|
|
|
|
"But it's SOMEBODY'S plates, ain't it?"
|
|
|
|
"Well, spos'n it is? What does the PRISONER care whose--"
|
|
|
|
He broke off there, because we heard the breakfast-horn blowing. So we
|
|
cleared out for the house.
|
|
|
|
Along during the morning I borrowed a sheet and a white shirt off of the
|
|
clothes-line; and I found an old sack and put them in it, and we went
|
|
down and got the fox-fire, and put that in too. I called it borrowing,
|
|
because that was what pap always called it; but Tom said it warn't
|
|
borrowing, it was stealing. He said we was representing prisoners; and
|
|
prisoners don't care how they get a thing so they get it, and nobody
|
|
don't blame them for it, either. It ain't no crime in a prisoner to
|
|
steal the thing he needs to get away with, Tom said; it's his right; and
|
|
so, as long as we was representing a prisoner, we had a perfect right to
|
|
steal anything on this place we had the least use for to get ourselves
|
|
out of prison with. He said if we warn't prisoners it would be a very
|
|
different thing, and nobody but a mean, ornery person would steal when he
|
|
warn't a prisoner. So we allowed we would steal everything there was
|
|
that come handy. And yet he made a mighty fuss, one day, after that,
|
|
when I stole a watermelon out of the nigger-patch and eat it; and he made
|
|
me go and give the niggers a dime without telling them what it was for.
|
|
Tom said that what he meant was, we could steal anything we NEEDED. Well,
|
|
I says, I needed the watermelon. But he said I didn't need it to get out
|
|
of prison with; there's where the difference was. He said if I'd a
|
|
wanted it to hide a knife in, and smuggle it to Jim to kill the seneskal
|
|
with, it would a been all right. So I let it go at that, though I
|
|
couldn't see no advantage in my representing a prisoner if I got to set
|
|
down and chaw over a lot of gold-leaf distinctions like that every time I
|
|
see a chance to hog a watermelon.
|
|
|
|
Well, as I was saying, we waited that morning till everybody was settled
|
|
down to business, and nobody in sight around the yard; then Tom he
|
|
carried the sack into the lean-to whilst I stood off a piece to keep
|
|
watch. By and by he come out, and we went and set down on the woodpile
|
|
to talk. He says:
|
|
|
|
"Everything's all right now except tools; and that's easy fixed."
|
|
|
|
"Tools?" I says.
|
|
|
|
"Yes."
|
|
|
|
"Tools for what?"
|
|
|
|
"Why, to dig with. We ain't a-going to GNAW him out, are we?"
|
|
|
|
"Ain't them old crippled picks and things in there good enough to dig a
|
|
nigger out with?" I says.
|
|
|
|
He turns on me, looking pitying enough to make a body cry, and says:
|
|
|
|
"Huck Finn, did you EVER hear of a prisoner having picks and shovels, and
|
|
all the modern conveniences in his wardrobe to dig himself out with? Now
|
|
I want to ask you--if you got any reasonableness in you at all--what kind
|
|
of a show would THAT give him to be a hero? Why, they might as well lend
|
|
him the key and done with it. Picks and shovels--why, they wouldn't
|
|
furnish 'em to a king."
|
|
|
|
"Well, then," I says, "if we don't want the picks and shovels, what do we
|
|
want?"
|
|
|
|
"A couple of case-knives."
|
|
|
|
"To dig the foundations out from under that cabin with?"
|
|
|
|
"Yes."
|
|
|
|
"Confound it, it's foolish, Tom."
|
|
|
|
"It don't make no difference how foolish it is, it's the RIGHT way--and
|
|
it's the regular way. And there ain't no OTHER way, that ever I heard
|
|
of, and I've read all the books that gives any information about these
|
|
things. They always dig out with a case-knife--and not through dirt, mind
|
|
you; generly it's through solid rock. And it takes them weeks and weeks
|
|
and weeks, and for ever and ever. Why, look at one of them prisoners in
|
|
the bottom dungeon of the Castle Deef, in the harbor of Marseilles, that
|
|
dug himself out that way; how long was HE at it, you reckon?"
|
|
|
|
"I don't know."
|
|
|
|
"Well, guess."
|
|
|
|
"I don't know. A month and a half."
|
|
|
|
"THIRTY-SEVEN YEAR--and he come out in China. THAT'S the kind. I wish
|
|
the bottom of THIS fortress was solid rock."
|
|
|
|
"JIM don't know nobody in China."
|
|
|
|
"What's THAT got to do with it? Neither did that other fellow. But
|
|
you're always a-wandering off on a side issue. Why can't you stick to
|
|
the main point?"
|
|
|
|
"All right--I don't care where he comes out, so he COMES out; and Jim
|
|
don't, either, I reckon. But there's one thing, anyway--Jim's too old to
|
|
be dug out with a case-knife. He won't last."
|
|
|
|
"Yes he will LAST, too. You don't reckon it's going to take thirty-seven
|
|
years to dig out through a DIRT foundation, do you?"
|
|
|
|
"How long will it take, Tom?"
|
|
|
|
"Well, we can't resk being as long as we ought to, because it mayn't take
|
|
very long for Uncle Silas to hear from down there by New Orleans. He'll
|
|
hear Jim ain't from there. Then his next move will be to advertise Jim,
|
|
or something like that. So we can't resk being as long digging him out
|
|
as we ought to. By rights I reckon we ought to be a couple of years; but
|
|
we can't. Things being so uncertain, what I recommend is this: that we
|
|
really dig right in, as quick as we can; and after that, we can LET ON,
|
|
to ourselves, that we was at it thirty-seven years. Then we can snatch
|
|
him out and rush him away the first time there's an alarm. Yes, I reckon
|
|
that 'll be the best way."
|
|
|
|
"Now, there's SENSE in that," I says. "Letting on don't cost nothing;
|
|
letting on ain't no trouble; and if it's any object, I don't mind letting
|
|
on we was at it a hundred and fifty year. It wouldn't strain me none,
|
|
after I got my hand in. So I'll mosey along now, and smouch a couple of
|
|
case-knives."
|
|
|
|
"Smouch three," he says; "we want one to make a saw out of."
|
|
|
|
"Tom, if it ain't unregular and irreligious to sejest it," I says,
|
|
"there's an old rusty saw-blade around yonder sticking under the
|
|
weather-boarding behind the smoke-house."
|
|
|
|
He looked kind of weary and discouraged-like, and says:
|
|
|
|
"It ain't no use to try to learn you nothing, Huck. Run along and smouch
|
|
the knives--three of them." So I done it.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVI.
|
|
|
|
AS soon as we reckoned everybody was asleep that night we went down the
|
|
lightning-rod, and shut ourselves up in the lean-to, and got out our pile
|
|
of fox-fire, and went to work. We cleared everything out of the way,
|
|
about four or five foot along the middle of the bottom log. Tom said we
|
|
was right behind Jim's bed now, and we'd dig in under it, and when we got
|
|
through there couldn't nobody in the cabin ever know there was any hole
|
|
there, because Jim's counter-pin hung down most to the ground, and you'd
|
|
have to raise it up and look under to see the hole. So we dug and dug
|
|
with the case-knives till most midnight; and then we was dog-tired, and
|
|
our hands was blistered, and yet you couldn't see we'd done anything
|
|
hardly. At last I says:
|
|
|
|
"This ain't no thirty-seven year job; this is a thirty-eight year job,
|
|
Tom Sawyer."
|
|
|
|
He never said nothing. But he sighed, and pretty soon he stopped
|
|
digging, and then for a good little while I knowed that he was thinking.
|
|
Then he says:
|
|
|
|
"It ain't no use, Huck, it ain't a-going to work. If we was prisoners it
|
|
would, because then we'd have as many years as we wanted, and no hurry;
|
|
and we wouldn't get but a few minutes to dig, every day, while they was
|
|
changing watches, and so our hands wouldn't get blistered, and we could
|
|
keep it up right along, year in and year out, and do it right, and the
|
|
way it ought to be done. But WE can't fool along; we got to rush; we
|
|
ain't got no time to spare. If we was to put in another night this way
|
|
we'd have to knock off for a week to let our hands get well--couldn't
|
|
touch a case-knife with them sooner."
|
|
|
|
"Well, then, what we going to do, Tom?"
|
|
|
|
"I'll tell you. It ain't right, and it ain't moral, and I wouldn't like
|
|
it to get out; but there ain't only just the one way: we got to dig him
|
|
out with the picks, and LET ON it's case-knives."
|
|
|
|
"NOW you're TALKING!" I says; "your head gets leveler and leveler all
|
|
the time, Tom Sawyer," I says. "Picks is the thing, moral or no moral;
|
|
and as for me, I don't care shucks for the morality of it, nohow. When I
|
|
start in to steal a nigger, or a watermelon, or a Sunday-school book, I
|
|
ain't no ways particular how it's done so it's done. What I want is my
|
|
nigger; or what I want is my watermelon; or what I want is my
|
|
Sunday-school book; and if a pick's the handiest thing, that's the thing
|
|
I'm a-going to dig that nigger or that watermelon or that Sunday-school
|
|
book out with; and I don't give a dead rat what the authorities thinks
|
|
about it nuther."
|
|
|
|
"Well," he says, "there's excuse for picks and letting-on in a case like
|
|
this; if it warn't so, I wouldn't approve of it, nor I wouldn't stand by
|
|
and see the rules broke--because right is right, and wrong is wrong, and
|
|
a body ain't got no business doing wrong when he ain't ignorant and knows
|
|
better. It might answer for YOU to dig Jim out with a pick, WITHOUT any
|
|
letting on, because you don't know no better; but it wouldn't for me,
|
|
because I do know better. Gimme a case-knife."
|
|
|
|
He had his own by him, but I handed him mine. He flung it down, and
|
|
says:
|
|
|
|
"Gimme a CASE-KNIFE."
|
|
|
|
I didn't know just what to do--but then I thought. I scratched around
|
|
amongst the old tools, and got a pickaxe and give it to him, and he took
|
|
it and went to work, and never said a word.
|
|
|
|
He was always just that particular. Full of principle.
|
|
|
|
So then I got a shovel, and then we picked and shoveled, turn about, and
|
|
made the fur fly. We stuck to it about a half an hour, which was as long
|
|
as we could stand up; but we had a good deal of a hole to show for it.
|
|
When I got up stairs I looked out at the window and see Tom doing his
|
|
level best with the lightning-rod, but he couldn't come it, his hands was
|
|
so sore. At last he says:
|
|
|
|
"It ain't no use, it can't be done. What you reckon I better do? Can't
|
|
you think of no way?"
|
|
|
|
"Yes," I says, "but I reckon it ain't regular. Come up the stairs, and
|
|
let on it's a lightning-rod."
|
|
|
|
So he done it.
|
|
|
|
Next day Tom stole a pewter spoon and a brass candlestick in the house,
|
|
for to make some pens for Jim out of, and six tallow candles; and I hung
|
|
around the nigger cabins and laid for a chance, and stole three tin
|
|
plates. Tom says it wasn't enough; but I said nobody wouldn't ever see
|
|
the plates that Jim throwed out, because they'd fall in the dog-fennel
|
|
and jimpson weeds under the window-hole--then we could tote them back and
|
|
he could use them over again. So Tom was satisfied. Then he says:
|
|
|
|
"Now, the thing to study out is, how to get the things to Jim."
|
|
|
|
"Take them in through the hole," I says, "when we get it done."
|
|
|
|
He only just looked scornful, and said something about nobody ever heard
|
|
of such an idiotic idea, and then he went to studying. By and by he said
|
|
he had ciphered out two or three ways, but there warn't no need to decide
|
|
on any of them yet. Said we'd got to post Jim first.
|
|
|
|
That night we went down the lightning-rod a little after ten, and took
|
|
one of the candles along, and listened under the window-hole, and heard
|
|
Jim snoring; so we pitched it in, and it didn't wake him. Then we
|
|
whirled in with the pick and shovel, and in about two hours and a half
|
|
the job was done. We crept in under Jim's bed and into the cabin, and
|
|
pawed around and found the candle and lit it, and stood over Jim awhile,
|
|
and found him looking hearty and healthy, and then we woke him up gentle
|
|
and gradual. He was so glad to see us he most cried; and called us
|
|
honey, and all the pet names he could think of; and was for having us
|
|
hunt up a cold-chisel to cut the chain off of his leg with right away,
|
|
and clearing out without losing any time. But Tom he showed him how
|
|
unregular it would be, and set down and told him all about our plans, and
|
|
how we could alter them in a minute any time there was an alarm; and not
|
|
to be the least afraid, because we would see he got away, SURE. So Jim
|
|
he said it was all right, and we set there and talked over old times
|
|
awhile, and then Tom asked a lot of questions, and when Jim told him
|
|
Uncle Silas come in every day or two to pray with him, and Aunt Sally
|
|
come in to see if he was comfortable and had plenty to eat, and both of
|
|
them was kind as they could be, Tom says:
|
|
|
|
"NOW I know how to fix it. We'll send you some things by them."
|
|
|
|
I said, "Don't do nothing of the kind; it's one of the most jackass ideas
|
|
I ever struck;" but he never paid no attention to me; went right on. It
|
|
was his way when he'd got his plans set.
