16122 lines
714 KiB
Plaintext
16122 lines
714 KiB
Plaintext
the project gutenberg etext of a tale of two cities
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by charles dickens [the rest of dickens is forthcoming]
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contents
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book the first recalled to life
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chapter i the period
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chapter ii the mail
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chapter iii the night shadows
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chapter iv the preparation
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chapter v the wine shop
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chapter vi the shoemaker
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book the second the golden thread
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chapter i five years later
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chapter ii a sight
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chapter iii a disappointment
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chapter iv congratulatory
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chapter v the jackal
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chapter vi hundreds of people
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chapter vii monseigneur in town
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chapter viii monseigneur in the country
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chapter ix the gorgons head
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chapter x two promises
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chapter xi a companion picture
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chapter xii the fellow of delicacy
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chapter xiii the fellow of no delicacy
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chapter xiv the honest tradesman
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chapter xv knitting
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chapter xvi still knitting
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chapter xvii one night
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chapter xviii nine days
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chapter xix an opinion
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chapter xx a plea
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chapter xxi echoing footsteps
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chapter xxii the sea still rises
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chapter xxiii fire rises
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chapter xxiv drawn to the loadstone rock
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book the third the track of a storm
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chapter i in secret
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chapter ii the grindstone
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chapter iii the shadow
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chapter iv calm in storm
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chapter v the wood sawyer
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chapter vi triumph
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chapter vii a knock at the door
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chapter viii a hand at cards
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chapter ix the game made
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chapter x the substance of the shadow
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chapter xi dusk
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chapter xii darkness
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chapter xiii fifty two
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chapter xiv the knitting done
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chapter xv the footsteps die out for ever
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book the first recalled to life
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i
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the period
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it was the best of times it was the worst of times
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it was the age of wisdom it was the age of foolishness
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it was the epoch of belief it was the epoch of incredulity
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it was the season of light it was the season of darkness
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it was the spring of hope it was the winter of despair
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we had everything before us we had nothing before us
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we were all going direct to heaven we were all going direct
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the other way in short the period was so far like the present
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period that some of its noisiest authorities insisted on its
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being received for good or for evil in the superlative degree
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of comparison only
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there were a king with a large jaw and a queen with a plain face
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on the throne of england there were a king with a large jaw and
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a queen with a fair face on the throne of france in both
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countries it was clearer than crystal to the lords of the state
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preserves of loaves and fishes that things in general were
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settled for ever
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it was the year of our lord one thousand seven hundred and
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seventy five spiritual revelations were conceded to england at
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that favoured period as at this mrs southcott had recently
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attained her five and twentieth blessed birthday of whom a
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prophetic private in the life guards had heralded the sublime
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appearance by announcing that arrangements were made for the
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swallowing up of london and westminster even the cock lane
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ghost had been laid only a round dozen of years after rapping
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out its messages as the spirits of this very year last past
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supernaturally deficient in originality rapped out theirs
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mere messages in the earthly order of events had lately come to
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the english crown and people from a congress of british subjects
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in america which strange to relate have proved more important
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to the human race than any communications yet received through
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any of the chickens of the cock lane brood
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france less favoured on the whole as to matters spiritual than
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her sister of the shield and trident rolled with exceeding
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smoothness down hill making paper money and spending it
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under the guidance of her christian pastors she entertained
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herself besides with such humane achievements as sentencing
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a youth to have his hands cut off his tongue torn out with
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pincers and his body burned alive because he had not kneeled
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down in the rain to do honour to a dirty procession of monks
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which passed within his view at a distance of some fifty or
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sixty yards it is likely enough that rooted in the woods of
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france and norway there were growing trees when that sufferer
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was put to death already marked by the woodman fate to come
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down and be sawn into boards to make a certain movable framework
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with a sack and a knife in it terrible in history it is likely
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enough that in the rough outhouses of some tillers of the heavy
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lands adjacent to paris there were sheltered from the weather
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that very day rude carts bespattered with rustic mire snuffed
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about by pigs and roosted in by poultry which the farmer death
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had already set apart to be his tumbrils of the revolution
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but that woodman and that farmer though they work unceasingly
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work silently and no one heard them as they went about with
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muffled tread the rather forasmuch as to entertain any suspicion
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that they were awake was to be atheistical and traitorous
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in england there was scarcely an amount of order and protection
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to justify much national boasting daring burglaries by armed
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men and highway robberies took place in the capital itself
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every night families were publicly cautioned not to go out of
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town without removing their furniture to upholsterers warehouses
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for security the highwayman in the dark was a city tradesman in
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the light and being recognised and challenged by his fellow
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tradesman whom he stopped in his character of the captain
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gallantly shot him through the head and rode away the mail was
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waylaid by seven robbers and the guard shot three dead and then
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got shot dead himself by the other four in consequence of the
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failure of his ammunition after which the mail was robbed in
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peace that magnificent potentate the lord mayor of london was
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made to stand and deliver on turnham green by one highwayman
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who despoiled the illustrious creature in sight of all his
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retinue prisoners in london gaols fought battles with their
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turnkeys and the majesty of the law fired blunderbusses in among
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them loaded with rounds of shot and ball thieves snipped off
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diamond crosses from the necks of noble lords at court
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drawing rooms musketeers went into st giless to search for
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contraband goods and the mob fired on the musketeers and the
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musketeers fired on the mob and nobody thought any of these
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occurrences much out of the common way in the midst of them
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the hangman ever busy and ever worse than useless was in
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constant requisition now stringing up long rows of miscellaneous
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criminals now hanging a housebreaker on saturday who had been
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taken on tuesday now burning people in the hand at newgate by
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the dozen and now burning pamphlets at the door of westminster hall
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to day taking the life of an atrocious murderer and to morrow of a
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wretched pilferer who had robbed a farmers boy of sixpence
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all these things and a thousand like them came to pass in
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and close upon the dear old year one thousand seven hundred
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and seventy five environed by them while the woodman and the
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farmer worked unheeded those two of the large jaws and those
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other two of the plain and the fair faces trod with stir enough
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and carried their divine rights with a high hand thus did the
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year one thousand seven hundred and seventy five conduct their
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greatnesses and myriads of small creatures the creatures of this
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chronicle among the rest along the roads that lay before them
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ii
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the mail
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it was the dover road that lay on a friday night late in november
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before the first of the persons with whom this history has business
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the dover road lay as to him beyond the dover mail as it lumbered
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up shooters hill he walked up hill in the mire by the side of the
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mail as the rest of the passengers did not because they had the
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least relish for walking exercise under the circumstances but
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because the hill and the harness and the mud and the mail were
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all so heavy that the horses had three times already come to a stop
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besides once drawing the coach across the road with the mutinous
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intent of taking it back to blackheath reins and whip and coachman
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and guard however in combination had read that article of war
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which forbade a purpose otherwise strongly in favour of the argument
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that some brute animals are endued with reason and the team had
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capitulated and returned to their duty
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with drooping heads and tremulous tails they mashed their way
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through the thick mud floundering and stumbling between whiles
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as if they were falling to pieces at the larger joints as often
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as the driver rested them and brought them to a stand with a
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wary wo ho so ho then the near leader violently shook his
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head and everything upon it like an unusually emphatic horse
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denying that the coach could be got up the hill whenever the
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leader made this rattle the passenger started as a nervous
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passenger might and was disturbed in mind
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there was a steaming mist in all the hollows and it had roamed
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in its forlornness up the hill like an evil spirit seeking rest
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and finding none a clammy and intensely cold mist it made its
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slow way through the air in ripples that visibly followed and
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overspread one another as the waves of an unwholesome sea might
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do it was dense enough to shut out everything from the light of
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the coach lamps but these its own workings and a few yards of
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road and the reek of the labouring horses steamed into it as if
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they had made it all
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two other passengers besides the one were plodding up the hill
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by the side of the mail all three were wrapped to the cheekbones
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and over the ears and wore jack boots not one of the three
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could have said from anything he saw what either of the other
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two was like and each was hidden under almost as many wrappers
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from the eyes of the mind as from the eyes of the body of his
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two companions in those days travellers were very shy of being
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confidential on a short notice for anybody on the road might be
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a robber or in league with robbers as to the latter when every
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posting house and ale house could produce somebody in the captains
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pay ranging from the landlord to the lowest stable non descript
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it was the likeliest thing upon the cards so the guard of the
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dover mail thought to himself that friday night in november one
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thousand seven hundred and seventy five lumbering up shooters
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hill as he stood on his own particular perch behind the mail
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beating his feet and keeping an eye and a hand on the arm chest
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before him where a loaded blunderbuss lay at the top of six or
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eight loaded horse pistols deposited on a substratum of cutlass
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the dover mail was in its usual genial position that the guard
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suspected the passengers the passengers suspected one another
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and the guard they all suspected everybody else and the coachman
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was sure of nothing but the horses as to which cattle he could
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with a clear conscience have taken his oath on the two testaments
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that they were not fit for the journey
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wo ho said the coachman so then one more pull and youre
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at the top and be damned to you for i have had trouble enough to
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get you to it joe
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halloa the guard replied
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what oclock do you make it joe
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ten minutes good past eleven
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my blood ejaculated the vexed coachman and not atop of
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shooters yet tst yah get on with you
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the emphatic horse cut short by the whip in a most decided
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negative made a decided scramble for it and the three other
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horses followed suit once more the dover mail struggled on
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with the jack boots of its passengers squashing along by its
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side they had stopped when the coach stopped and they kept
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close company with it if any one of the three had had the
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hardihood to propose to another to walk on a little ahead into
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the mist and darkness he would have put himself in a fair way
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of getting shot instantly as a highwayman
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the last burst carried the mail to the summit of the hill
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the horses stopped to breathe again and the guard got down to
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skid the wheel for the descent and open the coach door to let
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the passengers in
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tst joe cried the coachman in a warning voice looking down
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from his box
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what do you say tom
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they both listened
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i say a horse at a canter coming up joe
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_i_ say a horse at a gallop tom returned the guard leaving
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his hold of the door and mounting nimbly to his place
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gentlemen in the kings name all of you
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with this hurried adjuration he cocked his blunderbuss and
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stood on the offensive
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the passenger booked by this history was on the coach step
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getting in the two other passengers were close behind him and
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about to follow he remained on the step half in the coach and
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half out of they remained in the road below him they all
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looked from the coachman to the guard and from the guard to the
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coachman and listened the coachman looked back and the guard
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looked back and even the emphatic leader pricked up his ears and
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looked back without contradicting
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the stillness consequent on the cessation of the rumbling and
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labouring of the coach added to the stillness of the night made
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it very quiet indeed the panting of the horses communicated a
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tremulous motion to the coach as if it were in a state of
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agitation the hearts of the passengers beat loud enough perhaps
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to be heard but at any rate the quiet pause was audibly
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expressive of people out of breath and holding the breath and
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having the pulses quickened by expectation
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the sound of a horse at a gallop came fast and furiously up the hill
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so ho the guard sang out as loud as he could roar yo there
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stand i shall fire
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the pace was suddenly checked and with much splashing and floundering
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a mans voice called from the mist is that the dover mail
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never you mind what it is the guard retorted what are you
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_is_ that the dover mail
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why do you want to know
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i want a passenger if it is
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what passenger
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mr jarvis lorry
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our booked passenger showed in a moment that it was his name
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the guard the coachman and the two other passengers eyed him
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distrustfully
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keep where you are the guard called to the voice in the mist
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because if i should make a mistake it could never be set right
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in your lifetime gentleman of the name of lorry answer straight
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what is the matter asked the passenger then with mildly
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quavering speech who wants me is it jerry
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i dont like jerrys voice if it is jerry growled the guard
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to himself hes hoarser than suits me is jerry
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yes mr lorry
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what is the matter
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a despatch sent after you from over yonder t and co
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i know this messenger guard said mr lorry getting down into
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the road assisted from behind more swiftly than politely by the
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other two passengers who immediately scrambled into the coach
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shut the door and pulled up the window he may come close
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theres nothing wrong
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i hope there aint but i cant make so nation sure of that
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said the guard in gruff soliloquy hallo you
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well and hallo you said jerry more hoarsely than before
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come on at a footpace dye mind me and if youve got holsters
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to that saddle o yourn dont let me see your hand go nigh em
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for im a devil at a quick mistake and when i make one it takes
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the form of lead so now lets look at you
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the figures of a horse and rider came slowly through the eddying
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mist and came to the side of the mail where the passenger stood
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the rider stooped and casting up his eyes at the guard handed
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the passenger a small folded paper the riders horse was blown
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and both horse and rider were covered with mud from the hoofs of
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the horse to the hat of the man
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guard said the passenger in a tone of quiet business confidence
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the watchful guard with his right hand at the stock of his raised
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blunderbuss his left at the barrel and his eye on the horseman
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answered curtly sir
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there is nothing to apprehend i belong to tellsons bank
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you must know tellsons bank in london i am going to paris
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on business a crown to drink i may read this
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if so be as youre quick sir
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he opened it in the light of the coach lamp on that side
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and read first to himself and then aloud `wait at dover for
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mamselle its not long you see guard jerry say that my
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answer was recalled to life
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jerry started in his saddle thats a blazing strange answer too
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said he at his hoarsest
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take that message back and they will know that i received this
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as well as if i wrote make the best of your way good night
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with those words the passenger opened the coach door and got in
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not at all assisted by his fellow passengers who had
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expeditiously secreted their watches and purses in their boots
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and were now making a general pretence of being asleep with no
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more definite purpose than to escape the hazard of originating
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any other kind of action
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the coach lumbered on again with heavier wreaths of mist closing
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round it as it began the descent the guard soon replaced his
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blunderbuss in his arm chest and having looked to the rest of its
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contents and having looked to the supplementary pistols that he wore
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in his belt looked to a smaller chest beneath his seat in which
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there were a few smiths tools a couple of torches and a tinder box
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for he was furnished with that completeness that if the coach lamps
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had been blown and stormed out which did occasionally happen he had
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only to shut himself up inside keep the flint and steel sparks well
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off the straw and get a light with tolerable safety and ease if he
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were lucky in five minutes
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tom softly over the coach roof
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hallo joe
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did you hear the message
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i did joe
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what did you make of it tom
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nothing at all joe
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thats a coincidence too the guard mused for i made the
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same of it myself
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jerry left alone in the mist and darkness dismounted meanwhile
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not only to ease his spent horse but to wipe the mud from his
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face and shake the wet out of his hat brim which might be
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capable of holding about half a gallon after standing with the
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bridle over his heavily splashed arm until the wheels of the
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mail were no longer within hearing and the night was quite still
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again he turned to walk down the hill
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after that there gallop from temple bar old lady i wont trust
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your fore legs till i get you on the level said this hoarse
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messenger glancing at his mare `recalled to life thats a
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blazing strange message much of that wouldnt do for you jerry
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i say jerry youd be in a blazing bad way if recalling to life
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was to come into fashion jerry
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iii
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the night shadows
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a wonderful fact to reflect upon that every human creature is
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constituted to be that profound secret and mystery to every other
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a solemn consideration when i enter a great city by night that
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every one of those darkly clustered houses encloses its own secret
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that every room in every one of them encloses its own secret that
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every beating heart in the hundreds of thousands of breasts there
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is in some of its imaginings a secret to the heart nearest it
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something of the awfulness even of death itself is referable to
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this no more can i turn the leaves of this dear book that i loved
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and vainly hope in time to read it all no more can i look into the
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depths of this unfathomable water wherein as momentary lights
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glanced into it i have had glimpses of buried treasure and other
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things submerged it was appointed that the book should shut with
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a spring for ever and for ever when i had read but a page it was
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appointed that the water should be locked in an eternal frost when
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the light was playing on its surface and i stood in ignorance on the
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shore my friend is dead my neighbour is dead my love the darling
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of my soul is dead it is the inexorable consolidation and
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perpetuation of the secret that was always in that individuality
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and which i shall carry in mine to my lifes end in any of the