|
|
|
|
So he told Jim how we'd have to smuggle in the rope-ladder pie and other
|
|
large things by Nat, the nigger that fed him, and he must be on the
|
|
lookout, and not be surprised, and not let Nat see him open them; and we
|
|
would put small things in uncle's coat-pockets and he must steal them
|
|
out; and we would tie things to aunt's apron-strings or put them in her
|
|
apron-pocket, if we got a chance; and told him what they would be and
|
|
what they was for. And told him how to keep a journal on the shirt with
|
|
his blood, and all that. He told him everything. Jim he couldn't see no
|
|
sense in the most of it, but he allowed we was white folks and knowed
|
|
better than him; so he was satisfied, and said he would do it all just as
|
|
Tom said.
|
|
|
|
Jim had plenty corn-cob pipes and tobacco; so we had a right down good
|
|
sociable time; then we crawled out through the hole, and so home to bed,
|
|
with hands that looked like they'd been chawed. Tom was in high spirits.
|
|
He said it was the best fun he ever had in his life, and the most
|
|
intellectural; and said if he only could see his way to it we would keep
|
|
it up all the rest of our lives and leave Jim to our children to get out;
|
|
for he believed Jim would come to like it better and better the more he
|
|
got used to it. He said that in that way it could be strung out to as
|
|
much as eighty year, and would be the best time on record. And he said
|
|
it would make us all celebrated that had a hand in it.
|
|
|
|
In the morning we went out to the woodpile and chopped up the brass
|
|
candlestick into handy sizes, and Tom put them and the pewter spoon in
|
|
his pocket. Then we went to the nigger cabins, and while I got Nat's
|
|
notice off, Tom shoved a piece of candlestick into the middle of a
|
|
corn-pone that was in Jim's pan, and we went along with Nat to see how it
|
|
would work, and it just worked noble; when Jim bit into it it most mashed
|
|
all his teeth out; and there warn't ever anything could a worked better.
|
|
Tom said so himself. Jim he never let on but what it was only just a
|
|
piece of rock or something like that that's always getting into bread,
|
|
you know; but after that he never bit into nothing but what he jabbed his
|
|
fork into it in three or four places first.
|
|
|
|
And whilst we was a-standing there in the dimmish light, here comes a
|
|
couple of the hounds bulging in from under Jim's bed; and they kept on
|
|
piling in till there was eleven of them, and there warn't hardly room in
|
|
there to get your breath. By jings, we forgot to fasten that lean-to
|
|
door! The nigger Nat he only just hollered "Witches" once, and keeled
|
|
over on to the floor amongst the dogs, and begun to groan like he was
|
|
dying. Tom jerked the door open and flung out a slab of Jim's meat, and
|
|
the dogs went for it, and in two seconds he was out himself and back
|
|
again and shut the door, and I knowed he'd fixed the other door too.
|
|
Then he went to work on the nigger, coaxing him and petting him, and
|
|
asking him if he'd been imagining he saw something again. He raised up,
|
|
and blinked his eyes around, and says:
|
|
|
|
"Mars Sid, you'll say I's a fool, but if I didn't b'lieve I see most a
|
|
million dogs, er devils, er some'n, I wisht I may die right heah in dese
|
|
tracks. I did, mos' sholy. Mars Sid, I FELT um--I FELT um, sah; dey was
|
|
all over me. Dad fetch it, I jis' wisht I could git my han's on one er
|
|
dem witches jis' wunst--on'y jis' wunst--it's all I'd ast. But mos'ly I
|
|
wisht dey'd lemme 'lone, I does."
|
|
|
|
Tom says:
|
|
|
|
"Well, I tell you what I think. What makes them come here just at this
|
|
runaway nigger's breakfast-time? It's because they're hungry; that's the
|
|
reason. You make them a witch pie; that's the thing for YOU to do."
|
|
|
|
"But my lan', Mars Sid, how's I gwyne to make 'm a witch pie? I doan'
|
|
know how to make it. I hain't ever hearn er sich a thing b'fo'."
|
|
|
|
"Well, then, I'll have to make it myself."
|
|
|
|
"Will you do it, honey?--will you? I'll wusshup de groun' und' yo' foot,
|
|
I will!"
|
|
|
|
"All right, I'll do it, seeing it's you, and you've been good to us and
|
|
showed us the runaway nigger. But you got to be mighty careful. When we
|
|
come around, you turn your back; and then whatever we've put in the pan,
|
|
don't you let on you see it at all. And don't you look when Jim unloads
|
|
the pan--something might happen, I don't know what. And above all, don't
|
|
you HANDLE the witch-things."
|
|
|
|
"HANNEL 'm, Mars Sid? What IS you a-talkin' 'bout? I wouldn' lay de
|
|
weight er my finger on um, not f'r ten hund'd thous'n billion dollars, I
|
|
wouldn't."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVII.
|
|
|
|
THAT was all fixed. So then we went away and went to the rubbage-pile in
|
|
the back yard, where they keep the old boots, and rags, and pieces of
|
|
bottles, and wore-out tin things, and all such truck, and scratched
|
|
around and found an old tin washpan, and stopped up the holes as well as
|
|
we could, to bake the pie in, and took it down cellar and stole it full
|
|
of flour and started for breakfast, and found a couple of shingle-nails
|
|
that Tom said would be handy for a prisoner to scrabble his name and
|
|
sorrows on the dungeon walls with, and dropped one of them in Aunt
|
|
Sally's apron-pocket which was hanging on a chair, and t'other we stuck
|
|
in the band of Uncle Silas's hat, which was on the bureau, because we
|
|
heard the children say their pa and ma was going to the runaway nigger's
|
|
house this morning, and then went to breakfast, and Tom dropped the
|
|
pewter spoon in Uncle Silas's coat-pocket, and Aunt Sally wasn't come
|
|
yet, so we had to wait a little while.
|
|
|
|
And when she come she was hot and red and cross, and couldn't hardly wait
|
|
for the blessing; and then she went to sluicing out coffee with one hand
|
|
and cracking the handiest child's head with her thimble with the other,
|
|
and says:
|
|
|
|
"I've hunted high and I've hunted low, and it does beat all what HAS
|
|
become of your other shirt."
|
|
|
|
My heart fell down amongst my lungs and livers and things, and a hard
|
|
piece of corn-crust started down my throat after it and got met on the
|
|
road with a cough, and was shot across the table, and took one of the
|
|
children in the eye and curled him up like a fishing-worm, and let a cry
|
|
out of him the size of a warwhoop, and Tom he turned kinder blue around
|
|
the gills, and it all amounted to a considerable state of things for
|
|
about a quarter of a minute or as much as that, and I would a sold out
|
|
for half price if there was a bidder. But after that we was all right
|
|
again--it was the sudden surprise of it that knocked us so kind of cold.
|
|
Uncle Silas he says:
|
|
|
|
"It's most uncommon curious, I can't understand it. I know perfectly
|
|
well I took it OFF, because--"
|
|
|
|
"Because you hain't got but one ON. Just LISTEN at the man! I know you
|
|
took it off, and know it by a better way than your wool-gethering memory,
|
|
too, because it was on the clo's-line yesterday--I see it there myself.
|
|
But it's gone, that's the long and the short of it, and you'll just have
|
|
to change to a red flann'l one till I can get time to make a new one.
|
|
And it 'll be the third I've made in two years. It just keeps a body on
|
|
the jump to keep you in shirts; and whatever you do manage to DO with 'm
|
|
all is more'n I can make out. A body 'd think you WOULD learn to take
|
|
some sort of care of 'em at your time of life."
|
|
|
|
"I know it, Sally, and I do try all I can. But it oughtn't to be
|
|
altogether my fault, because, you know, I don't see them nor have nothing
|
|
to do with them except when they're on me; and I don't believe I've ever
|
|
lost one of them OFF of me."
|
|
|
|
"Well, it ain't YOUR fault if you haven't, Silas; you'd a done it if you
|
|
could, I reckon. And the shirt ain't all that's gone, nuther. Ther's a
|
|
spoon gone; and THAT ain't all. There was ten, and now ther's only nine.
|
|
The calf got the shirt, I reckon, but the calf never took the spoon,
|
|
THAT'S certain."
|
|
|
|
"Why, what else is gone, Sally?"
|
|
|
|
"Ther's six CANDLES gone--that's what. The rats could a got the candles,
|
|
and I reckon they did; I wonder they don't walk off with the whole place,
|
|
the way you're always going to stop their holes and don't do it; and if
|
|
they warn't fools they'd sleep in your hair, Silas--YOU'D never find it
|
|
out; but you can't lay the SPOON on the rats, and that I know."
|
|
|
|
"Well, Sally, I'm in fault, and I acknowledge it; I've been remiss; but I
|
|
won't let to-morrow go by without stopping up them holes."
|
|
|
|
"Oh, I wouldn't hurry; next year 'll do. Matilda Angelina Araminta
|
|
PHELPS!"
|
|
|
|
Whack comes the thimble, and the child snatches her claws out of the
|
|
sugar-bowl without fooling around any. Just then the nigger woman steps
|
|
on to the passage, and says:
|
|
|
|
"Missus, dey's a sheet gone."
|
|
|
|
"A SHEET gone! Well, for the land's sake!"
|
|
|
|
"I'll stop up them holes to-day," says Uncle Silas, looking sorrowful.
|
|
|
|
"Oh, DO shet up!--s'pose the rats took the SHEET? WHERE'S it gone,
|
|
Lize?"
|
|
|
|
"Clah to goodness I hain't no notion, Miss' Sally. She wuz on de
|
|
clo'sline yistiddy, but she done gone: she ain' dah no mo' now."
|
|
|
|
"I reckon the world IS coming to an end. I NEVER see the beat of it in
|
|
all my born days. A shirt, and a sheet, and a spoon, and six can--"
|
|
|
|
"Missus," comes a young yaller wench, "dey's a brass cannelstick miss'n."
|
|
|
|
"Cler out from here, you hussy, er I'll take a skillet to ye!"
|
|
|
|
Well, she was just a-biling. I begun to lay for a chance; I reckoned I
|
|
would sneak out and go for the woods till the weather moderated. She
|
|
kept a-raging right along, running her insurrection all by herself, and
|
|
everybody else mighty meek and quiet; and at last Uncle Silas, looking
|
|
kind of foolish, fishes up that spoon out of his pocket. She stopped,
|
|
with her mouth open and her hands up; and as for me, I wished I was in
|
|
Jeruslem or somewheres. But not long, because she says:
|
|
|
|
"It's JUST as I expected. So you had it in your pocket all the time; and
|
|
like as not you've got the other things there, too. How'd it get there?"
|
|
|
|
"I reely don't know, Sally," he says, kind of apologizing, "or you know I
|
|
would tell. I was a-studying over my text in Acts Seventeen before
|
|
breakfast, and I reckon I put it in there, not noticing, meaning to put
|
|
my Testament in, and it must be so, because my Testament ain't in; but
|
|
I'll go and see; and if the Testament is where I had it, I'll know I
|
|
didn't put it in, and that will show that I laid the Testament down and
|
|
took up the spoon, and--"
|
|
|
|
"Oh, for the land's sake! Give a body a rest! Go 'long now, the whole
|
|
kit and biling of ye; and don't come nigh me again till I've got back my
|
|
peace of mind."
|
|
|
|
I'd a heard her if she'd a said it to herself, let alone speaking it out;
|
|
and I'd a got up and obeyed her if I'd a been dead. As we was passing
|
|
through the setting-room the old man he took up his hat, and the
|
|
shingle-nail fell out on the floor, and he just merely picked it up and
|
|
laid it on the mantel-shelf, and never said nothing, and went out. Tom
|
|
see him do it, and remembered about the spoon, and says:
|
|
|
|
"Well, it ain't no use to send things by HIM no more, he ain't reliable."
|
|
Then he says: "But he done us a good turn with the spoon, anyway,
|
|
without knowing it, and so we'll go and do him one without HIM knowing
|
|
it--stop up his rat-holes."
|
|
|
|
There was a noble good lot of them down cellar, and it took us a whole
|
|
hour, but we done the job tight and good and shipshape. Then we heard
|
|
steps on the stairs, and blowed out our light and hid; and here comes the
|
|
old man, with a candle in one hand and a bundle of stuff in t'other,
|
|
looking as absent-minded as year before last. He went a mooning around,
|
|
first to one rat-hole and then another, till he'd been to them all. Then
|
|
he stood about five minutes, picking tallow-drip off of his candle and
|
|
thinking. Then he turns off slow and dreamy towards the stairs, saying:
|
|
|
|
"Well, for the life of me I can't remember when I done it. I could show
|
|
her now that I warn't to blame on account of the rats. But never mind
|
|
--let it go. I reckon it wouldn't do no good."
|
|
|
|
And so he went on a-mumbling up stairs, and then we left. He was a
|
|
mighty nice old man. And always is.
|
|
|
|
Tom was a good deal bothered about what to do for a spoon, but he said
|
|
we'd got to have it; so he took a think. When he had ciphered it out he
|
|
told me how we was to do; then we went and waited around the spoon-basket
|
|
till we see Aunt Sally coming, and then Tom went to counting the spoons
|
|
and laying them out to one side, and I slid one of them up my sleeve, and
|
|
Tom says:
|
|
|
|
"Why, Aunt Sally, there ain't but nine spoons YET."