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burial places of this city through which i pass is there a sleeper
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more inscrutable than its busy inhabitants are in their innermost
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personality to me or than i am to them
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as to this his natural and not to be alienated inheritance
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the messenger on horseback had exactly the same possessions as
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the king the first minister of state or the richest merchant
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in london so with the three passengers shut up in the narrow
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compass of one lumbering old mail coach they were mysteries to
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one another as complete as if each had been in his own coach and
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six or his own coach and sixty with the breadth of a county
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between him and the next
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the messenger rode back at an easy trot stopping pretty often at
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ale houses by the way to drink but evincing a tendency to keep his
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own counsel and to keep his hat cocked over his eyes he had eyes
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that assorted very well with that decoration being of a surface
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black with no depth in the colour or form and much too near
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together as if they were afraid of being found out in something
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singly if they kept too far apart they had a sinister expression
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under an old cocked hat like a three cornered spittoon and over a
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great muffler for the chin and throat which descended nearly to the
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wearers knees when he stopped for drink he moved this muffler
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with his left hand only while he poured his liquor in with his
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right as soon as that was done he muffled again
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no jerry no said the messenger harping on one theme as he rode
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it wouldnt do for you jerry jerry you honest tradesman it
|
||
wouldnt suit _your_ line of business recalled bust me if i
|
||
dont think hed been a drinking
|
||
|
||
his message perplexed his mind to that degree that he was fain
|
||
several times to take off his hat to scratch his head except on
|
||
the crown which was raggedly bald he had stiff black hair
|
||
standing jaggedly all over it and growing down hill almost to his
|
||
broad blunt nose it was so like smiths work so much more like
|
||
the top of a strongly spiked wall than a head of hair that the best
|
||
of players at leap frog might have declined him as the most
|
||
dangerous man in the world to go over
|
||
|
||
while he trotted back with the message he was to deliver to the night
|
||
watchman in his box at the door of tellsons bank by temple bar who
|
||
was to deliver it to greater authorities within the shadows of the
|
||
night took such shapes to him as arose out of the message and took
|
||
such shapes to the mare as arose out of _her_ private topics of
|
||
uneasiness they seemed to be numerous for she shied at every
|
||
shadow on the road
|
||
|
||
what time the mail coach lumbered jolted rattled and bumped upon
|
||
its tedious way with its three fellow inscrutables inside to whom
|
||
likewise the shadows of the night revealed themselves in the forms
|
||
their dozing eyes and wandering thoughts suggested
|
||
|
||
tellsons bank had a run upon it in the mail as the bank passenger
|
||
with an arm drawn through the leathern strap which did what lay in
|
||
it to keep him from pounding against the next passenger and driving
|
||
him into his corner whenever the coach got a special jolt nodded in
|
||
his place with half shut eyes the little coach windows and the
|
||
coach lamp dimly gleaming through them and the bulky bundle of
|
||
opposite passenger became the bank and did a great stroke of business
|
||
the rattle of the harness was the chink of money and more drafts
|
||
were honoured in five minutes than even tellsons with all its
|
||
foreign and home connection ever paid in thrice the time then the
|
||
strong rooms underground at tellsons with such of their valuable
|
||
stores and secrets as were known to the passenger and it was not a
|
||
little that he knew about them opened before him and he went in
|
||
among them with the great keys and the feebly burning candle and
|
||
found them safe and strong and sound and still just as he had
|
||
last seen them
|
||
|
||
but though the bank was almost always with him and though the coach
|
||
in a confused way like the presence of pain under an opiate was
|
||
always with him there was another current of impression that never
|
||
ceased to run all through the night he was on his way to dig some
|
||
one out of a grave
|
||
|
||
now which of the multitude of faces that showed themselves before
|
||
him was the true face of the buried person the shadows of the night
|
||
did not indicate but they were all the faces of a man of five and
|
||
forty by years and they differed principally in the passions they
|
||
expressed and in the ghastliness of their worn and wasted state
|
||
pride contempt defiance stubbornness submission lamentation
|
||
succeeded one another so did varieties of sunken cheek cadaverous
|
||
colour emaciated hands and figures but the face was in the main
|
||
one face and every head was prematurely white a hundred times the
|
||
dozing passenger inquired of this spectre
|
||
|
||
buried how long
|
||
|
||
the answer was always the same almost eighteen years
|
||
|
||
you had abandoned all hope of being dug out
|
||
|
||
long ago
|
||
|
||
you know that you are recalled to life
|
||
|
||
they tell me so
|
||
|
||
i hope you care to live
|
||
|
||
i cant say
|
||
|
||
shall i show her to you will you come and see her
|
||
|
||
the answers to this question were various and contradictory
|
||
sometimes the broken reply was wait it would kill me if i saw
|
||
her too soon sometimes it was given in a tender rain of tears
|
||
and then it was take me to her sometimes it was staring and
|
||
bewildered and then it was i dont know her i dont understand
|
||
|
||
after such imaginary discourse the passenger in his fancy would dig
|
||
and dig dig now with a spade now with a great key now with his
|
||
hands to dig this wretched creature out got out at last with
|
||
earth hanging about his face and hair he would suddenly fan away to
|
||
dust the passenger would then start to himself and lower the
|
||
window to get the reality of mist and rain on his cheek
|
||
|
||
yet even when his eyes were opened on the mist and rain on the
|
||
moving patch of light from the lamps and the hedge at the roadside
|
||
retreating by jerks the night shadows outside the coach would fall
|
||
into the train of the night shadows within the real banking house
|
||
by temple bar the real business of the past day the real strong
|
||
rooms the real express sent after him and the real message returned
|
||
would all be there out of the midst of them the ghostly face would
|
||
rise and he would accost it again
|
||
|
||
buried how long
|
||
|
||
almost eighteen years
|
||
|
||
i hope you care to live
|
||
|
||
i cant say
|
||
|
||
dig dig dig until an impatient movement from one of the two
|
||
passengers would admonish him to pull up the window draw his arm
|
||
securely through the leathern strap and speculate upon the two
|
||
slumbering forms until his mind lost its hold of them and they
|
||
again slid away into the bank and the grave
|
||
|
||
buried how long
|
||
|
||
almost eighteen years
|
||
|
||
you had abandoned all hope of being dug out
|
||
|
||
long ago
|
||
|
||
the words were still in his hearing as just spoken distinctly in his
|
||
hearing as ever spoken words had been in his life when the weary
|
||
passenger started to the consciousness of daylight and found that
|
||
the shadows of the night were gone
|
||
|
||
he lowered the window and looked out at the rising sun there was a
|
||
ridge of ploughed land with a plough upon it where it had been left
|
||
last night when the horses were unyoked beyond a quiet coppice wood
|
||
in which many leaves of burning red and golden yellow still remained
|
||
upon the trees though the earth was cold and wet the sky was
|
||
clear and the sun rose bright placid and beautiful
|
||
|
||
eighteen years said the passenger looking at the sun
|
||
gracious creator of day to be buried alive for eighteen years
|
||
|
||
|
||
|
||
iv
|
||
|
||
the preparation
|
||
|
||
|
||
when the mail got successfully to dover in the course of the
|
||
forenoon the head drawer at the royal george hotel opened the
|
||
coach door as his custom was he did it with some flourish of
|
||
ceremony for a mail journey from london in winter was an achievement
|
||
to congratulate an adventurous traveller upon
|
||
|
||
by that time there was only one adventurous traveller left be
|
||
congratulated for the two others had been set down at their
|
||
respective roadside destinations the mildewy inside of the coach
|
||
with its damp and dirty straw its disagreeable smell and its
|
||
obscurity was rather like a larger dog kennel mr lorry the
|
||
passenger shaking himself out of it in chains of straw a tangle of
|
||
shaggy wrapper flapping hat and muddy legs was rather like a
|
||
larger sort of dog
|
||
|
||
there will be a packet to calais tomorrow drawer
|
||
|
||
yes sir if the weather holds and the wind sets tolerable fair
|
||
the tide will serve pretty nicely at about two in the afternoon
|
||
sir bed sir
|
||
|
||
i shall not go to bed till night but i want a bedroom and a barber
|
||
|
||
and then breakfast sir yes sir that way sir if you please
|
||
show concord gentlemans valise and hot water to concord pull off
|
||
gentlemans boots in concord you will find a fine sea coal fire
|
||
sir fetch barber to concord stir about there now for concord
|
||
|
||
the concord bed chamber being always assigned to a passenger by the
|
||
mail and passengers by the mail being always heavily wrapped up from
|
||
head to foot the room had the odd interest for the establishment of
|
||
the royal george that although but one kind of man was seen to go
|
||
into it all kinds and varieties of men came out of it consequently
|
||
another drawer and two porters and several maids and the landlady
|
||
were all loitering by accident at various points of the road between
|
||
the concord and the coffee room when a gentleman of sixty formally
|
||
dressed in a brown suit of clothes pretty well worn but very well
|
||
kept with large square cuffs and large flaps to the pockets passed
|
||
along on his way to his breakfast
|
||
|
||
the coffee room had no other occupant that forenoon than the
|
||
gentleman in brown his breakfast table was drawn before the fire
|
||
and as he sat with its light shining on him waiting for the meal
|
||
he sat so still that he might have been sitting for his portrait
|
||
|
||
very orderly and methodical he looked with a hand on each knee and
|
||
a loud watch ticking a sonorous sermon under his flapped waist coat
|
||
as though it pitted its gravity and longevity against the levity and
|
||
evanescence of the brisk fire he had a good leg and was a little
|
||
vain of it for his brown stockings fitted sleek and close and were
|
||
of a fine texture his shoes and buckles too though plain were
|
||
trim he wore an odd little sleek crisp flaxen wig setting very
|
||
close to his head which wig it is to be presumed was made of hair
|
||
but which looked far more as though it were spun from filaments of
|
||
silk or glass his linen though not of a fineness in accordance
|
||
with his stockings was as white as the tops of the waves that broke
|
||
upon the neighbouring beach or the specks of sail that glinted in
|
||
the sunlight far at sea a face habitually suppressed and quieted
|
||
was still lighted up under the quaint wig by a pair of moist bright
|
||
eyes that it must have cost their owner in years gone by some pains
|
||
to drill to the composed and reserved expression of tellsons bank
|
||
he had a healthy colour in his cheeks and his face though lined
|
||
bore few traces of anxiety but perhaps the confidential bachelor
|
||
clerks in tellsons bank were principally occupied with the cares of
|
||
other people and perhaps second hand cares like second hand
|
||
clothes come easily off and on
|
||
|
||
completing his resemblance to a man who was sitting for his portrait
|
||
mr lorry dropped off to sleep the arrival of his breakfast roused
|
||
him and he said to the drawer as he moved his chair to it
|
||
|
||
i wish accommodation prepared for a young lady who may come here at
|
||
any time to day she may ask for mr jarvis lorry or she may only
|
||
ask for a gentleman from tellsons bank please to let me know
|
||
|
||
yes sir tellsons bank in london sir
|
||
|
||
yes
|
||
|
||
yes sir we have oftentimes the honour to entertain your gentlemen
|
||
in their travelling backwards and forwards betwixt london and paris
|
||
sir a vast deal of travelling sir in tellson and companys house
|
||
|
||
yes we are quite a french house as well as an english one
|
||
|
||
yes sir not much in the habit of such travelling yourself
|
||
i think sir
|
||
|
||
not of late years it is fifteen years since we since i came
|
||
last from france
|
||
|
||
indeed sir that was before my time here sir before our peoples
|
||
time here sir the george was in other hands at that time sir
|
||
|
||
i believe so
|
||
|
||
but i would hold a pretty wager sir that a house like tellson and
|
||
company was flourishing a matter of fifty not to speak of fifteen
|
||
years ago
|
||
|
||
you might treble that and say a hundred and fifty yet not be far
|
||
from the truth
|
||
|
||
indeed sir
|
||
|
||
rounding his mouth and both his eyes as he stepped backward from the
|
||
table the waiter shifted his napkin from his right arm to his left
|
||
dropped into a comfortable attitude and stood surveying the guest
|
||
while he ate and drank as from an observatory or watchtower
|
||
according to the immemorial usage of waiters in all ages
|
||
|
||
when mr lorry had finished his breakfast he went out for a stroll
|
||
on the beach the little narrow crooked town of dover hid itself
|
||
away from the beach and ran its head into the chalk cliffs like a
|
||
marine ostrich the beach was a desert of heaps of sea and stones
|
||
tumbling wildly about and the sea did what it liked and what it
|
||
liked was destruction it thundered at the town and thundered at
|
||
the cliffs and brought the coast down madly the air among the
|
||
houses was of so strong a piscatory flavour that one might have
|
||
supposed sick fish went up to be dipped in it as sick people went
|
||
down to be dipped in the sea a little fishing was done in the port
|
||
and a quantity of strolling about by night and looking seaward
|
||
particularly at those times when the tide made and was near flood
|
||
small tradesmen who did no business whatever sometimes unaccountably
|
||
realised large fortunes and it was remarkable that nobody in the
|
||
neighbourhood could endure a lamplighter
|
||
|
||
as the day declined into the afternoon and the air which had been
|
||
at intervals clear enough to allow the french coast to be seen
|
||
became again charged with mist and vapour mr lorrys thoughts
|
||
seemed to cloud too when it was dark and he sat before the
|
||
coffee room fire awaiting his dinner as he had awaited his breakfast
|
||
his mind was busily digging digging digging in the live red coals
|
||
|
||
a bottle of good claret after dinner does a digger in the red coals
|
||
no harm otherwise than as it has a tendency to throw him out of
|
||
work mr lorry had been idle a long time and had just poured out
|
||
his last glassful of wine with as complete an appearance of
|
||
satisfaction as is ever to be found in an elderly gentleman of a
|
||
fresh complexion who has got to the end of a bottle when a rattling
|
||
of wheels came up the narrow street and rumbled into the inn yard
|
||
|
||
he set down his glass untouched this is mamselle said he
|
||
|
||
in a very few minutes the waiter came in to announce that miss
|
||
manette had arrived from london and would be happy to see the
|
||
gentleman from tellsons
|
||
|
||
so soon
|
||
|
||
miss manette had taken some refreshment on the road and required
|
||
none then and was extremely anxious to see the gentleman from
|
||
tellsons immediately if it suited his pleasure and convenience
|
||
|
||
the gentleman from tellsons had nothing left for it but to empty his
|
||
glass with an air of stolid desperation settle his odd little flaxen
|
||
wig at the ears and follow the waiter to miss manettes apartment
|
||
it was a large dark room furnished in a funereal manner with black
|
||
horsehair and loaded with heavy dark tables these had been oiled
|
||
and oiled until the two tall candles on the table in the middle of
|
||
the room were gloomily reflected on every leaf as if _they_ were
|
||
buried in deep graves of black mahogany and no light to speak of
|
||
could be expected from them until they were dug out
|
||
|
||
the obscurity was so difficult to penetrate that mr lorry
|
||
picking his way over the well worn turkey carpet supposed
|
||
miss manette to be for the moment in some adjacent room until
|
||
having got past the two tall candles he saw standing to receive him
|
||
by the table between them and the fire a young lady of not more than
|
||
seventeen in a riding cloak and still holding her straw travelling
|
||
hat by its ribbon in her hand as his eyes rested on a short slight
|
||
pretty figure a quantity of golden hair a pair of blue eyes that
|
||
met his own with an inquiring look and a forehead with a singular
|
||
capacity remembering how young and smooth it was of rifting and
|
||
knitting itself into an expression that was not quite one of perplexity
|
||
or wonder or alarm or merely of a bright fixed attention though it
|
||
included all the four expressions as his eyes rested on these things
|
||
a sudden vivid likeness passed before him of a child whom he had
|
||
held in his arms on the passage across that very channel one cold
|
||
time when the hail drifted heavily and the sea ran high the
|
||
likeness passed away like a breath along the surface of the gaunt
|
||
pier glass behind her on the frame of which a hospital procession
|
||
of negro cupids several headless and all cripples were offering
|
||
black baskets of dead sea fruit to black divinities of the feminine
|
||
gender and he made his formal bow to miss manette
|
||
|
||
pray take a seat sir in a very clear and pleasant young voice
|
||
a little foreign in its accent but a very little indeed
|
||
|
||
i kiss your hand miss said mr lorry with the manners of an
|
||
earlier date as he made his formal bow again and took his seat
|
||
|
||
i received a letter from the bank sir yesterday informing me that
|
||
some intelligence or discovery
|
||
|
||
the word is not material miss either word will do
|
||
|
||
respecting the small property of my poor father whom i never
|
||
saw so long dead
|
||
|
||
mr lorry moved in his chair and cast a troubled look towards the
|
||
hospital procession of negro cupids as if _they_ had any help for
|
||
anybody in their absurd baskets
|
||
|
||
rendered it necessary that i should go to paris there to
|
||
communicate with a gentleman of the bank so good as to be despatched
|
||
to paris for the purpose
|
||
|
||
myself
|
||
|
||
as i was prepared to hear sir
|
||
|
||
she curtseyed to him young ladies made curtseys in those days with
|
||
a pretty desire to convey to him that she felt how much older and
|
||
wiser he was than she he made her another bow
|
||
|
||
i replied to the bank sir that as it was considered necessary by
|
||
those who know and who are so kind as to advise me that i should go
|
||
to france and that as i am an orphan and have no friend who could go
|
||
with me i should esteem it highly if i might be permitted to place
|
||
myself during the journey under that worthy gentlemans protection
|
||
the gentleman had left london but i think a messenger was sent after
|
||
him to beg the favour of his waiting for me here
|
||
|
||
i was happy said mr lorry to be entrusted with the charge
|
||
i shall be more happy to execute it
|
||
|
||
sir i thank you indeed i thank you very gratefully it was told
|
||
me by the bank that the gentleman would explain to me the details of
|
||
the business and that i must prepare myself to find them of a
|
||
surprising nature i have done my best to prepare myself and i
|
||
naturally have a strong and eager interest to know what they are
|
||
|
||
naturally said mr lorry yes i
|
||
|
||
after a pause he added again settling the crisp flaxen wig at the ears
|
||
it is very difficult to begin
|
||
|
||
he did not begin but in his indecision met her glance the young
|
||
forehead lifted itself into that singular expression but it was
|
||
pretty and characteristic besides being singular and she raised
|
||
her hand as if with an involuntary action she caught at or stayed
|
||
some passing shadow
|
||
|
||
are you quite a stranger to me sir
|
||
|
||
am i not mr lorry opened his hands and extended them outwards
|
||
with an argumentative smile
|
||
|
||
between the eyebrows and just over the little feminine nose the line
|
||
of which was as delicate and fine as it was possible to be the
|
||
expression deepened itself as she took her seat thoughtfully in the
|
||
chair by which she had hitherto remained standing he watched her as
|
||
she mused and the moment she raised her eyes again went on
|
||
|
||
in your adopted country i presume i cannot do better than address
|
||
you as a young english lady miss manette
|
||
|
||
if you please sir
|
||
|
||
miss manette i am a man of business i have a business charge to
|
||
acquit myself of in your reception of it dont heed me any more
|
||
than if i was a speaking machine truly i am not much else i will
|
||
with your leave relate to you miss the story of one of our
|
||
customers
|
||
|
||
story
|
||
|
||
he seemed wilfully to mistake the word she had repeated when he
|
||
added in a hurry yes customers in the banking business we
|
||
usually call our connection our customers he was a french
|
||
gentleman a scientific gentleman a man of great acquirements a
|
||
doctor
|
||
|
||
not of beauvais
|
||
|
||
why yes of beauvais like monsieur manette your father
|
||
the gentleman was of beauvais like monsieur manette your father
|
||
the gentleman was of repute in paris i had the honour of knowing
|
||
him there our relations were business relations but confidential
|
||
i was at that time in our french house and had been oh twenty years
|
||
|
||
at that time i may ask at what time sir
|
||
|
||
i speak miss of twenty years ago he married an english
|
||
lady and i was one of the trustees his affairs like the affairs
|
||
of many other french gentlemen and french families were entirely in
|
||
tellsons hands in a similar way i am or i have been trustee of
|
||
one kind or other for scores of our customers these are mere business
|
||
relations miss there is no friendship in them no particular
|
||
interest nothing like sentiment i have passed from one to another
|
||
in the course of my business life just as i pass from one of our
|
||
customers to another in the course of my business day in short i
|
||
have no feelings i am a mere machine to go on
|
||
|
||
but this is my fathers story sir and i begin to think
|
||
the curiously roughened forehead was very intent upon him that
|
||
when i was left an orphan through my mothers surviving my father
|
||
only two years it was you who brought me to england i am almost
|
||
sure it was you
|
||
|
||
mr lorry took the hesitating little hand that confidingly advanced
|
||
to take his and he put it with some ceremony to his lips he then
|
||
conducted the young lady straightway to her chair again and holding
|
||
the chair back with his left hand and using his right by turns to
|
||
rub his chin pull his wig at the ears or point what he said stood
|
||
looking down into her face while she sat looking up into his
|
||
|
||
miss manette it _was_ i and you will see how truly i spoke of
|
||
myself just now in saying i had no feelings and that all the
|
||
relations i hold with my fellow creatures are mere business
|
||
relations when you reflect that i have never seen you since
|
||
no you have been the ward of tellsons house since and i have been
|
||
busy with the other business of tellsons house since feelings
|
||
i have no time for them no chance of them i pass my whole life
|
||
miss in turning an immense pecuniary mangle
|
||
|
||
after this odd description of his daily routine of employment mr
|
||
lorry flattened his flaxen wig upon his head with both hands which
|
||
was most unnecessary for nothing could be flatter than its shining
|
||
surface was before and resumed his former attitude
|
||
|
||
so far miss as you have remarked this is the story of your
|
||
regretted father now comes the difference if your father had not
|
||
died when he did dont be frightened how you start
|
||
|
||
she did indeed start and she caught his wrist with both her hands
|
||
|
||
pray said mr lorry in a soothing tone bringing his left hand
|
||
from the back of the chair to lay it on the supplicatory fingers that
|
||
clasped him in so violent a tremble pray control your agitation a
|
||
matter of business as i was saying
|
||
|
||
her look so discomposed him that he stopped wandered and began anew
|
||
|
||
as i was saying if monsieur manette had not died if he had
|
||
suddenly and silently disappeared if he had been spirited away
|
||
if it had not been difficult to guess to what dreadful place though
|
||
no art could trace him if he had an enemy in some compatriot who
|
||
could exercise a privilege that i in my own time have known the boldest
|
||
people afraid to speak of in a whisper across the water there for
|
||
instance the privilege of filling up blank forms for the consignment
|
||
of any one to the oblivion of a prison for any length of time if his
|
||
wife had implored the king the queen the court the clergy for any
|
||
tidings of him and all quite in vain then the history of your father
|
||
would have been the history of this unfortunate gentleman the doctor
|
||
of beauvais
|
||
|
||
i entreat you to tell me more sir
|
||
|
||
i will i am going to you can bear it
|
||
|
||
i can bear anything but the uncertainty you leave me in at this moment
|
||
|
||
you speak collectedly and you _are_ collected thats good
|
||
though his manner was less satisfied than his words a matter of
|
||
business regard it as a matter of business business that must be
|
||
done now if this doctors wife though a lady of great courage and
|
||
spirit had suffered so intensely from this cause before her little
|
||
child was born
|
||
|
||
the little child was a daughter sir
|
||
|
||
a daughter a a matter of business dont be distressed miss
|
||
if the poor lady had suffered so intensely before her little child
|
||
was born that she came to the determination of sparing the poor
|
||
child the inheritance of any part of the agony she had known the
|
||
pains of by rearing her in the belief that her father was dead
|
||
no dont kneel in heavens name why should you kneel to me
|
||
|
||
for the truth o dear good compassionate sir for the truth
|
||
|
||
a a matter of business you confuse me and how can i transact
|
||
business if i am confused let us be clear headed if you could
|
||
kindly mention now for instance what nine times ninepence are
|
||
or how many shillings in twenty guineas it would be so encouraging
|
||
i should be so much more at my ease about your state of mind
|
||
|
||
without directly answering to this appeal she sat so still when
|
||
he had very gently raised her and the hands that had not ceased
|
||
to clasp his wrists were so much more steady than they had been
|
||
that she communicated some reassurance to mr jarvis lorry
|
||
|
||
thats right thats right courage business you have business
|
||
before you useful business miss manette your mother took this
|
||
course with you and when she died i believe broken hearted
|
||
having never slackened her unavailing search for your father
|
||
she left you at two years old to grow to be blooming beautiful
|
||
and happy without the dark cloud upon you of living in uncertainty
|
||
whether your father soon wore his heart out in prison or wasted
|
||
there through many lingering years
|
||
|
||
as he said the words he looked down with an admiring pity on the
|
||
flowing golden hair as if he pictured to himself that it might have
|
||
been already tinged with grey
|
||
|
||
you know that your parents had no great possession and that what
|
||
they had was secured to your mother and to you there has been no
|
||
new discovery of money or of any other property but
|
||
|
||
he felt his wrist held closer and he stopped the expression in the
|
||
forehead which had so particularly attracted his notice and which
|
||
was now immovable had deepened into one of pain and horror
|
||
|
||
but he has been been found he is alive greatly changed it is
|
||
too probable almost a wreck it is possible though we will hope the
|
||
best still alive your father has been taken to the house of an
|
||
old servant in paris and we are going there i to identify him if
|
||
i can you to restore him to life love duty rest comfort
|
||
|
||
a shiver ran through her frame and from it through his she said
|
||
in a low distinct awe stricken voice as if she were saying it in a
|
||
dream
|
||
|
||
i am going to see his ghost it will be his ghost not him
|
||
|
||
mr lorry quietly chafed the hands that held his arm there there
|
||
there see now see now the best and the worst are known to you now
|
||
you are well on your way to the poor wronged gentleman and with a fair
|
||
sea voyage and a fair land journey you will be soon at his dear side
|
||
|
||
she repeated in the same tone sunk to a whisper i have been free
|
||
i have been happy yet his ghost has never haunted me
|
||
|
||
only one thing more said mr lorry laying stress upon it as a
|
||
wholesome means of enforcing her attention he has been found under
|
||
another name his own long forgotten or long concealed it would be
|
||
worse than useless now to inquire which worse than useless to seek
|
||
to know whether he has been for years overlooked or always designedly
|
||
held prisoner it would be worse than useless now to make any inquiries
|
||
because it would be dangerous better not to mention the subject
|
||
anywhere or in any way and to remove him for a while at all events
|
||
out of france even i safe as an englishman and even tellsons
|
||
important as they are to french credit avoid all naming of the
|
||
matter i carry about me not a scrap of writing openly referring to
|
||
it this is a secret service altogether my credentials entries
|
||
and memoranda are all comprehended in the one line `recalled to
|
||
life which may mean anything but what is the matter she doesnt
|
||
notice a word miss manette
|
||
|
||
perfectly still and silent and not even fallen back in her chair
|
||
she sat under his hand utterly insensible with her eyes open and
|
||
fixed upon him and with that last expression looking as if it were
|
||
carved or branded into her forehead so close was her hold upon his
|
||
arm that he feared to detach himself lest he should hurt her
|
||
therefore he called out loudly for assistance without moving
|
||
|
||
a wild looking woman whom even in his agitation mr lorry observed
|
||
to be all of a red colour and to have red hair and to be dressed in
|
||
some extraordinary tight fitting fashion and to have on her head a
|
||
most wonderful bonnet like a grenadier wooden measure and good
|
||
measure too or a great stilton cheese came running into the room in
|
||
advance of the inn servants and soon settled the question of his
|
||
detachment from the poor young lady by laying a brawny hand upon his
|
||
chest and sending him flying back against the nearest wall
|
||
|
||
i really think this must be a man was mr lorrys breathless
|
||
reflection simultaneously with his coming against the wall
|
||
|
||
why look at you all bawled this figure addressing the inn
|
||
servants why dont you go and fetch things instead of standing
|
||
there staring at me i am not so much to look at am i why dont
|
||
you go and fetch things ill let you know if you dont bring
|
||
smelling salts cold water and vinegar quick i will
|
||
|
||
there was an immediate dispersal for these restoratives and she
|
||
softly laid the patient on a sofa and tended her with great skill
|
||
and gentleness calling her my precious and my bird and spreading
|
||
her golden hair aside over her shoulders with great pride and care
|
||
|
||
and you in brown she said indignantly turning to mr lorry
|
||
couldnt you tell her what you had to tell her without frightening
|
||
her to death look at her with her pretty pale face and her cold
|
||
hands do you call _that_ being a banker
|
||
|
||
mr lorry was so exceedingly disconcerted by a question so hard to
|
||
answer that he could only look on at a distance with much feebler
|
||
sympathy and humility while the strong woman having banished the
|
||
inn servants under the mysterious penalty of letting them know
|
||
something not mentioned if they stayed there staring recovered her
|
||
charge by a regular series of gradations and coaxed her to lay her
|
||
drooping head upon her shoulder
|
||
|
||
i hope she will do well now said mr lorry
|
||
|
||
no thanks to you in brown if she does my darling pretty
|
||
|
||
i hope said mr lorry after another pause of feeble sympathy and
|
||
humility that you accompany miss manette to france
|
||
|
||
a likely thing too replied the strong woman if it was ever
|
||
intended that i should go across salt water do you suppose
|
||
providence would have cast my lot in an island
|
||
|
||
this being another question hard to answer mr jarvis lorry withdrew
|
||
to consider it
|
||
|
||
|
||
|
||
v
|
||
|
||
the wine shop
|
||
|
||
|
||
a large cask of wine had been dropped and broken in the street
|
||
the accident had happened in getting it out of a cart the cask had
|
||
tumbled out with a run the hoops had burst and it lay on the stones
|
||
just outside the door of the wine shop shattered like a
|
||
walnut shell
|
||
|
||
all the people within reach had suspended their business or their
|
||
idleness to run to the spot and drink the wine the rough
|
||
irregular stones of the street pointing every way and designed
|
||
one might have thought expressly to lame all living creatures that
|
||
approached them had dammed it into little pools these were surrounded
|
||
each by its own jostling group or crowd according to its size
|
||
some men kneeled down made scoops of their two hands joined and
|
||
sipped or tried to help women who bent over their shoulders to
|
||
sip before the wine had all run out between their fingers others
|
||
men and women dipped in the puddles with little mugs of mutilated
|
||
earthenware or even with handkerchiefs from womens heads which
|
||
were squeezed dry into infants mouths others made small mud
|
||
embankments to stem the wine as it ran others directed by
|
||
lookers on up at high windows darted here and there to cut off
|
||
little streams of wine that started away in new directions others
|
||
devoted themselves to the sodden and lee dyed pieces of the cask
|
||
licking and even champing the moister wine rotted fragments with
|
||
eager relish there was no drainage to carry off the wine and not
|
||
only did it all get taken up but so much mud got taken up along with
|
||
it that there might have been a scavenger in the street if anybody
|
||
acquainted with it could have believed in such a miraculous presence
|
||
|
||
a shrill sound of laughter and of amused voices voices of men
|
||
women and children resounded in the street while this wine game
|
||
lasted there was little roughness in the sport and much playfulness
|
||
there was a special companionship in it an observable inclination on
|
||
the part of every one to join some other one which led especially
|
||
among the luckier or lighter hearted to frolicsome embraces
|
||
drinking of healths shaking of hands and even joining of hands and
|
||
dancing a dozen together when the wine was gone and the places
|
||
where it had been most abundant were raked into a gridiron pattern by
|
||
fingers these demonstrations ceased as suddenly as they had broken
|
||
out the man who had left his saw sticking in the firewood he was
|
||
cutting set it in motion again the women who had left on a door step
|
||
the little pot of hot ashes at which she had been trying to soften
|
||
the pain in her own starved fingers and toes or in those of her
|
||
child returned to it men with bare arms matted locks and cadaverous
|
||
faces who had emerged into the winter light from cellars moved
|
||
away to descend again and a gloom gathered on the scene that
|
||
appeared more natural to it than sunshine
|
||
|
||
the wine was red wine and had stained the ground of the narrow
|
||
street in the suburb of saint antoine in paris where it was
|
||
spilled it had stained many hands too and many faces and many
|
||
naked feet and many wooden shoes the hands of the man who sawed
|
||
the wood left red marks on the billets and the forehead of the
|
||
woman who nursed her baby was stained with the stain of the old rag
|
||
she wound about her head again those who had been greedy with the
|
||
staves of the cask had acquired a tigerish smear about the mouth
|
||
and one tall joker so besmirched his head more out of a long squalid
|
||
bag of a nightcap than in it scrawled upon a wall with his finger
|
||
dipped in muddy wine lees blood
|
||
|
||
the time was to come when that wine too would be spilled on the
|
||
street stones and when the stain of it would be red upon many there
|
||
|
||
and now that the cloud settled on saint antoine which a momentary
|
||
gleam had driven from his sacred countenance the darkness of it was
|
||
heavy cold dirt sickness ignorance and want were the lords in
|
||
waiting on the saintly presence nobles of great power all of them
|
||
but most especially the last samples of a people that had
|
||
undergone a terrible grinding and regrinding in the mill and
|
||
certainly not in the fabulous mill which ground old people young
|
||
shivered at every corner passed in and out at every doorway looked
|
||
from every window fluttered in every vestige of a garment that the
|
||
wind shook the mill which had worked them down was the mill that
|
||
grinds young people old the children had ancient faces and grave
|
||
voices and upon them and upon the grown faces and ploughed into
|
||
every furrow of age and coming up afresh was the sigh hunger it
|
||
was prevalent everywhere hunger was pushed out of the tall houses
|
||
in the wretched clothing that hung upon poles and lines hunger was
|
||
patched into them with straw and rag and wood and paper hunger was
|
||
repeated in every fragment of the small modicum of firewood that the
|
||
man sawed off hunger stared down from the smokeless chimneys and
|
||
started up from the filthy street that had no offal among its refuse
|
||
of anything to eat hunger was the inscription on the bakers
|
||
shelves written in every small loaf of his scanty stock of bad
|
||
bread at the sausage shop in every dead dog preparation that was
|
||
offered for sale hunger rattled its dry bones among the roasting
|
||
chestnuts in the turned cylinder hunger was shred into atomics in
|
||
every farthing porringer of husky chips of potato fried with some
|
||
reluctant drops of oil
|
||
|
||
its abiding place was in all things fitted to it a narrow winding
|
||
street full of offence and stench with other narrow winding streets
|
||
diverging all peopled by rags and nightcaps and all smelling of
|
||
rags and nightcaps and all visible things with a brooding look upon
|
||
them that looked ill in the hunted air of the people there was yet
|
||
some wild beast thought of the possibility of turning at bay depressed
|
||
and slinking though they were eyes of fire were not wanting among
|
||
them nor compressed lips white with what they suppressed nor
|
||
foreheads knitted into the likeness of the gallows rope they mused
|
||
about enduring or inflicting the trade signs and they were almost
|
||
as many as the shops were all grim illustrations of want the
|
||
butcher and the porkman painted up only the leanest scrags of meat
|
||
the baker the coarsest of meagre loaves the people rudely pictured
|
||
as drinking in the wine shops croaked over their scanty measures of
|
||
thin wine and beer and were gloweringly confidential together
|
||
nothing was represented in a flourishing condition save tools and
|
||
weapons but the cutlers knives and axes were sharp and bright the
|
||
smiths hammers were heavy and the gunmakers stock was murderous
|
||
the crippling stones of the pavement with their many little
|
||
reservoirs of mud and water had no footways but broke off abruptly
|
||
at the doors the kennel to make amends ran down the middle of the
|
||
street when it ran at all which was only after heavy rains and
|
||
then it ran by many eccentric fits into the houses across the
|
||
streets at wide intervals one clumsy lamp was slung by a rope and
|
||
pulley at night when the lamplighter had let these down and lighted
|
||
and hoisted them again a feeble grove of dim wicks swung in a sickly
|
||
manner overhead as if they were at sea indeed they were at sea
|
||
and the ship and crew were in peril of tempest
|
||
|
||
for the time was to come when the gaunt scarecrows of that region
|
||
should have watched the lamplighter in their idleness and hunger
|
||
so long as to conceive the idea of improving on his method and
|
||
hauling up men by those ropes and pulleys to flare upon the
|
||
darkness of their condition but the time was not come yet and
|
||
every wind that blew over france shook the rags of the scarecrows
|
||
in vain for the birds fine of song and feather took no warning
|
||
|
||
the wine shop was a corner shop better than most others in its
|
||
appearance and degree and the master of the wine shop had stood
|
||
outside it in a yellow waistcoat and green breeches looking on at
|
||
the struggle for the lost wine its not my affair said he
|
||
with a final shrug of the shoulders the people from the market
|
||
did it let them bring another
|
||
|
||
there his eyes happening to catch the tall joker writing up his
|
||
joke he called to him across the way
|
||
|
||
say then my gaspard what do you do there
|
||
|
||
the fellow pointed to his joke with immense significance as is often
|
||
the way with his tribe it missed its mark and completely failed
|
||
as is often the way with his tribe too
|
||
|
||
what now are you a subject for the mad hospital said the
|
||
wine shop keeper crossing the road and obliterating the jest with
|
||
a handful of mud picked up for the purpose and smeared over it
|
||
why do you write in the public streets is there tell me thou is
|
||
there no other place to write such words in
|
||
|
||
in his expostulation he dropped his cleaner hand perhaps accidentally
|
||
perhaps not upon the jokers heart the joker rapped it with his
|
||
own took a nimble spring upward and came down in a fantastic
|
||
dancing attitude with one of his stained shoes jerked off his foot
|
||
into his hand and held out a joker of an extremely not to say
|
||
wolfishly practical character he looked under those circumstances
|
||
|
||
put it on put it on said the other call wine wine and finish
|
||
there with that advice he wiped his soiled hand upon the jokers
|
||
dress such as it was quite deliberately as having dirtied the hand
|
||
on his account and then recrossed the road and entered the wine shop
|
||
|
||
this wine shop keeper was a bull necked martial looking man of
|
||
thirty and he should have been of a hot temperament for although
|
||
it was a bitter day he wore no coat but carried one slung over his
|
||
shoulder his shirt sleeves were rolled up too and his brown arms
|
||
were bare to the elbows neither did he wear anything more on his
|
||
head than his own crisply curling short dark hair he was a dark man
|
||
altogether with good eyes and a good bold breadth between them
|
||
good humoured looking on the whole but implacable looking too
|
||
evidently a man of a strong resolution and a set purpose a man not
|
||
desirable to be met rushing down a narrow pass with a gulf on either
|
||
side for nothing would turn the man
|
||
|
||
madame defarge his wife sat in the shop behind the counter as he
|
||
came in madame defarge was a stout woman of about his own age with
|
||
a watchful eye that seldom seemed to look at anything a large hand
|
||
heavily ringed a steady face strong features and great composure
|
||
of manner there was a character about madame defarge from which
|
||
one might have predicated that she did not often make mistakes against
|
||
herself in any of the reckonings over which she presided madame
|
||
defarge being sensitive to cold was wrapped in fur and had a
|
||
quantity of bright shawl twined about her head though not to the
|
||
concealment of her large earrings her knitting was before her but
|
||
she had laid it down to pick her teeth with a toothpick thus
|
||
engaged with her right elbow supported by her left hand madame
|
||
defarge said nothing when her lord came in but coughed just one
|
||
grain of cough this in combination with the lifting of her darkly
|
||
defined eyebrows over her toothpick by the breadth of a line suggested
|
||
to her husband that he would do well to look round the shop among the
|
||
customers for any new customer who had dropped in while he stepped
|
||
over the way
|
||
|
||
the wine shop keeper accordingly rolled his eyes about until they
|
||
rested upon an elderly gentleman and a young lady who were seated in
|
||
a corner other company were there two playing cards two playing
|
||
dominoes three standing by the counter lengthening out a short
|
||
supply of wine as he passed behind the counter he took notice that
|
||
the elderly gentleman said in a look to the young lady this is our
|
||
man
|
||
|
||
what the devil do _you_ do in that galley there said monsieur
|
||
defarge to himself i dont know you
|
||
|
||
but he feigned not to notice the two strangers and fell into
|
||
discourse with the triumvirate of customers who were drinking at the
|
||
counter
|
||
|
||
how goes it jacques said one of these three to monsieur defarge
|
||
is all the spilt wine swallowed
|
||
|
||
every drop jacques answered monsieur defarge
|
||
|
||
when this interchange of christian name was effected madame defarge
|
||
picking her teeth with her toothpick coughed another grain of cough
|
||
and raised her eyebrows by the breadth of another line
|
||
|
||
it is not often said the second of the three addressing monsieur
|
||
defarge that many of these miserable beasts know the taste of wine
|
||
or of anything but black bread and death is it not so jacques
|
||
|
||
it is so jacques monsieur defarge returned
|
||
|
||
at this second interchange of the christian name madame defarge
|
||
still using her toothpick with profound composure coughed another
|
||
grain of cough and raised her eyebrows by the breadth of another line
|
||
|
||
the last of the three now said his say as he put down his empty
|
||
drinking vessel and smacked his lips
|
||
|
||
ah so much the worse a bitter taste it is that such poor cattle
|
||
always have in their mouths and hard lives they live jacques
|
||
am i right jacques
|
||
|
||
you are right jacques was the response of monsieur defarge
|
||
|
||
this third interchange of the christian name was completed at the
|
||
moment when madame defarge put her toothpick by kept her eyebrows
|
||
up and slightly rustled in her seat
|
||
|
||
hold then true muttered her husband gentlemen my wife
|
||
|
||
the three customers pulled off their hats to madame defarge with
|
||
three flourishes she acknowledged their homage by bending her head
|
||
and giving them a quick look then she glanced in a casual manner
|
||
round the wine shop took up her knitting with great apparent
|
||
calmness and repose of spirit and became absorbed in it
|
||
|
||
gentlemen said her husband who had kept his bright eye
|
||
observantly upon her good day the chamber furnished bachelor
|
||
fashion that you wished to see and were inquiring for when i
|
||
stepped out is on the fifth floor the doorway of the staircase
|
||
gives on the little courtyard close to the left here pointing with
|
||
his hand near to the window of my establishment but now that i
|
||
remember one of you has already been there and can show the way
|
||
gentlemen adieu
|
||
|
||
they paid for their wine and left the place the eyes of monsieur
|
||
defarge were studying his wife at her knitting when the elderly
|
||
gentleman advanced from his corner and begged the favour of a word
|
||
|
||
willingly sir said monsieur defarge and quietly stepped with him
|
||
to the door
|
||
|
||
their conference was very short but very decided almost at the
|
||
first word monsieur defarge started and became deeply attentive
|
||
it had not lasted a minute when he nodded and went out the
|
||
gentleman then beckoned to the young lady and they too went out
|
||
madame defarge knitted with nimble fingers and steady eyebrows and
|
||
saw nothing
|
||
|
||
mr jarvis lorry and miss manette emerging from the wine shop thus
|
||
joined monsieur defarge in the doorway to which he had directed his
|
||
own company just before it opened from a stinking little black
|
||
courtyard and was the general public entrance to a great pile of
|
||
houses inhabited by a great number of people in the gloomy tile
|
||
paved entry to the gloomy tile paved staircase monsieur defarge bent
|
||
down on one knee to the child of his old master and put her hand to
|
||
his lips it was a gentle action but not at all gently done a very
|
||
remarkable transformation had come over him in a few seconds he had
|
||
no good humour in his face nor any openness of aspect left but had
|
||
become a secret angry dangerous man
|
||
|
||
it is very high it is a little difficult better to begin slowly
|
||
thus monsieur defarge in a stern voice to mr lorry as they began
|
||
ascending the stairs
|
||
|
||
is he alone the latter whispered
|
||
|
||
alone god help him who should be with him said the other in the
|
||
same low voice
|
||
|
||
is he always alone then
|
||
|
||
yes
|
||
|
||
of his own desire
|
||
|
||
of his own necessity as he was when i first saw him after they
|
||
found me and demanded to know if i would take him and at my peril
|
||
be discreet as he was then so he is now
|
||
|
||
he is greatly changed
|
||
|
||
changed
|
||
|
||
the keeper of the wine shop stopped to strike the wall with his hand
|
||
and mutter a tremendous curse no direct answer could have been half
|
||
so forcible mr lorrys spirits grew heavier and heavier as he and
|
||
his two companions ascended higher and higher
|
||
|
||
such a staircase with its accessories in the older and more crowded
|
||
parts of paris would be bad enough now but at that time it was
|
||
vile indeed to unaccustomed and unhardened senses every little
|
||
habitation within the great foul nest of one high building that is
|
||
to say the room or rooms within every door that opened on the
|
||
general staircase left its own heap of refuse on its own landing
|
||
besides flinging other refuse from its own windows the uncontrollable
|
||
and hopeless mass of decomposition so engendered would have polluted
|
||
the air even if poverty and deprivation had not loaded it with their
|
||
intangible impurities the two bad sources combined made it almost
|
||
insupportable through such an atmosphere by a steep dark shaft of
|
||
dirt and poison the way lay yielding to his own disturbance of
|
||
mind and to his young companions agitation which became greater
|
||
every instant mr jarvis lorry twice stopped to rest each of these
|
||
stoppages was made at a doleful grating by which any languishing
|
||
good airs that were left uncorrupted seemed to escape and all
|
||
spoilt and sickly vapours seemed to crawl in through the rusted
|
||
bars tastes rather than glimpses were caught of the jumbled
|
||
neighbourhood and nothing within range nearer or lower than the
|
||
summits of the two great towers of notre dame had any promise on it
|
||
of healthy life or wholesome aspirations
|
||
|
||
at last the top of the staircase was gained and they stopped for
|
||
the third time there was yet an upper staircase of a steeper
|
||
inclination and of contracted dimensions to be ascended before the
|
||
garret story was reached the keeper of the wine shop always going
|
||
a little in advance and always going on the side which mr lorry
|
||
took as though he dreaded to be asked any question by the young
|
||
lady turned himself about here and carefully feeling in the
|
||
pockets of the coat he carried over his shoulder took out a key
|
||
|
||
the door is locked then my friend said mr lorry surprised
|
||
|
||
ay yes was the grim reply of monsieur defarge
|
||
|
||
you think it necessary to keep the unfortunate gentleman so retired
|
||
|
||
i think it necessary to turn the key monsieur defarge whispered it
|
||
closer in his ear and frowned heavily
|
||
|
||
why
|
||
|
||
why because he has lived so long locked up that he would be
|
||
frightened rave tear himself to pieces die come to i know not what
|
||
harm if his door was left open
|
||
|
||
is it possible exclaimed mr lorry
|
||
|
||
is it possible repeated defarge bitterly yes and a beautiful
|
||
world we live in when it _is_ possible and when many other such
|
||
things are possible and not only possible but done done see
|
||
you under that sky there every day long live the devil let us
|
||
go on
|
||
|
||
this dialogue had been held in so very low a whisper that not a word
|
||
of it had reached the young ladys ears but by this time she
|
||
trembled under such strong emotion and her face expressed such deep
|
||
anxiety and above all such dread and terror that mr lorry felt
|
||
it incumbent on him to speak a word or two of reassurance
|
||
|
||
courage dear miss courage business the worst will be over
|
||
in a moment it is but passing the room door and the worst is over
|
||
then all the good you bring to him all the relief all the
|
||
happiness you bring to him begin let our good friend here
|
||
assist you on that side thats well friend defarge come now
|
||
business business
|
||
|
||
they went up slowly and softly the staircase was short and they
|
||
were soon at the top there as it had an abrupt turn in it they
|
||
came all at once in sight of three men whose heads were bent down
|
||
close together at the side of a door and who were intently looking
|
||
into the room to which the door belonged through some chinks or
|
||
holes in the wall on hearing footsteps close at hand these three
|
||
turned and rose and showed themselves to be the three of one name
|
||
who had been drinking in the wine shop
|
||
|
||
i forgot them in the surprise of your visit explained monsieur
|
||
defarge leave us good boys we have business here
|
||
|
||
the three glided by and went silently down
|
||
|
||
there appearing to be no other door on that floor and the keeper of
|
||
the wine shop going straight to this one when they were left alone
|
||
mr lorry asked him in a whisper with a little anger
|
||
|
||
do you make a show of monsieur manette
|
||
|
||
i show him in the way you have seen to a chosen few
|
||
|
||
is that well
|
||
|
||
_i_ think it is well
|
||
|
||
who are the few how do you choose them
|
||
|
||
i choose them as real men of my name jacques is my name to whom
|
||
the sight is likely to do good enough you are english that is
|
||
another thing stay there if you please a little moment
|
||
|
||
with an admonitory gesture to keep them back he stooped and looked
|
||
in through the crevice in the wall soon raising his head again he
|
||
struck twice or thrice upon the door evidently with no other object
|
||
than to make a noise there with the same intention he drew the key
|
||
across it three or four times before he put it clumsily into the
|
||
lock and turned it as heavily as he could
|
||
|
||
the door slowly opened inward under his hand and he looked into the
|
||
room and said something a faint voice answered something little
|
||
more than a single syllable could have been spoken on either side
|
||
|
||
he looked back over his shoulder and beckoned them to enter
|
||
mr lorry got his arm securely round the daughters waist and held
|
||
her for he felt that she was sinking
|
||
|
||
a a a business business he urged with a moisture that was not of
|
||
business shining on his cheek come in come in
|
||
|
||
i am afraid of it she answered shuddering
|
||
|
||
of it what
|
||
|
||
i mean of him of my father
|
||
|
||
rendered in a manner desperate by her state and by the beckoning of
|
||
their conductor he drew over his neck the arm that shook upon his
|
||
shoulder lifted her a little and hurried her into the room he sat
|
||
her down just within the door and held her clinging to him
|
||
|
||
defarge drew out the key closed the door locked it on the inside
|
||
took out the key again and held it in his hand all this he did
|
||
methodically and with as loud and harsh an accompaniment of noise as
|
||
he could make finally he walked across the room with a measured
|
||
tread to where the window was he stopped there and faced round
|
||
|
||
the garret built to be a depository for firewood and the like was
|
||
dim and dark for the window of dormer shape was in truth a door in
|
||
the roof with a little crane over it for the hoisting up of stores
|
||
from the street unglazed and closing up the middle in two pieces
|
||
like any other door of french construction to exclude the cold one
|
||
half of this door was fast closed and the other was opened but a
|
||
very little way such a scanty portion of light was admitted through
|
||
these means that it was difficult on first coming in to see
|
||
anything and long habit alone could have slowly formed in any one
|
||
the ability to do any work requiring nicety in such obscurity yet
|
||
work of that kind was being done in the garret for with his back
|
||
towards the door and his face towards the window where the keeper of
|
||
the wine shop stood looking at him a white haired man sat on a low
|
||
bench stooping forward and very busy making shoes
|
||
|
||
|
||
|
||
vi
|
||
|
||
the shoemaker
|
||
|
||
|
||
good day said monsieur defarge looking down at the white head
|
||
that bent low over the shoemaking
|
||
|
||
it was raised for a moment and a very faint voice responded to the
|
||
salutation as if it were at a distance
|
||
|
||
good day
|
||
|
||
you are still hard at work i see
|
||
|
||
after a long silence the head was lifted for another moment and the
|
||
voice replied yes i am working this time a pair of haggard eyes
|
||
had looked at the questioner before the face had dropped again
|
||
|
||
the faintness of the voice was pitiable and dreadful it was not the
|
||
faintness of physical weakness though confinement and hard fare no
|
||
doubt had their part in it its deplorable peculiarity was that it
|
||
was the faintness of solitude and disuse it was like the last
|
||
feeble echo of a sound made long and long ago so entirely had it
|
||
lost the life and resonance of the human voice that it affected the
|
||
senses like a once beautiful colour faded away into a poor weak
|
||
stain so sunken and suppressed it was that it was like a voice
|
||
underground so expressive it was of a hopeless and lost creature
|
||
that a famished traveller wearied out by lonely wandering in a
|
||
wilderness would have remembered home and friends in such a tone
|
||
before lying down to die
|
||
|
||
some minutes of silent work had passed and the haggard eyes had
|
||
looked up again not with any interest or curiosity but with a dull
|
||
mechanical perception beforehand that the spot where the only
|
||
visitor they were aware of had stood was not yet empty
|
||
|
||
i want said defarge who had not removed his gaze from the
|
||
shoemaker to let in a little more light here you can bear a
|
||
little more
|
||
|
||
the shoemaker stopped his work looked with a vacant air of listening
|
||
at the floor on one side of him then similarly at the floor on the
|
||
other side of him then upward at the speaker
|
||
|
||
what did you say
|
||
|
||
you can bear a little more light
|
||
|
||
i must bear it if you let it in laying the palest shadow of a
|
||
stress upon the second word
|
||
|
||
the opened half door was opened a little further and secured at that
|
||
angle for the time a broad ray of light fell into the garret and
|
||
showed the workman with an unfinished shoe upon his lap pausing in
|
||
his labour his few common tools and various scraps of leather were
|
||
at his feet and on his bench he had a white beard raggedly cut
|
||
but not very long a hollow face and exceedingly bright eyes the
|
||
hollowness and thinness of his face would have caused them to look
|
||
large under his yet dark eyebrows and his confused white hair
|
||
though they had been really otherwise but they were naturally
|
||
large and looked unnaturally so his yellow rags of shirt lay open
|
||
at the throat and showed his body to be withered and worn he and
|
||
his old canvas frock and his loose stockings and all his poor
|
||
tatters of clothes had in a long seclusion from direct light and
|
||
air faded down to such a dull uniformity of parchment yellow that
|
||
it would have been hard to say which was which
|
||
|
||
he had put up a hand between his eyes and the light and the very
|
||
bones of it seemed transparent so he sat with a steadfastly vacant
|
||
gaze pausing in his work he never looked at the figure before him
|
||
without first looking down on this side of himself then on that as
|
||
if he had lost the habit of associating place with sound he never
|
||
spoke without first wandering in this manner and forgetting to speak
|
||
|
||
are you going to finish that pair of shoes to day asked defarge
|
||
motioning to mr lorry to come forward
|
||
|
||
what did you say
|
||
|
||
do you mean to finish that pair of shoes to day
|
||
|
||
i cant say that i mean to i suppose so i dont know
|
||
|
||
but the question reminded him of his work and he bent over it again
|
||
|
||
mr lorry came silently forward leaving the daughter by the door
|
||
when he had stood for a minute or two by the side of defarge the
|
||
shoemaker looked up he showed no surprise at seeing another figure
|
||
but the unsteady fingers of one of his hands strayed to his lips as
|
||
he looked at it his lips and his nails were of the same pale lead
|
||
colour and then the hand dropped to his work and he once more bent
|
||
over the shoe the look and the action had occupied but an instant
|
||
|
||
you have a visitor you see said monsieur defarge
|
||
|
||
what did you say
|
||
|
||
here is a visitor
|
||
|
||
the shoemaker looked up as before but without removing a hand from
|
||
his work
|
||
|
||
come said defarge here is monsieur who knows a well made shoe
|
||
when he sees one show him that shoe you are working at take it
|
||
monsieur
|
||
|
||
mr lorry took it in his hand
|
||
|
||
tell monsieur what kind of shoe it is and the makers name
|
||
|
||
there was a longer pause than usual before the shoemaker replied
|
||
|
||
i forget what it was you asked me what did you say
|
||
|
||
i said couldnt you describe the kind of shoe for monsieurs
|
||
information
|
||
|
||
it is a ladys shoe it is a young ladys walking shoe it is in the
|
||
present mode i never saw the mode i have had a pattern in my hand
|
||
he glanced at the shoe with some little passing touch of pride
|
||
|
||
and the makers name said defarge
|
||
|
||
now that he had no work to hold he laid the knuckles of the right hand
|
||
in the hollow of the left and then the knuckles of the left hand in the
|
||
hollow of the right and then passed a hand across his bearded chin
|
||
and so on in regular changes without a moments intermission
|
||
the task of recalling him from the vagrancy into which he always
|
||
sank when he had spoken was like recalling some very weak person
|
||
from a swoon or endeavouring in the hope of some disclosure
|
||
to stay the spirit of a fast dying man
|
||
|
||
did you ask me for my name
|
||
|
||
assuredly i did
|
||
|
||
one hundred and five north tower
|
||
|
||
is that all
|
||
|
||
one hundred and five north tower
|
||
|
||
with a weary sound that was not a sigh nor a groan he bent to work
|
||
again until the silence was again broken
|
||
|
||
you are not a shoemaker by trade said mr lorry looking steadfastly
|
||
at him
|
||
|
||
his haggard eyes turned to defarge as if he would have transferred
|
||
the question to him but as no help came from that quarter they
|
||
turned back on the questioner when they had sought the ground
|
||
|
||
i am not a shoemaker by trade no i was not a shoemaker by trade
|
||
i i learnt it here i taught myself i asked leave to
|
||
|
||
he lapsed away even for minutes ringing those measured changes on
|
||
his hands the whole time his eyes came slowly back at last to the
|
||
face from which they had wandered when they rested on it he started
|
||
and resumed in the manner of a sleeper that moment awake
|
||
reverting to a subject of last night
|
||
|
||
i asked leave to teach myself and i got it with much difficulty
|
||
after a long while and i have made shoes ever since
|
||
|
||
as he held out his hand for the shoe that had been taken from him
|
||
mr lorry said still looking steadfastly in his face
|
||
|
||
monsieur manette do you remember nothing of me
|
||
|
||
the shoe dropped to the ground and he sat looking fixedly at the
|
||
questioner
|
||
|
||
monsieur manette mr lorry laid his hand upon defarges arm
|
||
do you remember nothing of this man look at him look at me
|
||
is there no old banker no old business no old servant no old time
|
||
rising in your mind monsieur manette
|
||
|
||
as the captive of many years sat looking fixedly by turns at
|
||
mr lorry and at defarge some long obliterated marks of an actively
|
||
intent intelligence in the middle of the forehead gradually forced
|
||
themselves through the black mist that had fallen on him they were
|
||
overclouded again they were fainter they were gone but they had
|
||
been there and so exactly was the expression repeated on the fair
|
||
young face of her who had crept along the wall to a point where she
|
||
could see him and where she now stood looking at him with hands
|
||
which at first had been only raised in frightened compassion if not
|
||
even to keep him off and shut out the sight of him but which were
|
||
now extending towards him trembling with eagerness to lay the
|
||
spectral face upon her warm young breast and love it back to life
|
||
and hope so exactly was the expression repeated though in stronger
|
||
characters on her fair young face that it looked as though it had
|
||
passed like a moving light from him to her
|
||
|
||
darkness had fallen on him in its place he looked at the two less
|
||
and less attentively and his eyes in gloomy abstraction sought the
|
||
ground and looked about him in the old way finally with a deep
|
||
long sigh he took the shoe up and resumed his work
|
||
|
||
have you recognised him monsieur asked defarge in a whisper
|
||
|
||
yes for a moment at first i thought it quite hopeless but i have
|
||
unquestionably seen for a single moment the face that i once knew
|
||
so well hush let us draw further back hush
|
||
|
||
she had moved from the wall of the garret very near to the bench on
|
||
which he sat there was something awful in his unconsciousness of
|
||
the figure that could have put out its hand and touched him as he
|
||
stooped over his labour
|
||
|
||
not a word was spoken not a sound was made she stood like a
|
||
spirit beside him and he bent over his work
|
||
|
||
it happened at length that he had occasion to change the instrument
|
||
in his hand for his shoemakers knife it lay on that side of him
|
||
which was not the side on which she stood he had taken it up and
|
||
was stooping to work again when his eyes caught the skirt of her
|
||
dress he raised them and saw her face the two spectators started
|
||
forward but she stayed them with a motion of her hand she had no
|
||
fear of his striking at her with the knife though they had
|
||
|
||
he stared at her with a fearful look and after a while his lips
|
||
began to form some words though no sound proceeded from them by
|
||
degrees in the pauses of his quick and laboured breathing he was
|
||
heard to say
|
||
|
||
what is this
|
||
|
||
with the tears streaming down her face she put her two hands to her
|
||
lips and kissed them to him then clasped them on her breast as if
|
||
she laid his ruined head there
|
||
|
||
you are not the gaolers daughter
|
||
|
||
she sighed no
|
||
|
||
who are you
|
||
|
||
not yet trusting the tones of her voice she sat down on the bench
|
||
beside him he recoiled but she laid her hand upon his arm a
|
||
strange thrill struck him when she did so and visibly passed over
|
||
his frame he laid the knife down softly as he sat staring at her
|
||
|
||
her golden hair which she wore in long curls had been hurriedly
|
||
pushed aside and fell down over her neck advancing his hand by
|
||
little and little he took it up and looked at it in the midst of
|
||
the action he went astray and with another deep sigh fell to work
|
||
at his shoemaking
|
||
|
||
but not for long releasing his arm she laid her hand upon his
|
||
shoulder after looking doubtfully at it two or three times as if
|
||
to be sure that it was really there he laid down his work put his
|
||
hand to his neck and took off a blackened string with a scrap of
|
||
folded rag attached to it he opened this carefully on his knee
|
||
and it contained a very little quantity of hair not more than one or
|
||
two long golden hairs which he had in some old day wound off upon
|
||
his finger
|
||
|
||
he took her hair into his hand again and looked closely at it it
|
||
is the same how can it be when was it how was it
|
||
|
||
as the concentrated expression returned to his forehead he seemed to
|
||
become conscious that it was in hers too he turned her full to the
|
||
light and looked at her
|
||
|
||
she had laid her head upon my shoulder that night when i was
|
||
summoned out she had a fear of my going though i had none and when
|
||
i was brought to the north tower they found these upon my sleeve
|
||
you will leave me them they can never help me to escape in the
|
||
body though they may in the spirit those were the words i said
|
||
i remember them very well
|
||
|
||
he formed this speech with his lips many times before he could utter
|
||
it but when he did find spoken words for it they came to him
|
||
coherently though slowly
|
||
|
||
how was this _was it you_
|
||
|
||
once more the two spectators started as he turned upon her with a
|
||
frightful suddenness but she sat perfectly still in his grasp and
|
||
only said in a low voice i entreat you good gentlemen do not
|
||
come near us do not speak do not move
|
||
|
||
hark he exclaimed whose voice was that
|
||
|
||
his hands released her as he uttered this cry and went up to his
|
||
white hair which they tore in a frenzy it died out as everything
|
||
but his shoemaking did die out of him and he refolded his little
|
||
packet and tried to secure it in his breast but he still looked at
|
||
her and gloomily shook his head
|
||
|
||
no no no you are too young too blooming it cant be see what
|
||
the prisoner is these are not the hands she knew this is not the
|
||
face she knew this is not a voice she ever heard no no she
|
||
was and he was before the slow years of the north tower ages ago
|
||
what is your name my gentle angel
|
||
|
||
hailing his softened tone and manner his daughter fell upon her
|
||
knees before him with her appealing hands upon his breast
|
||
|
||
o sir at another time you shall know my name and who my mother
|
||
was and who my father and how i never knew their hard hard
|
||
history but i cannot tell you at this time and i cannot tell you
|
||
here all that i may tell you here and now is that i pray to you
|
||
to touch me and to bless me kiss me kiss me o my dear my dear
|
||
|
||
his cold white head mingled with her radiant hair which warmed and
|
||
lighted it as though it were the light of freedom shining on him
|
||
|
||
if you hear in my voice i dont know that it is so but i hope it
|
||
is if you hear in my voice any resemblance to a voice that once was
|
||
sweet music in your ears weep for it weep for it if you touch
|
||
in touching my hair anything that recalls a beloved head that lay on
|
||
your breast when you were young and free weep for it weep for it
|
||
if when i hint to you of a home that is before us where i will be
|
||
true to you with all my duty and with all my faithful service i
|
||
bring back the remembrance of a home long desolate while your poor
|
||
heart pined away weep for it weep for it
|
||
|
||
she held him closer round the neck and rocked him on her breast
|
||
like a child
|
||
|
||
if when i tell you dearest dear that your agony is over and that
|
||
i have come here to take you from it and that we go to england to be
|
||
at peace and at rest i cause you to think of your useful life laid
|
||
waste and of our native france so wicked to you weep for it weep
|
||
for it and if when i shall tell you of my name and of my father
|
||
who is living and of my mother who is dead you learn that i have to
|
||
kneel to my honoured father and implore his pardon for having never
|
||
for his sake striven all day and lain awake and wept all night
|
||
because the love of my poor mother hid his torture from me weep for
|
||
it weep for it weep for her then and for me good gentlemen
|
||
thank god i feel his sacred tears upon my face and his sobs strike
|
||
against my heart o see thank god for us thank god
|
||
|
||
he had sunk in her arms and his face dropped on her breast a sight
|
||
so touching yet so terrible in the tremendous wrong and suffering
|
||
which had gone before it that the two beholders covered their faces
|
||
|
||
when the quiet of the garret had been long undisturbed and his
|
||
heaving breast and shaken form had long yielded to the calm that must
|
||
follow all storms emblem to humanity of the rest and silence into
|
||
which the storm called life must hush at last they came forward to
|
||
raise the father and daughter from the ground he had gradually
|
||
dropped to the floor and lay there in a lethargy worn out she had
|
||
nestled down with him that his head might lie upon her arm and her
|
||
hair drooping over him curtained him from the light
|
||
|
||
if without disturbing him she said raising her hand to mr lorry
|
||
as he stooped over them after repeated blowings of his nose all
|
||
could be arranged for our leaving paris at once so that from the
|
||
very door he could be taken away
|
||
|
||
but consider is he fit for the journey asked mr lorry
|
||
|
||
more fit for that i think than to remain in this city so dreadful to him
|
||
|
||
it is true said defarge who was kneeling to look on and hear
|
||
more than that monsieur manette is for all reasons best out of
|
||
france say shall i hire a carriage and post horses
|
||
|
||
thats business said mr lorry resuming on the shortest notice
|
||
his methodical manners and if business is to be done i had better do it
|
||
|
||
then be so kind urged miss manette as to leave us here you see
|
||
how composed he has become and you cannot be afraid to leave him
|
||
with me now why should you be if you will lock the door to secure
|
||
us from interruption i do not doubt that you will find him when you
|
||