|
|
|
|
She says:
|
|
|
|
"Go 'long to your play, and don't bother me. I know better, I counted 'm
|
|
myself."
|
|
|
|
"Well, I've counted them twice, Aunty, and I can't make but nine."
|
|
|
|
She looked out of all patience, but of course she come to count--anybody
|
|
would.
|
|
|
|
"I declare to gracious ther' AIN'T but nine!" she says. "Why, what in
|
|
the world--plague TAKE the things, I'll count 'm again."
|
|
|
|
So I slipped back the one I had, and when she got done counting, she
|
|
says:
|
|
|
|
"Hang the troublesome rubbage, ther's TEN now!" and she looked huffy and
|
|
bothered both. But Tom says:
|
|
|
|
"Why, Aunty, I don't think there's ten."
|
|
|
|
"You numskull, didn't you see me COUNT 'm?"
|
|
|
|
"I know, but--"
|
|
|
|
"Well, I'll count 'm AGAIN."
|
|
|
|
So I smouched one, and they come out nine, same as the other time. Well,
|
|
she WAS in a tearing way--just a-trembling all over, she was so mad. But
|
|
she counted and counted till she got that addled she'd start to count in
|
|
the basket for a spoon sometimes; and so, three times they come out
|
|
right, and three times they come out wrong. Then she grabbed up the
|
|
basket and slammed it across the house and knocked the cat galley-west;
|
|
and she said cle'r out and let her have some peace, and if we come
|
|
bothering around her again betwixt that and dinner she'd skin us. So we
|
|
had the odd spoon, and dropped it in her apron-pocket whilst she was
|
|
a-giving us our sailing orders, and Jim got it all right, along with her
|
|
shingle nail, before noon. We was very well satisfied with this
|
|
business, and Tom allowed it was worth twice the trouble it took, because
|
|
he said NOW she couldn't ever count them spoons twice alike again to save
|
|
her life; and wouldn't believe she'd counted them right if she DID; and
|
|
said that after she'd about counted her head off for the next three days
|
|
he judged she'd give it up and offer to kill anybody that wanted her to
|
|
ever count them any more.
|
|
|
|
So we put the sheet back on the line that night, and stole one out of her
|
|
closet; and kept on putting it back and stealing it again for a couple of
|
|
days till she didn't know how many sheets she had any more, and she
|
|
didn't CARE, and warn't a-going to bullyrag the rest of her soul out
|
|
about it, and wouldn't count them again not to save her life; she druther
|
|
die first.
|
|
|
|
So we was all right now, as to the shirt and the sheet and the spoon and
|
|
the candles, by the help of the calf and the rats and the mixed-up
|
|
counting; and as to the candlestick, it warn't no consequence, it would
|
|
blow over by and by.
|
|
|
|
But that pie was a job; we had no end of trouble with that pie. We fixed
|
|
it up away down in the woods, and cooked it there; and we got it done at
|
|
last, and very satisfactory, too; but not all in one day; and we had to
|
|
use up three wash-pans full of flour before we got through, and we got
|
|
burnt pretty much all over, in places, and eyes put out with the smoke;
|
|
because, you see, we didn't want nothing but a crust, and we couldn't
|
|
prop it up right, and she would always cave in. But of course we thought
|
|
of the right way at last--which was to cook the ladder, too, in the
|
|
pie. So then we laid in with Jim the second night, and tore up the sheet
|
|
all in little strings and twisted them together, and long before daylight
|
|
we had a lovely rope that you could a hung a person with. We let on it
|
|
took nine months to make it.
|
|
|
|
And in the forenoon we took it down to the woods, but it wouldn't go into
|
|
the pie. Being made of a whole sheet, that way, there was rope enough
|
|
for forty pies if we'd a wanted them, and plenty left over for soup, or
|
|
sausage, or anything you choose. We could a had a whole dinner.
|
|
|
|
But we didn't need it. All we needed was just enough for the pie,
|
|
and so we throwed the rest away. We didn't cook none of the pies in the
|
|
wash-pan--afraid the solder would melt; but Uncle Silas he had a noble
|
|
brass warming-pan which he thought considerable of, because it belonged
|
|
to one of his ancesters with a long wooden handle that come over from
|
|
England with William the Conqueror in the Mayflower or one of them early
|
|
ships and was hid away up garret with a lot of other old pots and things
|
|
that was valuable, not on account of being any account, because they
|
|
warn't, but on account of them being relicts, you know, and we snaked her
|
|
out, private, and took her down there, but she failed on the first pies,
|
|
because we didn't know how, but she come up smiling on the last one. We
|
|
took and lined her with dough, and set her in the coals, and loaded her
|
|
up with rag rope, and put on a dough roof, and shut down the lid, and put
|
|
hot embers on top, and stood off five foot, with the long handle, cool
|
|
and comfortable, and in fifteen minutes she turned out a pie that was a
|
|
satisfaction to look at. But the person that et it would want to fetch a
|
|
couple of kags of toothpicks along, for if that rope ladder wouldn't
|
|
cramp him down to business I don't know nothing what I'm talking about,
|
|
and lay him in enough stomach-ache to last him till next time, too.
|
|
|
|
Nat didn't look when we put the witch pie in Jim's pan; and we put the
|
|
three tin plates in the bottom of the pan under the vittles; and so Jim
|
|
got everything all right, and as soon as he was by himself he busted into
|
|
the pie and hid the rope ladder inside of his straw tick, and scratched
|
|
some marks on a tin plate and throwed it out of the window-hole.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVIII.
|
|
|
|
MAKING them pens was a distressid tough job, and so was the saw; and Jim
|
|
allowed the inscription was going to be the toughest of all. That's the
|
|
one which the prisoner has to scrabble on the wall. But he had to have
|
|
it; Tom said he'd GOT to; there warn't no case of a state prisoner not
|
|
scrabbling his inscription to leave behind, and his coat of arms.
|
|
|
|
"Look at Lady Jane Grey," he says; "look at Gilford Dudley; look at old
|
|
Northumberland! Why, Huck, s'pose it IS considerble trouble?--what you
|
|
going to do?--how you going to get around it? Jim's GOT to do his
|
|
inscription and coat of arms. They all do."
|
|
|
|
Jim says:
|
|
|
|
"Why, Mars Tom, I hain't got no coat o' arm; I hain't got nuffn but dish
|
|
yer ole shirt, en you knows I got to keep de journal on dat."
|
|
|
|
"Oh, you don't understand, Jim; a coat of arms is very different."
|
|
|
|
"Well," I says, "Jim's right, anyway, when he says he ain't got no coat
|
|
of arms, because he hain't."
|
|
|
|
"I reckon I knowed that," Tom says, "but you bet he'll have one before he
|
|
goes out of this--because he's going out RIGHT, and there ain't going to
|
|
be no flaws in his record."
|
|
|
|
So whilst me and Jim filed away at the pens on a brickbat apiece, Jim
|
|
a-making his'n out of the brass and I making mine out of the spoon, Tom
|
|
set to work to think out the coat of arms. By and by he said he'd struck
|
|
so many good ones he didn't hardly know which to take, but there was one
|
|
which he reckoned he'd decide on. He says:
|
|
|
|
"On the scutcheon we'll have a bend OR in the dexter base, a saltire
|
|
MURREY in the fess, with a dog, couchant, for common charge, and under
|
|
his foot a chain embattled, for slavery, with a chevron VERT in a chief
|
|
engrailed, and three invected lines on a field AZURE, with the nombril
|
|
points rampant on a dancette indented; crest, a runaway nigger, SABLE,
|
|
with his bundle over his shoulder on a bar sinister; and a couple of
|
|
gules for supporters, which is you and me; motto, MAGGIORE FRETTA, MINORE
|
|
OTTO. Got it out of a book--means the more haste the less speed."
|
|
|
|
"Geewhillikins," I says, "but what does the rest of it mean?"
|
|
|
|
"We ain't got no time to bother over that," he says; "we got to dig in
|
|
like all git-out."
|
|
|
|
"Well, anyway," I says, "what's SOME of it? What's a fess?"
|
|
|
|
"A fess--a fess is--YOU don't need to know what a fess is. I'll show him
|
|
how to make it when he gets to it."
|
|
|
|
"Shucks, Tom," I says, "I think you might tell a person. What's a bar
|
|
sinister?"
|
|
|
|
"Oh, I don't know. But he's got to have it. All the nobility does."
|
|
|
|
That was just his way. If it didn't suit him to explain a thing to you,
|
|
he wouldn't do it. You might pump at him a week, it wouldn't make no
|
|
difference.
|
|
|
|
He'd got all that coat of arms business fixed, so now he started in to
|
|
finish up the rest of that part of the work, which was to plan out a
|
|
mournful inscription--said Jim got to have one, like they all done. He
|
|
made up a lot, and wrote them out on a paper, and read them off, so:
|
|
|
|
1. Here a captive heart busted. 2. Here a poor prisoner, forsook by the
|
|
world and friends, fretted his sorrowful life. 3. Here a lonely heart
|
|
broke, and a worn spirit went to its rest, after thirty-seven years of
|
|
solitary captivity. 4. Here, homeless and friendless, after thirty-seven
|
|
years of bitter captivity, perished a noble stranger, natural son of
|
|
Louis XIV.
|
|
|
|
Tom's voice trembled whilst he was reading them, and he most broke down.
|
|
When he got done he couldn't no way make up his mind which one for Jim to
|
|
scrabble on to the wall, they was all so good; but at last he allowed he
|
|
would let him scrabble them all on. Jim said it would take him a year to
|
|
scrabble such a lot of truck on to the logs with a nail, and he didn't
|
|
know how to make letters, besides; but Tom said he would block them out
|
|
for him, and then he wouldn't have nothing to do but just follow the
|
|
lines. Then pretty soon he says:
|
|
|
|
"Come to think, the logs ain't a-going to do; they don't have log walls
|
|
in a dungeon: we got to dig the inscriptions into a rock. We'll fetch a
|
|
rock."
|
|
|
|
Jim said the rock was worse than the logs; he said it would take him such
|
|
a pison long time to dig them into a rock he wouldn't ever get out. But
|
|
Tom said he would let me help him do it. Then he took a look to see how
|
|
me and Jim was getting along with the pens. It was most pesky tedious
|
|
hard work and slow, and didn't give my hands no show to get well of the
|
|
sores, and we didn't seem to make no headway, hardly; so Tom says:
|
|
|
|
"I know how to fix it. We got to have a rock for the coat of arms and
|
|
mournful inscriptions, and we can kill two birds with that same rock.
|
|
There's a gaudy big grindstone down at the mill, and we'll smouch it, and
|
|
carve the things on it, and file out the pens and the saw on it, too."
|
|
|
|
It warn't no slouch of an idea; and it warn't no slouch of a grindstone
|
|
nuther; but we allowed we'd tackle it. It warn't quite midnight yet, so
|
|
we cleared out for the mill, leaving Jim at work. We smouched the
|
|
grindstone, and set out to roll her home, but it was a most nation tough
|
|
job. Sometimes, do what we could, we couldn't keep her from falling over,
|
|
and she come mighty near mashing us every time. Tom said she was going
|
|
to get one of us, sure, before we got through. We got her half way; and
|
|
then we was plumb played out, and most drownded with sweat. We see it
|
|
warn't no use; we got to go and fetch Jim So he raised up his bed and
|
|
slid the chain off of the bed-leg, and wrapt it round and round his neck,
|
|
and we crawled out through our hole and down there, and Jim and me laid
|
|
into that grindstone and walked her along like nothing; and Tom
|
|
superintended. He could out-superintend any boy I ever see. He knowed
|
|
how to do everything.
|
|
|
|
Our hole was pretty big, but it warn't big enough to get the grindstone
|
|
through; but Jim he took the pick and soon made it big enough. Then Tom
|
|
marked out them things on it with the nail, and set Jim to work on them,
|
|
with the nail for a chisel and an iron bolt from the rubbage in the
|
|
lean-to for a hammer, and told him to work till the rest of his candle
|
|
quit on him, and then he could go to bed, and hide the grindstone under
|
|
his straw tick and sleep on it. Then we helped him fix his chain back on
|
|
the bed-leg, and was ready for bed ourselves. But Tom thought of
|
|
something, and says:
|
|
|
|
"You got any spiders in here, Jim?"
|
|
|
|
"No, sah, thanks to goodness I hain't, Mars Tom."
|
|
|
|
"All right, we'll get you some."
|
|
|
|
"But bless you, honey, I doan' WANT none. I's afeard un um. I jis' 's
|
|
soon have rattlesnakes aroun'."
|
|
|
|
Tom thought a minute or two, and says:
|
|
|
|
"It's a good idea. And I reckon it's been done. It MUST a been done; it
|
|
stands to reason. Yes, it's a prime good idea. Where could you keep
|
|
it?"
|
|
|
|
"Keep what, Mars Tom?"
|
|
|
|
"Why, a rattlesnake."
|
|
|
|
"De goodness gracious alive, Mars Tom! Why, if dey was a rattlesnake to
|
|
come in heah I'd take en bust right out thoo dat log wall, I would, wid
|
|
my head."
|
|
|
|
Why, Jim, you wouldn't be afraid of it after a little. You could tame
|
|
it."
|
|
|
|
"TAME it!"
|
|
|
|
"Yes--easy enough. Every animal is grateful for kindness and petting,
|
|
and they wouldn't THINK of hurting a person that pets them. Any book
|
|
will tell you that. You try--that's all I ask; just try for two or three
|
|
days. Why, you can get him so in a little while that he'll love you; and
|
|
sleep with you; and won't stay away from you a minute; and will let you
|
|
wrap him round your neck and put his head in your mouth."
|
|
|
|
"PLEASE, Mars Tom--DOAN' talk so! I can't STAN' it! He'd LET me shove
|
|
his head in my mouf--fer a favor, hain't it? I lay he'd wait a pow'ful
|
|
long time 'fo' I AST him. En mo' en dat, I doan' WANT him to sleep wid
|
|
me."
|
|
|
|
"Jim, don't act so foolish. A prisoner's GOT to have some kind of a dumb
|
|
pet, and if a rattlesnake hain't ever been tried, why, there's more glory
|
|
to be gained in your being the first to ever try it than any other way
|
|
you could ever think of to save your life."
|
|
|
|
"Why, Mars Tom, I doan' WANT no sich glory. Snake take 'n bite Jim's
|
|
chin off, den WHAH is de glory? No, sah, I doan' want no sich doin's."
|
|
|
|
"Blame it, can't you TRY? I only WANT you to try--you needn't keep it up
|
|
if it don't work."
|
|
|
|
"But de trouble all DONE ef de snake bite me while I's a tryin' him.
|
|
Mars Tom, I's willin' to tackle mos' anything 'at ain't onreasonable, but
|
|
ef you en Huck fetches a rattlesnake in heah for me to tame, I's gwyne to
|
|
LEAVE, dat's SHORE."
|
|
|
|
"Well, then, let it go, let it go, if you're so bull-headed about it. We
|
|
can get you some garter-snakes, and you can tie some buttons on their
|
|
tails, and let on they're rattlesnakes, and I reckon that 'll have to
|
|
do."
|
|
|
|
"I k'n stan' DEM, Mars Tom, but blame' 'f I couldn' get along widout um,
|
|
I tell you dat. I never knowed b'fo' 't was so much bother and trouble
|
|
to be a prisoner."
|
|
|
|
"Well, it ALWAYS is when it's done right. You got any rats around here?"
|
|
|
|
"No, sah, I hain't seed none."
|
|
|
|
"Well, we'll get you some rats."
|
|
|
|
"Why, Mars Tom, I doan' WANT no rats. Dey's de dadblamedest creturs to
|
|
'sturb a body, en rustle roun' over 'im, en bite his feet, when he's
|
|
tryin' to sleep, I ever see. No, sah, gimme g'yarter-snakes, 'f I's got
|
|
to have 'm, but doan' gimme no rats; I hain' got no use f'r um, skasely."
|
|
|
|
"But, Jim, you GOT to have 'em--they all do. So don't make no more fuss
|
|
about it. Prisoners ain't ever without rats. There ain't no instance of
|
|
it. And they train them, and pet them, and learn them tricks, and they
|
|
get to be as sociable as flies. But you got to play music to them. You
|
|
got anything to play music on?"
|
|
|
|
"I ain' got nuffn but a coase comb en a piece o' paper, en a juice-harp;
|
|
but I reck'n dey wouldn' take no stock in a juice-harp."
|
|
|
|
"Yes they would. THEY don't care what kind of music 'tis. A jews-harp's
|
|
plenty good enough for a rat. All animals like music--in a prison they
|
|
dote on it. Specially, painful music; and you can't get no other kind
|
|
out of a jews-harp. It always interests them; they come out to see
|
|
what's the matter with you. Yes, you're all right; you're fixed very
|
|
well. You want to set on your bed nights before you go to sleep, and
|
|
early in the mornings, and play your jews-harp; play 'The Last Link is
|
|
Broken'--that's the thing that 'll scoop a rat quicker 'n anything else;
|
|
and when you've played about two minutes you'll see all the rats, and the
|
|
snakes, and spiders, and things begin to feel worried about you, and
|
|
come. And they'll just fairly swarm over you, and have a noble good
|
|
time."
|
|
|
|
"Yes, DEY will, I reck'n, Mars Tom, but what kine er time is JIM havin'?
|
|
Blest if I kin see de pint. But I'll do it ef I got to. I reck'n I
|
|
better keep de animals satisfied, en not have no trouble in de house."
|
|
|
|
Tom waited to think it over, and see if there wasn't nothing else; and
|
|
pretty soon he says:
|
|
|
|
"Oh, there's one thing I forgot. Could you raise a flower here, do you
|
|
reckon?"
|
|
|
|
"I doan know but maybe I could, Mars Tom; but it's tolable dark in heah,
|
|
en I ain' got no use f'r no flower, nohow, en she'd be a pow'ful sight o'
|
|
trouble."
|
|
|
|
"Well, you try it, anyway. Some other prisoners has done it."
|
|
|
|
"One er dem big cat-tail-lookin' mullen-stalks would grow in heah, Mars
|
|
Tom, I reck'n, but she wouldn't be wuth half de trouble she'd coss."
|
|
|
|
"Don't you believe it. We'll fetch you a little one and you plant it in
|
|
the corner over there, and raise it. And don't call it mullen, call it
|
|
Pitchiola--that's its right name when it's in a prison. And you want to
|
|
water it with your tears."
|
|
|
|
"Why, I got plenty spring water, Mars Tom."
|
|
|
|
"You don't WANT spring water; you want to water it with your tears. It's
|
|
the way they always do."
|
|
|
|
"Why, Mars Tom, I lay I kin raise one er dem mullen-stalks twyste wid
|
|
spring water whiles another man's a START'N one wid tears."
|
|
|
|
"That ain't the idea. You GOT to do it with tears."
|
|
|
|
"She'll die on my han's, Mars Tom, she sholy will; kase I doan' skasely
|
|
ever cry."
|
|
|
|
So Tom was stumped. But he studied it over, and then said Jim would have
|
|
to worry along the best he could with an onion. He promised he would go
|
|
to the nigger cabins and drop one, private, in Jim's coffee-pot, in the
|
|
morning. Jim said he would "jis' 's soon have tobacker in his coffee;"
|
|
and found so much fault with it, and with the work and bother of raising
|
|
the mullen, and jews-harping the rats, and petting and flattering up the
|
|
snakes and spiders and things, on top of all the other work he had to do
|
|
on pens, and inscriptions, and journals, and things, which made it more
|
|
trouble and worry and responsibility to be a prisoner than anything he
|
|
ever undertook, that Tom most lost all patience with him; and said he was
|
|
just loadened down with more gaudier chances than a prisoner ever had in
|
|
the world to make a name for himself, and yet he didn't know enough to
|
|
appreciate them, and they was just about wasted on him. So Jim he was
|
|
sorry, and said he wouldn't behave so no more, and then me and Tom shoved
|
|
for bed.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXIX.
|
|
|
|
IN the morning we went up to the village and bought a wire rat-trap and
|
|
fetched it down, and unstopped the best rat-hole, and in about an hour we
|
|
had fifteen of the bulliest kind of ones; and then we took it and put it
|
|
in a safe place under Aunt Sally's bed. But while we was gone for
|
|
spiders little Thomas Franklin Benjamin Jefferson Elexander Phelps found
|
|
it there, and opened the door of it to see if the rats would come out,
|
|
and they did; and Aunt Sally she come in, and when we got back she was
|
|
a-standing on top of the bed raising Cain, and the rats was doing what
|
|
they could to keep off the dull times for her. So she took and dusted us
|
|
both with the hickry, and we was as much as two hours catching another
|
|
fifteen or sixteen, drat that meddlesome cub, and they warn't the
|
|
likeliest, nuther, because the first haul was the pick of the flock.
|
|
I never see a likelier lot of rats than what that first haul was.
|
|
|
|
We got a splendid stock of sorted spiders, and bugs, and frogs, and
|
|
caterpillars, and one thing or another; and we like to got a hornet's
|
|
nest, but we didn't. The family was at home. We didn't give it right
|
|
up, but stayed with them as long as we could; because we allowed we'd
|
|
tire them out or they'd got to tire us out, and they done it. Then we
|
|
got allycumpain and rubbed on the places, and was pretty near all right
|
|
again, but couldn't set down convenient. And so we went for the snakes,
|
|
and grabbed a couple of dozen garters and house-snakes, and put them in a
|
|
bag, and put it in our room, and by that time it was supper-time, and a
|
|
rattling good honest day's work: and hungry?--oh, no, I reckon not! And
|
|
there warn't a blessed snake up there when we went back--we didn't half
|
|
tie the sack, and they worked out somehow, and left. But it didn't
|
|
matter much, because they was still on the premises somewheres. So we
|
|
judged we could get some of them again. No, there warn't no real
|
|
scarcity of snakes about the house for a considerable spell. You'd see
|
|
them dripping from the rafters and places every now and then; and they
|
|
generly landed in your plate, or down the back of your neck, and most of
|
|
the time where you didn't want them. Well, they was handsome and
|
|
striped, and there warn't no harm in a million of them; but that never
|
|
made no difference to Aunt Sally; she despised snakes, be the breed what
|
|
they might, and she couldn't stand them no way you could fix it; and
|
|
every time one of them flopped down on her, it didn't make no difference
|
|
what she was doing, she would just lay that work down and light out. I
|
|
never see such a woman. And you could hear her whoop to Jericho. You
|
|
couldn't get her to take a-holt of one of them with the tongs. And if
|
|
she turned over and found one in bed she would scramble out and lift a
|
|
howl that you would think the house was afire. She disturbed the old man
|
|
so that he said he could most wish there hadn't ever been no snakes
|
|
created. Why, after every last snake had been gone clear out of the
|
|
house for as much as a week Aunt Sally warn't over it yet; she warn't
|
|
near over it; when she was setting thinking about something you could
|
|
touch her on the back of her neck with a feather and she would jump right
|
|
out of her stockings. It was very curious. But Tom said all women was
|
|
just so. He said they was made that way for some reason or other.
|
|
|
|
We got a licking every time one of our snakes come in her way, and she
|
|
allowed these lickings warn't nothing to what she would do if we ever
|
|
loaded up the place again with them. I didn't mind the lickings, because
|
|
they didn't amount to nothing; but I minded the trouble we had to lay in
|
|
another lot. But we got them laid in, and all the other things; and you
|
|
never see a cabin as blithesome as Jim's was when they'd all swarm out
|
|
for music and go for him. Jim didn't like the spiders, and the spiders
|
|
didn't like Jim; and so they'd lay for him, and make it mighty warm for
|
|
him. And he said that between the rats and the snakes and the grindstone
|
|
there warn't no room in bed for him, skasely; and when there was, a body
|
|
couldn't sleep, it was so lively, and it was always lively, he said,
|
|
because THEY never all slept at one time, but took turn about, so when
|
|
the snakes was asleep the rats was on deck, and when the rats turned in
|
|
the snakes come on watch, so he always had one gang under him, in his
|
|
way, and t'other gang having a circus over him, and if he got up to hunt
|
|
a new place the spiders would take a chance at him as he crossed over.
|
|
He said if he ever got out this time he wouldn't ever be a prisoner
|
|
again, not for a salary.
|
|
|
|
Well, by the end of three weeks everything was in pretty good shape. The
|
|
shirt was sent in early, in a pie, and every time a rat bit Jim he would
|
|
get up and write a little in his journal whilst the ink was fresh; the
|
|
pens was made, the inscriptions and so on was all carved on the
|
|
grindstone; the bed-leg was sawed in two, and we had et up the sawdust,
|
|
and it give us a most amazing stomach-ache. We reckoned we was all going
|
|
to die, but didn't. It was the most undigestible sawdust I ever see; and
|
|
Tom said the same. But as I was saying, we'd got all the work done now,
|
|
at last; and we was all pretty much fagged out, too, but mainly Jim. The
|
|
old man had wrote a couple of times to the plantation below Orleans to
|
|
come and get their runaway nigger, but hadn't got no answer, because
|
|
there warn't no such plantation; so he allowed he would advertise Jim in
|
|
the St. Louis and New Orleans papers; and when he mentioned the St. Louis
|
|
ones it give me the cold shivers, and I see we hadn't no time to lose.
|
|
So Tom said, now for the nonnamous letters.
|
|
|
|
"What's them?" I says.
|
|
|
|
"Warnings to the people that something is up. Sometimes it's done one
|
|
way, sometimes another. But there's always somebody spying around that
|
|
gives notice to the governor of the castle. When Louis XVI. was going to
|
|
light out of the Tooleries a servant-girl done it. It's a very good way,
|
|
and so is the nonnamous letters. We'll use them both. And it's usual
|
|
for the prisoner's mother to change clothes with him, and she stays in,
|
|
and he slides out in her clothes. We'll do that, too."
|
|
|
|
"But looky here, Tom, what do we want to WARN anybody for that
|
|
something's up? Let them find it out for themselves--it's their
|
|
lookout."
|
|
|
|
"Yes, I know; but you can't depend on them. It's the way they've acted
|
|
from the very start--left us to do EVERYTHING. They're so confiding and
|
|
mullet-headed they don't take notice of nothing at all. So if we don't
|
|
GIVE them notice there won't be nobody nor nothing to interfere with us,
|
|
and so after all our hard work and trouble this escape 'll go off
|
|
perfectly flat; won't amount to nothing--won't be nothing TO it."