come back as quiet as you leave him in any case i will take care
|
||
of him until you return and then we will remove him straight
|
||
|
||
both mr lorry and defarge were rather disinclined to this course
|
||
and in favour of one of them remaining but as there were not only
|
||
carriage and horses to be seen to but travelling papers and as time
|
||
pressed for the day was drawing to an end it came at last to their
|
||
hastily dividing the business that was necessary to be done and
|
||
hurrying away to do it
|
||
|
||
then as the darkness closed in the daughter laid her head down on
|
||
the hard ground close at the fathers side and watched him the
|
||
darkness deepened and deepened and they both lay quiet until a
|
||
light gleamed through the chinks in the wall
|
||
|
||
mr lorry and monsieur defarge had made all ready for the journey
|
||
and had brought with them besides travelling cloaks and wrappers
|
||
bread and meat wine and hot coffee monsieur defarge put this
|
||
provender and the lamp he carried on the shoemakers bench there
|
||
was nothing else in the garret but a pallet bed and he and
|
||
mr lorry roused the captive and assisted him to his feet
|
||
|
||
no human intelligence could have read the mysteries of his mind in
|
||
the scared blank wonder of his face whether he knew what had
|
||
happened whether he recollected what they had said to him whether
|
||
he knew that he was free were questions which no sagacity could have
|
||
solved they tried speaking to him but he was so confused and so
|
||
very slow to answer that they took fright at his bewilderment and
|
||
agreed for the time to tamper with him no more he had a wild lost
|
||
manner of occasionally clasping his head in his hands that had not
|
||
been seen in him before yet he had some pleasure in the mere sound
|
||
of his daughters voice and invariably turned to it when she spoke
|
||
|
||
in the submissive way of one long accustomed to obey under coercion
|
||
he ate and drank what they gave him to eat and drink and put on the
|
||
cloak and other wrappings that they gave him to wear he readily
|
||
responded to his daughters drawing her arm through his and
|
||
took and kept her hand in both his own
|
||
|
||
they began to descend monsieur defarge going first with the lamp
|
||
mr lorry closing the little procession they had not traversed many
|
||
steps of the long main staircase when he stopped and stared at the
|
||
roof and round at the wails
|
||
|
||
you remember the place my father you remember coming up here
|
||
|
||
what did you say
|
||
|
||
but before she could repeat the question he murmured an answer as
|
||
if she had repeated it
|
||
|
||
remember no i dont remember it was so very long ago
|
||
|
||
that he had no recollection whatever of his having been brought from
|
||
his prison to that house was apparent to them they heard him mutter
|
||
one hundred and five north tower and when he looked about him it
|
||
evidently was for the strong fortress walls which had long encompassed him
|
||
on their reaching the courtyard he instinctively altered his tread
|
||
as being in expectation of a drawbridge and when there was no
|
||
drawbridge and he saw the carriage waiting in the open street he
|
||
dropped his daughters hand and clasped his head again
|
||
|
||
no crowd was about the door no people were discernible at any of the
|
||
many windows not even a chance passerby was in the street an unnatural
|
||
silence and desertion reigned there only one soul was to be seen
|
||
and that was madame defarge who leaned against the door post
|
||
knitting and saw nothing
|
||
|
||
the prisoner had got into a coach and his daughter had followed him
|
||
when mr lorrys feet were arrested on the step by his asking
|
||
miserably for his shoemaking tools and the unfinished shoes madame
|
||
defarge immediately called to her husband that she would get them
|
||
and went knitting out of the lamplight through the courtyard she
|
||
quickly brought them down and handed them in and immediately
|
||
afterwards leaned against the door post knitting and saw nothing
|
||
|
||
defarge got upon the box and gave the word to the barrier
|
||
the postilion cracked his whip and they clattered away under
|
||
the feeble over swinging lamps
|
||
|
||
under the over swinging lamps swinging ever brighter in the better
|
||
streets and ever dimmer in the worse and by lighted shops gay
|
||
crowds illuminated coffee houses and theatre doors to one of the
|
||
city gates soldiers with lanterns at the guard house there
|
||
your papers travellers see here then monsieur the officer
|
||
said defarge getting down and taking him gravely apart these are
|
||
the papers of monsieur inside with the white head they were
|
||
consigned to me with him at the he dropped his voice there was
|
||
a flutter among the military lanterns and one of them being handed
|
||
into the coach by an arm in uniform the eyes connected with the arm
|
||
looked not an every day or an every night look at monsieur with the
|
||
white head it is well forward from the uniform adieu from
|
||
defarge and so under a short grove of feebler and feebler
|
||
over swinging lamps out under the great grove of stars
|
||
|
||
beneath that arch of unmoved and eternal lights some so remote from
|
||
this little earth that the learned tell us it is doubtful whether
|
||
their rays have even yet discovered it as a point in space where
|
||
anything is suffered or done the shadows of the night were broad and
|
||
black all through the cold and restless interval until dawn they
|
||
once more whispered in the ears of mr jarvis lorry sitting opposite
|
||
the buried man who had been dug out and wondering what subtle powers
|
||
were for ever lost to him and what were capable of restoration the
|
||
old inquiry
|
||
|
||
i hope you care to be recalled to life
|
||
|
||
and the old answer
|
||
|
||
i cant say
|
||
|
||
|
||
|
||
|
||
the end of the first book
|
||
|
||
|
||
|
||
|
||
|
||
book the second the golden thread
|
||
|
||
|
||
|
||
|
||
i
|
||
|
||
five years later
|
||
|
||
|
||
tellsons bank by temple bar was an old fashioned place even in the
|
||
year one thousand seven hundred and eighty it was very small very
|
||
dark very ugly very incommodious it was an old fashioned place
|
||
moreover in the moral attribute that the partners in the house were
|
||
proud of its smallness proud of its darkness proud of its ugliness
|
||
proud of its incommodiousness they were even boastful of its
|
||
eminence in those particulars and were fired by an express conviction
|
||
that if it were less objectionable it would be less respectable
|
||
this was no passive belief but an active weapon which they flashed
|
||
at more convenient places of business tellsons they said wanted
|
||
no elbow room tellsons wanted no light tellsons wanted no
|
||
embellishment noakes and cos might or snooks brothers might
|
||
but tellsons thank heaven
|
||
|
||
any one of these partners would have disinherited his son on the
|
||
question of rebuilding tellsons in this respect the house was much
|
||
on a par with the country which did very often disinherit its sons
|
||
for suggesting improvements in laws and customs that had long been
|
||
highly objectionable but were only the more respectable
|
||
|
||
thus it had come to pass that tellsons was the triumphant
|
||
perfection of inconvenience after bursting open a door of idiotic
|
||
obstinacy with a weak rattle in its throat you fell into tellsons
|
||
down two steps and came to your senses in a miserable little shop
|
||
with two little counters where the oldest of men made your cheque
|
||
shake as if the wind rustled it while they examined the signature by
|
||
the dingiest of windows which were always under a shower bath of mud
|
||
from fleet street and which were made the dingier by their own iron
|
||
bars proper and the heavy shadow of temple bar if your business
|
||
necessitated your seeing the house you were put into a species of
|
||
condemned hold at the back where you meditated on a misspent life
|
||
until the house came with its hands in its pockets and you could
|
||
hardly blink at it in the dismal twilight your money came out of
|
||
or went into wormy old wooden drawers particles of which flew up
|
||
your nose and down your throat when they were opened and shut your
|
||
bank notes had a musty odour as if they were fast decomposing into
|
||
rags again your plate was stowed away among the neighbouring
|
||
cesspools and evil communications corrupted its good polish in a day
|
||
or two your deeds got into extemporised strong rooms made of
|
||
kitchens and sculleries and fretted all the fat out of their
|
||
parchments into the banking house air your lighter boxes of family
|
||
papers went up stairs into a barmecide room that always had a great
|
||
dining table in it and never had a dinner and where even in the
|
||
year one thousand seven hundred and eighty the first letters written
|
||
to you by your old love or by your little children were but newly
|
||
released from the horror of being ogled through the windows by the
|
||
heads exposed on temple bar with an insensate brutality and ferocity
|
||
worthy of abyssinia or ashantee
|
||
|
||
but indeed at that time putting to death was a recipe much in vogue
|
||
with all trades and professions and not least of all with tellsons
|
||
death is natures remedy for all things and why not legislations
|
||
accordingly the forger was put to death the utterer of a bad note
|
||
was put to death the unlawful opener of a letter was put to death
|
||
the purloiner of forty shillings and sixpence was put to death the
|
||
holder of a horse at tellsons door who made off with it was put to
|
||
death the coiner of a bad shilling was put to death the sounders of
|
||
three fourths of the notes in the whole gamut of crime were put to
|
||
death not that it did the least good in the way of prevention it
|
||
might almost have been worth remarking that the fact was exactly the
|
||
reverse but it cleared off as to this world the trouble of each
|
||
particular case and left nothing else connected with it to be looked
|
||
after thus tellsons in its day like greater places of business
|
||
its contemporaries had taken so many lives that if the heads laid
|
||
low before it had been ranged on temple bar instead of being
|
||
privately disposed of they would probably have excluded what little
|
||
light the ground floor had in a rather significant manner
|
||
|
||
cramped in all kinds of dun cupboards and hutches at tellsons the
|
||
oldest of men carried on the business gravely when they took a
|
||
young man into tellsons london house they hid him somewhere till he
|
||
was old they kept him in a dark place like a cheese until he had
|
||
the full tellson flavour and blue mould upon him then only was he
|
||
permitted to be seen spectacularly poring over large books and
|
||
casting his breeches and gaiters into the general weight of the
|
||
establishment
|
||
|
||
outside tellsons never by any means in it unless called in was an
|
||
odd job man an occasional porter and messenger who served as the
|
||
live sign of the house he was never absent during business hours
|
||
unless upon an errand and then he was represented by his son a
|
||
grisly urchin of twelve who was his express image people
|
||
understood that tellsons in a stately way tolerated the
|
||
odd job man the house had always tolerated some person in that
|
||
capacity and time and tide had drifted this person to the post his
|
||
surname was cruncher and on the youthful occasion of his renouncing
|
||
by proxy the works of darkness in the easterly parish church of
|
||
hounsditch he had received the added appellation of jerry
|
||
|
||
the scene was mr crunchers private lodging in hanging sword alley
|
||
whitefriars the time half past seven of the clock on a windy march
|
||
morning anno domini seventeen hundred and eighty mr cruncher
|
||
himself always spoke of the year of our lord as anna dominoes
|
||
apparently under the impression that the christian era dated from the
|
||
invention of a popular game by a lady who had bestowed her name upon it
|
||
|
||
mr crunchers apartments were not in a savoury neighbourhood and
|
||
were but two in number even if a closet with a single pane of glass
|
||
in it might be counted as one but they were very decently kept
|
||
early as it was on the windy march morning the room in which he lay
|
||
abed was already scrubbed throughout and between the cups and
|
||
saucers arranged for breakfast and the lumbering deal table a very
|
||
clean white cloth was spread
|
||
|
||
mr cruncher reposed under a patchwork counterpane like a harlequin
|
||
at home at first he slept heavily but by degrees began to roll
|
||
and surge in bed until he rose above the surface with his spiky
|
||
hair looking as if it must tear the sheets to ribbons at which
|
||
juncture he exclaimed in a voice of dire exasperation
|
||
|
||
bust me if she aint at it agin
|
||
|
||
a woman of orderly and industrious appearance rose from her knees in
|
||
a corner with sufficient haste and trepidation to show that she was
|
||
the person referred to
|
||
|
||
what said mr cruncher looking out of bed for a boot youre at
|
||
it agin are you
|
||
|
||
after hailing the mom with this second salutation he threw a boot at
|
||
the woman as a third it was a very muddy boot and may introduce
|
||
the odd circumstance connected with mr crunchers domestic economy
|
||
that whereas he often came home after banking hours with clean
|
||
boots he often got up next morning to find the same boots
|
||
covered with clay
|
||
|
||
what said mr cruncher varying his apostrophe after missing
|
||
his mark what are you up to aggerawayter
|
||
|
||
i was only saying my prayers
|
||
|
||
saying your prayers youre a nice woman what do you mean by
|
||
flopping yourself down and praying agin me
|
||
|
||
i was not praying against you i was praying for you
|
||
|
||
you werent and if you were i wont be took the liberty with
|
||
here your mothers a nice woman young jerry going a praying agin
|
||
your fathers prosperity youve got a dutiful mother you have my
|
||
son youve got a religious mother you have my boy going and
|
||
flopping herself down and praying that the bread and butter may be
|
||
snatched out of the mouth of her only child
|
||
|
||
master cruncher who was in his shirt took this very ill and
|
||
turning to his mother strongly deprecated any praying away of his
|
||
personal board
|
||
|
||
and what do you suppose you conceited female said mr cruncher
|
||
with unconscious inconsistency that the worth of _your_ prayers may be
|
||
name the price that you put _your_ prayers at
|
||
|
||
they only come from the heart jerry they are worth no more than that
|
||
|
||
worth no more than that repeated mr cruncher they aint worth
|
||
much then whether or no i wont be prayed agin i tell you
|
||
i cant afford it im not a going to be made unlucky by _your_
|
||
sneaking if you must go flopping yourself down flop in favour
|
||
of your husband and child and not in opposition to em if i
|
||
had had any but a unnatral wife and this poor boy had had any but
|
||
a unnatral mother i might have made some money last week instead
|
||
of being counter prayed and countermined and religiously circumwented
|
||
into the worst of luck b u u ust me said mr cruncher who all
|
||
this time had been putting on his clothes if i aint what with
|
||
piety and one blowed thing and another been choused this last week
|
||
into as bad luck as ever a poor devil of a honest tradesman met with
|
||
young jerry dress yourself my boy and while i clean my boots keep
|
||
a eye upon your mother now and then and if you see any signs of more
|
||
flopping give me a call for i tell you here he addressed his
|
||
wife once more i wont be gone agin in this manner i am as
|
||
rickety as a hackney coach im as sleepy as laudanum my lines is
|
||
strained to that degree that i shouldnt know if it wasnt for the
|
||
pain in em which was me and which somebody else yet im none the
|
||
better for it in pocket and its my suspicion that youve been at it
|
||
from morning to night to prevent me from being the better for it in pocket
|
||
and i wont put up with it aggerawayter and what do you say now
|
||
|
||
growling in addition such phrases as ah yes youre religious too
|
||
you wouldnt put yourself in opposition to the interests of your husband
|
||
and child would you not you and throwing off other sarcastic sparks
|
||
from the whirling grindstone of his indignation mr cruncher betook
|
||
himself to his boot cleaning and his general preparation for business
|
||
in the meantime his son whose head was garnished with tenderer spikes
|
||
and whose young eyes stood close by one another as his fathers did
|
||
kept the required watch upon his mother he greatly disturbed that
|
||
poor woman at intervals by darting out of his sleeping closet
|
||
where he made his toilet with a suppressed cry of you are going to flop
|
||
mother halloa father and after raising this fictitious alarm
|
||
darting in again with an undutiful grin
|
||
|
||
mr crunchers temper was not at all improved when he came to his
|
||
breakfast he resented mrs crunchers saying grace with particular
|
||
animosity
|
||
|
||
now aggerawayter what are you up to at it again
|
||
|
||
his wife explained that she had merely asked a blessing
|
||
|
||
dont do it said mr crunches looking about as if he rather
|
||
expected to see the loaf disappear under the efficacy of his wifes
|
||
petitions i aint a going to be blest out of house and home
|
||
i wont have my wittles blest off my table keep still
|
||
|
||
exceedingly red eyed and grim as if he had been up all night at a
|
||
party which had taken anything but a convivial turn jerry cruncher
|
||
worried his breakfast rather than ate it growling over it like any
|
||
four footed inmate of a menagerie towards nine oclock he smoothed
|
||
his ruffled aspect and presenting as respectable and business like
|
||
an exterior as he could overlay his natural self with issued forth
|
||
to the occupation of the day
|
||
|
||
it could scarcely be called a trade in spite of his favourite
|
||
description of himself as a honest tradesman his stock consisted
|
||
of a wooden stool made out of a broken backed chair cut down which
|
||
stool young jerry walking at his fathers side carried every
|
||
morning to beneath the banking house window that was nearest temple
|
||
bar where with the addition of the first handful of straw that
|
||
could be gleaned from any passing vehicle to keep the cold and wet
|
||
from the odd job mans feet it formed the encampment for the day
|
||
on this post of his mr cruncher was as well known to fleet street
|
||
and the temple as the bar itself and was almost as in looking
|
||
|
||
encamped at a quarter before nine in good time to touch his three
|
||
cornered hat to the oldest of men as they passed in to tellsons
|
||
jerry took up his station on this windy march morning with young
|
||
jerry standing by him when not engaged in making forays through the
|
||
bar to inflict bodily and mental injuries of an acute description on
|
||
passing boys who were small enough for his amiable purpose father
|
||
and son extremely like each other looking silently on at the
|
||
morning traffic in fleet street with their two heads as near to one
|
||
another as the two eyes of each were bore a considerable resemblance
|
||
to a pair of monkeys the resemblance was not lessened by the
|
||
accidental circumstance that the mature jerry bit and spat out
|
||
straw while the twinkling eyes of the youthful jerry were as
|
||
restlessly watchful of him as of everything else in fleet street
|
||
|
||
the head of one of the regular indoor messengers attached to
|
||
tellsons establishment was put through the door and the word was
|
||
given
|
||
|
||
porter wanted
|
||
|
||
hooray father heres an early job to begin with
|
||
|
||
having thus given his parent god speed young jerry seated himself on
|
||
the stool entered on his reversionary interest in the straw his
|
||
father had been chewing and cogitated
|
||
|
||
al ways rusty his fingers is al ways rusty muttered young jerry
|
||
where does my father get all that iron rust from he dont get no
|
||
iron rust here
|
||
|
||
|
||
|
||
ii
|
||
|
||
a sight
|
||
|
||
|
||
you know the old bailey well no doubt said one of the oldest of
|
||
clerks to jerry the messenger
|
||
|
||
ye es sir returned jerry in something of a dogged manner i
|
||
_do_ know the bailey
|
||
|
||
just so and you know mr lorry
|
||
|
||
i know mr lorry sir much better than i know the bailey much
|
||
better said jerry not unlike a reluctant witness at the
|
||
establishment in question than i as a honest tradesman wish to
|
||
know the bailey
|
||
|
||
very well find the door where the witnesses go in and show the
|
||
door keeper this note for mr lorry he will then let you in
|
||
|
||
into the court sir
|
||
|
||
into the court
|
||
|
||
mr crunchers eyes seemed to get a little closer to one another and
|
||
to interchange the inquiry what do you think of this
|
||
|
||
am i to wait in the court sir he asked as the result of that
|
||
conference
|
||
|
||
i am going to tell you the door keeper will pass the note to mr
|
||
lorry and do you make any gesture that will attract mr lorrys
|
||
attention and show him where you stand then what you have to do
|
||
is to remain there until he wants you
|
||
|
||
is that all sir
|
||
|
||
thats all he wishes to have a messenger at hand this is to tell
|
||
him you are there
|
||
|
||
as the ancient clerk deliberately folded and superscribed the note
|
||
mr cruncher after surveying him in silence until he came to the
|
||
blotting paper stage remarked
|
||
|
||
i suppose theyll be trying forgeries this morning
|
||
|
||
treason
|
||
|
||
thats quartering said jerry barbarous
|
||
|
||
it is the law remarked the ancient clerk turning his surprised
|
||
spectacles upon him it is the law
|
||
|
||
its hard in the law to spile a man i think ifs hard enough to
|
||
kill him but its wery hard to spile him sir
|
||
|
||
not at all retained the ancient clerk speak well of the law
|
||
take care of your chest and voice my good friend and leave the law
|
||
to take care of itself i give you that advice
|
||
|
||
its the damp sir what settles on my chest and voice said jerry
|
||
i leave you to judge what a damp way of earning a living mine is
|
||
|
||
well well said the old clerk we all have our various ways of
|
||
gaining a livelihood some of us have damp ways and some of us have
|
||
dry ways here is the letter go along
|
||
|
||
jerry took the letter and remarking to himself with less internal
|
||
deference than he made an outward show of you are a lean old one
|
||
too made his bow informed his son in passing of his destination
|
||
and went his way
|
||
|
||
they hanged at tyburn in those days so the street outside newgate
|
||
had not obtained one infamous notoriety that has since attached to
|
||
it but the gaol was a vile place in which most kinds of
|
||
debauchery and villainy were practised and where dire diseases were
|
||
bred that came into court with the prisoners and sometimes rushed
|
||
straight from the dock at my lord chief justice himself and pulled
|
||
him off the bench it had more than once happened that the judge in
|
||
the black cap pronounced his own doom as certainly as the prisoners
|
||
and even died before him for the rest the old bailey was famous as
|
||
a kind of deadly inn yard from which pale travellers set out
|
||
continually in carts and coaches on a violent passage into the
|
||
other world traversing some two miles and a half of public street
|
||
and road and shaming few good citizens if any so powerful is use
|
||
and so desirable to be good use in the beginning it was famous
|
||
too for the pillory a wise old institution that inflicted a
|
||
punishment of which no one could foresee the extent also for the
|
||
whipping post another dear old institution very humanising and
|
||
softening to behold in action also for extensive transactions in
|
||
blood money another fragment of ancestral wisdom systematically
|
||
leading to the most frightful mercenary crimes that could be
|
||
committed under heaven altogether the old bailey at that date
|
||
was a choice illustration of the precept that whatever is is right
|
||
an aphorism that would be as final as it is lazy did it not include
|
||
the troublesome consequence that nothing that ever was was wrong
|
||
|
||
making his way through the tainted crowd dispersed up and down this
|
||
hideous scene of action with the skill of a man accustomed to make
|
||
his way quietly the messenger found out the door he sought and
|
||
handed in his letter through a trap in it for people then paid to
|
||
see the play at the old bailey just as they paid to see the play in
|
||
bedlam only the former entertainment was much the dearer therefore
|
||
all the old bailey doors were well guarded except indeed the
|
||
social doors by which the criminals got there and those were always
|
||
left wide open
|
||
|
||
after some delay and demur the door grudgingly turned on its hinges
|
||
a very little way and allowed mr jerry cruncher to squeeze himself
|
||
into court
|
||
|
||
whats on he asked in a whisper of the man he found himself next to
|
||
|
||
nothing yet
|
||
|
||
whats coming on
|
||
|
||
the treason case
|
||
|
||
the quartering one eh
|
||
|
||
ah returned the man with a relish hell be drawn on a hurdle
|
||
to be half hanged and then hell be taken down and sliced before
|
||
his own face and then his inside will be taken out and burnt while
|
||
he looks on and then his head will be chopped off and hell be
|
||
cut into quarters thats the sentence
|
||
|
||
if hes found guilty you mean to say jerry added by way of proviso
|
||
|
||
oh theyll find him guilty said the other dont you be afraid of that
|
||
|
||
mr crunchers attention was here diverted to the door keeper whom
|
||
he saw making his way to mr lorry with the note in his hand mr
|
||
lorry sat at a table among the gentlemen in wigs not far from a
|
||
wigged gentleman the prisoners counsel who had a great bundle of
|
||
papers before him and nearly opposite another wigged gentleman with
|
||
his hands in his pockets whose whole attention when mr cruncher
|
||
looked at him then or afterwards seemed to be concentrated on the
|
||
ceiling of the court after some gruff coughing and rubbing of his
|
||
chin and signing with his hand jerry attracted the notice of
|
||
mr lorry who had stood up to look for him and who quietly nodded
|
||
and sat down again
|
||
|
||
whats _he_ got to do with the case asked the man he had spoken with
|
||
|
||
blest if i know said jerry
|
||
|
||
what have _you_ got to do with it then if a person may inquire
|
||
|
||
blest if i know that either said jerry
|
||
|
||
the entrance of the judge and a consequent great stir and settling
|
||
down in the court stopped the dialogue presently the dock became
|
||
the central point of interest two gaolers who had been standing
|
||
there went out and the prisoner was brought in and put to the bar
|
||
|
||
everybody present except the one wigged gentleman who looked at the
|
||
ceiling stared at him all the human breath in the place rolled at
|
||
him like a sea or a wind or a fire eager faces strained round
|
||
pillars and corners to get a sight of him spectators in back rows
|
||
stood up not to miss a hair of him people on the floor of the
|
||
court laid their hands on the shoulders of the people before them
|
||
to help themselves at anybodys cost to a view of him stood
|
||
a tiptoe got upon ledges stood upon next to nothing to see every
|
||
inch of him conspicuous among these latter like an animated bit of
|
||
the spiked wall of newgate jerry stood aiming at the prisoner the
|
||
beery breath of a whet he had taken as he came along and discharging
|
||
it to mingle with the waves of other beer and gin and tea and
|
||
coffee and what not that flowed at him and already broke upon the
|
||
great windows behind him in an impure mist and rain
|
||
|
||
the object of all this staring and blaring was a young man of about
|
||
five and twenty well grown and well looking with a sunburnt cheek
|
||
and a dark eye his condition was that of a young gentleman he was
|
||
plainly dressed in black or very dark grey and his hair which was
|
||
long and dark was gathered in a ribbon at the back of his neck more
|
||
to be out of his way than for ornament as an emotion of the mind
|
||
will express itself through any covering of the body so the paleness
|
||
which his situation engendered came through the brown upon his cheek
|
||
showing the soul to be stronger than the sun he was otherwise quite
|
||
self possessed bowed to the judge and stood quiet
|
||
|
||
the sort of interest with which this man was stared and breathed at
|
||
was not a sort that elevated humanity had he stood in peril of a
|
||
less horrible sentence had there been a chance of any one of its
|
||
savage details being spared by just so much would he have lost in
|
||
his fascination the form that was to be doomed to be so shamefully
|
||
mangled was the sight the immortal creature that was to be so
|
||
butchered and torn asunder yielded the sensation whatever gloss
|
||
the various spectators put upon the interest according to their
|
||
several arts and powers of self deceit the interest was at the
|
||
root of it ogreish
|
||
|
||
silence in the court charles darnay had yesterday pleaded not guilty
|
||
to an indictment denouncing him with infinite jingle and jangle for
|
||
that he was a false traitor to our serene illustrious excellent
|
||
and so forth prince our lord the king by reason of his having on
|
||
divers occasions and by divers means and ways assisted lewis the
|
||
french king in his wars against our said serene illustrious
|
||
excellent and so forth that was to say by coming and going
|
||
between the dominions of our said serene illustrious excellent and
|
||
so forth and those of the said french lewis and wickedly falsely
|
||
traitorously and otherwise evil adverbiously revealing to the said
|
||
french lewis what forces our said serene illustrious excellent and
|
||
so forth had in preparation to send to canada and north america
|
||
this much jerry with his head becoming more and more spiky as the
|
||
law terms bristled it made out with huge satisfaction and so
|
||
arrived circuitously at the understanding that the aforesaid and
|
||
over and over again aforesaid charles darnay stood there before him
|
||
upon his trial that the jury were swearing in and that
|
||
mr attorney general was making ready to speak
|
||
|
||
the accused who was and who knew he was being mentally hanged
|
||
beheaded and quartered by everybody there neither flinched from
|
||
the situation nor assumed any theatrical air in it he was quiet
|
||
and attentive watched the opening proceedings with a grave interest
|
||
and stood with his hands resting on the slab of wood before him so
|
||
composedly that they had not displaced a leaf of the herbs with
|
||
which it was strewn the court was all bestrewn with herbs and
|
||
sprinkled with vinegar as a precaution against gaol air and gaol
|
||
fever
|
||
|
||
over the prisoners head there was a mirror to throw the light down
|
||
upon him crowds of the wicked and the wretched had been reflected
|
||
in it and had passed from its surface and this earths together
|
||
haunted in a most ghastly manner that abominable place would have
|
||
been if the glass could ever have rendered back its reflections as
|
||
the ocean is one day to give up its dead some passing thought of
|
||
the infamy and disgrace for which it had been reserved may have
|
||
struck the prisoners mind be that as it may a change in his
|
||
position making him conscious of a bar of light across his face he
|
||
looked up and when he saw the glass his face flushed and his right
|
||
hand pushed the herbs away
|
||
|
||
it happened that the action turned his face to that side of the court
|
||
which was on his left about on a level with his eyes there sat in
|
||
that corner of the judges bench two persons upon whom his look
|
||
immediately rested so immediately and so much to the changing of his
|
||
aspect that all the eyes that were turned upon him turned to them
|
||
|
||
the spectators saw in the two figures a young lady of little more
|
||
than twenty and a gentleman who was evidently her father a man of
|
||
a very remarkable appearance in respect of the absolute whiteness
|
||
of his hair and a certain indescribable intensity of face not of
|
||
an active kind but pondering and self communing when this expression
|
||
was upon him he looked as if he were old but when it was stirred
|
||
and broken up as it was now in a moment on his speaking to his
|
||
daughter he became a handsome man not past the prime of life
|
||
|
||
his daughter had one of her hands drawn through his arm as she sat
|
||
by him and the other pressed upon it she had drawn close to him
|
||
in her dread of the scene and in her pity for the prisoner her
|
||
forehead had been strikingly expressive of an engrossing terror and
|
||
compassion that saw nothing but the peril of the accused this had
|
||
been so very noticeable so very powerfully and naturally shown that
|
||
starers who had had no pity for him were touched by her and the
|
||
whisper went about who are they
|
||
|
||
jerry the messenger who had made his own observations in his own
|
||
manner and who had been sucking the rust off his fingers in his
|
||
absorption stretched his neck to hear who they were the crowd
|
||
about him had pressed and passed the inquiry on to the nearest
|
||
attendant and from him it had been more slowly pressed and passed
|
||
back at last it got to jerry
|
||
|
||
witnesses
|
||
|
||
for which side
|
||
|
||
against
|
||
|
||
against what side
|
||
|
||
the prisoners
|
||
|
||
the judge whose eyes had gone in the general direction recalled
|
||
them leaned back in his seat and looked steadily at the man whose
|
||
life was in his hand as mr attorney general rose to spin the rope
|
||
grind the axe and hammer the nails into the scaffold
|
||
|
||
|
||
|
||
iii
|
||
|
||
a disappointment
|
||
|
||
|
||
mr attorney general had to inform the jury that the prisoner before
|
||
them though young in years was old in the treasonable practices
|
||
which claimed the forfeit of his life that this correspondence with
|
||
the public enemy was not a correspondence of to day or of yesterday
|
||
or even of last year or of the year before that it was certain
|
||
the prisoner had for longer than that been in the habit of passing
|
||
and repassing between france and england on secret business of which
|
||
he could give no honest account that if it were in the nature of
|
||
traitorous ways to thrive which happily it never was the real
|
||
wickedness and guilt of his business might have remained undiscovered
|
||
that providence however had put it into the heart of a person who
|
||
was beyond fear and beyond reproach to ferret out the nature of the
|
||
prisoners schemes and struck with horror to disclose them to his
|
||
majestys chief secretary of state and most honourable privy council
|
||
that this patriot would be produced before them that his position
|
||
and attitude were on the whole sublime that he had been the
|
||
prisoners friend but at once in an auspicious and an evil hour
|
||
detecting his infamy had resolved to immolate the traitor he could
|
||
no longer cherish in his bosom on the sacred altar of his country
|
||
that if statues were decreed in britain as in ancient greece and
|
||
rome to public benefactors this shining citizen would assuredly
|
||
have had one that as they were not so decreed he probably would
|
||
not have one that virtue as had been observed by the poets in
|
||
many passages which he well knew the jury would have word for word
|
||
at the tips of their tongues whereat the jurys countenances
|
||
displayed a guilty consciousness that they knew nothing about the
|
||
passages was in a manner contagious more especially the bright
|
||
virtue known as patriotism or love of country that the lofty
|
||
example of this immaculate and unimpeachable witness for the crown
|
||
to refer to whom however unworthily was an honour had communicated
|
||
itself to the prisoners servant and had engendered in him a holy
|
||
determination to examine his masters table drawers and pockets and
|
||
secrete his papers that he mr attorney general was prepared to
|
||
hear some disparagement attempted of this admirable servant but that
|
||
in a general way he preferred him to his mr attorney generals
|
||
brothers and sisters and honoured him more than his
|
||
mr attorney generals father and mother that he called with
|
||
confidence on the jury to come and do likewise that the evidence
|
||
of these two witnesses coupled with the documents of their
|
||
discovering that would be produced would show the prisoner to have
|
||
been furnished with lists of his majestys forces and of their
|
||
disposition and preparation both by sea and land and would leave no
|
||
doubt that he had habitually conveyed such information to a hostile
|
||
power that these lists could not be proved to be in the prisoners
|
||
handwriting but that it was all the same that indeed it was
|
||
rather the better for the prosecution as showing the prisoner to be
|
||
artful in his precautions that the proof would go back five years
|
||
and would show the prisoner already engaged in these pernicious
|
||
missions within a few weeks before the date of the very first action
|
||
fought between the british troops and the americans that for these
|
||
reasons the jury being a loyal jury as he knew they were and
|
||
being a responsible jury as _they_ knew they were must positively
|
||
find the prisoner guilty and make an end of him whether they liked
|
||
it or not that they never could lay their heads upon their pillows
|
||
that they never could tolerate the idea of their wives laying their
|
||
heads upon their pillows that they never could endure the notion of
|
||
their children laying their heads upon their pillows in short that
|
||
there never more could be for them or theirs any laying of heads
|
||
upon pillows at all unless the prisoners head was taken off that
|
||