|
|
|
|
"Well, as for me, Tom, that's the way I'd like."
|
|
|
|
"Shucks!" he says, and looked disgusted. So I says:
|
|
|
|
"But I ain't going to make no complaint. Any way that suits you suits
|
|
me. What you going to do about the servant-girl?"
|
|
|
|
"You'll be her. You slide in, in the middle of the night, and hook that
|
|
yaller girl's frock."
|
|
|
|
"Why, Tom, that 'll make trouble next morning; because, of course, she
|
|
prob'bly hain't got any but that one."
|
|
|
|
"I know; but you don't want it but fifteen minutes, to carry the
|
|
nonnamous letter and shove it under the front door."
|
|
|
|
"All right, then, I'll do it; but I could carry it just as handy in my
|
|
own togs."
|
|
|
|
"You wouldn't look like a servant-girl THEN, would you?"
|
|
|
|
"No, but there won't be nobody to see what I look like, ANYWAY."
|
|
|
|
"That ain't got nothing to do with it. The thing for us to do is just to
|
|
do our DUTY, and not worry about whether anybody SEES us do it or not.
|
|
Hain't you got no principle at all?"
|
|
|
|
"All right, I ain't saying nothing; I'm the servant-girl. Who's Jim's
|
|
mother?"
|
|
|
|
"I'm his mother. I'll hook a gown from Aunt Sally."
|
|
|
|
"Well, then, you'll have to stay in the cabin when me and Jim leaves."
|
|
|
|
"Not much. I'll stuff Jim's clothes full of straw and lay it on his bed
|
|
to represent his mother in disguise, and Jim 'll take the nigger woman's
|
|
gown off of me and wear it, and we'll all evade together. When a
|
|
prisoner of style escapes it's called an evasion. It's always called so
|
|
when a king escapes, f'rinstance. And the same with a king's son; it
|
|
don't make no difference whether he's a natural one or an unnatural one."
|
|
|
|
So Tom he wrote the nonnamous letter, and I smouched the yaller wench's
|
|
frock that night, and put it on, and shoved it under the front door, the
|
|
way Tom told me to. It said:
|
|
|
|
Beware. Trouble is brewing. Keep a sharp lookout. UNKNOWN FRIEND.
|
|
|
|
Next night we stuck a picture, which Tom drawed in blood, of a skull and
|
|
crossbones on the front door; and next night another one of a coffin on
|
|
the back door. I never see a family in such a sweat. They couldn't a
|
|
been worse scared if the place had a been full of ghosts laying for them
|
|
behind everything and under the beds and shivering through the air. If a
|
|
door banged, Aunt Sally she jumped and said "ouch!" if anything fell, she
|
|
jumped and said "ouch!" if you happened to touch her, when she warn't
|
|
noticing, she done the same; she couldn't face noway and be satisfied,
|
|
because she allowed there was something behind her every time--so she was
|
|
always a-whirling around sudden, and saying "ouch," and before she'd got
|
|
two-thirds around she'd whirl back again, and say it again; and she was
|
|
afraid to go to bed, but she dasn't set up. So the thing was working
|
|
very well, Tom said; he said he never see a thing work more satisfactory.
|
|
He said it showed it was done right.
|
|
|
|
So he said, now for the grand bulge! So the very next morning at the
|
|
streak of dawn we got another letter ready, and was wondering what we
|
|
better do with it, because we heard them say at supper they was going to
|
|
have a nigger on watch at both doors all night. Tom he went down the
|
|
lightning-rod to spy around; and the nigger at the back door was asleep,
|
|
and he stuck it in the back of his neck and come back. This letter said:
|
|
|
|
Don't betray me, I wish to be your friend. There is a desprate gang of
|
|
cut-throats from over in the Indian Territory going to steal your runaway
|
|
nigger to-night, and they have been trying to scare you so as you will
|
|
stay in the house and not bother them. I am one of the gang, but have
|
|
got religgion and wish to quit it and lead an honest life again, and will
|
|
betray the helish design. They will sneak down from northards, along the
|
|
fence, at midnight exact, with a false key, and go in the nigger's cabin
|
|
to get him. I am to be off a piece and blow a tin horn if I see any
|
|
danger; but stead of that I will BA like a sheep soon as they get in and
|
|
not blow at all; then whilst they are getting his chains loose, you slip
|
|
there and lock them in, and can kill them at your leasure. Don't do
|
|
anything but just the way I am telling you; if you do they will suspicion
|
|
something and raise whoop-jamboreehoo. I do not wish any reward but to
|
|
know I have done the right thing. UNKNOWN FRIEND.
|
|
|
|
|
|
|
|
|
|
CHAPTER XL.
|
|
|
|
WE was feeling pretty good after breakfast, and took my canoe and went
|
|
over the river a-fishing, with a lunch, and had a good time, and took a
|
|
look at the raft and found her all right, and got home late to supper,
|
|
and found them in such a sweat and worry they didn't know which end they
|
|
was standing on, and made us go right off to bed the minute we was done
|
|
supper, and wouldn't tell us what the trouble was, and never let on a
|
|
word about the new letter, but didn't need to, because we knowed as much
|
|
about it as anybody did, and as soon as we was half up stairs and her
|
|
back was turned we slid for the cellar cupboard and loaded up a good
|
|
lunch and took it up to our room and went to bed, and got up about
|
|
half-past eleven, and Tom put on Aunt Sally's dress that he stole and
|
|
was going to start with the lunch, but says:
|
|
|
|
"Where's the butter?"
|
|
|
|
"I laid out a hunk of it," I says, "on a piece of a corn-pone."
|
|
|
|
"Well, you LEFT it laid out, then--it ain't here."
|
|
|
|
"We can get along without it," I says.
|
|
|
|
"We can get along WITH it, too," he says; "just you slide down cellar and
|
|
fetch it. And then mosey right down the lightning-rod and come along.
|
|
I'll go and stuff the straw into Jim's clothes to represent his mother in
|
|
disguise, and be ready to BA like a sheep and shove soon as you get
|
|
there."
|
|
|
|
So out he went, and down cellar went I. The hunk of butter, big as a
|
|
person's fist, was where I had left it, so I took up the slab of
|
|
corn-pone with it on, and blowed out my light, and started up stairs very
|
|
stealthy, and got up to the main floor all right, but here comes Aunt
|
|
Sally with a candle, and I clapped the truck in my hat, and clapped my
|
|
hat on my head, and the next second she see me; and she says:
|
|
|
|
"You been down cellar?"
|
|
|
|
"Yes'm."
|
|
|
|
"What you been doing down there?"
|
|
|
|
"Noth'n."
|
|
|
|
"NOTH'N!"
|
|
|
|
"No'm."
|
|
|
|
"Well, then, what possessed you to go down there this time of night?"
|
|
|
|
"I don't know 'm."
|
|
|
|
"You don't KNOW? Don't answer me that way. Tom, I want to know what you
|
|
been DOING down there."
|
|
|
|
"I hain't been doing a single thing, Aunt Sally, I hope to gracious if I
|
|
have."
|
|
|
|
I reckoned she'd let me go now, and as a generl thing she would; but I
|
|
s'pose there was so many strange things going on she was just in a sweat
|
|
about every little thing that warn't yard-stick straight; so she says,
|
|
very decided:
|
|
|
|
"You just march into that setting-room and stay there till I come. You
|
|
been up to something you no business to, and I lay I'll find out what it
|
|
is before I'M done with you."
|
|
|
|
So she went away as I opened the door and walked into the setting-room.
|
|
My, but there was a crowd there! Fifteen farmers, and every one of them
|
|
had a gun. I was most powerful sick, and slunk to a chair and set down.
|
|
They was setting around, some of them talking a little, in a low voice,
|
|
and all of them fidgety and uneasy, but trying to look like they warn't;
|
|
but I knowed they was, because they was always taking off their hats, and
|
|
putting them on, and scratching their heads, and changing their seats,
|
|
and fumbling with their buttons. I warn't easy myself, but I didn't take
|
|
my hat off, all the same.
|
|
|
|
I did wish Aunt Sally would come, and get done with me, and lick me, if
|
|
she wanted to, and let me get away and tell Tom how we'd overdone this
|
|
thing, and what a thundering hornet's-nest we'd got ourselves into, so we
|
|
could stop fooling around straight off, and clear out with Jim before
|
|
these rips got out of patience and come for us.
|
|
|
|
At last she come and begun to ask me questions, but I COULDN'T answer
|
|
them straight, I didn't know which end of me was up; because these men
|
|
was in such a fidget now that some was wanting to start right NOW and lay
|
|
for them desperadoes, and saying it warn't but a few minutes to midnight;
|
|
and others was trying to get them to hold on and wait for the
|
|
sheep-signal; and here was Aunty pegging away at the questions, and me
|
|
a-shaking all over and ready to sink down in my tracks I was that scared;
|
|
and the place getting hotter and hotter, and the butter beginning to melt
|
|
and run down my neck and behind my ears; and pretty soon, when one of
|
|
them says, "I'M for going and getting in the cabin FIRST and right NOW,
|
|
and catching them when they come," I most dropped; and a streak of butter
|
|
come a-trickling down my forehead, and Aunt Sally she see it, and turns
|
|
white as a sheet, and says:
|
|
|
|
"For the land's sake, what IS the matter with the child? He's got the
|
|
brain-fever as shore as you're born, and they're oozing out!"
|
|
|
|
And everybody runs to see, and she snatches off my hat, and out comes the
|
|
bread and what was left of the butter, and she grabbed me, and hugged me,
|
|
and says:
|
|
|
|
"Oh, what a turn you did give me! and how glad and grateful I am it ain't
|
|
no worse; for luck's against us, and it never rains but it pours, and
|
|
when I see that truck I thought we'd lost you, for I knowed by the color
|
|
and all it was just like your brains would be if--Dear, dear, whyd'nt you
|
|
TELL me that was what you'd been down there for, I wouldn't a cared. Now
|
|
cler out to bed, and don't lemme see no more of you till morning!"
|
|
|
|
I was up stairs in a second, and down the lightning-rod in another one,
|
|
and shinning through the dark for the lean-to. I couldn't hardly get my
|
|
words out, I was so anxious; but I told Tom as quick as I could we must
|
|
jump for it now, and not a minute to lose--the house full of men, yonder,
|
|
with guns!
|
|
|
|
His eyes just blazed; and he says:
|
|
|
|
"No!--is that so? AIN'T it bully! Why, Huck, if it was to do over
|
|
again, I bet I could fetch two hundred! If we could put it off till--"
|
|
|
|
"Hurry! HURRY!" I says. "Where's Jim?"
|
|
|
|
"Right at your elbow; if you reach out your arm you can touch him. He's
|
|
dressed, and everything's ready. Now we'll slide out and give the
|
|
sheep-signal."
|
|
|
|
But then we heard the tramp of men coming to the door, and heard them
|
|
begin to fumble with the pad-lock, and heard a man say:
|
|
|
|
"I TOLD you we'd be too soon; they haven't come--the door is locked.
|
|
Here, I'll lock some of you into the cabin, and you lay for 'em in the
|
|
dark and kill 'em when they come; and the rest scatter around a piece,
|
|
and listen if you can hear 'em coming."
|
|
|
|
So in they come, but couldn't see us in the dark, and most trod on us
|
|
whilst we was hustling to get under the bed. But we got under all right,
|
|
and out through the hole, swift but soft--Jim first, me next, and Tom
|
|
last, which was according to Tom's orders. Now we was in the lean-to,
|
|
and heard trampings close by outside. So we crept to the door, and Tom
|
|
stopped us there and put his eye to the crack, but couldn't make out
|
|
nothing, it was so dark; and whispered and said he would listen for the
|
|
steps to get further, and when he nudged us Jim must glide out first, and
|
|
him last. So he set his ear to the crack and listened, and listened, and
|
|
listened, and the steps a-scraping around out there all the time; and at
|
|
last he nudged us, and we slid out, and stooped down, not breathing, and
|
|
not making the least noise, and slipped stealthy towards the fence in
|
|
Injun file, and got to it all right, and me and Jim over it; but Tom's
|
|
britches catched fast on a splinter on the top rail, and then he hear the
|
|
steps coming, so he had to pull loose, which snapped the splinter and
|
|
made a noise; and as he dropped in our tracks and started somebody sings
|
|
out:
|
|
|
|
"Who's that? Answer, or I'll shoot!"
|
|
|
|
But we didn't answer; we just unfurled our heels and shoved. Then there
|
|
was a rush, and a BANG, BANG, BANG! and the bullets fairly whizzed around
|
|
us! We heard them sing out:
|
|
|
|
"Here they are! They've broke for the river! After 'em, boys, and turn
|
|
loose the dogs!"
|
|
|
|
So here they come, full tilt. We could hear them because they wore boots
|
|
and yelled, but we didn't wear no boots and didn't yell. We was in the
|
|
path to the mill; and when they got pretty close on to us we dodged into
|
|
the bush and let them go by, and then dropped in behind them. They'd had
|
|
all the dogs shut up, so they wouldn't scare off the robbers; but by this
|
|
time somebody had let them loose, and here they come, making powwow
|
|
enough for a million; but they was our dogs; so we stopped in our tracks
|
|
till they catched up; and when they see it warn't nobody but us, and no
|
|
excitement to offer them, they only just said howdy, and tore right ahead
|
|
towards the shouting and clattering; and then we up-steam again, and
|
|
whizzed along after them till we was nearly to the mill, and then struck
|
|
up through the bush to where my canoe was tied, and hopped in and pulled
|
|
for dear life towards the middle of the river, but didn't make no more
|
|
noise than we was obleeged to. Then we struck out, easy and comfortable,
|
|
for the island where my raft was; and we could hear them yelling and
|
|
barking at each other all up and down the bank, till we was so far away
|
|
the sounds got dim and died out. And when we stepped on to the raft I
|
|
says:
|
|
|
|
"NOW, old Jim, you're a free man again, and I bet you won't ever be a
|
|
slave no more."
|
|
|
|
"En a mighty good job it wuz, too, Huck. It 'uz planned beautiful, en it
|
|
'uz done beautiful; en dey ain't NOBODY kin git up a plan dat's mo'
|
|
mixed-up en splendid den what dat one wuz."
|
|
|
|
We was all glad as we could be, but Tom was the gladdest of all because
|
|
he had a bullet in the calf of his leg.
|
|
|
|
When me and Jim heard that we didn't feel so brash as what we did before.
|
|
It was hurting him considerable, and bleeding; so we laid him in the
|
|
wigwam and tore up one of the duke's shirts for to bandage him, but he
|
|
says:
|
|
|
|
"Gimme the rags; I can do it myself. Don't stop now; don't fool around
|
|
here, and the evasion booming along so handsome; man the sweeps, and set
|
|
her loose! Boys, we done it elegant!--'deed we did. I wish WE'D a had
|
|
the handling of Louis XVI., there wouldn't a been no 'Son of Saint Louis,
|
|
ascend to heaven!' wrote down in HIS biography; no, sir, we'd a whooped
|
|
him over the BORDER--that's what we'd a done with HIM--and done it just
|
|
as slick as nothing at all, too. Man the sweeps--man the sweeps!"
|
|
|
|
But me and Jim was consulting--and thinking. And after we'd thought a
|
|
minute, I says:
|
|
|
|
"Say it, Jim."
|
|
|
|
So he says:
|
|
|
|
"Well, den, dis is de way it look to me, Huck. Ef it wuz HIM dat 'uz
|
|
bein' sot free, en one er de boys wuz to git shot, would he say, 'Go on
|
|
en save me, nemmine 'bout a doctor f'r to save dis one?' Is dat like
|
|
Mars Tom Sawyer? Would he say dat? You BET he wouldn't! WELL, den, is
|
|
JIM gywne to say it? No, sah--I doan' budge a step out'n dis place 'dout
|
|
a DOCTOR, not if it's forty year!"
|
|
|
|
I knowed he was white inside, and I reckoned he'd say what he did say--so
|
|
it was all right now, and I told Tom I was a-going for a doctor. He
|
|
raised considerable row about it, but me and Jim stuck to it and wouldn't
|
|
budge; so he was for crawling out and setting the raft loose himself; but
|
|
we wouldn't let him. Then he give us a piece of his mind, but it didn't
|
|
do no good.
|
|
|
|
So when he sees me getting the canoe ready, he says:
|
|
|
|
"Well, then, if you re bound to go, I'll tell you the way to do when you
|
|
get to the village. Shut the door and blindfold the doctor tight and
|
|
fast, and make him swear to be silent as the grave, and put a purse full
|
|
of gold in his hand, and then take and lead him all around the back
|
|
alleys and everywheres in the dark, and then fetch him here in the canoe,
|
|
in a roundabout way amongst the islands, and search him and take his
|
|
chalk away from him, and don't give it back to him till you get him back
|
|
to the village, or else he will chalk this raft so he can find it again.
|
|
It's the way they all do."
|
|
|
|
So I said I would, and left, and Jim was to hide in the woods when he see
|
|
the doctor coming till he was gone again.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLI.
|
|
|
|
THE doctor was an old man; a very nice, kind-looking old man when I got
|
|
him up. I told him me and my brother was over on Spanish Island hunting
|
|
yesterday afternoon, and camped on a piece of a raft we found, and about
|
|
midnight he must a kicked his gun in his dreams, for it went off and shot
|
|
him in the leg, and we wanted him to go over there and fix it and not say
|
|
nothing about it, nor let anybody know, because we wanted to come home
|
|
this evening and surprise the folks.
|
|
|
|
"Who is your folks?" he says.
|
|
|
|
"The Phelpses, down yonder."
|
|
|
|
"Oh," he says. And after a minute, he says:
|
|
|
|
"How'd you say he got shot?"
|
|
|
|
"He had a dream," I says, "and it shot him."
|
|
|
|
"Singular dream," he says.
|
|
|
|
So he lit up his lantern, and got his saddle-bags, and we started. But
|
|
when he sees the canoe he didn't like the look of her--said she was big
|
|
enough for one, but didn't look pretty safe for two. I says:
|
|
|
|
"Oh, you needn't be afeard, sir, she carried the three of us easy
|
|
enough."
|
|
|
|
"What three?"
|
|
|
|
"Why, me and Sid, and--and--and THE GUNS; that's what I mean."
|
|
|
|
"Oh," he says.
|
|
|
|
But he put his foot on the gunnel and rocked her, and shook his head, and
|
|
said he reckoned he'd look around for a bigger one. But they was all
|
|
locked and chained; so he took my canoe, and said for me to wait till he
|
|
come back, or I could hunt around further, or maybe I better go down home
|
|
and get them ready for the surprise if I wanted to. But I said I didn't;
|
|
so I told him just how to find the raft, and then he started.
|
|
|
|
I struck an idea pretty soon. I says to myself, spos'n he can't fix that
|
|
leg just in three shakes of a sheep's tail, as the saying is? spos'n it
|
|
takes him three or four days? What are we going to do?--lay around there
|
|
till he lets the cat out of the bag? No, sir; I know what I'LL do. I'll
|
|
wait, and when he comes back if he says he's got to go any more I'll get
|
|
down there, too, if I swim; and we'll take and tie him, and keep him, and
|
|
shove out down the river; and when Tom's done with him we'll give him
|
|
what it's worth, or all we got, and then let him get ashore.
|
|
|
|
So then I crept into a lumber-pile to get some sleep; and next time I
|
|
waked up the sun was away up over my head! I shot out and went for the
|
|
doctor's house, but they told me he'd gone away in the night some time or
|
|
other, and warn't back yet. Well, thinks I, that looks powerful bad for
|
|
Tom, and I'll dig out for the island right off. So away I shoved, and
|
|
turned the corner, and nearly rammed my head into Uncle Silas's stomach!
|
|
He says:
|
|
|
|
"Why, TOM! Where you been all this time, you rascal?"
|
|
|
|
"I hain't been nowheres," I says, "only just hunting for the runaway
|
|
nigger--me and Sid."
|
|
|
|
"Why, where ever did you go?" he says. "Your aunt's been mighty uneasy."
|
|
|
|
"She needn't," I says, "because we was all right. We followed the men
|
|
and the dogs, but they outrun us, and we lost them; but we thought we
|
|
heard them on the water, so we got a canoe and took out after them and
|
|
crossed over, but couldn't find nothing of them; so we cruised along
|
|
up-shore till we got kind of tired and beat out; and tied up the canoe
|
|
and went to sleep, and never waked up till about an hour ago; then we
|
|
paddled over here to hear the news, and Sid's at the post-office to see
|
|
what he can hear, and I'm a-branching out to get something to eat for us,
|
|
and then we're going home."
|
|
|
|
So then we went to the post-office to get "Sid"; but just as I
|
|
suspicioned, he warn't there; so the old man he got a letter out of the
|
|
office, and we waited awhile longer, but Sid didn't come; so the old man
|
|
said, come along, let Sid foot it home, or canoe it, when he got done
|
|
fooling around--but we would ride. I couldn't get him to let me stay and
|
|
wait for Sid; and he said there warn't no use in it, and I must come
|
|
along, and let Aunt Sally see we was all right.
|
|
|
|
When we got home Aunt Sally was that glad to see me she laughed and cried
|
|
both, and hugged me, and give me one of them lickings of hern that don't
|
|
amount to shucks, and said she'd serve Sid the same when he come.
|
|
|
|
And the place was plum full of farmers and farmers' wives, to dinner; and
|
|
such another clack a body never heard. Old Mrs. Hotchkiss was the worst;
|
|
her tongue was a-going all the time. She says:
|
|
|
|
"Well, Sister Phelps, I've ransacked that-air cabin over, an' I b'lieve
|
|
the nigger was crazy. I says to Sister Damrell--didn't I, Sister
|
|
Damrell?--s'I, he's crazy, s'I--them's the very words I said. You all
|
|
hearn me: he's crazy, s'I; everything shows it, s'I. Look at that-air
|
|
grindstone, s'I; want to tell ME't any cretur 't's in his right mind 's a
|
|
goin' to scrabble all them crazy things onto a grindstone, s'I? Here
|
|
sich 'n' sich a person busted his heart; 'n' here so 'n' so pegged along
|
|
for thirty-seven year, 'n' all that--natcherl son o' Louis somebody, 'n'
|
|
sich everlast'n rubbage. He's plumb crazy, s'I; it's what I says in the
|
|
fust place, it's what I says in the middle, 'n' it's what I says last 'n'
|
|
all the time--the nigger's crazy--crazy 's Nebokoodneezer, s'I."
|
|
|
|
"An' look at that-air ladder made out'n rags, Sister Hotchkiss," says old
|
|
Mrs. Damrell; "what in the name o' goodness COULD he ever want of--"
|
|
|
|
"The very words I was a-sayin' no longer ago th'n this minute to Sister
|
|
Utterback, 'n' she'll tell you so herself. Sh-she, look at that-air rag
|
|
ladder, sh-she; 'n' s'I, yes, LOOK at it, s'I--what COULD he a-wanted of
|
|
it, s'I. Sh-she, Sister Hotchkiss, sh-she--"
|
|
|
|
"But how in the nation'd they ever GIT that grindstone IN there, ANYWAY?
|
|
'n' who dug that-air HOLE? 'n' who--"
|
|
|
|
"My very WORDS, Brer Penrod! I was a-sayin'--pass that-air sasser o'
|
|
m'lasses, won't ye?--I was a-sayin' to Sister Dunlap, jist this minute,
|
|
how DID they git that grindstone in there, s'I. Without HELP, mind you
|
|
--'thout HELP! THAT'S wher 'tis. Don't tell ME, s'I; there WUZ help,
|
|
s'I; 'n' ther' wuz a PLENTY help, too, s'I; ther's ben a DOZEN a-helpin'
|
|
that nigger, 'n' I lay I'd skin every last nigger on this place but I'D
|
|
find out who done it, s'I; 'n' moreover, s'I--"
|
|
|
|
"A DOZEN says you!--FORTY couldn't a done every thing that's been done.
|
|
Look at them case-knife saws and things, how tedious they've been made;
|
|
look at that bed-leg sawed off with 'm, a week's work for six men; look
|
|
at that nigger made out'n straw on the bed; and look at--"
|
|
|
|
"You may WELL say it, Brer Hightower! It's jist as I was a-sayin' to
|
|
Brer Phelps, his own self. S'e, what do YOU think of it, Sister
|
|
Hotchkiss, s'e? Think o' what, Brer Phelps, s'I? Think o' that bed-leg
|
|
sawed off that a way, s'e? THINK of it, s'I? I lay it never sawed
|
|
ITSELF off, s'I--somebody SAWED it, s'I; that's my opinion, take it or
|
|
leave it, it mayn't be no 'count, s'I, but sich as 't is, it's my
|
|
opinion, s'I, 'n' if any body k'n start a better one, s'I, let him DO it,
|
|
s'I, that's all. I says to Sister Dunlap, s'I--"
|
|
|
|
"Why, dog my cats, they must a ben a house-full o' niggers in there every
|
|
night for four weeks to a done all that work, Sister Phelps. Look at
|
|
that shirt--every last inch of it kivered over with secret African writ'n
|
|
done with blood! Must a ben a raft uv 'm at it right along, all the
|
|
time, amost. Why, I'd give two dollars to have it read to me; 'n' as for
|
|
the niggers that wrote it, I 'low I'd take 'n' lash 'm t'll--"
|
|
|
|
"People to HELP him, Brother Marples! Well, I reckon you'd THINK so if
|
|
you'd a been in this house for a while back. Why, they've stole
|
|
everything they could lay their hands on--and we a-watching all the time,
|
|
mind you. They stole that shirt right off o' the line! and as for that
|
|
sheet they made the rag ladder out of, ther' ain't no telling how many
|
|
times they DIDN'T steal that; and flour, and candles, and candlesticks,
|
|
and spoons, and the old warming-pan, and most a thousand things that I
|
|
disremember now, and my new calico dress; and me and Silas and my Sid and
|
|
Tom on the constant watch day AND night, as I was a-telling you, and not
|
|
a one of us could catch hide nor hair nor sight nor sound of them; and
|
|
here at the last minute, lo and behold you, they slides right in under
|
|
our noses and fools us, and not only fools US but the Injun Territory
|
|
robbers too, and actuly gets AWAY with that nigger safe and sound, and
|
|
that with sixteen men and twenty-two dogs right on their very heels at
|
|
that very time! I tell you, it just bangs anything I ever HEARD of.