head mr attorney general concluded by demanding of them in the name
|
||
of everything he could think of with a round turn in it and on the
|
||
faith of his solemn asseveration that he already considered the
|
||
prisoner as good as dead and gone
|
||
|
||
when the attorney general ceased a buzz arose in the court as if
|
||
a cloud of great blue flies were swarming about the prisoner in
|
||
anticipation of what he was soon to become when toned down again
|
||
the unimpeachable patriot appeared in the witness box
|
||
|
||
mr solicitor general then following his leaders lead examined
|
||
the patriot john barsad gentleman by name the story of his pure
|
||
soul was exactly what mr attorney general had described it to be
|
||
perhaps if it had a fault a little too exactly having released
|
||
his noble bosom of its burden he would have modestly withdrawn
|
||
himself but that the wigged gentleman with the papers before him
|
||
sitting not far from mr lorry begged to ask him a few questions
|
||
the wigged gentleman sitting opposite still looking at the ceiling
|
||
of the court
|
||
|
||
had he ever been a spy himself no he scorned the base insinuation
|
||
what did he live upon his property where was his property
|
||
he didnt precisely remember where it was what was it no business
|
||
of anybodys had he inherited it yes he had from whom distant
|
||
relation very distant rather ever been in prison certainly not
|
||
never in a debtors prison didnt see what that had to do with it
|
||
never in a debtors prison come once again never yes how many
|
||
times two or three times not five or six perhaps of what
|
||
profession gentleman ever been kicked might have been frequently
|
||
no ever kicked downstairs decidedly not once received a kick on the
|
||
top of a staircase and fell downstairs of his own accord kicked on
|
||
that occasion for cheating at dice something to that effect was said
|
||
by the intoxicated liar who committed the assault but it was not
|
||
true swear it was not true positively ever live by cheating at
|
||
play never ever live by play not more than other gentlemen do
|
||
ever borrow money of the prisoner yes ever pay him no was not
|
||
this intimacy with the prisoner in reality a very slight one forced
|
||
upon the prisoner in coaches inns and packets no sure he saw
|
||
the prisoner with these lists certain knew no more about the lists
|
||
no had not procured them himself for instance no expect to get
|
||
anything by this evidence no not in regular government pay and
|
||
employment to lay traps oh dear no or to do anything oh dear no
|
||
swear that over and over again no motives but motives of sheer
|
||
patriotism none whatever
|
||
|
||
the virtuous servant roger cly swore his way through the case at a
|
||
great rate he had taken service with the prisoner in good faith
|
||
and simplicity four years ago he had asked the prisoner aboard
|
||
the calais packet if he wanted a handy fellow and the prisoner had
|
||
engaged him he had not asked the prisoner to take the handy fellow
|
||
as an act of charity never thought of such a thing he began to
|
||
have suspicions of the prisoner and to keep an eye upon him soon
|
||
afterwards in arranging his clothes while travelling he had seen
|
||
similar lists to these in the prisoners pockets over and over again
|
||
he had taken these lists from the drawer of the prisoners desk
|
||
he had not put them there first he had seen the prisoner show these
|
||
identical lists to french gentlemen at calais and similar lists to
|
||
french gentlemen both at calais and boulogne he loved his country
|
||
and couldnt bear it and had given information he had never been
|
||
suspected of stealing a silver tea pot he had been maligned respecting
|
||
a mustard pot but it turned out to be only a plated one he had
|
||
known the last witness seven or eight years that was merely a
|
||
coincidence he didnt call it a particularly curious coincidence
|
||
most coincidences were curious neither did he call it a curious
|
||
coincidence that true patriotism was _his_ only motive too he was a
|
||
true briton and hoped there were many like him
|
||
|
||
the blue flies buzzed again and mr attorney general called mr jarvis lorry
|
||
|
||
mr jarvis lorry are you a clerk in tellsons bank
|
||
|
||
i am
|
||
|
||
on a certain friday night in november one thousand seven hundred and
|
||
seventy five did business occasion you to travel between london and
|
||
dover by the mail
|
||
|
||
it did
|
||
|
||
were there any other passengers in the mail
|
||
|
||
two
|
||
|
||
did they alight on the road in the course of the night
|
||
|
||
they did
|
||
|
||
mr lorry look upon the prisoner was he one of those two passengers
|
||
|
||
i cannot undertake to say that he was
|
||
|
||
does he resemble either of these two passengers
|
||
|
||
both were so wrapped up and the night was so dark and we were all
|
||
so reserved that i cannot undertake to say even that
|
||
|
||
mr lorry look again upon the prisoner supposing him wrapped up
|
||
as those two passengers were is there anything in his bulk and
|
||
stature to render it unlikely that he was one of them
|
||
|
||
no
|
||
|
||
you will not swear mr lorry that he was not one of them
|
||
|
||
no
|
||
|
||
so at least you say he may have been one of them
|
||
|
||
yes except that i remember them both to have been like myself
|
||
timorous of highwaymen and the prisoner has not a timorous air
|
||
|
||
did you ever see a counterfeit of timidity mr lorry
|
||
|
||
i certainly have seen that
|
||
|
||
mr lorry look once more upon the prisoner have you seen him
|
||
to your certain knowledge before
|
||
|
||
i have
|
||
|
||
when
|
||
|
||
i was returning from france a few days afterwards and at calais
|
||
the prisoner came on board the packet ship in which i returned and
|
||
made the voyage with me
|
||
|
||
at what hour did he come on board
|
||
|
||
at a little after midnight
|
||
|
||
in the dead of the night was he the only passenger who came on
|
||
board at that untimely hour
|
||
|
||
he happened to be the only one
|
||
|
||
never mind about `happening mr lorry he was the only passenger
|
||
who came on board in the dead of the night
|
||
|
||
he was
|
||
|
||
were you travelling alone mr lorry or with any companion
|
||
|
||
with two companions a gentleman and lady they are here
|
||
|
||
they are here had you any conversation with the prisoner
|
||
|
||
hardly any the weather was stormy and the passage long and rough
|
||
and i lay on a sofa almost from shore to shore
|
||
|
||
miss manette
|
||
|
||
the young lady to whom all eyes had been turned before and were now
|
||
turned again stood up where she had sat her father rose with her
|
||
and kept her hand drawn through his arm
|
||
|
||
miss manette look upon the prisoner
|
||
|
||
to be confronted with such pity and such earnest youth and beauty
|
||
was far more trying to the accused than to be confronted with all the
|
||
crowd standing as it were apart with her on the edge of his grave
|
||
not all the staring curiosity that looked on could for the moment
|
||
nerve him to remain quite still his hurried right hand parcelled
|
||
out the herbs before him into imaginary beds of flowers in a garden
|
||
and his efforts to control and steady his breathing shook the lips
|
||
from which the colour rushed to his heart the buzz of the great
|
||
flies was loud again
|
||
|
||
miss manette have you seen the prisoner before
|
||
|
||
yes sir
|
||
|
||
where
|
||
|
||
on board of the packet ship just now referred to sir and on the
|
||
same occasion
|
||
|
||
you are the young lady just now referred to
|
||
|
||
o most unhappily i am
|
||
|
||
the plaintive tone of her compassion merged into the less musical
|
||
voice of the judge as he said something fiercely answer the
|
||
questions put to you and make no remark upon them
|
||
|
||
miss manette had you any conversation with the prisoner on that
|
||
passage across the channel
|
||
|
||
yes sir
|
||
|
||
recall it
|
||
|
||
in the midst of a profound stillness she faintly began when the
|
||
gentleman came on board
|
||
|
||
do you mean the prisoner inquired the judge knitting his brows
|
||
|
||
yes my lord
|
||
|
||
then say the prisoner
|
||
|
||
when the prisoner came on board he noticed that my father turning
|
||
her eyes lovingly to him as he stood beside her was much fatigued
|
||
and in a very weak state of health my father was so reduced that i
|
||
was afraid to take him out of the air and i had made a bed for him
|
||
on the deck near the cabin steps and i sat on the deck at his side
|
||
to take care of him there were no other passengers that night but
|
||
we four the prisoner was so good as to beg permission to advise me
|
||
how i could shelter my father from the wind and weather better than
|
||
i had done i had not known how to do it well not understanding how
|
||
the wind would set when we were out of the harbour he did it for me
|
||
he expressed great gentleness and kindness for my fathers state and
|
||
i am sure he felt it that was the manner of our beginning to speak
|
||
together
|
||
|
||
let me interrupt you for a moment had he come on board alone
|
||
|
||
no
|
||
|
||
how many were with him
|
||
|
||
two french gentlemen
|
||
|
||
had they conferred together
|
||
|
||
they had conferred together until the last moment when it was
|
||
necessary for the french gentlemen to be landed in their boat
|
||
|
||
had any papers been handed about among them similar to these lists
|
||
|
||
some papers had been handed about among them but i dont know what
|
||
papers
|
||
|
||
like these in shape and size
|
||
|
||
possibly but indeed i dont know although they stood whispering
|
||
very near to me because they stood at the top of the cabin steps to
|
||
have the light of the lamp that was hanging there it was a dull lamp
|
||
and they spoke very low and i did not hear what they said and saw
|
||
only that they looked at papers
|
||
|
||
now to the prisoners conversation miss manette
|
||
|
||
the prisoner was as open in his confidence with me which arose out
|
||
of my helpless situation as he was kind and good and useful to my
|
||
father i hope bursting into tears i may not repay him by doing
|
||
him harm to day
|
||
|
||
buzzing from the blue flies
|
||
|
||
miss manette if the prisoner does not perfectly understand that you
|
||
give the evidence which it is your duty to give which you must give
|
||
and which you cannot escape from giving with great unwillingness
|
||
he is the only person present in that condition please to go on
|
||
|
||
he told me that he was travelling on business of a delicate and
|
||
difficult nature which might get people into trouble and that he
|
||
was therefore travelling under an assumed name he said that this
|
||
business had within a few days taken him to france and might
|
||
at intervals take him backwards and forwards between france and
|
||
england for a long time to come
|
||
|
||
did he say anything about america miss manette be particular
|
||
|
||
he tried to explain to me how that quarrel had arisen and he said that
|
||
so far as he could judge it was a wrong and foolish one on englands
|
||
part he added in a jesting way that perhaps george washington
|
||
might gain almost as great a name in history as george the third
|
||
but there was no harm in his way of saying this it was said laughingly
|
||
and to beguile the time
|
||
|
||
any strongly marked expression of face on the part of a chief actor
|
||
in a scene of great interest to whom many eyes are directed will be
|
||
unconsciously imitated by the spectators her forehead was painfully
|
||
anxious and intent as she gave this evidence and in the pauses when
|
||
she stopped for the judge to write it down watched its effect upon
|
||
the counsel for and against among the lookers on there was the same
|
||
expression in all quarters of the court insomuch that a great
|
||
majority of the foreheads there might have been mirrors reflecting
|
||
the witness when the judge looked up from his notes to glare at that
|
||
tremendous heresy about george washington
|
||
|
||
mr attorney general now signified to my lord that he deemed it
|
||
necessary as a matter of precaution and form to call the young
|
||
ladys father doctor manette who was called accordingly
|
||
|
||
doctor manette look upon the prisoner have you ever seen him before
|
||
|
||
once when he called at my lodgings in london some three years or
|
||
three years and a half ago
|
||
|
||
can you identify him as your fellow passenger on board the packet
|
||
or speak to his conversation with your daughter
|
||
|
||
sir i can do neither
|
||
|
||
is there any particular and special reason for your being unable to
|
||
do either
|
||
|
||
he answered in a low voice there is
|
||
|
||
has it been your misfortune to undergo a long imprisonment without
|
||
trial or even accusation in your native country doctor manette
|
||
|
||
he answered in a tone that went to every heart a long imprisonment
|
||
|
||
were you newly released on the occasion in question
|
||
|
||
they tell me so
|
||
|
||
have you no remembrance of the occasion
|
||
|
||
none my mind is a blank from some time i cannot even say what time
|
||
when i employed myself in my captivity in making shoes
|
||
to the time when i found myself living in london with my dear
|
||
daughter here she had become familiar to me when a gracious god
|
||
restored my faculties but i am quite unable even to say how she
|
||
had become familiar i have no remembrance of the process
|
||
|
||
mr attorney general sat down and the father and daughter sat down
|
||
together
|
||
|
||
a singular circumstance then arose in the case the object in hand
|
||
being to show that the prisoner went down with some fellow plotter
|
||
untracked in the dover mail on that friday night in november five
|
||
years ago and got out of the mail in the night as a blind at a
|
||
place where he did not remain but from which he travelled back some
|
||
dozen miles or more to a garrison and dockyard and there collected
|
||
information a witness was called to identify him as having been at
|
||
the precise time required in the coffee room of an hotel in that
|
||
garrison and dockyard town waiting for another person the prisoners
|
||
counsel was cross examining this witness with no result except that
|
||
he had never seen the prisoner on any other occasion when the wigged
|
||
gentleman who had all this time been looking at the ceiling of the
|
||
court wrote a word or two on a little piece of paper screwed it up
|
||
and tossed it to him opening this piece of paper in the next pause
|
||
the counsel looked with great attention and curiosity at the prisoner
|
||
|
||
you say again you are quite sure that it was the prisoner
|
||
|
||
the witness was quite sure
|
||
|
||
did you ever see anybody very like the prisoner
|
||
|
||
not so like the witness said as that he could be mistaken
|
||
|
||
look well upon that gentleman my learned friend there pointing to
|
||
him who had tossed the paper over and then look well upon the prisoner
|
||
how say you are they very like each other
|
||
|
||
allowing for my learned friends appearance being careless and
|
||
slovenly if not debauched they were sufficiently like each other to
|
||
surprise not only the witness but everybody present when they were
|
||
thus brought into comparison my lord being prayed to bid my learned
|
||
friend lay aside his wig and giving no very gracious consent the
|
||
likeness became much more remarkable my lord inquired of mr stryver
|
||
the prisoners counsel whether they were next to try mr carton
|
||
name of my learned friend for treason but mr stryver replied to
|
||
my lord no but he would ask the witness to tell him whether what
|
||
happened once might happen twice whether he would have been so
|
||
confident if he had seen this illustration of his rashness sooner
|
||
whether he would be so confident having seen it and more
|
||
the upshot of which was to smash this witness like a crockery vessel
|
||
and shiver his part of the case to useless lumber
|
||
|
||
mr cruncher had by this time taken quite a lunch of rust off his
|
||
fingers in his following of the evidence he had now to attend while
|
||
mr stryver fitted the prisoners case on the jury like a compact
|
||
suit of clothes showing them how the patriot barsad was a hired spy
|
||
and traitor an unblushing trafficker in blood and one of the greatest
|
||
scoundrels upon earth since accursed judas which he certainly did
|
||
look rather like how the virtuous servant cly was his friend and
|
||
partner and was worthy to be how the watchful eyes of those forgers
|
||
and false swearers had rested on the prisoner as a victim because
|
||
some family affairs in france he being of french extraction did
|
||
require his making those passages across the channel though what
|
||
those affairs were a consideration for others who were near and dear
|
||
to him forbade him even for his life to disclose how the evidence
|
||
that had been warped and wrested from the young lady whose anguish in
|
||
giving it they had witnessed came to nothing involving the mere
|
||
little innocent gallantries and politenesses likely to pass between
|
||
any young gentleman and young lady so thrown together with the
|
||
exception of that reference to george washington which was altogether
|
||
too extravagant and impossible to be regarded in any other light than
|
||
as a monstrous joke how it would be a weakness in the government to
|
||
break down in this attempt to practise for popularity on the lowest
|
||
national antipathies and fears and therefore mr attorney general had
|
||
made the most of it how nevertheless it rested upon nothing save
|
||
that vile and infamous character of evidence too often disfiguring
|
||
such cases and of which the state trials of this country were full
|
||
but there my lord interposed with as grave a face as if it had not
|
||
been true saying that he could not sit upon that bench and suffer
|
||
those allusions
|
||
|
||
mr stryver then called his few witnesses and mr cruncher had next
|
||
to attend while mr attorney general turned the whole suit of clothes
|
||
mr stryver had fitted on the jury inside out showing how barsad and
|
||
cly were even a hundred times better than he had thought them and the
|
||
prisoner a hundred times worse lastly came my lord himself turning
|
||
the suit of clothes now inside out now outside in but on the whole
|
||
decidedly trimming and shaping them into grave clothes for the
|
||
prisoner
|
||
|
||
and now the jury turned to consider and the great flies swarmed again
|
||
|
||
mr carton who had so long sat looking at the ceiling of the court
|
||
changed neither his place nor his attitude even in this excitement
|
||
while his teamed friend mr stryver massing his papers before him
|
||
whispered with those who sat near and from time to time glanced
|
||
anxiously at the jury while all the spectators moved more or less
|
||
and grouped themselves anew while even my lord himself arose from his
|
||
seat and slowly paced up and down his platform not unattended by a
|
||
suspicion in the minds of the audience that his state was feverish
|
||
this one man sat leaning back with his torn gown half off him his
|
||
untidy wig put on just as it had happened to fight on his head after
|
||
its removal his hands in his pockets and his eyes on the ceiling as
|
||
they had been all day something especially reckless in his demeanour
|
||
not only gave him a disreputable look but so diminished the strong
|
||
resemblance he undoubtedly bore to the prisoner which his momentary
|
||
earnestness when they were compared together had strengthened
|
||
that many of the lookers on taking note of him now said to one
|
||
another they would hardly have thought the two were so alike
|
||
mr cruncher made the observation to his next neighbour and added
|
||
id hold half a guinea that _he_ dont get no law work to do
|
||
dont look like the sort of one to get any do he
|
||
|
||
yet this mr carton took in more of the details of the scene than he
|
||
appeared to take in for now when miss manettes head dropped upon
|
||
her fathers breast he was the first to see it and to say audibly
|
||
officer look to that young lady help the gentleman to take her out
|
||
dont you see she will fall
|
||
|
||
there was much commiseration for her as she was removed and much
|
||
sympathy with her father it had evidently been a great distress to
|
||
him to have the days of his imprisonment recalled he had shown
|
||
strong internal agitation when he was questioned and that pondering
|
||
or brooding look which made him old had been upon him like a heavy
|
||
cloud ever since as he passed out the jury who had turned back
|
||
and paused a moment spoke through their foreman
|
||
|
||
they were not agreed and wished to retire my lord perhaps with
|
||
george washington on his mind showed some surprise that they were not
|
||
agreed but signified his pleasure that they should retire under watch
|
||
and ward and retired himself the trial had lasted all day and the
|
||
lamps in the court were now being lighted it began to be rumoured
|
||
that the jury would be out a long while the spectators dropped off
|
||
to get refreshment and the prisoner withdrew to the back of the dock
|
||
and sat down
|
||
|
||
mr lorry who had gone out when the young lady and her father went out
|
||
now reappeared and beckoned to jerry who in the slackened interest
|
||
could easily get near him
|
||
|
||
jerry if you wish to take something to eat you can but keep in
|
||
the way you will be sure to hear when the jury come in dont be a
|
||
moment behind them for i want you to take the verdict back to the bank
|
||
you are the quickest messenger i know and will get to temple bar long
|
||
before i can
|
||
|
||
jerry had just enough forehead to knuckle and he knuckled it in
|
||
acknowledgment of this communication and a shilling mr carton came
|
||
up at the moment and touched mr lorry on the arm
|
||
|
||
how is the young lady
|
||
|
||
she is greatly distressed but her father is comforting her and she
|
||
feels the better for being out of court
|
||
|
||
ill tell the prisoner so it wont do for a respectable bank
|
||
gentleman like you to be seen speaking to him publicly you know
|
||
|
||
mr lorry reddened as if he were conscious of having debated the point
|
||
in his mind and mr carton made his way to the outside of the bar
|
||
the way out of court lay in that direction and jerry followed him
|
||
all eyes ears and spikes
|
||
|
||
mr darnay
|
||
|
||
the prisoner came forward directly
|
||
|
||
you will naturally be anxious to hear of the witness miss manette
|
||
she will do very well you have seen the worst of her agitation
|
||
|
||
i am deeply sorry to have been the cause of it could you tell her
|
||
so for me with my fervent acknowledgments
|
||
|
||
yes i could i will if you ask it
|
||
|
||
mr cartons manner was so careless as to be almost insolent he stood
|
||
half turned from the prisoner lounging with his elbow against the bar
|
||
|
||
i do ask it accept my cordial thanks
|
||
|
||
what said carton still only half turned towards him do you
|
||
expect mr darnay
|
||
|
||
the worst
|
||
|
||
its the wisest thing to expect and the likeliest but i think
|
||
their withdrawing is in your favour
|
||
|
||
loitering on the way out of court not being allowed jerry heard no
|
||
more but left them so like each other in feature so unlike each
|
||
other in manner standing side by side both reflected in the glass
|
||
above them
|
||
|
||
an hour and a half limped heavily away in the thief and rascal crowded
|
||
passages below even though assisted off with mutton pies and ale
|
||
the hoarse messenger uncomfortably seated on a form after taking that
|
||
refection had dropped into a doze when a loud murmur and a rapid
|
||
tide of people setting up the stairs that led to the court carried
|
||
him along with them
|
||
|
||
jerry jerry mr lorry was already calling at the door when
|
||
he got there
|
||
|
||
here sir its a fight to get back again here i am sir
|
||
|
||
mr lorry handed him a paper through the throng
|
||
quick have you got it
|
||
|
||
yes sir
|
||
|
||
hastily written on the paper was the word aquitted
|
||
|
||
if you had sent the message `recalled to life again muttered
|
||
jerry as he turned i should have known what you meant this time
|
||
|
||
he had no opportunity of saying or so much as thinking anything
|
||
else until he was clear of the old bailey for the crowd came
|
||
pouring out with a vehemence that nearly took him off his legs and a
|
||
loud buzz swept into the street as if the baffled blue flies were
|
||
dispersing in search of other carrion
|
||
|
||
|
||
|
||
iv
|
||
|
||
congratulatory
|
||
|
||
|
||
from the dimly lighted passages of the court the last sediment of the
|
||
human stew that had been boiling there all day was straining off
|
||
when doctor manette lucie manette his daughter mr lorry the
|
||
solicitor for the defence and its counsel mr stryver stood
|
||
gathered round mr charles darnay just released congratulating him
|
||
on his escape from death
|
||
|
||
it would have been difficult by a far brighter light to recognise in
|
||
doctor manette intellectual of face and upright of bearing the
|
||
shoemaker of the garret in paris yet no one could have looked at
|
||
him twice without looking again even though the opportunity of
|
||
observation had not extended to the mournful cadence of his low grave
|
||
voice and to the abstraction that overclouded him fitfully without
|
||
any apparent reason while one external cause and that a reference
|
||
to his long lingering agony would always as on the trial evoke this
|
||
condition from the depths of his soul it was also in its nature to
|
||
arise of itself and to draw a gloom over him as incomprehensible to
|
||
those unacquainted with his story as if they had seen the shadow of
|
||
the actual bastille thrown upon him by a summer sun when the
|
||
substance was three hundred miles away
|
||
|
||
only his daughter had the power of charming this black brooding from
|
||
his mind she was the golden thread that united him to a past beyond
|
||
his misery and to a present beyond his misery and the sound of her
|
||
voice the light of her face the touch of her hand had a strong
|
||
beneficial influence with him almost always not absolutely always
|
||
for she could recall some occasions on which her power had failed
|
||
but they were few and slight and she believed them over
|
||
|
||
mr darnay had kissed her hand fervently and gratefully and had
|
||
turned to mr stryver whom he warmly thanked mr stryver a man of
|
||
little more than thirty but looking twenty years older than he was
|
||
stout loud red bluff and free from any drawback of delicacy
|
||
had a pushing way of shouldering himself morally and physically
|
||
into companies and conversations that argued well for his shouldering
|
||
his way up in life
|
||
|
||
he still had his wig and gown on and he said squaring himself at his
|
||
late client to that degree that he squeezed the innocent mr lorry
|
||
clean out of the group i am glad to have brought you off with honour
|
||
mr darnay it was an infamous prosecution grossly infamous
|
||
but not the less likely to succeed on that account
|
||
|
||
you have laid me under an obligation to you for life in two senses
|
||
said his late client taking his hand
|
||
|
||
i have done my best for you mr darnay and my best is as good as
|
||
another mans i believe
|
||
|
||
it clearly being incumbent on some one to say much better mr lorry
|
||
said it perhaps not quite disinterestedly but with the interested
|
||
object of squeezing himself back again
|
||
|
||
you think so said mr stryver well you have been present all day
|
||
and you ought to know you are a man of business too
|
||
|
||
and as such quoth mr lorry whom the counsel learned in the law
|
||
had now shouldered back into the group just as he had previously
|
||
shouldered him out of it as such i will appeal to doctor manette
|
||
to break up this conference and order us all to our homes
|
||
miss lucie looks ill mr darnay has had a terrible day we are worn out
|
||
|
||
speak for yourself mr lorry said stryver i have a nights work
|
||
to do yet speak for yourself
|
||
|
||
i speak for myself answered mr lorry and for mr darnay and for
|
||
miss lucie and miss lucie do you not think i may speak for us all
|
||
he asked her the question pointedly and with a glance at her father
|
||
|
||
his face had become frozen as it were in a very curious look at
|
||
darnay an intent look deepening into a frown of dislike and distrust
|
||
not even unmixed with fear with this strange expression on him his
|
||
thoughts had wandered away
|
||
|
||
my father said lucie softly laying her hand on his
|
||
|
||
he slowly shook the shadow off and turned to her
|
||
|
||
shall we go home my father
|
||
|
||
with a long breath he answered yes
|
||
|
||
the friends of the acquitted prisoner had dispersed under the
|
||
impression which he himself had originated that he would not be
|
||
released that night the lights were nearly all extinguished in the
|
||
passages the iron gates were being closed with a jar and a rattle
|
||
and the dismal place was deserted until to morrow mornings interest
|
||
of gallows pillory whipping post and branding iron should repeople
|
||
it walking between her father and mr darnay lucie manette passed
|
||
into the open air a hackney coach was called and the father and
|
||
daughter departed in it
|
||
|
||
mr stryver had left them in the passages to shoulder his way back
|
||
to the robing room another person who had not joined the group
|
||
or interchanged a word with any one of them but who had been leaning
|
||
against the wall where its shadow was darkest had silently strolled
|
||
out after the rest and had looked on until the coach drove away
|
||
he now stepped up to where mr lorry and mr darnay stood upon the
|
||
pavement
|
||
|
||
so mr lorry men of business may speak to mr darnay now
|
||
|
||
nobody had made any acknowledgment of mr cartons part in the days
|
||
proceedings nobody had known of it he was unrobed and was none
|
||
the better for it in appearance
|
||
|
||
if you knew what a conflict goes on in the business mind when the
|
||
business mind is divided between good natured impulse and business
|
||
appearances you would be amused mr darnay
|
||
|
||
mr lorry reddened and said warmly you have mentioned that before
|
||
sir we men of business who serve a house are not our own masters
|
||
we have to think of the house more than ourselves
|
||
|
||
_i_ know _i_ know rejoined mr carton carelessly dont be
|
||
nettled mr lorry you are as good as another i have no doubt
|
||
better i dare say
|
||
|
||
and indeed sir pursued mr lorry not minding him i really
|
||
dont know what you have to do with the matter if youll excuse me
|
||
as very much your elder for saying so i really dont know that it is
|
||
your business
|
||
|
||
business bless you _i_ have no business said mr carton
|
||
|
||
it is a pity you have not sir
|
||
|
||
i think so too
|
||
|
||
if you had pursued mr lorry perhaps you would attend to it
|
||
|
||
lord love you no i shouldnt said mr carton
|
||
|
||
well sir cried mr lorry thoroughly heated by his indifference
|
||
business is a very good thing and a very respectable thing and sir
|
||
if business imposes its restraints and its silences and impediments
|
||
mr darnay as a young gentleman of generosity knows how to make allowance
|
||
for that circumstance mr darnay good night god bless you sir
|
||
i hope you have been this day preserved for a prosperous and happy
|
||
life chair there
|
||
|
||
perhaps a little angry with himself as well as with the barrister
|
||
mr lorry bustled into the chair and was carried off to tellsons
|
||
carton who smelt of port wine and did not appear to be quite sober
|
||
laughed then and turned to darnay
|
||
|
||
this is a strange chance that throws you and me together this must
|
||
be a strange night to you standing alone here with your counterpart
|
||
on these street stones
|
||
|
||
i hardly seem yet returned charles darnay to belong to this world
|
||
again
|
||
|
||
i dont wonder at it its not so long since you were pretty far
|
||
advanced on your way to another you speak faintly
|
||
|
||
i begin to think i _am_ faint
|
||
|
||
then why the devil dont you dine i dined myself while those
|
||
numskulls were deliberating which world you should belong to this
|
||
or some other let me show you the nearest tavern to dine well at
|
||
|
||
drawing his arm through his own he took him down ludgate hill to
|
||
fleet street and so up a covered way into a tavern here they
|
||
were shown into a little room where charles darnay was soon recruiting
|
||
his strength with a good plain dinner and good wine while carton sat
|
||
opposite to him at the same table with his separate bottle of port
|
||
before him and his fully half insolent manner upon him
|
||
|
||
do you feel yet that you belong to this terrestrial scheme again
|
||
mr darnay
|
||
|
||
i am frightfully confused regarding time and place but i am so far
|
||
mended as to feel that
|
||
|
||
it must be an immense satisfaction
|
||
|
||
he said it bitterly and filled up his glass again which was a large one
|
||
|
||
as to me the greatest desire i have is to forget that i belong to
|
||
it it has no good in it for me except wine like this nor i for it
|
||
so we are not much alike in that particular indeed i begin to think
|
||
we are not much alike in any particular you and i
|
||
|
||
confused by the emotion of the day and feeling his being there with
|
||
this double of coarse deportment to be like a dream charles darnay
|
||
was at a loss how to answer finally answered not at all
|
||
|
||
now your dinner is done carton presently said why dont you call
|
||
a health mr darnay why dont you give your toast
|
||
|
||
what health what toast
|
||
|
||
why its on the tip of your tongue it ought to be it must be
|
||
ill swear its there
|
||
|
||
miss manette then
|
||
|
||
miss manette then
|
||
|
||
looking his companion full in the face while he drank the toast
|
||
carton flung his glass over his shoulder against the wall where it
|
||
shivered to pieces then rang the bell and ordered in another
|
||
|
||
thats a fair young lady to hand to a coach in the dark mr darnay
|
||
he said ruing his new goblet
|
||
|
||
a slight frown and a laconic yes were the answer
|
||
|
||
thats a fair young lady to be pitied by and wept for by how does it
|
||
feel is it worth being tried for ones life to be the object of such
|
||
sympathy and compassion mr darnay
|
||
|
||
again darnay answered not a word
|
||
|
||
she was mightily pleased to have your message when i gave it her
|
||
not that she showed she was pleased but i suppose she was
|
||
|
||
the allusion served as a timely reminder to darnay that this
|
||
disagreeable companion had of his own free will assisted him in the
|
||
strait of the day he turned the dialogue to that point and thanked
|
||
him for it
|
||
|
||
i neither want any thanks nor merit any was the careless rejoinder
|
||
it was nothing to do in the first place and i dont know why i did it
|
||
in the second mr darnay let me ask you a question
|
||
|
||
willingly and a small return for your good offices
|
||
|
||
do you think i particularly like you
|
||
|
||
really mr carton returned the other oddly disconcerted i have
|
||
not asked myself the question
|
||
|
||
but ask yourself the question now
|
||
|
||
you have acted as if you do but i dont think you do
|
||
|
||
_i_ dont think i do said carton i begin to have a very good
|
||
opinion of your understanding
|
||
|
||
nevertheless pursued darnay rising to ring the bell there is
|
||
nothing in that i hope to prevent my calling the reckoning and our
|
||
parting without ill blood on either side
|
||
|
||
carton rejoining nothing in life darnay rang do you call the
|
||
whole reckoning said carton on his answering in the affirmative
|
||
then bring me another pint of this same wine drawer and come and
|
||
wake me at ten
|
||
|
||
the bill being paid charles darnay rose and wished him good night
|
||
without returning the wish carton rose too with something of a
|
||
threat of defiance in his manner and said a last word mr darnay
|
||
you think i am drunk
|
||
|
||
i think you have been drinking mr carton
|
||
|
||
think you know i have been drinking
|
||
|
||
since i must say so i know it
|
||
|
||
then you shall likewise know why i am a disappointed drudge sir
|
||
i care for no man on earth and no man on earth cares for me
|
||
|
||
much to be regretted you might have used your talents better
|
||
|
||
may be so mr darnay may be not dont let your sober face elate you
|
||
however you dont know what it may come to good night
|
||
|
||
when he was left alone this strange being took up a candle went to a
|
||
glass that hung against the wall and surveyed himself minutely in it
|
||
|
||
do you particularly like the man he muttered at his own image
|
||
why should you particularly like a man who resembles you there is
|
||
nothing in you to like you know that ah confound you what a
|
||
change you have made in yourself a good reason for taking to a man
|
||
that he shows you what you have fallen away from and what you might
|
||
have been change places with him and would you have been looked at
|
||
by those blue eyes as he was and commiserated by that agitated face
|
||
as he was come on and have it out in plain words you hate the fellow
|
||
|
||
he resorted to his pint of wine for consolation drank it all in a
|
||
few minutes and fell asleep on his arms with his hair straggling
|
||
over the table and a long winding sheet in the candle dripping down
|
||
upon him
|
||
|
||
|
||
|
||
v
|
||
|
||
the jackal
|
||
|
||
|
||
those were drinking days and most men drank hard so very great is
|
||
the improvement time has brought about in such habits that a moderate
|
||
statement of the quantity of wine and punch which one man would swallow
|
||
in the course of a night without any detriment to his reputation as a
|
||
perfect gentleman would seem in these days a ridiculous exaggeration
|
||
the learned profession of the law was certainly not behind any other
|
||
learned profession in its bacchanalian propensities neither was