|
|
Why, SPERITS couldn't a done better and been no smarter. And I reckon
|
|
they must a BEEN sperits--because, YOU know our dogs, and ther' ain't no
|
|
better; well, them dogs never even got on the TRACK of 'm once! You
|
|
explain THAT to me if you can!--ANY of you!"
|
|
|
|
"Well, it does beat--"
|
|
|
|
"Laws alive, I never--"
|
|
|
|
"So help me, I wouldn't a be--"
|
|
|
|
"HOUSE-thieves as well as--"
|
|
|
|
"Goodnessgracioussakes, I'd a ben afeard to live in sich a--"
|
|
|
|
"'Fraid to LIVE!--why, I was that scared I dasn't hardly go to bed, or
|
|
get up, or lay down, or SET down, Sister Ridgeway. Why, they'd steal the
|
|
very--why, goodness sakes, you can guess what kind of a fluster I was
|
|
in by the time midnight come last night. I hope to gracious if I warn't
|
|
afraid they'd steal some o' the family! I was just to that pass I didn't
|
|
have no reasoning faculties no more. It looks foolish enough NOW, in the
|
|
daytime; but I says to myself, there's my two poor boys asleep, 'way up
|
|
stairs in that lonesome room, and I declare to goodness I was that uneasy
|
|
't I crep' up there and locked 'em in! I DID. And anybody would.
|
|
Because, you know, when you get scared that way, and it keeps running on,
|
|
and getting worse and worse all the time, and your wits gets to addling,
|
|
and you get to doing all sorts o' wild things, and by and by you think to
|
|
yourself, spos'n I was a boy, and was away up there, and the door ain't
|
|
locked, and you--" She stopped, looking kind of wondering, and then she
|
|
turned her head around slow, and when her eye lit on me--I got up and
|
|
took a walk.
|
|
|
|
Says I to myself, I can explain better how we come to not be in that room
|
|
this morning if I go out to one side and study over it a little. So I
|
|
done it. But I dasn't go fur, or she'd a sent for me. And when it was
|
|
late in the day the people all went, and then I come in and told her the
|
|
noise and shooting waked up me and "Sid," and the door was locked, and we
|
|
wanted to see the fun, so we went down the lightning-rod, and both of us
|
|
got hurt a little, and we didn't never want to try THAT no more. And
|
|
then I went on and told her all what I told Uncle Silas before; and then
|
|
she said she'd forgive us, and maybe it was all right enough anyway, and
|
|
about what a body might expect of boys, for all boys was a pretty
|
|
harum-scarum lot as fur as she could see; and so, as long as no harm
|
|
hadn't come of it, she judged she better put in her time being grateful
|
|
we was alive and well and she had us still, stead of fretting over what
|
|
was past and done. So then she kissed me, and patted me on the head, and
|
|
dropped into a kind of a brown study; and pretty soon jumps up, and says:
|
|
|
|
"Why, lawsamercy, it's most night, and Sid not come yet! What HAS become
|
|
of that boy?"
|
|
|
|
I see my chance; so I skips up and says:
|
|
|
|
"I'll run right up to town and get him," I says.
|
|
|
|
"No you won't," she says. "You'll stay right wher' you are; ONE'S enough
|
|
to be lost at a time. If he ain't here to supper, your uncle 'll go."
|
|
|
|
Well, he warn't there to supper; so right after supper uncle went.
|
|
|
|
He come back about ten a little bit uneasy; hadn't run across Tom's
|
|
track. Aunt Sally was a good DEAL uneasy; but Uncle Silas he said there
|
|
warn't no occasion to be--boys will be boys, he said, and you'll see this
|
|
one turn up in the morning all sound and right. So she had to be
|
|
satisfied. But she said she'd set up for him a while anyway, and keep a
|
|
light burning so he could see it.
|
|
|
|
And then when I went up to bed she come up with me and fetched her
|
|
candle, and tucked me in, and mothered me so good I felt mean, and like I
|
|
couldn't look her in the face; and she set down on the bed and talked
|
|
with me a long time, and said what a splendid boy Sid was, and didn't
|
|
seem to want to ever stop talking about him; and kept asking me every now
|
|
and then if I reckoned he could a got lost, or hurt, or maybe drownded,
|
|
and might be laying at this minute somewheres suffering or dead, and she
|
|
not by him to help him, and so the tears would drip down silent, and I
|
|
would tell her that Sid was all right, and would be home in the morning,
|
|
sure; and she would squeeze my hand, or maybe kiss me, and tell me to say
|
|
it again, and keep on saying it, because it done her good, and she was in
|
|
so much trouble. And when she was going away she looked down in my eyes
|
|
so steady and gentle, and says:
|
|
|
|
"The door ain't going to be locked, Tom, and there's the window and the
|
|
rod; but you'll be good, WON'T you? And you won't go? For MY sake."
|
|
|
|
Laws knows I WANTED to go bad enough to see about Tom, and was all
|
|
intending to go; but after that I wouldn't a went, not for kingdoms.
|
|
|
|
But she was on my mind and Tom was on my mind, so I slept very restless.
|
|
And twice I went down the rod away in the night, and slipped around
|
|
front, and see her setting there by her candle in the window with her
|
|
eyes towards the road and the tears in them; and I wished I could do
|
|
something for her, but I couldn't, only to swear that I wouldn't never do
|
|
nothing to grieve her any more. And the third time I waked up at dawn,
|
|
and slid down, and she was there yet, and her candle was most out, and
|
|
her old gray head was resting on her hand, and she was asleep.
|
|
|
|
|
|
|
|
|
|
CHAPTER XLII.
|
|
|
|
THE old man was uptown again before breakfast, but couldn't get no track
|
|
of Tom; and both of them set at the table thinking, and not saying
|
|
nothing, and looking mournful, and their coffee getting cold, and not
|
|
eating anything. And by and by the old man says:
|
|
|
|
"Did I give you the letter?"
|
|
|
|
"What letter?"
|
|
|
|
"The one I got yesterday out of the post-office."
|
|
|
|
"No, you didn't give me no letter."
|
|
|
|
"Well, I must a forgot it."
|
|
|
|
So he rummaged his pockets, and then went off somewheres where he had
|
|
laid it down, and fetched it, and give it to her. She says:
|
|
|
|
"Why, it's from St. Petersburg--it's from Sis."
|
|
|
|
I allowed another walk would do me good; but I couldn't stir. But before
|
|
she could break it open she dropped it and run--for she see something.
|
|
And so did I. It was Tom Sawyer on a mattress; and that old doctor; and
|
|
Jim, in HER calico dress, with his hands tied behind him; and a lot of
|
|
people. I hid the letter behind the first thing that come handy, and
|
|
rushed. She flung herself at Tom, crying, and says:
|
|
|
|
"Oh, he's dead, he's dead, I know he's dead!"
|
|
|
|
And Tom he turned his head a little, and muttered something or other,
|
|
which showed he warn't in his right mind; then she flung up her hands,
|
|
and says:
|
|
|
|
"He's alive, thank God! And that's enough!" and she snatched a kiss of
|
|
him, and flew for the house to get the bed ready, and scattering orders
|
|
right and left at the niggers and everybody else, as fast as her tongue
|
|
could go, every jump of the way.
|
|
|
|
I followed the men to see what they was going to do with Jim; and the old
|
|
doctor and Uncle Silas followed after Tom into the house. The men was
|
|
very huffy, and some of them wanted to hang Jim for an example to all the
|
|
other niggers around there, so they wouldn't be trying to run away like
|
|
Jim done, and making such a raft of trouble, and keeping a whole family
|
|
scared most to death for days and nights. But the others said, don't do
|
|
it, it wouldn't answer at all; he ain't our nigger, and his owner would
|
|
turn up and make us pay for him, sure. So that cooled them down a
|
|
little, because the people that's always the most anxious for to hang a
|
|
nigger that hain't done just right is always the very ones that ain't the
|
|
most anxious to pay for him when they've got their satisfaction out of
|
|
him.
|
|
|
|
They cussed Jim considerble, though, and give him a cuff or two side the
|
|
head once in a while, but Jim never said nothing, and he never let on to
|
|
know me, and they took him to the same cabin, and put his own clothes on
|
|
him, and chained him again, and not to no bed-leg this time, but to a big
|
|
staple drove into the bottom log, and chained his hands, too, and both
|
|
legs, and said he warn't to have nothing but bread and water to eat after
|
|
this till his owner come, or he was sold at auction because he didn't
|
|
come in a certain length of time, and filled up our hole, and said a
|
|
couple of farmers with guns must stand watch around about the cabin every
|
|
night, and a bulldog tied to the door in the daytime; and about this time
|
|
they was through with the job and was tapering off with a kind of generl
|
|
good-bye cussing, and then the old doctor comes and takes a look, and
|
|
says:
|
|
|
|
"Don't be no rougher on him than you're obleeged to, because he ain't a
|
|
bad nigger. When I got to where I found the boy I see I couldn't cut the
|
|
bullet out without some help, and he warn't in no condition for me to
|
|
leave to go and get help; and he got a little worse and a little worse,
|
|
and after a long time he went out of his head, and wouldn't let me come
|
|
a-nigh him any more, and said if I chalked his raft he'd kill me, and no
|
|
end of wild foolishness like that, and I see I couldn't do anything at
|
|
all with him; so I says, I got to have HELP somehow; and the minute I
|
|
says it out crawls this nigger from somewheres and says he'll help, and
|
|
he done it, too, and done it very well. Of course I judged he must be a
|
|
runaway nigger, and there I WAS! and there I had to stick right straight
|
|
along all the rest of the day and all night. It was a fix, I tell you!
|
|
I had a couple of patients with the chills, and of course I'd of liked to
|
|
run up to town and see them, but I dasn't, because the nigger might get
|
|
away, and then I'd be to blame; and yet never a skiff come close enough
|
|
for me to hail. So there I had to stick plumb until daylight this
|
|
morning; and I never see a nigger that was a better nuss or faithfuller,
|
|
and yet he was risking his freedom to do it, and was all tired out, too,
|
|
and I see plain enough he'd been worked main hard lately. I liked the
|
|
nigger for that; I tell you, gentlemen, a nigger like that is worth a
|
|
thousand dollars--and kind treatment, too. I had everything I needed,
|
|
and the boy was doing as well there as he would a done at home--better,
|
|
maybe, because it was so quiet; but there I WAS, with both of 'm on my
|
|
hands, and there I had to stick till about dawn this morning; then some
|
|
men in a skiff come by, and as good luck would have it the nigger was
|
|
setting by the pallet with his head propped on his knees sound asleep; so
|
|
I motioned them in quiet, and they slipped up on him and grabbed him and
|
|
tied him before he knowed what he was about, and we never had no trouble.
|
|
And the boy being in a kind of a flighty sleep, too, we muffled the oars
|
|
and hitched the raft on, and towed her over very nice and quiet, and the
|
|
nigger never made the least row nor said a word from the start. He ain't
|
|
no bad nigger, gentlemen; that's what I think about him."
|
|
|
|
Somebody says:
|
|
|
|
"Well, it sounds very good, doctor, I'm obleeged to say."
|
|
|
|
Then the others softened up a little, too, and I was mighty thankful to
|
|
that old doctor for doing Jim that good turn; and I was glad it was
|
|
according to my judgment of him, too; because I thought he had a good
|
|
heart in him and was a good man the first time I see him. Then they all
|
|
agreed that Jim had acted very well, and was deserving to have some
|
|
notice took of it, and reward. So every one of them promised, right out
|
|
and hearty, that they wouldn't cuss him no more.
|
|
|
|
Then they come out and locked him up. I hoped they was going to say he
|
|
could have one or two of the chains took off, because they was rotten
|
|
heavy, or could have meat and greens with his bread and water; but they
|
|
didn't think of it, and I reckoned it warn't best for me to mix in, but I
|
|
judged I'd get the doctor's yarn to Aunt Sally somehow or other as soon
|
|
as I'd got through the breakers that was laying just ahead of me
|
|
--explanations, I mean, of how I forgot to mention about Sid being shot
|
|
when I was telling how him and me put in that dratted night paddling
|
|
around hunting the runaway nigger.
|
|
|
|
But I had plenty time. Aunt Sally she stuck to the sick-room all day and
|
|
all night, and every time I see Uncle Silas mooning around I dodged him.
|
|
|
|
Next morning I heard Tom was a good deal better, and they said Aunt Sally
|
|
was gone to get a nap. So I slips to the sick-room, and if I found him
|
|
awake I reckoned we could put up a yarn for the family that would wash.
|
|
But he was sleeping, and sleeping very peaceful, too; and pale, not
|
|
fire-faced the way he was when he come. So I set down and laid for him
|
|
to wake. In about half an hour Aunt Sally comes gliding in, and there I
|
|
was, up a stump again! She motioned me to be still, and set down by me,
|
|
and begun to whisper, and said we could all be joyful now, because all
|
|
the symptoms was first-rate, and he'd been sleeping like that for ever so
|
|
long, and looking better and peacefuller all the time, and ten to one
|
|
he'd wake up in his right mind.