|
||
mr stryver already fast shouldering his way to a large and lucrative
|
||
practice behind his compeers in this particular any more than in the
|
||
drier parts of the legal race
|
||
|
||
a favourite at the old bailey and eke at the sessions mr stryver
|
||
had begun cautiously to hew away the lower staves of the ladder on
|
||
which he mounted sessions and old bailey had now to summon their
|
||
favourite specially to their longing arms and shouldering itself
|
||
towards the visage of the lord chief justice in the court of kings
|
||
bench the florid countenance of mr stryver might be daily seen
|
||
bursting out of the bed of wigs like a great sunflower pushing its
|
||
way at the sun from among a rank garden full of flaring companions
|
||
|
||
it had once been noted at the bar that while mr stryver was a glib
|
||
man and an unscrupulous and a ready and a bold he had not that
|
||
faculty of extracting the essence from a heap of statements which is
|
||
among the most striking and necessary of the advocates accomplishments
|
||
but a remarkable improvement came upon him as to this the more
|
||
business he got the greater his power seemed to grow of getting at
|
||
its pith and marrow and however late at night he sat carousing with
|
||
sydney carton he always had his points at his fingers ends in the
|
||
morning
|
||
|
||
sydney carton idlest and most unpromising of men was stryvers great
|
||
ally what the two drank together between hilary term and michaelmas
|
||
might have floated a kings ship stryver never had a case in hand
|
||
anywhere but carton was there with his hands in his pockets staring
|
||
at the ceiling of the court they went the same circuit and even there
|
||
they prolonged their usual orgies late into the night and carton was
|
||
rumoured to be seen at broad day going home stealthily and unsteadily
|
||
to his lodgings like a dissipated cat at last it began to get about
|
||
among such as were interested in the matter that although sydney carton
|
||
would never be a lion he was an amazingly good jackal and that he
|
||
rendered suit and service to stryver in that humble capacity
|
||
|
||
ten oclock sir said the man at the tavern whom he had charged to
|
||
wake him ten oclock sir
|
||
|
||
_whats_ the matter
|
||
|
||
ten oclock sir
|
||
|
||
what do you mean ten oclock at night
|
||
|
||
yes sir your honour told me to call you
|
||
|
||
oh i remember very well very well
|
||
|
||
after a few dull efforts to get to sleep again which the man dexterously
|
||
combated by stirring the fire continuously for five minutes he got up
|
||
tossed his hat on and walked out he turned into the temple and
|
||
having revived himself by twice pacing the pavements of kings bench walk
|
||
and paper buildings turned into the stryver chambers
|
||
|
||
the stryver clerk who never assisted at these conferences had gone home
|
||
and the stryver principal opened the door he had his slippers on
|
||
and a loose bed gown and his throat was bare for his greater ease
|
||
he had that rather wild strained seared marking about the eyes
|
||
which may be observed in all free livers of his class from the portrait
|
||
of jeffries downward and which can be traced under various disguises
|
||
of art through the portraits of every drinking age
|
||
|
||
you are a little late memory said stryver
|
||
|
||
about the usual time it may be a quarter of an hour later
|
||
|
||
they went into a dingy room lined with books and littered with papers
|
||
where there was a blazing fire a kettle steamed upon the hob and in
|
||
the midst of the wreck of papers a table shone with plenty of wine
|
||
upon it and brandy and rum and sugar and lemons
|
||
|
||
you have had your bottle i perceive sydney
|
||
|
||
two to night i think i have been dining with the days client
|
||
or seeing him dine its all one
|
||
|
||
that was a rare point sydney that you brought to bear upon the
|
||
identification how did you come by it when did it strike you
|
||
|
||
i thought he was rather a handsome fellow and i thought i should
|
||
have been much the same sort of fellow if i had had any luck
|
||
|
||
mr stryver laughed till he shook his precocious paunch
|
||
|
||
you and your luck sydney get to work get to work
|
||
|
||
sullenly enough the jackal loosened his dress went into an adjoining
|
||
room and came back with a large jug of cold water a basin and a towel
|
||
or two steeping the towels in the water and partially wringing them
|
||
out he folded them on his head in a manner hideous to behold sat down
|
||
at the table and said now i am ready
|
||
|
||
not much boiling down to be done to night memory said mr stryver
|
||
gaily as he looked among his papers
|
||
|
||
how much
|
||
|
||
only two sets of them
|
||
|
||
give me the worst first
|
||
|
||
there they are sydney fire away
|
||
|
||
the lion then composed himself on his back on a sofa on one side of
|
||
the drinking table while the jackal sat at his own paper bestrewn
|
||
table proper on the other side of it with the bottles and glasses
|
||
ready to his hand both resorted to the drinking table without
|
||
stint but each in a different way the lion for the most part
|
||
reclining with his hands in his waistband looking at the fire or
|
||
occasionally flirting with some lighter document the jackal with
|
||
knitted brows and intent face so deep in his task that his eyes did
|
||
not even follow the hand he stretched out for his glass which often
|
||
groped about for a minute or more before it found the glass for his
|
||
lips two or three times the matter in hand became so knotty that
|
||
the jackal found it imperative on him to get up and steep his towels
|
||
anew from these pilgrimages to the jug and basin he returned with
|
||
such eccentricities of damp headgear as no words can describe which
|
||
were made the more ludicrous by his anxious gravity
|
||
|
||
at length the jackal had got together a compact repast for the lion
|
||
and proceeded to offer it to him the lion took it with care and
|
||
caution made his selections from it and his remarks upon it
|
||
and the jackal assisted both when the repast was fully discussed
|
||
the lion put his hands in his waistband again and lay down to mediate
|
||
the jackal then invigorated himself with a bum for his throttle
|
||
and a fresh application to his head and applied himself to the
|
||
collection of a second meal this was administered to the lion in the
|
||
same manner and was not disposed of until the clocks struck three in
|
||
the morning
|
||
|
||
and now we have done sydney fill a bumper of punch said mr stryver
|
||
|
||
the jackal removed the towels from his head which had been steaming
|
||
again shook himself yawned shivered and complied
|
||
|
||
you were very sound sydney in the matter of those crown witnesses
|
||
to day every question told
|
||
|
||
i always am sound am i not
|
||
|
||
i dont gainsay it what has roughened your temper
|
||
put some punch to it and smooth it again
|
||
|
||
with a deprecatory grunt the jackal again complied
|
||
|
||
the old sydney carton of old shrewsbury school said stryver
|
||
nodding his head over him as he reviewed him in the present and the
|
||
past the old seesaw sydney up one minute and down the next now
|
||
in spirits and now in despondency
|
||
|
||
ah returned the other sighing yes the same sydney with the
|
||
same luck even then i did exercises for other boys and seldom did
|
||
my own
|
||
|
||
and why not
|
||
|
||
god knows it was my way i suppose
|
||
|
||
he sat with his hands in his pockets and his legs stretched out
|
||
before him looking at the fire
|
||
|
||
carton said his friend squaring himself at him with a bullying
|
||
air as if the fire grate had been the furnace in which sustained
|
||
endeavour was forged and the one delicate thing to be done for the
|
||
old sydney carton of old shrewsbury school was to shoulder him into it
|
||
your way is and always was a lame way you summon no energy and
|
||
purpose look at me
|
||
|
||
oh botheration returned sydney with a lighter and more good
|
||
humoured laugh dont _you_ be moral
|
||
|
||
how have i done what i have done said stryver how do i do what i do
|
||
|
||
partly through paying me to help you i suppose but its not worth
|
||
your while to apostrophise me or the air about it what you want to
|
||
do you do you were always in the front rank and i was always behind
|
||
|
||
i had to get into the front rank i was not born there was i
|
||
|
||
i was not present at the ceremony but my opinion is you were said
|
||
carton at this he laughed again and they both laughed
|
||
|
||
before shrewsbury and at shrewsbury and ever since shrewsbury
|
||
pursued carton you have fallen into your rank and i have fallen
|
||
into mine even when we were fellow students in the student quarter
|
||
of paris picking up french and french law and other french crumbs
|
||
that we didnt get much good of you were always somewhere and i was
|
||
always nowhere
|
||
|
||
and whose fault was that
|
||
|
||
upon my soul i am not sure that it was not yours you were always
|
||
driving and riving and shouldering and passing to that restless
|
||
degree that i had no chance for my life but in rust and repose its
|
||
a gloomy thing however to talk about ones own past with the day
|
||
breaking turn me in some other direction before i go
|
||
|
||
well then pledge me to the pretty witness said stryver holding
|
||
up his glass are you turned in a pleasant direction
|
||
|
||
apparently not for he became gloomy again
|
||
|
||
pretty witness he muttered looking down into his glass i have
|
||
had enough of witnesses to day and to night whos your pretty
|
||
witness
|
||
|
||
the picturesque doctors daughter miss manette
|
||
|
||
_she_ pretty
|
||
|
||
is she not
|
||
|
||
no
|
||
|
||
why man alive she was the admiration of the whole court
|
||
|
||
rot the admiration of the whole court who made the old bailey a
|
||
judge of beauty she was a golden haired doll
|
||
|
||
do you know sydney said mr stryver looking at him with sharp
|
||
eyes and slowly drawing a hand across his florid face do you know
|
||
i rather thought at the time that you sympathised with the
|
||
golden haired doll and were quick to see what happened to the
|
||
golden haired doll
|
||
|
||
quick to see what happened if a girl doll or no doll swoons
|
||
within a yard or two of a mans nose he can see it without a
|
||
perspective glass i pledge you but i deny the beauty
|
||
and now ill have no more drink ill get to bed
|
||
|
||
when his host followed him out on the staircase with a candle
|
||
to light him down the stairs the day was coldly looking in through
|
||
its grimy windows when he got out of the house the air was cold
|
||
and sad the dull sky overcast the river dark and dim the whole
|
||
scene like a lifeless desert and wreaths of dust were spinning
|
||
round and round before the morning blast as if the desert sand had
|
||
risen far away and the first spray of it in its advance had begun to
|
||
overwhelm the city
|
||
|
||
waste forces within him and a desert all around this man stood
|
||
still on his way across a silent terrace and saw for a moment
|
||
lying in the wilderness before him a mirage of honourable ambition
|
||
self denial and perseverance in the fair city of this vision
|
||
there were airy galleries from which the loves and graces looked upon
|
||
him gardens in which the fruits of life hung ripening waters of hope
|
||
that sparkled in his sight a moment and it was gone climbing to
|
||
a high chamber in a well of houses he threw himself down in his
|
||
clothes on a neglected bed and its pillow was wet with wasted tears
|
||
|
||
sadly sadly the sun rose it rose upon no sadder sight than the man
|
||
of good abilities and good emotions incapable of their directed
|
||
exercise incapable of his own help and his own happiness sensible
|
||
of the blight on him and resigning himself to let it eat him away
|
||
|
||
|
||
|
||
vi
|
||
|
||
hundreds of people
|
||
|
||
|
||
the quiet lodgings of doctor manette were in a quiet street corner
|
||
not far from soho square on the afternoon of a certain fine sunday
|
||
when the waves of four months had roiled over the trial for treason
|
||
and carried it as to the public interest and memory far out to sea
|
||
mr jarvis lorry walked along the sunny streets from clerkenwell
|
||
where he lived on his way to dine with the doctor after several
|
||
relapses into business absorption mr lorry had become the doctors
|
||
friend and the quiet street corner was the sunny part of his life
|
||
|
||
on this certain fine sunday mr lorry walked towards soho early in
|
||
the afternoon for three reasons of habit firstly because on fine
|
||
sundays he often walked out before dinner with the doctor and lucie
|
||
secondly because on unfavourable sundays he was accustomed to be
|
||
with them as the family friend talking reading looking out of window
|
||
and generally getting through the day thirdly because he happened
|
||
to have his own little shrewd doubts to solve and knew how the ways
|
||
of the doctors household pointed to that time as a likely time for
|
||
solving them
|
||
|
||
a quainter corner than the corner where the doctor lived was not to
|
||
be found in london there was no way through it and the front windows
|
||
of the doctors lodgings commanded a pleasant little vista of street
|
||
that had a congenial air of retirement on it there were few buildings
|
||
then north of the oxford road and forest trees flourished and wild
|
||
flowers grew and the hawthorn blossomed in the now vanished fields
|
||
as a consequence country airs circulated in soho with vigorous freedom
|
||
instead of languishing into the parish like stray paupers without a
|
||
settlement and there was many a good south wall not far off on which
|
||
the peaches ripened in their season
|
||
|
||
the summer light struck into the corner brilliantly in the earlier
|
||
part of the day but when the streets grew hot the corner was in
|
||
shadow though not in shadow so remote but that you could see beyond
|
||
it into a glare of brightness it was a cool spot staid but cheerful
|
||
a wonderful place for echoes and a very harbour from the raging streets
|
||
|
||
there ought to have been a tranquil bark in such an anchorage and
|
||
there was the doctor occupied two floors of a large stiff house
|
||
where several callings purported to be pursued by day but whereof
|
||
little was audible any day and which was shunned by all of them at
|
||
night in a building at the back attainable by a courtyard where a
|
||
plane tree rustled its green leaves church organs claimed to be
|
||
made and silver to be chased and likewise gold to be beaten by some
|
||
mysterious giant who had a golden arm starting out of the wall of the
|
||
front hall as if he had beaten himself precious and menaced a similar
|
||
conversion of all visitors very little of these trades or of a
|
||
lonely lodger rumoured to live up stairs or of a dim coach trimming
|
||
maker asserted to have a counting house below was ever heard or seen
|
||
occasionally a stray workman putting his coat on traversed the
|
||
hall or a stranger peered about there or a distant clink was heard
|
||
across the courtyard or a thump from the golden giant these
|
||
however were only the exceptions required to prove the rule that the
|
||
sparrows in the plane tree behind the house and the echoes in the
|
||
corner before it had their own way from sunday morning unto saturday
|
||
night
|
||
|
||
doctor manette received such patients here as his old reputation
|
||
and its revival in the floating whispers of his story brought him
|
||
his scientific knowledge and his vigilance and skill in conducting
|
||
ingenious experiments brought him otherwise into moderate request
|
||
and he earned as much as he wanted
|
||
|
||
these things were within mr jarvis lorrys knowledge thoughts and
|
||
notice when he rang the door bell of the tranquil house in the corner
|
||
on the fine sunday afternoon
|
||
|
||
doctor manette at home
|
||
|
||
expected home
|
||
|
||
miss lucie at home
|
||
|
||
expected home
|
||
|
||
miss pross at home
|
||
|
||
possibly at home but of a certainty impossible for handmaid to anticipate
|
||
intentions of miss pross as to admission or denial of the fact
|
||
|
||
as i am at home myself said mr lorry ill go upstairs
|
||
|
||
although the doctors daughter had known nothing of the country of
|
||
her birth she appeared to have innately derived from it that ability
|
||
to make much of little means which is one of its most useful and
|
||
most agreeable characteristics simple as the furniture was it was
|
||
set off by so many little adornments of no value but for their taste
|
||
and fancy that its effect was delightful the disposition of
|
||
everything in the rooms from the largest object to the least the
|
||
arrangement of colours the elegant variety and contrast obtained by
|
||
thrift in trifles by delicate hands clear eyes and good sense
|
||
were at once so pleasant in themselves and so expressive of their
|
||
originator that as mr lorry stood looking about him the very
|
||
chairs and tables seemed to ask him with something of that peculiar
|
||
expression which he knew so well by this time whether he approved
|
||
|
||
there were three rooms on a floor and the doors by which they
|
||
communicated being put open that the air might pass freely through
|
||
them all mr lorry smilingly observant of that fanciful resemblance
|
||
which he detected all around him walked from one to another
|
||
the first was the best room and in it were lucies birds and flowers
|
||
and books and desk and work table and box of water colours
|
||
the second was the doctors consulting room used also as the
|
||
dining room the third changingly speckled by the rustle of the
|
||
plane tree in the yard was the doctors bedroom and there in a
|
||
corner stood the disused shoemakers bench and tray of tools
|
||
much as it had stood on the fifth floor of the dismal house by the
|
||
wine shop in the suburb of saint antoine in paris
|
||
|
||
i wonder said mr lorry pausing in his looking about that he
|
||
keeps that reminder of his sufferings about him
|
||
|
||
and why wonder at that was the abrupt inquiry that made him start
|
||
|
||
it proceeded from miss pross the wild red woman strong of hand
|
||
whose acquaintance he had first made at the royal george hotel at dover
|
||
and had since improved
|
||
|
||
i should have thought mr lorry began
|
||
|
||
pooh youd have thought said miss pross and mr lorry left off
|
||
|
||
how do you do inquired that lady then sharply and yet as if to
|
||
express that she bore him no malice
|
||
|
||
i am pretty well i thank you answered mr lorry with meekness
|
||
how are you
|
||
|
||
nothing to boast of said miss pross
|
||
|
||
indeed
|
||
|
||
ah indeed said miss pross i am very much put out about my ladybird
|
||
|
||
indeed
|
||
|
||
for gracious sake say something else besides `indeed or youll
|
||
fidget me to death said miss pross whose character dissociated
|
||
from stature was shortness
|
||
|
||
really then said mr lorry as an amendment
|
||
|
||
really is bad enough returned miss pross but better yes i am
|
||
very much put out
|
||
|
||
may i ask the cause
|
||
|
||
i dont want dozens of people who are not at all worthy of ladybird
|
||
to come here looking after her said miss pross
|
||
|
||
_do_ dozens come for that purpose
|
||
|
||
hundreds said miss pross
|
||
|
||
it was characteristic of this lady as of some other people before her
|
||
time and since that whenever her original proposition was questioned
|
||
she exaggerated it
|
||
|
||
dear me said mr lorry as the safest remark he could think of
|
||
|
||
i have lived with the darling or the darling has lived with me
|
||
and paid me for it which she certainly should never have done
|
||
you may take your affidavit if i could have afforded to keep either
|
||
myself or her for nothing since she was ten years old and its
|
||
really very hard said miss pross
|
||
|
||
not seeing with precision what was very hard mr lorry shook his head
|
||
using that important part of himself as a sort of fairy cloak that
|
||
would fit anything
|
||
|
||
all sorts of people who are not in the least degree worthy of the pet
|
||
are always turning up said miss pross when you began it
|
||
|
||
_i_ began it miss pross
|
||
|
||
didnt you who brought her father to life
|
||
|
||
oh if _that_ was beginning it said mr lorry
|
||
|
||
it wasnt ending it i suppose i say when you began it it was hard
|
||
enough not that i have any fault to find with doctor manette except
|
||
that he is not worthy of such a daughter which is no imputation on
|
||
him for it was not to be expected that anybody should be under any
|
||
circumstances but it really is doubly and trebly hard to have crowds
|
||
and multitudes of people turning up after him i could have forgiven him
|
||
to take ladybirds affections away from me
|
||
|
||
mr lorry knew miss pross to be very jealous but he also knew her by
|
||
this time to be beneath the service of her eccentricity one of those
|
||
unselfish creatures found only among women who will for pure love
|
||
and admiration bind themselves willing slaves to youth when they
|
||
have lost it to beauty that they never had to accomplishments that
|
||
they were never fortunate enough to gain to bright hopes that never
|
||
shone upon their own sombre lives he knew enough of the world to
|
||
know that there is nothing in it better than the faithful service of
|
||
the heart so rendered and so free from any mercenary taint he had
|
||
such an exalted respect for it that in the retributive arrangements
|
||
made by his own mind we all make such arrangements more or less
|
||
he stationed miss pross much nearer to the lower angels than many
|
||
ladies immeasurably better got up both by nature and art who had
|
||
balances at tellsons
|
||
|
||
there never was nor will be but one man worthy of ladybird said
|
||
miss pross and that was my brother solomon if he hadnt made a
|
||
mistake in life
|
||
|
||
here again mr lorrys inquiries into miss prosss personal history
|
||
had established the fact that her brother solomon was a heartless
|
||
scoundrel who had stripped her of everything she possessed as a
|
||
stake to speculate with and had abandoned her in her poverty for
|
||
evermore with no touch of compunction miss prosss fidelity of
|
||
belief in solomon deducting a mere trifle for this slight mistake
|
||
was quite a serious matter with mr lorry and had its weight in his
|
||
good opinion of her
|
||
|
||
as we happen to be alone for the moment and are both people of
|
||
business he said when they had got back to the drawing room and
|
||
had sat down there in friendly relations let me ask you does the
|
||
doctor in talking with lucie never refer to the shoemaking time yet
|
||
|
||
never
|
||
|
||
and yet keeps that bench and those tools beside him
|
||
|
||
ah returned miss pross shaking her head but i dont say he
|
||
dont refer to it within himself
|
||
|
||
do you believe that he thinks of it much
|
||
|
||
i do said miss pross
|
||
|
||
do you imagine mr lorry had begun when miss pross took him up
|
||
short with
|
||
|
||
never imagine anything have no imagination at all
|
||
|
||
i stand corrected do you suppose you go so far as to suppose
|
||
sometimes
|
||
|
||
now and then said miss pross
|
||
|
||
do you suppose mr lorry went on with a laughing twinkle in his
|
||
bright eye as it looked kindly at her that doctor manette has any
|
||
theory of his own preserved through all those years relative to the
|
||
cause of his being so oppressed perhaps even to the name of his
|
||
oppressor
|
||
|
||
i dont suppose anything about it but what ladybird tells me
|
||
|
||
and that is
|
||
|
||
that she thinks he has
|
||
|
||
now dont be angry at my asking all these questions because i am a
|
||
mere dull man of business and you are a woman of business
|
||
|
||
dull miss pross inquired with placidity
|
||
|
||
rather wishing his modest adjective away mr lorry replied no no
|
||
no surely not to return to business is it not remarkable that
|
||
doctor manette unquestionably innocent of any crime as we are all
|
||
well assured he is should never touch upon that question i will not
|
||
say with me though he had business relations with me many years ago
|
||
and we are now intimate i will say with the fair daughter to whom he
|
||
is so devotedly attached and who is so devotedly attached to him
|
||
believe me miss pross i dont approach the topic with you out of
|
||
curiosity but out of zealous interest
|
||
|
||
well to the best of my understanding and bads the best
|
||
youll tell me said miss pross softened by the tone of the apology
|
||
he is afraid of the whole subject
|
||
|
||
afraid
|
||
|
||
its plain enough i should think why he may be its a dreadful
|
||
remembrance besides that his loss of himself grew out of it
|
||
not knowing how he lost himself or how he recovered himself he may
|
||
never feel certain of not losing himself again that alone wouldnt
|
||
make the subject pleasant i should think
|
||
|
||
it was a profounder remark than mr lorry had looked for true
|
||
said he and fearful to reflect upon yet a doubt lurks in my mind
|
||
miss pross whether it is good for doctor manette to have that
|
||
suppression always shut up within him indeed it is this doubt and
|
||
the uneasiness it sometimes causes me that has led me to our present
|
||
confidence
|
||
|
||
cant be helped said miss pross shaking her head touch that
|
||
string and he instantly changes for the worse better leave it
|
||
alone in short must leave it alone like or no like sometimes
|
||
he gets up in the dead of the night and will be heard by us
|
||
overhead there walking up and down walking up and down in his room
|
||
ladybird has learnt to know then that his mind is walking up and
|
||
down walking up and down in his old prison she hurries to him
|
||
and they go on together walking up and down walking up and down
|
||
until he is composed but he never says a word of the true reason of
|
||
his restlessness to her and she finds it best not to hint at it to him
|
||
in silence they go walking up and down together walking up and down
|
||
together till her love and company have brought him to himself
|
||
|
||
notwithstanding miss prosss denial of her own imagination there was
|
||
a perception of the pain of being monotonously haunted by one sad idea
|
||
in her repetition of the phrase walking up and down which testified
|
||
to her possessing such a thing
|
||
|
||
the corner has been mentioned as a wonderful corner for echoes
|
||
it had begun to echo so resoundingly to the tread of coming feet
|
||
that it seemed as though the very mention of that weary pacing to and
|
||
fro had set it going
|
||
|
||
here they are said miss pross rising to break up the conference
|
||
and now we shall have hundreds of people pretty soon
|
||
|
||
it was such a curious corner in its acoustical properties such a
|
||
peculiar ear of a place that as mr lorry stood at the open window
|
||
looking for the father and daughter whose steps he heard he fancied
|
||
they would never approach not only would the echoes die away
|
||
as though the steps had gone but echoes of other steps that never
|
||
came would be heard in their stead and would die away for good when
|
||
they seemed close at hand however father and daughter did at last
|
||
appear and miss pross was ready at the street door to receive them
|
||
|
||
miss pross was a pleasant sight albeit wild and red and grim taking
|
||
off her darlings bonnet when she came up stairs and touching it up
|
||
with the ends of her handkerchief and blowing the dust off it and
|
||
folding her mantle ready for laying by and smoothing her rich hair
|
||
with as much pride as she could possibly have taken in her own hair
|
||
if she had been the vainest and handsomest of women her darling was
|
||
a pleasant sight too embracing her and thanking her and protesting
|
||
against her taking so much trouble for her which last she only dared
|
||
to do playfully or miss pross sorely hurt would have retired to
|
||
her own chamber and cried the doctor was a pleasant sight too
|
||
looking on at them and telling miss pross how she spoilt lucie in
|
||
accents and with eyes that had as much spoiling in them as miss pross
|
||
had and would have had more if it were possible mr lorry was a
|
||
pleasant sight too beaming at all this in his little wig and thanking
|
||
his bachelor stars for having lighted him in his declining years to a
|
||
home but no hundreds of people came to see the sights and mr lorry
|
||
looked in vain for the fulfilment of miss prosss prediction
|
||
|
||
dinner time and still no hundreds of people in the arrangements of
|
||
the little household miss pross took charge of the lower regions
|
||
and always acquitted herself marvellously her dinners of a very
|
||
modest quality were so well cooked and so well served and so neat
|
||
in their contrivances half english and half french that nothing
|
||
could be better miss prosss friendship being of the thoroughly
|
||
practical kind she had ravaged soho and the adjacent provinces in
|
||
search of impoverished french who tempted by shillings and half
|
||
crowns would impart culinary mysteries to her from these decayed
|
||
sons and daughters of gaul she had acquired such wonderful arts
|
||
that the woman and girl who formed the staff of domestics regarded
|
||
her as quite a sorceress or cinderellas godmother who would send
|
||
out for a fowl a rabbit a vegetable or two from the garden and
|
||
change them into anything she pleased
|
||
|
||
on sundays miss pross dined at the doctors table but on other days
|
||
persisted in taking her meals at unknown periods either in the lower
|
||
regions or in her own room on the second floor a blue chamber
|
||
to which no one but her ladybird ever gained admittance on this
|
||
occasion miss pross responding to ladybirds pleasant face and
|
||
pleasant efforts to please her unbent exceedingly so the dinner was
|
||
very pleasant too
|
||
|
||
it was an oppressive day and after dinner lucie proposed that the
|
||
wine should be carried out under the plane tree and they should sit
|
||
there in the air as everything turned upon her and revolved about
|
||
her they went out under the plane tree and she carried the wine
|
||
down for the special benefit of mr lorry she had installed herself
|
||
some time before as mr lorrys cup bearer and while they sat under
|
||
the plane tree talking she kept his glass replenished mysterious
|
||
backs and ends of houses peeped at them as they talked and the
|
||
plane tree whispered to them in its own way above their heads
|
||
|
||
still the hundreds of people did not present themselves mr darnay
|
||
presented himself while they were sitting under the plane tree
|
||
but he was only one
|
||
|
||
doctor manette received him kindly and so did lucie but miss
|
||
pross suddenly became afflicted with a twitching in the head and
|
||
body and retired into the house she was not unfrequently the
|
||
victim of this disorder and she called it in familiar conversation
|
||
a fit of the jerks
|
||
|
||
the doctor was in his best condition and looked specially young
|
||
the resemblance between him and lucie was very strong at such times
|
||
and as they sat side by side she leaning on his shoulder and he
|
||
resting his arm on the back of her chair it was very agreeable to
|
||
trace the likeness
|
||
|
||
he had been talking all day on many subjects and with unusual vivacity
|
||
pray doctor manette said mr darnay as they sat under the
|
||
plane tree and he said it in the natural pursuit of the topic in
|
||
hand which happened to be the old buildings of london have you
|
||
seen much of the tower
|
||
|
||
lucie and i have been there but only casually we have seen enough
|
||
of it to know that it teems with interest little more
|
||
|
||
_i_ have been there as you remember said darnay with a smile
|
||
though reddening a little angrily in another character and not in
|
||
a character that gives facilities for seeing much of it they told
|
||
me a curious thing when i was there
|
||
|
||
what was that lucie asked
|
||
|
||
in making some alterations the workmen came upon an old dungeon
|
||
which had been for many years built up and forgotten every stone
|
||
of its inner wall was covered by inscriptions which had been carved
|
||
by prisoners dates names complaints and prayers upon a corner
|
||
stone in an angle of the wall one prisoner who seemed to have gone
|
||
to execution had cut as his last work three letters they were
|
||
done with some very poor instrument and hurriedly with an unsteady
|
||
hand at first they were read as d i c but on being more
|
||
carefully examined the last letter was found to be g there was no
|
||
record or legend of any prisoner with those initials and many
|
||
fruitless guesses were made what the name could have been
|
||
at length it was suggested that the letters were not initials but
|
||
the complete word dig the floor was examined very carefully under
|
||
the inscription and in the earth beneath a stone or tile or some
|
||
fragment of paving were found the ashes of a paper mingled with the
|
||
ashes of a small leathern case or bag what the unknown prisoner had
|
||
written will never be read but he had written something and hidden
|
||
it away to keep it from the gaoler
|
||
|
||
my father exclaimed lucie you are ill
|
||
|
||
he had suddenly started up with his hand to his head his manner
|
||
and his look quite terrified them all
|
||
|
||
no my dear not ill there are large drops of rain falling
|
||
and they made me start we had better go in
|
||
|
||
he recovered himself almost instantly rain was really falling in
|
||
large drops and he showed the back of his hand with rain drops on it
|
||
but he said not a single word in reference to the discovery that had
|
||
been told of and as they went into the house the business eye of
|
||
mr lorry either detected or fancied it detected on his face as it
|
||
turned towards charles darnay the same singular look that had been
|
||
upon it when it turned towards him in the passages of the court house
|
||
|
||
he recovered himself so quickly however that mr lorry had doubts
|
||
of his business eye the arm of the golden giant in the hall was not
|
||
more steady than he was when he stopped under it to remark to them
|
||
that he was not yet proof against slight surprises if he ever would
|
||
be and that the rain had startled him
|
||
|
||
tea time and miss pross making tea with another fit of the jerks
|
||
upon her and yet no hundreds of people mr carton had lounged in
|
||
but he made only two
|
||
|
||
the night was so very sultry that although they sat with doors and
|
||
windows open they were overpowered by heat when the tea table was
|
||
done with they all moved to one of the windows and looked out into
|
||
the heavy twilight lucie sat by her father darnay sat beside her
|
||
carton leaned against a window the curtains were long and white
|
||
and some of the thunder gusts that whirled into the corner caught
|
||
them up to the ceiling and waved them like spectral wings
|
||
|
||
the rain drops are still falling large heavy and few said
|
||
doctor manette it comes slowly
|
||
|
||
it comes surely said carton
|
||
|
||
they spoke low as people watching and waiting mostly do as people
|
||
in a dark room watching and waiting for lightning always do
|
||
|
||
there was a great hurry in the streets of people speeding away to get
|
||
shelter before the storm broke the wonderful corner for echoes
|
||
resounded with the echoes of footsteps coming and going yet not a
|
||
footstep was there
|
||
|
||
a multitude of people and yet a solitude said darnay when they
|
||
had listened for a while
|
||
|
||
is it not impressive mr darnay asked lucie sometimes i have
|
||
sat here of an evening until i have fancied but even the shade of a
|
||
foolish fancy makes me shudder to night when all is so black and
|
||
solemn
|
||
|
||
let us shudder too we may know what it is
|
||
|
||
it will seem nothing to you such whims are only impressive as we
|
||
originate them i think they are not to be communicated i have
|
||
sometimes sat alone here of an evening listening until i have made
|
||
the echoes out to be the echoes of all the footsteps that are coming
|
||
by and bye into our lives
|
||
|
||
there is a great crowd coming one day into our lives if that be so
|
||
sydney carton struck in in his moody way
|
||
|
||
the footsteps were incessant and the hurry of them became more and
|
||
more rapid the corner echoed and re echoed with the tread of feet
|
||
some as it seemed under the windows some as it seemed in the room
|
||
some coming some going some breaking off some stopping altogether
|
||
all in the distant streets and not one within sight
|
||
|
||
are all these footsteps destined to come to all of us miss manette
|
||
or are we to divide them among us
|
||
|
||
i dont know mr darnay i told you it was a foolish fancy but you
|
||
asked for it when i have yielded myself to it i have been alone
|
||
and then i have imagined them the footsteps of the people who are to
|
||
come into my life and my fathers
|
||
|
||
i take them into mine said carton _i_ ask no questions and make
|
||
no stipulations there is a great crowd bearing down upon us miss
|
||
manette and i see them by the lightning he added the last words
|
||
after there had been a vivid flash which had shown him lounging in
|
||
the window
|
||
|
||
and i hear them he added again after a peal of thunder
|
||
here they come fast fierce and furious
|
||
|
||
it was the rush and roar of rain that he typified and it stopped him
|
||
for no voice could be heard in it a memorable storm of thunder and
|
||
lightning broke with that sweep of water and there was not a moments
|
||
interval in crash and fire and rain until after the moon rose at
|
||
midnight
|
||
|
||
the great bell of saint pauls was striking one in the cleared air
|
||
when mr lorry escorted by jerry high booted and bearing a lantern
|
||
set forth on his return passage to clerkenwell there were solitary
|
||
patches of road on the way between soho and clerkenwell and mr lorry
|
||
mindful of foot pads always retained jerry for this service though
|
||
it was usually performed a good two hours earlier
|
||
|
||
what a night it has been almost a night jerry said mr lorry
|
||
to bring the dead out of their graves
|
||
|
||
i never see the night myself master nor yet i dont expect
|
||
to what would do that answered jerry
|
||
|
||
good night mr carton said the man of business good night
|
||
mr darnay shall we ever see such a night again together
|
||
|
||
perhaps perhaps see the great crowd of people with its rush and
|
||
roar bearing down upon them too
|
||
|
||
|
||
|
||
vii
|
||
|
||
monseigneur in town
|
||
|
||
|
||
monseigneur one of the great lords in power at the court held his
|
||
fortnightly reception in his grand hotel in paris monseigneur was
|
||
in his inner room his sanctuary of sanctuaries the holiest of
|
||
holiests to the crowd of worshippers in the suite of rooms without
|
||
monseigneur was about to take his chocolate monseigneur could
|
||
swallow a great many things with ease and was by some few sullen
|
||
minds supposed to be rather rapidly swallowing france but his
|
||
mornings chocolate could not so much as get into the throat of
|
||
monseigneur without the aid of four strong men besides the cook
|
||
|
||
yes it took four men all four ablaze with gorgeous decoration
|
||
and the chief of them unable to exist with fewer than two gold
|
||
watches in his pocket emulative of the noble and chaste fashion set
|
||
by monseigneur to conduct the happy chocolate to monseigneurs lips
|
||
one lacquey carried the chocolate pot into the sacred presence
|
||
a second milled and frothed the chocolate with the little instrument
|
||
he bore for that function a third presented the favoured napkin
|
||
a fourth he of the two gold watches poured the chocolate out
|
||
it was impossible for monseigneur to dispense with one of these
|
||
attendants on the chocolate and hold his high place under the
|
||
admiring heavens deep would have been the blot upon his escutcheon
|
||
if his chocolate had been ignobly waited on by only three men he
|
||
must have died of two
|
||
|
||
monseigneur had been out at a little supper last night where the
|
||
comedy and the grand opera were charmingly represented monseigneur
|
||
was out at a little supper most nights with fascinating company
|
||
so polite and so impressible was monseigneur that the comedy and
|
||
the grand opera had far more influence with him in the tiresome
|
||
articles of state affairs and state secrets than the needs of all
|
||
france a happy circumstance for france as the like always is for
|
||
all countries similarly favoured always was for england by way of
|
||
example in the regretted days of the merry stuart who sold it
|
||
|
||
monseigneur had one truly noble idea of general public business
|
||
which was to let everything go on in its own way of particular
|
||
public business monseigneur had the other truly noble idea that it
|
||
must all go his way tend to his own power and pocket of his
|
||
pleasures general and particular monseigneur had the other truly
|
||
noble idea that the world was made for them the text of his order
|
||
altered from the original by only a pronoun which is not much ran
|
||
the earth and the fulness thereof are mine saith monseigneur
|
||
|
||
yet monseigneur had slowly found that vulgar embarrassments crept
|
||
into his affairs both private and public and he had as to both
|
||
classes of affairs allied himself perforce with a farmer general
|
||
as to finances public because monseigneur could not make anything
|
||
at all of them and must consequently let them out to somebody who
|
||
could as to finances private because farmer generals were rich and
|
||
monseigneur after generations of great luxury and expense was
|
||
growing poor hence monseigneur had taken his sister from a convent
|
||
while there was yet time to ward off the impending veil the cheapest
|
||
garment she could wear and had bestowed her as a prize upon a very
|
||
rich farmer general poor in family which farmer general carrying
|
||
an appropriate cane with a golden apple on the top of it was now
|
||
among the company in the outer rooms much prostrated before by
|
||
mankind always excepting superior mankind of the blood of monseigneur
|
||
who his own wife included looked down upon him with the loftiest
|
||
contempt
|
||
|
||
a sumptuous man was the farmer general thirty horses stood in his
|
||
stables twenty four male domestics sat in his halls six body women
|
||
waited on his wife as one who pretended to do nothing but plunder
|
||
and forage where he could the farmer general howsoever his
|
||
matrimonial relations conduced to social morality was at least the
|
||
greatest reality among the personages who attended at the hotel of
|
||
monseigneur that day
|
||
|
||
for the rooms though a beautiful scene to look at and adorned with
|
||
every device of decoration that the taste and skill of the time could
|
||
achieve were in truth not a sound business considered with any
|
||
reference to the scarecrows in the rags and nightcaps elsewhere
|
||
and not so far off either but that the watching towers of notre
|
||
dame almost equidistant from the two extremes could see them both
|
||
they would have been an exceedingly uncomfortable business if that
|
||
could have been anybodys business at the house of monseigneur
|
||
military officers destitute of military knowledge naval officers
|
||
with no idea of a ship civil officers without a notion of affairs
|
||
brazen ecclesiastics of the worst world worldly with sensual eyes
|
||
loose tongues and looser lives all totally unfit for their several
|
||
callings all lying horribly in pretending to belong to them but all
|
||
nearly or remotely of the order of monseigneur and therefore foisted
|
||
on all public employments from which anything was to be got these were
|
||
to be told off by the score and the score people not immediately
|
||
connected with monseigneur or the state yet equally unconnected with
|
||
anything that was real or with lives passed in travelling by any
|
||
straight road to any true earthly end were no less abundant
|
||
doctors who made great fortunes out of dainty remedies for imaginary
|
||
disorders that never existed smiled upon their courtly patients in
|
||
the ante chambers of monseigneur projectors who had discovered
|
||
every kind of remedy for the little evils with which the state was
|
||
touched except the remedy of setting to work in earnest to root out
|
||
a single sin poured their distracting babble into any ears they
|
||
could lay hold of at the reception of monseigneur unbelieving
|
||
philosophers who were remodelling the world with words and making
|
||
card towers of babel to scale the skies with talked with unbelieving
|
||
chemists who had an eye on the transmutation of metals at this
|
||
wonderful gathering accumulated by monseigneur exquisite gentlemen
|
||
of the finest breeding which was at that remarkable time and has
|
||
been since to be known by its fruits of indifference to every
|
||
natural subject of human interest were in the most exemplary state
|
||
of exhaustion at the hotel of monseigneur such homes had these
|
||
various notabilities left behind them in the fine world of paris
|
||
that the spies among the assembled devotees of monseigneur forming a
|
||
goodly half of the polite company would have found it hard to
|
||
discover among the angels of that sphere one solitary wife who in
|
||
her manners and appearance owned to being a mother indeed except
|
||
for the mere act of bringing a troublesome creature into this world
|
||
which does not go far towards the realisation of the name of mother
|
||
there was no such thing known to the fashion peasant women kept the
|
||
unfashionable babies close and brought them up and charming grandmammas
|
||
of sixty dressed and supped as at twenty
|
||
|
||
the leprosy of unreality disfigured every human creature in attendance
|
||
upon monseigneur in the outermost room were half a dozen exceptional
|
||
people who had had for a few years some vague misgiving in them
|
||
that things in general were going rather wrong as a promising way
|
||
of setting them right half of the half dozen had become members of a
|
||
fantastic sect of convulsionists and were even then considering within
|
||
themselves whether they should foam rage roar and turn cataleptic
|
||
on the spot thereby setting up a highly intelligible finger post to
|
||
the future for monseigneurs guidance besides these dervishes
|
||
were other three who had rushed into another sect which mended
|
||
matters with a jargon about the centre of truth holding that man
|
||
had got out of the centre of truth which did not need much
|
||
demonstration but had not got out of the circumference and that he
|
||
was to be kept from flying out of the circumference and was even to
|
||
be shoved back into the centre by fasting and seeing of spirits
|
||
among these accordingly much discoursing with spirits went on and
|
||
it did a world of good which never became manifest
|
||
|
||
but the comfort was that all the company at the grand hotel of
|
||
monseigneur were perfectly dressed if the day of judgment had only
|
||
been ascertained to be a dress day everybody there would have been
|
||
eternally correct such frizzling and powdering and sticking up of
|
||
hair such delicate complexions artificially preserved and mended
|
||
such gallant swords to look at and such delicate honour to the sense
|
||
of smell would surely keep anything going for ever and ever
|
||
the exquisite gentlemen of the finest breeding wore little pendent
|
||
trinkets that chinked as they languidly moved these golden fetters
|
||
rang like precious little bells and what with that ringing and with
|
||
the rustle of silk and brocade and fine linen there was a flutter in
|
||
the air that fanned saint antoine and his devouring hunger far away
|
||
|
||
dress was the one unfailing talisman and charm used for keeping all
|
||
things in their places everybody was dressed for a fancy ball that
|
||
was never to leave off from the palace of the tuileries through
|
||
monseigneur and the whole court through the chambers the tribunals
|
||
of justice and all society except the scarecrows the fancy ball
|
||
descended to the common executioner who in pursuance of the charm
|
||
was required to officiate frizzled powdered in a gold laced coat
|
||
pumps and white silk stockings at the gallows and the wheel the
|
||
axe was a rarity monsieur paris as it was the episcopal mode among
|
||
his brother professors of the provinces monsieur orleans and the
|
||
rest to call him presided in this dainty dress and who among the
|
||
company at monseigneurs reception in that seventeen hundred and
|
||
eightieth year of our lord could possibly doubt that a system
|
||
rooted in a frizzled hangman powdered gold laced pumped and
|
||
white silk stockinged would see the very stars out
|
||
|
||
monseigneur having eased his four men of their burdens and taken his
|
||
chocolate caused the doors of the holiest of holiests to be thrown
|
||
open and issued forth then what submission what cringing and
|
||
fawning what servility what abject humiliation as to bowing down
|
||
in body and spirit nothing in that way was left for heaven which
|
||
may have been one among other reasons why the worshippers of
|
||
monseigneur never troubled it
|
||
|
||
bestowing a word of promise here and a smile there a whisper on one
|
||
happy slave and a wave of the hand on another monseigneur affably
|
||
passed through his rooms to the remote region of the circumference of
|
||
truth there monseigneur turned and came back again and so in due
|
||
course of time got himself shut up in his sanctuary by the chocolate
|
||
sprites and was seen no more
|
||
|
||
the show being over the flutter in the air became quite a little
|
||
storm and the precious little bells went ringing downstairs
|
||
there was soon but one person left of all the crowd and he with his
|
||
hat under his arm and his snuff box in his hand slowly passed among
|
||
the mirrors on his way out
|
||
|
||
i devote you said this person stopping at the last door on his
|
||
way and turning in the direction of the sanctuary to the devil
|
||
|
||
with that he shook the snuff from his fingers as if he had shaken
|
||
the dust from his feet and quietly walked downstairs
|
||
|
||
he was a man of about sixty handsomely dressed haughty in manner
|
||
and with a face like a fine mask a face of a transparent paleness
|
||
every feature in it clearly defined one set expression on it
|
||
the nose beautifully formed otherwise was very slightly pinched at
|
||
the top of each nostril in those two compressions or dints the
|
||
only little change that the face ever showed resided they persisted
|
||
in changing colour sometimes and they would be occasionally dilated
|
||
and contracted by something like a faint pulsation then they gave a
|
||
look of treachery and cruelty to the whole countenance examined
|
||
with attention its capacity of helping such a look was to be found
|
||
in the line of the mouth and the lines of the orbits of the eyes
|
||
being much too horizontal and thin still in the effect of the face
|
||
made it was a handsome face and a remarkable one
|
||
|
||
its owner went downstairs into the courtyard got into his carriage
|
||
and drove away not many people had talked with him at the reception
|
||
he had stood in a little space apart and monseigneur might have been
|
||
warmer in his manner it appeared under the circumstances rather
|
||
agreeable to him to see the common people dispersed before his horses
|
||
and often barely escaping from being run down his man drove as if
|
||
he were charging an enemy and the furious recklessness of the man
|
||
brought no check into the face or to the lips of the master the
|
||
complaint had sometimes made itself audible even in that deaf city
|
||
and dumb age that in the narrow streets without footways the fierce
|
||
patrician custom of hard driving endangered and maimed the mere vulgar
|
||
in a barbarous manner but few cared enough for that to think of it
|
||
a second time and in this matter as in all others the common
|
||
wretches were left to get out of their difficulties as they could
|
||
|
||
with a wild rattle and clatter and an inhuman abandonment of
|
||
consideration not easy to be understood in these days the carriage
|
||
dashed through streets and swept round corners with women screaming
|
||
before it and men clutching each other and clutching children out of
|
||
its way at last swooping at a street corner by a fountain one of
|
||
its wheels came to a sickening little jolt and there was a loud cry
|
||
from a number of voices and the horses reared and plunged
|
||
|
||
but for the latter inconvenience the carriage probably would not
|
||
have stopped carriages were often known to drive on and leave their
|
||
wounded behind and why not but the frightened valet had got down in
|
||
a hurry and there were twenty hands at the horses bridles
|
||
|
||
what has gone wrong said monsieur calmly looking out
|
||
|
||
a tall man in a nightcap had caught up a bundle from among the feet
|
||
of the horses and had laid it on the basement of the fountain
|
||
and was down in the mud and wet howling over it like a wild animal
|
||
|
||
pardon monsieur the marquis said a ragged and submissive man
|
||
it is a child
|
||
|
||
why does he make that abominable noise is it his child
|
||
|
||
excuse me monsieur the marquis it is a pity yes
|
||
|
||
the fountain was a little removed for the street opened where it
|
||
was into a space some ten or twelve yards square as the tall man
|
||
suddenly got up from the ground and came running at the carriage
|
||
monsieur the marquis clapped his hand for an instant on his sword hilt
|
||
|
||
killed shrieked the man in wild desperation extending both arms
|
||
at their length above his head and staring at him dead
|
||
|
||
the people closed round and looked at monsieur the marquis
|
||
there was nothing revealed by the many eyes that looked at him but
|
||
watchfulness and eagerness there was no visible menacing or anger
|
||
neither did the people say anything after the first cry they had
|
||
been silent and they remained so the voice of the submissive man
|
||
who had spoken was flat and tame in its extreme submission
|
||
monsieur the marquis ran his eyes over them all as if they had been
|
||
mere rats come out of their holes
|
||
|
||
he took out his purse
|
||
|
||
it is extraordinary to me said he that you people cannot take
|
||
care of yourselves and your children one or the other of you is for
|
||
ever in the way how do i know what injury you have done my horses
|
||
see give him that
|
||
|
||
he threw out a gold coin for the valet to pick up and all the heads
|
||
craned forward that all the eyes might look down at it as it fell
|
||
the tall man called out again with a most unearthly cry dead
|
||
|
||
he was arrested by the quick arrival of another man for whom the
|
||
rest made way on seeing him the miserable creature fell upon his
|
||
shoulder sobbing and crying and pointing to the fountain where
|
||
some women were stooping over the motionless bundle and moving
|
||
gently about it they were as silent however as the men
|
||
|
||
i know all i know all said the last comer be a brave man my
|
||
gaspard it is better for the poor little plaything to die so than
|
||
to live it has died in a moment without pain could it have lived
|
||
an hour as happily
|
||
|
||
you are a philosopher you there said the marquis smiling
|
||
how do they call you
|
||
|
||
they call me defarge
|
||
|
||
of what trade
|
||
|
||
monsieur the marquis vendor of wine
|
||
|
||
pick up that philosopher and vendor of wine said the marquis
|
||
throwing him another gold coin and spend it as you will
|
||
the horses there are they right
|
||
|
||
without deigning to look at the assemblage a second time monsieur
|
||
the marquis leaned back in his seat and was just being driven away
|
||
with the air of a gentleman who had accidentally broke some common
|
||
thing and had paid for it and could afford to pay for it when his
|
||
ease was suddenly disturbed by a coin flying into his carriage
|
||
and ringing on its floor
|
||
|
||
hold said monsieur the marquis hold the horses who threw that
|
||
|
||
he looked to the spot where defarge the vendor of wine had stood
|
||
a moment before but the wretched father was grovelling on his face
|
||
on the pavement in that spot and the figure that stood beside him
|
||
was the figure of a dark stout woman knitting
|
||
|
||
you dogs said the marquis but smoothly and with an unchanged front
|
||
except as to the spots on his nose i would ride over any of you
|
||
very willingly and exterminate you from the earth if i knew which
|
||
rascal threw at the carriage and if that brigand were sufficiently
|
||
near it he should be crushed under the wheels
|
||
|
||
so cowed was their condition and so long and hard their experience
|
||
of what such a man could do to them within the law and beyond it
|
||
that not a voice or a hand or even an eye was raised among the
|
||
men not one but the woman who stood knitting looked up steadily
|
||
and looked the marquis in the face it was not for his dignity to
|
||
notice it his contemptuous eyes passed over her and over all the
|
||
other rats and he leaned back in his seat again and gave the word
|
||
go on
|
||
|
||
he was driven on and other carriages came whirling by in quick
|
||
succession the minister the state projector the farmer general
|
||
the doctor the lawyer the ecclesiastic the grand opera the
|
||
comedy the whole fancy ball in a bright continuous flow came
|
||
whirling by the rats had crept out of their holes to look on
|
||
and they remained looking on for hours soldiers and police often
|
||
passing between them and the spectacle and making a barrier behind
|
||
which they slunk and through which they peeped the father had long
|
||
ago taken up his bundle and bidden himself away with it when the
|
||
women who had tended the bundle while it lay on the base of the
|
||
fountain sat there watching the running of the water and the rolling
|
||
of the fancy ball when the one woman who had stood conspicuous
|
||
knitting still knitted on with the steadfastness of fate the water
|
||
of the fountain ran the swift river ran the day ran into evening
|
||
so much life in the city ran into death according to rule time and
|
||
tide waited for no man the rats were sleeping close together in
|
||
their dark holes again the fancy ball was lighted up at supper
|
||
all things ran their course
|
||
|
||
|
||
|
||
viii
|
||
|
||
monseigneur in the country
|
||
|
||
|
||
a beautiful landscape with the corn bright in it but not abundant
|
||
patches of poor rye where corn should have been patches of poor peas
|
||
and beans patches of most coarse vegetable substitutes for wheat
|
||
on inanimate nature as on the men and women who cultivated it
|
||
a prevalent tendency towards an appearance of vegetating
|
||
unwillingly a dejected disposition to give up and wither away
|
||
|
||
monsieur the marquis in his travelling carriage which might have
|
||
been lighter conducted by four post horses and two postilions
|
||
fagged up a steep hill a blush on the countenance of monsieur the
|
||
marquis was no impeachment of his high breeding it was not from
|
||
within it was occasioned by an external circumstance beyond his
|
||
control the setting sun
|
||
|
||
the sunset struck so brilliantly into the travelling carriage when it
|
||
gained the hill top that its occupant was steeped in crimson
|
||
it will die out said monsieur the marquis glancing at his hands
|
||
directly
|
||
|
||
in effect the sun was so low that it dipped at the moment when the
|
||
heavy drag had been adjusted to the wheel and the carriage slid down
|
||
hill with a cinderous smell in a cloud of dust the red glow departed
|
||
quickly the sun and the marquis going down together there was no
|
||
glow left when the drag was taken off
|
||
|
||
but there remained a broken country bold and open a little village
|
||
at the bottom of the hill a broad sweep and rise beyond it a church
|
||
tower a windmill a forest for the chase and a crag with a fortress
|
||
on it used as a prison round upon all these darkening objects as
|
||
the night drew on the marquis looked with the air of one who was
|
||
coming near home
|
||
|
||
the village had its one poor street with its poor brewery poor
|
||
tannery poor tavern poor stable yard for relays of post horses
|
||
poor fountain all usual poor appointments it had its poor people
|
||
too all its people were poor and many of them were sitting at
|
||
their doors shredding spare onions and the like for supper while
|
||
many were at the fountain washing leaves and grasses and any such
|
||
small yieldings of the earth that could be eaten expressive sips of
|
||
what made them poor were not wanting the tax for the state the tax
|
||
for the church the tax for the lord tax local and tax general were
|
||
to be paid here and to be paid there according to solemn inscription
|
||
in the little village until the wonder was that there was any
|
||
village left unswallowed
|
||
|
||
few children were to be seen and no dogs as to the men and women
|
||
their choice on earth was stated in the prospect life on the lowest
|
||
terms that could sustain it down in the little village under the
|
||
mill or captivity and death in the dominant prison on the crag
|
||
|
||
heralded by a courier in advance and by the cracking of his
|
||
postilions whips which twined snake like about their heads in the
|
||
evening air as if he came attended by the furies monsieur the
|
||
marquis drew up in his travelling carriage at the posting house gate
|
||
it was hard by the fountain and the peasants suspended their
|
||
operations to look at him he looked at them and saw in them
|
||
without knowing it the slow sure filing down of misery worn face and
|
||
figure that was to make the meagreness of frenchmen an english
|
||
superstition which should survive the truth through the best part of
|
||
a hundred years
|
||
|
||
monsieur the marquis cast his eyes over the submissive faces that
|
||
drooped before him as the like of himself had drooped before
|
||
monseigneur of the court only the difference was that these faces
|
||
drooped merely to suffer and not to propitiate when a grizzled
|
||
mender of the roads joined the group
|
||
|
||
bring me hither that fellow said the marquis to the courier
|
||
|
||
the fellow was brought cap in hand and the other fellows closed
|
||
round to look and listen in the manner of the people at the paris
|
||
fountain
|
||
|
||
i passed you on the road
|
||
|
||
monseigneur it is true i had the honour of being passed on the road
|
||
|
||
coming up the hill and at the top of the hill both
|
||
|
||
monseigneur it is true
|
||
|
||
what did you look at so fixedly
|
||
|
||
monseigneur i looked at the man
|
||
|
||
he stooped a little and with his tattered blue cap pointed under the
|
||
carriage all his fellows stooped to look under the carriage
|
||
|
||
what man pig and why look there
|
||
|
||
pardon monseigneur he swung by the chain of the shoe the drag
|
||
|
||
who demanded the traveller
|
||
|
||
monseigneur the man
|
||
|
||
may the devil carry away these idiots how do you call the man
|
||
you know all the men of this part of the country who was he
|
||
|
||
your clemency monseigneur he was not of this part of the country
|
||
of all the days of my life i never saw him
|
||
|
||
swinging by the chain to be suffocated
|
||
|
||
with your gracious permission that was the wonder of it
|
||
monseigneur his head hanging over like this
|
||
|
||
he turned himself sideways to the carriage and leaned back with his
|
||
face thrown up to the sky and his head hanging down then recovered
|
||
himself fumbled with his cap and made a bow
|
||
|
||
what was he like
|
||
|
||
monseigneur he was whiter than the miller all covered with dust
|
||
white as a spectre tall as a spectre
|
||
|
||
the picture produced an immense sensation in the little crowd
|
||
but all eyes without comparing notes with other eyes looked at
|
||
monsieur the marquis perhaps to observe whether he had any spectre
|
||
on his conscience
|
||
|
||
truly you did well said the marquis felicitously sensible that
|
||
such vermin were not to ruffle him to see a thief accompanying my
|
||
carriage and not open that great mouth of yours bah put him aside
|
||
monsieur gabelle
|
||
|
||
monsieur gabelle was the postmaster and some other taxing functionary
|
||
united he had come out with great obsequiousness to assist at this
|
||
examination and had held the examined by the drapery of his arm in
|
||
an official manner
|
||
|
||
bah go aside said monsieur gabelle
|
||
|
||
lay hands on this stranger if he seeks to lodge in your village
|
||
to night and be sure that his business is honest gabelle
|
||
|
||
monseigneur i am flattered to devote myself to your orders
|
||
|
||
did he run away fellow where is that accursed
|
||
|
||
the accursed was already under the carriage with some half dozen
|
||
particular friends pointing out the chain with his blue cap
|
||
some half dozen other particular friends promptly hauled him out
|
||
and presented him breathless to monsieur the marquis
|
||
|
||
did the man run away dolt when we stopped for the drag
|
||
|
||
monseigneur he precipitated himself over the hill side head first
|
||
as a person plunges into the river
|
||
|
||
see to it gabelle go on
|
||
|
||
the half dozen who were peering at the chain were still among the
|
||
wheels like sheep the wheels turned so suddenly that they were
|
||
lucky to save their skins and bones they had very little else to
|
||
save or they might not have been so fortunate
|
||
|
||
the burst with which the carriage started out of the village and up
|
||
the rise beyond was soon checked by the steepness of the hill
|
||
gradually it subsided to a foot pace swinging and lumbering upward
|
||
among the many sweet scents of a summer night the postilions with
|
||
a thousand gossamer gnats circling about them in lieu of the furies
|
||
quietly mended the points to the lashes of their whips the valet
|
||
walked by the horses the courier was audible trotting on ahead into
|
||
the dun distance
|
||
|
||
at the steepest point of the hill there was a little burial ground
|
||
with a cross and a new large figure of our saviour on it it was a
|
||
poor figure in wood done by some inexperienced rustic carver but he
|
||
had studied the figure from the life his own life maybe for it was
|
||
dreadfully spare and thin
|
||
|
||
to this distressful emblem of a great distress that had long been
|
||
growing worse and was not at its worst a woman was kneeling
|
||
she turned her head as the carriage came up to her rose quickly
|
||
and presented herself at the carriage door
|
||
|
||
it is you monseigneur monseigneur a petition
|
||
|
||
with an exclamation of impatience but with his unchangeable face
|
||
monseigneur looked out
|
||
|
||
how then what is it always petitions
|
||
|
||
monseigneur for the love of the great god my husband the forester
|
||
|
||
what of your husband the forester always the same with you people
|
||
he cannot pay something
|
||
|
||
he has paid all monseigneur he is dead
|
||
|
||
well he is quiet can i restore him to you
|
||
|
||
alas no monseigneur but he lies yonder under a little heap of
|
||
poor grass
|
||
|
||
well
|
||
|
||
monseigneur there are so many little heaps of poor grass
|
||
|
||
again well
|
||
|
||
she looked an old woman but was young her manner was one of
|
||
passionate grief by turns she clasped her veinous and knotted hands
|
||
together with wild energy and laid one of them on the carriage door
|
||
tenderly caressingly as if it had been a human breast and could
|
||
be expected to feel the appealing touch
|
||
|
||
monseigneur hear me monseigneur hear my petition my husband
|
||
died of want so many die of want so many more will die of want
|
||
|
||
again well can i feed them
|
||
|
||
monseigneur the good god knows but i dont ask it my petition is
|
||
that a morsel of stone or wood with my husbands name may be placed
|
||
over him to show where he lies otherwise the place will be quickly
|
||
forgotten it will never be found when i am dead of the same malady
|
||
i shall be laid under some other heap of poor grass monseigneur
|
||
they are so many they increase so fast there is so much want
|
||
monseigneur monseigneur
|
||
|
||
the valet had put her away from the door the carriage had broken
|
||
into a brisk trot the postilions had quickened the pace she was
|
||
left far behind and monseigneur again escorted by the furies was
|
||
rapidly diminishing the league or two of distance that remained
|
||
between him and his chateau
|
||
|
||
the sweet scents of the summer night rose all around him and rose
|
||
as the rain falls impartially on the dusty ragged and toil worn
|
||
group at the fountain not far away to whom the mender of roads with
|
||
the aid of the blue cap without which he was nothing still enlarged
|
||
upon his man like a spectre as long as they could bear it
|
||
by degrees as they could bear no more they dropped off one by one
|
||
and lights twinkled in little casements which lights as the
|
||
casements darkened and more stars came out seemed to have shot up
|
||
into the sky instead of having been extinguished
|
||
|
||
the shadow of a large high roofed house and of many over hanging
|
||
trees was upon monsieur the marquis by that time and the shadow was
|
||
exchanged for the light of a flambeau as his carriage stopped
|
||
and the great door of his chateau was opened to him
|
||
|
||
monsieur charles whom i expect is he arrived from england
|
||
|
||
monseigneur not yet
|
||
|
||
|
||
|
||
ix
|
||
|
||
the gorgons head
|
||
|
||
|
||
it was a heavy mass of building that chateau of monsieur the marquis
|
||
with a large stone courtyard before it and two stone sweeps of
|
||
staircase meeting in a stone terrace before the principal door
|
||
a stony business altogether with heavy stone balustrades and stone
|
||
urns and stone flowers and stone faces of men and stone heads of
|
||
lions in all directions as if the gorgons head had surveyed it
|
||
when it was finished two centuries ago
|
||
|
||
up the broad flight of shallow steps monsieur the marquis flambeau
|
||
preceded went from his carriage sufficiently disturbing the darkness
|
||
to elicit loud remonstrance from an owl in the roof of the great pile
|
||
of stable building away among the trees all else was so quiet that
|
||
the flambeau carried up the steps and the other flambeau held at the
|
||
great door burnt as if they were in a close room of state instead
|
||
of being in the open night air other sound than the owls voice
|
||
there was none save the failing of a fountain into its stone basin
|
||
for it was one of those dark nights that hold their breath by the hour
|
||
together and then heave a long low sigh and hold their breath again
|
||
|
||
the great door clanged behind him and monsieur the marquis crossed
|
||
a hall grim with certain old boar spears swords and knives of the
|
||
chase grimmer with certain heavy riding rods and riding whips of
|
||
which many a peasant gone to his benefactor death had felt the
|
||
weight when his lord was angry
|
||
|
||
avoiding the larger rooms which were dark and made fast for the
|
||
night monsieur the marquis with his flambeau bearer going on before
|
||
went up the staircase to a door in a corridor this thrown open
|
||
admitted him to his own private apartment of three rooms
|
||
his bed chamber and two others high vaulted rooms with cool
|
||
uncarpeted floors great dogs upon the hearths for the burning
|
||
of wood in winter time and all luxuries befitting the state
|
||
of a marquis in a luxurious age and country the fashion
|
||
of the last louis but one of the line that was never to break
|
||
the fourteenth louis was conspicuous in their rich furniture
|
||
but it was diversified by many objects that were illustrations
|
||
of old pages in the history of france
|
||
|
||
a supper table was laid for two in the third of the rooms a round
|
||
room in one of the chateaus four extinguisher topped towers
|
||
a small lofty room with its window wide open and the wooden
|
||
jalousie blinds closed so that the dark night only showed in slight
|
||
horizontal lines of black alternating with their broad lines of
|
||
stone colour
|
||
|
||
my nephew said the marquis glancing at the supper preparation
|
||
they said he was not arrived
|
||
|
||
nor was he but he had been expected with monseigneur
|
||
|
||
ah it is not probable he will arrive to night nevertheless leave
|
||
the table as it is i shall be ready in a quarter of an hour
|
||
|
||
in a quarter of an hour monseigneur was ready and sat down alone
|
||
to his sumptuous and choice supper his chair was opposite to the
|
||
window and he had taken his soup and was raising his glass of
|
||
bordeaux to his lips when he put it down
|
||
|
||
what is that he calmly asked looking with attention at the
|
||
horizontal lines of black and stone colour
|
||
|
||
monseigneur that
|
||
|
||
outside the blinds open the blinds
|
||
|
||
it was done
|
||
|
||
well
|
||
|
||
monseigneur it is nothing the trees and the night are all that
|
||
are here
|
||
|
||
the servant who spoke had thrown the blinds wide had looked out
|
||
into the vacant darkness and stood with that blank behind him
|
||
looking round for instructions
|
||
|
||
good said the imperturbable master close them again
|
||
|
||
that was done too and the marquis went on with his supper he was
|
||
half way through it when he again stopped with his glass in his
|
||
hand hearing the sound of wheels it came on briskly and came up
|
||
to the front of the chateau
|
||
|
||
ask who is arrived
|
||
|
||
it was the nephew of monseigneur he had been some few leagues
|
||
behind monseigneur early in the afternoon he had diminished the
|
||
distance rapidly but not so rapidly as to come up with monseigneur
|
||
on the road he had heard of monseigneur at the posting houses
|
||
as being before him
|
||
|
||
he was to be told said monseigneur that supper awaited him then and
|
||
there and that he was prayed to come to it in a little while he came
|
||
he had been known in england as charles darnay
|
||
|
||
monseigneur received him in a courtly manner but they did not shake hands
|
||
|
||
you left paris yesterday sir he said to monseigneur as he took
|
||
his seat at table
|
||
|
||
yesterday and you
|
||
|
||
i come direct
|
||
|
||
from london
|
||
|
||
yes
|
||
|
||
you have been a long time coming said the marquis with a smile
|
||
|
||
on the contrary i come direct
|
||
|
||
pardon me i mean not a long time on the journey a long time
|
||
intending the journey
|
||
|
||
i have been detained by the nephew stopped a moment in his
|
||
answer various business
|
||
|
||
without doubt said the polished uncle
|
||
|
||
so long as a servant was present no other words passed between them
|
||
when coffee had been served and they were alone together the nephew
|
||
looking at the uncle and meeting the eyes of the face that was like a
|
||
fine mask opened a conversation
|
||
|
||
i have come back sir as you anticipate pursuing the object that
|
||
took me away it carried me into great and unexpected peril but it
|
||
is a sacred object and if it had carried me to death i hope it would
|
||
have sustained me
|
||
|
||
not to death said the uncle it is not necessary to say to death
|
||
|
||
i doubt sir returned the nephew whether if it had carried me
|
||
to the utmost brink of death you would have cared to stop me there
|
||
|
||
the deepened marks in the nose and the lengthening of the fine
|
||
straight lines in the cruel face looked ominous as to that the
|
||
uncle made a graceful gesture of protest which was so clearly a
|
||
slight form of good breeding that it was not reassuring
|
||
|
||
indeed sir pursued the nephew for anything i know you may
|
||
have expressly worked to give a more suspicious appearance to the
|
||
suspicious circumstances that surrounded me
|
||
|
||
no no no said the uncle pleasantly
|
||
|
||
but however that may be resumed the nephew glancing at him with
|
||
deep distrust i know that your diplomacy would stop me by any
|
||