|
|
|
|
So we set there watching, and by and by he stirs a bit, and opened his
|
|
eyes very natural, and takes a look, and says:
|
|
|
|
"Hello!--why, I'm at HOME! How's that? Where's the raft?"
|
|
|
|
"It's all right," I says.
|
|
|
|
"And JIM?"
|
|
|
|
"The same," I says, but couldn't say it pretty brash. But he never
|
|
noticed, but says:
|
|
|
|
"Good! Splendid! NOW we're all right and safe! Did you tell Aunty?"
|
|
|
|
I was going to say yes; but she chipped in and says: "About what, Sid?"
|
|
|
|
"Why, about the way the whole thing was done."
|
|
|
|
"What whole thing?"
|
|
|
|
"Why, THE whole thing. There ain't but one; how we set the runaway
|
|
nigger free--me and Tom."
|
|
|
|
"Good land! Set the run--What IS the child talking about! Dear, dear,
|
|
out of his head again!"
|
|
|
|
"NO, I ain't out of my HEAD; I know all what I'm talking about. We DID
|
|
set him free--me and Tom. We laid out to do it, and we DONE it. And we
|
|
done it elegant, too." He'd got a start, and she never checked him up,
|
|
just set and stared and stared, and let him clip along, and I see it
|
|
warn't no use for ME to put in. "Why, Aunty, it cost us a power of work
|
|
--weeks of it--hours and hours, every night, whilst you was all asleep.
|
|
And we had to steal candles, and the sheet, and the shirt, and your
|
|
dress, and spoons, and tin plates, and case-knives, and the warming-pan,
|
|
and the grindstone, and flour, and just no end of things, and you can't
|
|
think what work it was to make the saws, and pens, and inscriptions, and
|
|
one thing or another, and you can't think HALF the fun it was. And we
|
|
had to make up the pictures of coffins and things, and nonnamous letters
|
|
from the robbers, and get up and down the lightning-rod, and dig the hole
|
|
into the cabin, and made the rope ladder and send it in cooked up in a
|
|
pie, and send in spoons and things to work with in your apron pocket--"
|
|
|
|
"Mercy sakes!"
|
|
|
|
"--and load up the cabin with rats and snakes and so on, for company for
|
|
Jim; and then you kept Tom here so long with the butter in his hat that
|
|
you come near spiling the whole business, because the men come before we
|
|
was out of the cabin, and we had to rush, and they heard us and let drive
|
|
at us, and I got my share, and we dodged out of the path and let them go
|
|
by, and when the dogs come they warn't interested in us, but went for the
|
|
most noise, and we got our canoe, and made for the raft, and was all
|
|
safe, and Jim was a free man, and we done it all by ourselves, and WASN'T
|
|
it bully, Aunty!"
|
|
|
|
"Well, I never heard the likes of it in all my born days! So it was YOU,
|
|
you little rapscallions, that's been making all this trouble, and turned
|
|
everybody's wits clean inside out and scared us all most to death. I've
|
|
as good a notion as ever I had in my life to take it out o' you this very
|
|
minute. To think, here I've been, night after night, a--YOU just get
|
|
well once, you young scamp, and I lay I'll tan the Old Harry out o' both
|
|
o' ye!"
|
|
|
|
But Tom, he WAS so proud and joyful, he just COULDN'T hold in, and his
|
|
tongue just WENT it--she a-chipping in, and spitting fire all along, and
|
|
both of them going it at once, like a cat convention; and she says:
|
|
|
|
"WELL, you get all the enjoyment you can out of it NOW, for mind I tell
|
|
you if I catch you meddling with him again--"
|
|
|
|
"Meddling with WHO?" Tom says, dropping his smile and looking surprised.
|
|
|
|
"With WHO? Why, the runaway nigger, of course. Who'd you reckon?"
|
|
|
|
Tom looks at me very grave, and says:
|
|
|
|
"Tom, didn't you just tell me he was all right? Hasn't he got away?"
|
|
|
|
"HIM?" says Aunt Sally; "the runaway nigger? 'Deed he hasn't. They've
|
|
got him back, safe and sound, and he's in that cabin again, on bread and
|
|
water, and loaded down with chains, till he's claimed or sold!"
|
|
|
|
Tom rose square up in bed, with his eye hot, and his nostrils opening and
|
|
shutting like gills, and sings out to me:
|
|
|
|
"They hain't no RIGHT to shut him up! SHOVE!--and don't you lose a
|
|
minute. Turn him loose! he ain't no slave; he's as free as any cretur
|
|
that walks this earth!"
|
|
|
|
"What DOES the child mean?"
|
|
|
|
"I mean every word I SAY, Aunt Sally, and if somebody don't go, I'LL go.
|
|
I've knowed him all his life, and so has Tom, there. Old Miss Watson
|
|
died two months ago, and she was ashamed she ever was going to sell him
|
|
down the river, and SAID so; and she set him free in her will."
|
|
|
|
"Then what on earth did YOU want to set him free for, seeing he was
|
|
already free?"
|
|
|
|
"Well, that IS a question, I must say; and just like women! Why, I
|
|
wanted the ADVENTURE of it; and I'd a waded neck-deep in blood to
|
|
--goodness alive, AUNT POLLY!"
|
|
|
|
If she warn't standing right there, just inside the door, looking as
|
|
sweet and contented as an angel half full of pie, I wish I may never!
|
|
|
|
Aunt Sally jumped for her, and most hugged the head off of her, and cried
|
|
over her, and I found a good enough place for me under the bed, for it
|
|
was getting pretty sultry for us, seemed to me. And I peeped out, and in
|
|
a little while Tom's Aunt Polly shook herself loose and stood there
|
|
looking across at Tom over her spectacles--kind of grinding him into the
|
|
earth, you know. And then she says:
|
|
|
|
"Yes, you BETTER turn y'r head away--I would if I was you, Tom."
|
|
|
|
"Oh, deary me!" says Aunt Sally; "IS he changed so? Why, that ain't TOM,
|
|
it's Sid; Tom's--Tom's--why, where is Tom? He was here a minute ago."
|
|
|
|
"You mean where's Huck FINN--that's what you mean! I reckon I hain't
|
|
raised such a scamp as my Tom all these years not to know him when I SEE
|
|
him. That WOULD be a pretty howdy-do. Come out from under that bed,
|
|
Huck Finn."
|
|
|
|
So I done it. But not feeling brash.
|
|
|
|
Aunt Sally she was one of the mixed-upest-looking persons I ever see
|
|
--except one, and that was Uncle Silas, when he come in and they told it
|
|
all to him. It kind of made him drunk, as you may say, and he didn't
|
|
know nothing at all the rest of the day, and preached a prayer-meeting
|
|
sermon that night that gave him a rattling ruputation, because the oldest
|
|
man in the world couldn't a understood it. So Tom's Aunt Polly, she told
|
|
all about who I was, and what; and I had to up and tell how I was in such
|
|
a tight place that when Mrs. Phelps took me for Tom Sawyer--she chipped
|
|
in and says, "Oh, go on and call me Aunt Sally, I'm used to it now, and
|
|
'tain't no need to change"--that when Aunt Sally took me for Tom Sawyer I
|
|
had to stand it--there warn't no other way, and I knowed he wouldn't
|
|
mind, because it would be nuts for him, being a mystery, and he'd make an
|
|
adventure out of it, and be perfectly satisfied. And so it turned out,
|
|
and he let on to be Sid, and made things as soft as he could for me.
|
|
|
|
And his Aunt Polly she said Tom was right about old Miss Watson setting
|
|
Jim free in her will; and so, sure enough, Tom Sawyer had gone and took
|
|
all that trouble and bother to set a free nigger free! and I couldn't
|
|
ever understand before, until that minute and that talk, how he COULD
|
|
help a body set a nigger free with his bringing-up.
|
|
|
|
Well, Aunt Polly she said that when Aunt Sally wrote to her that Tom and
|
|
SID had come all right and safe, she says to herself:
|
|
|
|
"Look at that, now! I might have expected it, letting him go off that
|
|
way without anybody to watch him. So now I got to go and trapse all the
|
|
way down the river, eleven hundred mile, and find out what that creetur's
|
|
up to THIS time, as long as I couldn't seem to get any answer out of you
|
|
about it."
|
|
|
|
"Why, I never heard nothing from you," says Aunt Sally.
|
|
|
|
"Well, I wonder! Why, I wrote you twice to ask you what you could mean
|
|
by Sid being here."
|
|
|
|
"Well, I never got 'em, Sis."
|
|
|
|
Aunt Polly she turns around slow and severe, and says:
|
|
|
|
"You, Tom!"
|
|
|
|
"Well--WHAT?" he says, kind of pettish.
|
|
|
|
"Don t you what ME, you impudent thing--hand out them letters."
|
|
|
|
"What letters?"
|
|
|
|
"THEM letters. I be bound, if I have to take a-holt of you I'll--"
|
|
|
|
"They're in the trunk. There, now. And they're just the same as they
|
|
was when I got them out of the office. I hain't looked into them, I
|
|
hain't touched them. But I knowed they'd make trouble, and I thought if
|
|
you warn't in no hurry, I'd--"
|
|
|
|
"Well, you DO need skinning, there ain't no mistake about it. And I
|
|
wrote another one to tell you I was coming; and I s'pose he--"
|
|
|
|
"No, it come yesterday; I hain't read it yet, but IT'S all right, I've
|
|
got that one."
|
|
|
|
I wanted to offer to bet two dollars she hadn't, but I reckoned maybe it
|
|
was just as safe to not to. So I never said nothing.
|
|
|
|
|
|
|
|
|
|
CHAPTER THE LAST
|
|
|
|
THE first time I catched Tom private I asked him what was his idea, time
|
|
of the evasion?--what it was he'd planned to do if the evasion worked all
|
|
right and he managed to set a nigger free that was already free before?
|
|
And he said, what he had planned in his head from the start, if we got
|
|
Jim out all safe, was for us to run him down the river on the raft, and
|
|
have adventures plumb to the mouth of the river, and then tell him about
|
|
his being free, and take him back up home on a steamboat, in style, and
|
|
pay him for his lost time, and write word ahead and get out all the
|
|
niggers around, and have them waltz him into town with a torchlight
|
|
procession and a brass-band, and then he would be a hero, and so would
|
|
we. But I reckoned it was about as well the way it was.
|
|
|
|
We had Jim out of the chains in no time, and when Aunt Polly and Uncle
|
|
Silas and Aunt Sally found out how good he helped the doctor nurse Tom,
|
|
they made a heap of fuss over him, and fixed him up prime, and give him
|
|
all he wanted to eat, and a good time, and nothing to do. And we had him
|
|
up to the sick-room, and had a high talk; and Tom give Jim forty dollars
|
|
for being prisoner for us so patient, and doing it up so good, and Jim
|
|
was pleased most to death, and busted out, and says:
|
|
|
|
"DAH, now, Huck, what I tell you?--what I tell you up dah on Jackson
|
|
islan'? I TOLE you I got a hairy breas', en what's de sign un it; en I
|
|
TOLE you I ben rich wunst, en gwineter to be rich AGIN; en it's come
|
|
true; en heah she is! DAH, now! doan' talk to ME--signs is SIGNS, mine I
|
|
tell you; en I knowed jis' 's well 'at I 'uz gwineter be rich agin as I's
|
|
a-stannin' heah dis minute!"
|
|
|
|
And then Tom he talked along and talked along, and says, le's all three
|
|
slide out of here one of these nights and get an outfit, and go for
|
|
howling adventures amongst the Injuns, over in the Territory, for a
|
|
couple of weeks or two; and I says, all right, that suits me, but I ain't
|
|
got no money for to buy the outfit, and I reckon I couldn't get none from
|
|
home, because it's likely pap's been back before now, and got it all away
|
|
from Judge Thatcher and drunk it up.
|
|
|
|
"No, he hain't," Tom says; "it's all there yet--six thousand dollars and
|
|
more; and your pap hain't ever been back since. Hadn't when I come away,
|
|
anyhow."
|
|
|
|
Jim says, kind of solemn:
|
|
|
|
"He ain't a-comin' back no mo', Huck."
|
|
|
|
I says:
|
|
|
|
"Why, Jim?"
|
|
|
|
"Nemmine why, Huck--but he ain't comin' back no mo."
|
|
|
|
But I kept at him; so at last he says:
|
|
|
|
"Doan' you 'member de house dat was float'n down de river, en dey wuz a
|
|
man in dah, kivered up, en I went in en unkivered him and didn' let you
|
|
come in? Well, den, you kin git yo' money when you wants it, kase dat
|
|
wuz him."
|
|
|
|
Tom's most well now, and got his bullet around his neck on a watch-guard
|
|
for a watch, and is always seeing what time it is, and so there ain't
|
|
nothing more to write about, and I am rotten glad of it, because if I'd a
|
|
knowed what a trouble it was to make a book I wouldn't a tackled it, and
|
|
ain't a-going to no more. But I reckon I got to light out for the
|
|
Territory ahead of the rest, because Aunt Sally she's going to adopt me
|
|
and sivilize me, and I can't stand it. I been there before.
|
|
|
|
|
|
|
|
|
|
|
|
End of the Project Gutenberg EBook of The Adventures of Huckleberry Finn,
|
|
Complete, by Mark Twain (Samuel Clemens)
|
|
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