means and would know no scruple as to means
|
||
|
||
my friend i told you so said the uncle with a fine pulsation in
|
||
the two marks do me the favour to recall that i told you so long ago
|
||
|
||
i recall it
|
||
|
||
thank you said the marquise very sweetly indeed
|
||
|
||
his tone lingered in the air almost like the tone of a musical
|
||
instrument
|
||
|
||
in effect sir pursued the nephew i believe it to be at once
|
||
your bad fortune and my good fortune that has kept me out of a
|
||
prison in france here
|
||
|
||
i do not quite understand returned the uncle sipping his coffee
|
||
dare i ask you to explain
|
||
|
||
i believe that if you were not in disgrace with the court
|
||
and had not been overshadowed by that cloud for years past a letter
|
||
de cachet would have sent me to some fortress indefinitely
|
||
|
||
it is possible said the uncle with great calmness for the
|
||
honour of the family i could even resolve to incommode you to that
|
||
extent pray excuse me
|
||
|
||
i perceive that happily for me the reception of the day before
|
||
yesterday was as usual a cold one observed the nephew
|
||
|
||
i would not say happily my friend returned the uncle with
|
||
refined politeness i would not be sure of that a good opportunity
|
||
for consideration surrounded by the advantages of solitude might
|
||
influence your destiny to far greater advantage than you influence it
|
||
for yourself but it is useless to discuss the question i am as
|
||
you say at a disadvantage these little instruments of correction
|
||
these gentle aids to the power and honour of families these slight
|
||
favours that might so incommode you are only to be obtained now by
|
||
interest and importunity they are sought by so many and they are
|
||
granted comparatively to so few it used not to be so but france
|
||
in all such things is changed for the worse our not remote
|
||
ancestors held the right of life and death over the surrounding
|
||
vulgar from this room many such dogs have been taken out to be
|
||
hanged in the next room my bedroom one fellow to our knowledge
|
||
was poniarded on the spot for professing some insolent delicacy
|
||
respecting his daughter _his_ daughter we have lost many privileges
|
||
a new philosophy has become the mode and the assertion of our
|
||
station in these days might i do not go so far as to say would
|
||
but might cause us real inconvenience all very bad very bad
|
||
|
||
the marquis took a gentle little pinch of snuff and shook his head
|
||
as elegantly despondent as he could becomingly be of a country still
|
||
containing himself that great means of regeneration
|
||
|
||
we have so asserted our station both in the old time and in the
|
||
modern time also said the nephew gloomily that i believe our
|
||
name to be more detested than any name in france
|
||
|
||
let us hope so said the uncle detestation of the high is the
|
||
involuntary homage of the low
|
||
|
||
there is not pursued the nephew in his former tone a face i can
|
||
look at in all this country round about us which looks at me with
|
||
any deference on it but the dark deference of fear and slavery
|
||
|
||
a compliment said the marquis to the grandeur of the family
|
||
merited by the manner in which the family has sustained its grandeur
|
||
hah and he took another gentle little pinch of snuff and lightly
|
||
crossed his legs
|
||
|
||
but when his nephew leaning an elbow on the table covered his eyes
|
||
thoughtfully and dejectedly with his hand the fine mask looked at him
|
||
sideways with a stronger concentration of keenness closeness and dislike
|
||
than was comportable with its wearers assumption of indifference
|
||
|
||
repression is the only lasting philosophy the dark deference of
|
||
fear and slavery my friend observed the marquis will keep the
|
||
dogs obedient to the whip as long as this roof looking up to it
|
||
shuts out the sky
|
||
|
||
that might not be so long as the marquis supposed if a picture of
|
||
the chateau as it was to be a very few years hence and of fifty like
|
||
it as they too were to be a very few years hence could have been
|
||
shown to him that night he might have been at a loss to claim his
|
||
own from the ghastly fire charred plunder wrecked rains as for
|
||
the roof he vaunted he might have found _that_ shutting out the sky
|
||
in a new way to wit for ever from the eyes of the bodies into which
|
||
its lead was fired out of the barrels of a hundred thousand muskets
|
||
|
||
meanwhile said the marquis i will preserve the honour and repose
|
||
of the family if you will not but you must be fatigued shall we
|
||
terminate our conference for the night
|
||
|
||
a moment more
|
||
|
||
an hour if you please
|
||
|
||
sir said the nephew we have done wrong and are reaping the
|
||
fruits of wrong
|
||
|
||
_we_ have done wrong repeated the marquis with an inquiring
|
||
smile and delicately pointing first to his nephew then to himself
|
||
|
||
our family our honourable family whose honour is of so much
|
||
account to both of us in such different ways even in my fathers
|
||
time we did a world of wrong injuring every human creature who came
|
||
between us and our pleasure whatever it was why need i speak of my
|
||
fathers time when it is equally yours can i separate my fathers
|
||
twin brother joint inheritor and next successor from himself
|
||
|
||
death has done that said the marquis
|
||
|
||
and has left me answered the nephew bound to a system that is
|
||
frightful to me responsible for it but powerless in it seeking to
|
||
execute the last request of my dear mothers lips and obey the last
|
||
look of my dear mothers eyes which implored me to have mercy and to
|
||
redress and tortured by seeking assistance and power in vain
|
||
|
||
seeking them from me my nephew said the marquis touching him on
|
||
the breast with his forefinger they were now standing by the
|
||
hearth you will for ever seek them in vain be assured
|
||
|
||
every fine straight line in the clear whiteness of his face was
|
||
cruelly craftily and closely compressed while he stood looking
|
||
quietly at his nephew with his snuff box in his hand once again he
|
||
touched him on the breast as though his finger were the fine point
|
||
of a small sword with which in delicate finesse he ran him through
|
||
the body and said
|
||
|
||
my friend i will die perpetuating the system under which i have lived
|
||
|
||
when he had said it he took a culminating pinch of snuff and put
|
||
his box in his pocket
|
||
|
||
better to be a rational creature he added then after ringing a
|
||
small bell on the table and accept your natural destiny but you
|
||
are lost monsieur charles i see
|
||
|
||
this property and france are lost to me said the nephew sadly
|
||
i renounce them
|
||
|
||
are they both yours to renounce france may be but is the property
|
||
it is scarcely worth mentioning but is it yet
|
||
|
||
i had no intention in the words i used to claim it yet if it
|
||
passed to me from you to morrow
|
||
|
||
which i have the vanity to hope is not probable
|
||
|
||
or twenty years hence
|
||
|
||
you do me too much honour said the marquis still i prefer that
|
||
supposition
|
||
|
||
i would abandon it and live otherwise and elsewhere it is
|
||
little to relinquish what is it but a wilderness of misery and ruin
|
||
|
||
hah said the marquis glancing round the luxurious room
|
||
|
||
to the eye it is fair enough here but seen in its integrity under
|
||
the sky and by the daylight it is a crumbling tower of waste
|
||
mismanagement extortion debt mortgage oppression hunger
|
||
nakedness and suffering
|
||
|
||
hah said the marquis again in a well satisfied manner
|
||
|
||
if it ever becomes mine it shall be put into some hands better
|
||
qualified to free it slowly if such a thing is possible from the
|
||
weight that drags it down so that the miserable people who cannot
|
||
leave it and who have been long wrung to the last point of endurance
|
||
may in another generation suffer less but it is not for me
|
||
there is a curse on it and on all this land
|
||
|
||
and you said the uncle forgive my curiosity do you under your
|
||
new philosophy graciously intend to live
|
||
|
||
i must do to live what others of my countrymen even with nobility
|
||
at their backs may have to do some day work
|
||
|
||
in england for example
|
||
|
||
yes the family honour sir is safe from me in this country the
|
||
family name can suffer from me in no other for i bear it in no other
|
||
|
||
the ringing of the bell had caused the adjoining bed chamber to be
|
||
lighted it now shone brightly through the door of communication
|
||
the marquis looked that way and listened for the retreating step of
|
||
his valet
|
||
|
||
england is very attractive to you seeing how indifferently you have
|
||
prospered there he observed then turning his calm face to his
|
||
nephew with a smile
|
||
|
||
i have already said that for my prospering there i am sensible i
|
||
may be indebted to you sir for the rest it is my refuge
|
||
|
||
they say those boastful english that it is the refuge of many
|
||
you know a compatriot who has found a refuge there a doctor
|
||
|
||
yes
|
||
|
||
with a daughter
|
||
|
||
yes
|
||
|
||
yes said the marquis you are fatigued good night
|
||
|
||
as he bent his head in his most courtly manner there was a secrecy
|
||
in his smiling face and he conveyed an air of mystery to those
|
||
words which struck the eyes and ears of his nephew forcibly at the
|
||
same time the thin straight lines of the setting of the eyes and
|
||
the thin straight lips and the markings in the nose curved with a
|
||
sarcasm that looked handsomely diabolic
|
||
|
||
yes repeated the marquis a doctor with a daughter yes
|
||
so commences the new philosophy you are fatigued good night
|
||
|
||
it would have been of as much avail to interrogate any stone face
|
||
outside the chateau as to interrogate that face of his the nephew
|
||
looked at him in vain in passing on to the door
|
||
|
||
good night said the uncle i look to the pleasure of seeing you
|
||
again in the morning good repose light monsieur my nephew to his
|
||
chamber there and burn monsieur my nephew in his bed if you will
|
||
he added to himself before he rang his little bell again and summoned
|
||
his valet to his own bedroom
|
||
|
||
the valet come and gone monsieur the marquis walked to and fro in
|
||
his loose chamber robe to prepare himself gently for sleep that hot
|
||
still night rustling about the room his softly slippered feet
|
||
making no noise on the floor he moved like a refined tiger looked
|
||
like some enchanted marquis of the impenitently wicked sort in story
|
||
whose periodical change into tiger form was either just going off or
|
||
just coming on
|
||
|
||
he moved from end to end of his voluptuous bedroom looking again at
|
||
the scraps of the days journey that came unbidden into his mind the
|
||
slow toil up the hill at sunset the setting sun the descent the
|
||
mill the prison on the crag the little village in the hollow the
|
||
peasants at the fountain and the mender of roads with his blue cap
|
||
pointing out the chain under the carriage that fountain suggested
|
||
the paris fountain the little bundle lying on the step the women
|
||
bending over it and the tall man with his arms up crying dead
|
||
|
||
i am cool now said monsieur the marquis and may go to bed
|
||
|
||
so leaving only one light burning on the large hearth he let his
|
||
thin gauze curtains fall around him and heard the night break its
|
||
silence with a long sigh as he composed himself to sleep
|
||
|
||
the stone faces on the outer walls stared blindly at the black night
|
||
for three heavy hours for three heavy hours the horses in the
|
||
stables rattled at their racks the dogs barked and the owl made a
|
||
noise with very little resemblance in it to the noise conventionally
|
||
assigned to the owl by men poets but it is the obstinate custom of
|
||
such creatures hardly ever to say what is set down for them
|
||
|
||
for three heavy hours the stone faces of the chateau lion and
|
||
human stared blindly at the night dead darkness lay on all the
|
||
landscape dead darkness added its own hush to the hushing dust on
|
||
all the roads the burial place had got to the pass that its little
|
||
heaps of poor grass were undistinguishable from one another the
|
||
figure on the cross might have come down for anything that could be
|
||
seen of it in the village taxers and taxed were fast asleep
|
||
dreaming perhaps of banquets as the starved usually do and of
|
||
ease and rest as the driven slave and the yoked ox may its lean
|
||
inhabitants slept soundly and were fed and freed
|
||
|
||
the fountain in the village flowed unseen and unheard and the
|
||
fountain at the chateau dropped unseen and unheard both melting
|
||
away like the minutes that were falling from the spring of time
|
||
through three dark hours then the grey water of both began to be
|
||
ghostly in the light and the eyes of the stone faces of the chateau
|
||
were opened
|
||
|
||
lighter and lighter until at last the sun touched the tops of the
|
||
still trees and poured its radiance over the hill in the glow
|
||
the water of the chateau fountain seemed to turn to blood and the
|
||
stone faces crimsoned the carol of the birds was loud and high
|
||
and on the weather beaten sill of the great window of the bed
|
||
chamber of monsieur the marquis one little bird sang its sweetest
|
||
song with all its might at this the nearest stone face seemed
|
||
to stare amazed and with open mouth and dropped under jaw looked
|
||
awe stricken
|
||
|
||
now the sun was full up and movement began in the village
|
||
casement windows opened crazy doors were unbarred and people came
|
||
forth shivering chilled as yet by the new sweet air then began
|
||
the rarely lightened toil of the day among the village population
|
||
some to the fountain some to the fields men and women here to
|
||
dig and delve men and women there to see to the poor live stock
|
||
and lead the bony cows out to such pasture as could be found by the
|
||
roadside in the church and at the cross a kneeling figure or two
|
||
attendant on the latter prayers the led cow trying for a breakfast
|
||
among the weeds at its foot
|
||
|
||
the chateau awoke later as became its quality but awoke gradually
|
||
and surely first the lonely boar spears and knives of the chase
|
||
had been reddened as of old then had gleamed trenchant in the
|
||
morning sunshine now doors and windows were thrown open horses
|
||
in their stables looked round over their shoulders at the light and
|
||
freshness pouring in at doorways leaves sparkled and rustled at
|
||
iron grated windows dogs pulled hard at their chains and reared
|
||
impatient to be loosed
|
||
|
||
all these trivial incidents belonged to the routine of life and the
|
||
return of morning surely not so the ringing of the great bell of
|
||
the chateau nor the running up and down the stairs nor the hurried
|
||
figures on the terrace nor the booting and tramping here and there
|
||
and everywhere nor the quick saddling of horses and riding away
|
||
|
||
what winds conveyed this hurry to the grizzled mender of roads
|
||
already at work on the hill top beyond the village with his days
|
||
dinner not much to carry lying in a bundle that it was worth no
|
||
crows while to peck at on a heap of stones had the birds carrying
|
||
some grains of it to a distance dropped one over him as they sow
|
||
chance seeds whether or no the mender of roads ran on the sultry
|
||
morning as if for his life down the hill knee high in dust and
|
||
never stopped till he got to the fountain
|
||
|
||
all the people of the village were at the fountain standing about in
|
||
their depressed manner and whispering low but showing no other
|
||
emotions than grim curiosity and surprise the led cows hastily
|
||
brought in and tethered to anything that would hold them were looking
|
||
stupidly on or lying down chewing the cud of nothing particularly
|
||
repaying their trouble which they had picked up in their interrupted
|
||
saunter some of the people of the chateau and some of those of the
|
||
posting house and all the taxing authorities were armed more or less
|
||
and were crowded on the other side of the little street in a
|
||
purposeless way that was highly fraught with nothing already
|
||
the mender of roads had penetrated into the midst of a group of fifty
|
||
particular friends and was smiting himself in the breast with his
|
||
blue cap what did all this portend and what portended the swift
|
||
hoisting up of monsieur gabelle behind a servant on horseback and
|
||
the conveying away of the said gabelle double laden though the horse
|
||
was at a gallop like a new version of the german ballad of leonora
|
||
|
||
it portended that there was one stone face too many up at the chateau
|
||
|
||
the gorgon had surveyed the building again in the night and had
|
||
added the one stone face wanting the stone face for which it had
|
||
waited through about two hundred years
|
||
|
||
it lay back on the pillow of monsieur the marquis it was like a
|
||
fine mask suddenly startled made angry and petrified driven home
|
||
into the heart of the stone figure attached to it was a knife
|
||
round its hilt was a frill of paper on which was scrawled
|
||
|
||
drive him fast to his tomb this from jacques
|
||
|
||
|
||
|
||
x
|
||
|
||
two promises
|
||
|
||
|
||
more months to the number of twelve had come and gone and mr
|
||
charles darnay was established in england as a higher teacher of the
|
||
french language who was conversant with french literature in this
|
||
age he would have been a professor in that age he was a tutor
|
||
he read with young men who could find any leisure and interest for
|
||
the study of a living tongue spoken all over the world and he
|
||
cultivated a taste for its stores of knowledge and fancy he could
|
||
write of them besides in sound english and render them into sound
|
||
english such masters were not at that time easily found princes
|
||
that had been and kings that were to be were not yet of the teacher
|
||
class and no ruined nobility had dropped out of tellsons ledgers
|
||
to turn cooks and carpenters as a tutor whose attainments made the
|
||
students way unusually pleasant and profitable and as an elegant
|
||
translator who brought something to his work besides mere dictionary
|
||
knowledge young mr darnay soon became known and encouraged he was
|
||
well acquainted more over with the circumstances of his country
|
||
and those were of ever growing interest so with great perseverance
|
||
and untiring industry he prospered
|
||
|
||
in london he had expected neither to walk on pavements of gold nor
|
||
to lie on beds of roses if he had had any such exalted expectation
|
||
he would not have prospered he had expected labour and he found it
|
||
and did it and made the best of it in this his prosperity consisted
|
||
|
||
a certain portion of his time was passed at cambridge where he read
|
||
with undergraduates as a sort of tolerated smuggler who drove a
|
||
contraband trade in european languages instead of conveying greek
|
||
and latin through the custom house the rest of his time he passed
|
||
in london
|
||
|
||
now from the days when it was always summer in eden to these days
|
||
when it is mostly winter in fallen latitudes the world of a man has
|
||
invariably gone one way charles darnays way the way of the love of
|
||
a woman
|
||
|
||
he had loved lucie manette from the hour of his danger he had never
|
||
heard a sound so sweet and dear as the sound of her compassionate
|
||
voice he had never seen a face so tenderly beautiful as hers when
|
||
it was confronted with his own on the edge of the grave that had been
|
||
dug for him but he had not yet spoken to her on the subject
|
||
the assassination at the deserted chateau far away beyond the heaving
|
||
water and the long long dusty roads the solid stone chateau which
|
||
had itself become the mere mist of a dream had been done a year
|
||
and he had never yet by so much as a single spoken word disclosed
|
||
to her the state of his heart
|
||
|
||
that he had his reasons for this he knew full well it was again a
|
||
summer day when lately arrived in london from his college occupation
|
||
he turned into the quiet corner in soho bent on seeking an opportunity
|
||
of opening his mind to doctor manette it was the close of the
|
||
summer day and he knew lucie to be out with miss pross
|
||
|
||
he found the doctor reading in his arm chair at a window the energy
|
||
which had at once supported him under his old sufferings and aggravated
|
||
their sharpness had been gradually restored to him he was now a
|
||
very energetic man indeed with great firmness of purpose strength
|
||
of resolution and vigour of action in his recovered energy he was
|
||
sometimes a little fitful and sudden as he had at first been in the
|
||
exercise of his other recovered faculties but this had never been
|
||
frequently observable and had grown more and more rare
|
||
|
||
he studied much slept little sustained a great deal of fatigue with
|
||
ease and was equably cheerful to him now entered charles darnay
|
||
at sight of whom he laid aside his book and held out his hand
|
||
|
||
charles darnay i rejoice to see you we have been counting on your
|
||
return these three or four days past mr stryver and sydney carton
|
||
were both here yesterday and both made you out to be more than due
|
||
|
||
i am obliged to them for their interest in the matter he answered
|
||
a little coldly as to them though very warmly as to the doctor
|
||
miss manette
|
||
|
||
is well said the doctor as he stopped short and your return
|
||
will delight us all she has gone out on some household matters
|
||
but will soon be home
|
||
|
||
doctor manette i knew she was from home i took the opportunity of
|
||
her being from home to beg to speak to you
|
||
|
||
there was a blank silence
|
||
|
||
yes said the doctor with evident constraint bring your chair here
|
||
and speak on
|
||
|
||
he complied as to the chair but appeared to find the speaking on
|
||
less easy
|
||
|
||
i have had the happiness doctor manette of being so intimate
|
||
here so he at length began for some year and a half that i hope
|
||
the topic on which i am about to touch may not
|
||
|
||
he was stayed by the doctors putting out his hand to stop him
|
||
when he had kept it so a little while he said drawing it back
|
||
|
||
is lucie the topic
|
||
|
||
she is
|
||
|
||
it is hard for me to speak of her at any time it is very hard for
|
||
me to hear her spoken of in that tone of yours charles darnay
|
||
|
||
it is a tone of fervent admiration true homage and deep love
|
||
doctor manette he said deferentially
|
||
|
||
there was another blank silence before her father rejoined
|
||
|
||
i believe it i do you justice i believe it
|
||
|
||
his constraint was so manifest and it was so manifest too that it
|
||
originated in an unwillingness to approach the subject that charles
|
||
darnay hesitated
|
||
|
||
shall i go on sir
|
||
|
||
another blank
|
||
|
||
yes go on
|
||
|
||
you anticipate what i would say though you cannot know how earnestly
|
||
i say it how earnestly i feel it without knowing my secret heart
|
||
and the hopes and fears and anxieties with which it has long been
|
||
laden dear doctor manette i love your daughter fondly dearly
|
||
disinterestedly devotedly if ever there were love in the world
|
||
i love her you have loved yourself let your old love speak for me
|
||
|
||
the doctor sat with his face turned away and his eyes bent on the
|
||
ground at the last words he stretched out his hand again hurriedly
|
||
and cried
|
||
|
||
not that sir let that be i adjure you do not recall that
|
||
|
||
his cry was so like a cry of actual pain that it rang in charles
|
||
darnays ears long after he had ceased he motioned with the hand he
|
||
had extended and it seemed to be an appeal to darnay to pause
|
||
the latter so received it and remained silent
|
||
|
||
i ask your pardon said the doctor in a subdued tone after some
|
||
moments i do not doubt your loving lucie you may be satisfied of it
|
||
|
||
he turned towards him in his chair but did not look at him or raise
|
||
his eyes his chin dropped upon his hand and his white hair
|
||
overshadowed his face
|
||
|
||
have you spoken to lucie
|
||
|
||
no
|
||
|
||
nor written
|
||
|
||
never
|
||
|
||
it would be ungenerous to affect not to know that your self denial
|
||
is to be referred to your consideration for her father her father
|
||
thanks you
|
||
|
||
he offered his hand but his eyes did not go with it
|
||
|
||
i know said darnay respectfully how can i fail to know
|
||
doctor manette i who have seen you together from day to day
|
||
that between you and miss manette there is an affection so unusual
|
||
so touching so belonging to the circumstances in which it has been
|
||
nurtured that it can have few parallels even in the tenderness
|
||
between a father and child i know doctor manette how can i fail
|
||
to know that mingled with the affection and duty of a daughter who
|
||
has become a woman there is in her heart towards you all the love
|
||
and reliance of infancy itself i know that as in her childhood she
|
||
had no parent so she is now devoted to you with all the constancy
|
||
and fervour of her present years and character united to the
|
||
trustfulness and attachment of the early days in which you were lost
|
||
to her i know perfectly well that if you had been restored to her
|
||
from the world beyond this life you could hardly be invested in her
|
||
sight with a more sacred character than that in which you are always
|
||
with her i know that when she is clinging to you the hands of baby
|
||
girl and woman all in one are round your neck i know that in
|
||
loving you she sees and loves her mother at her own age sees and
|
||
loves you at my age loves her mother broken hearted loves you
|
||
through your dreadful trial and in your blessed restoration i have
|
||
known this night and day since i have known you in your home
|
||
|
||
her father sat silent with his face bent down his breathing was a
|
||
little quickened but he repressed all other signs of agitation
|
||
|
||
dear doctor manette always knowing this always seeing her and you
|
||
with this hallowed light about you i have forborne and forborne
|
||
as long as it was in the nature of man to do it i have felt and do
|
||
even now feel that to bring my love even mine between you is to
|
||
touch your history with something not quite so good as itself
|
||
but i love her heaven is my witness that i love her
|
||
|
||
i believe it answered her father mournfully i have thought so
|
||
before now i believe it
|
||
|
||
but do not believe said darnay upon whose ear the mournful voice
|
||
struck with a reproachful sound that if my fortune were so cast as
|
||
that being one day so happy as to make her my wife i must at any
|
||
time put any separation between her and you i could or would breathe
|
||
a word of what i now say besides that i should know it to be
|
||
hopeless i should know it to be a baseness if i had any such
|
||
possibility even at a remote distance of years harboured in my
|
||
thoughts and hidden in my heart if it ever had been there if it
|
||
ever could be there i could not now touch this honoured hand
|
||
|
||
he laid his own upon it as he spoke
|
||
|
||
no dear doctor manette like you a voluntary exile from france
|
||
like you driven from it by its distractions oppressions and
|
||
miseries like you striving to live away from it by my own exertions
|
||
and trusting in a happier future i look only to sharing your fortunes
|
||
sharing your life and home and being faithful to you to the death
|
||
not to divide with lucie her privilege as your child companion and
|
||
friend but to come in aid of it and bind her closer to you if such
|
||
a thing can be
|
||
|
||
his touch still lingered on her fathers hand answering the touch
|
||
for a moment but not coldly her father rested his hands upon the
|
||
arms of his chair and looked up for the first time since the
|
||
beginning of the conference a struggle was evidently in his face
|
||
a struggle with that occasional look which had a tendency in it to
|
||
dark doubt and dread
|
||
|
||
you speak so feelingly and so manfully charles darnay that i thank
|
||
you with all my heart and will open all my heart or nearly so
|
||
have you any reason to believe that lucie loves you
|
||
|
||
none as yet none
|
||
|
||
is it the immediate object of this confidence that you may at once
|
||
ascertain that with my knowledge
|
||
|
||
not even so i might not have the hopefulness to do it for weeks
|
||
i might mistaken or not mistaken have that hopefulness to morrow
|
||
|
||
do you seek any guidance from me
|
||
|
||
i ask none sir but i have thought it possible that you might have
|
||
it in your power if you should deem it right to give me some
|
||
|
||
do you seek any promise from me
|
||
|
||
i do seek that
|
||
|
||
what is it
|
||
|
||
i well understand that without you i could have no hope i well
|
||
understand that even if miss manette held me at this moment in her
|
||
innocent heart do not think i have the presumption to assume so much
|
||
i could retain no place in it against her love for her father
|
||
|
||
if that be so do you see what on the other hand is involved in it
|
||
|
||
i understand equally well that a word from her father in any suitors
|
||
favour would outweigh herself and all the world for which reason
|
||
doctor manette said darnay modestly but firmly i would not ask
|
||
that word to save my life
|
||
|
||
i am sure of it charles darnay mysteries arise out of close love
|
||
as well as out of wide division in the former case they are subtle
|
||
and delicate and difficult to penetrate my daughter lucie is in
|
||
this one respect such a mystery to me i can make no guess at the
|
||
state of her heart
|
||
|
||
may i ask sir if you think she is as he hesitated her father
|
||
supplied the rest
|
||
|
||
is sought by any other suitor
|
||
|
||
it is what i meant to say
|
||
|
||
her father considered a little before he answered
|
||
|
||
you have seen mr carton here yourself mr stryver is here too
|
||
occasionally if it be at all it can only be by one of these
|
||
|
||
or both said darnay
|
||
|
||
i had not thought of both i should not think either likely
|
||
you want a promise from me tell me what it is
|
||
|
||
it is that if miss manette should bring to you at any time on her
|
||
own part such a confidence as i have ventured to lay before you
|
||
you will bear testimony to what i have said and to your belief in it
|
||
i hope you may be able to think so well of me as to urge no influence
|
||
against me i say nothing more of my stake in this this is what i ask
|
||
the condition on which i ask it and which you have an undoubted right
|
||
to require i will observe immediately
|
||
|
||
i give the promise said the doctor without any condition
|
||
i believe your object to be purely and truthfully as you have
|
||
stated it i believe your intention is to perpetuate and not to
|
||
weaken the ties between me and my other and far dearer self if she
|
||
should ever tell me that you are essential to her perfect happiness
|
||
i will give her to you if there were charles darnay if there were
|
||
|
||
the young man had taken his hand gratefully their hands were joined
|
||
as the doctor spoke
|
||
|
||
any fancies any reasons any apprehensions anything whatsoever
|
||
new or old against the man she really loved the direct responsibility
|
||
thereof not lying on his head they should all be obliterated for her
|
||
sake she is everything to me more to me than suffering more to me
|
||
than wrong more to me well this is idle talk
|
||
|
||
so strange was the way in which he faded into silence and so strange
|
||
his fixed look when he had ceased to speak that darnay felt his own
|
||
hand turn cold in the hand that slowly released and dropped it
|
||
|
||
you said something to me said doctor manette breaking into a smile
|
||
what was it you said to me
|
||
|
||
he was at a loss how to answer until he remembered having spoken of
|
||
a condition relieved as his mind reverted to that he answered
|
||
|
||
your confidence in me ought to be returned with full confidence on
|
||
my part my present name though but slightly changed from my
|
||
mothers is not as you will remember my own i wish to tell you
|
||
what that is and why i am in england
|
||
|
||
stop said the doctor of beauvais
|
||
|
||
i wish it that i may the better deserve your confidence and have
|
||
no secret from you
|
||
|
||
stop
|
||
|
||
for an instant the doctor even had his two hands at his ears for
|
||
another instant even had his two hands laid on darnays lips
|
||
|
||
tell me when i ask you not now if your suit should prosper if
|
||
lucie should love you you shall tell me on your marriage morning
|
||
do you promise
|
||
|
||
willingly
|
||
|
||
give me your hand she will be home directly and it is better she
|
||
should not see us together to night go god bless you
|
||
|
||
it was dark when charles darnay left him and it was an hour later
|
||
and darker when lucie came home she hurried into the room alone
|
||
for miss pross had gone straight up stairs and was surprised to find
|
||
his reading chair empty
|
||
|
||
my father she called to him father dear
|
||
|
||
nothing was said in answer but she heard a low hammering sound in
|
||
his bedroom passing lightly across the intermediate room she
|
||
looked in at his door and came running back frightened crying to
|
||
herself with her blood all chilled what shall i do what shall i do
|
||
|
||
her uncertainty lasted but a moment she hurried back and tapped at
|
||
his door and softly called to him the noise ceased at the sound of
|
||
her voice and he presently came out to her and they walked up and
|
||
down together for a long time
|
||
|
||
she came down from her bed to look at him in his sleep that night
|
||
he slept heavily and his tray of shoemaking tools and his old
|
||
unfinished work were all as usual
|
||
|
||
|
||
|
||
xi
|
||
|
||
a companion picture
|
||
|
||
|
||
sydney said mr stryver on that self same night or morning to his
|
||
jackal mix another bowl of punch i have something to say to you
|
||
|
||
sydney had been working double tides that night and the night before
|
||
and the night before that and a good many nights in succession making
|
||
a grand clearance among mr stryvers papers before the setting in of
|
||
the long vacation the clearance was effected at last the stryver
|
||
arrears were handsomely fetched up everything was got rid of until
|
||
november should come with its fogs atmospheric and fogs legal and
|
||
bring grist to the mill again
|
||
|
||
sydney was none the livelier and none the soberer for so much application
|
||
it had taken a deal of extra wet towelling to pull him through the night
|
||
a correspondingly extra quantity of wine had preceded the towelling
|
||
and he was in a very damaged condition as he now pulled his turban
|
||
off and threw it into the basin in which he had steeped it at intervals
|
||
for the last six hours
|
||
|
||
are you mixing that other bowl of punch said stryver the portly
|
||
with his hands in his waistband glancing round from the sofa where
|
||
he lay on his back
|
||
|
||
i am
|
||
|
||
now look here i am going to tell you something that will rather
|
||
surprise you and that perhaps will make you think me not quite as
|
||
shrewd as you usually do think me i intend to marry
|
||
|
||
_do_ you
|
||
|
||
yes and not for money what do you say now
|
||
|
||
i dont feel disposed to say much who is she
|
||
|
||
guess
|
||
|
||
do i know her
|
||
|
||
guess
|
||
|
||
i am not going to guess at five oclock in the morning with my
|
||
brains frying and sputtering in my head if you want me to guess you
|
||
must ask me to dinner
|
||
|
||
well then ill tell you said stryver coming slowly into a sitting
|
||
posture sydney i rather despair of making myself intelligible to you
|
||
because you are such an insensible dog
|
||
|
||
and you returned sydney busy concocting the punch are such a
|
||
sensitive and poetical spirit
|
||
|
||
come rejoined stryver laughing boastfully though i dont prefer
|
||
any claim to being the soul of romance for i hope i know better
|
||
still i am a tenderer sort of fellow than _you_
|
||
|
||
you are a luckier if you mean that
|
||
|
||
i dont mean that i mean i am a man of more more
|
||
|
||
say gallantry while you are about it suggested carton
|
||
|
||
well ill say gallantry my meaning is that i am a man said
|
||
stryver inflating himself at his friend as he made the punch
|
||
who cares more to be agreeable who takes more pains to be agreeable
|
||
who knows better how to be agreeable in a womans society than you do
|
||
|
||
go on said sydney carton
|
||
|
||
no but before i go on said stryver shaking his head in his bullying
|
||
way ill have this out with you youve been at doctor manettes
|
||
house as much as i have or more than i have why i have been ashamed
|
||
of your moroseness there your manners have been of that silent and
|
||
sullen and hangdog kind that upon my life and soul i have been
|
||
ashamed of you sydney
|
||
|
||
it should be very beneficial to a man in your practice at the bar
|
||
to be ashamed of anything returned sydney you ought to be much
|
||
obliged to me
|
||
|
||
you shall not get off in that way rejoined stryver shouldering the
|
||
rejoinder at him no sydney its my duty to tell you and i tell you
|
||
to your face to do you good that you are a devilish ill conditioned
|
||
fellow in that sort of society you are a disagreeable fellow
|
||
|
||
sydney drank a bumper of the punch he had made and laughed
|
||
|
||
look at me said stryver squaring himself i have less need to
|
||
make myself agreeable than you have being more independent in
|
||
circumstances why do i do it
|
||
|
||
i never saw you do it yet muttered carton
|
||
|
||
i do it because its politic i do it on principle and look at me
|
||
i get on
|
||
|
||
you dont get on with your account of your matrimonial intentions
|
||
answered carton with a careless air i wish you would keep to that
|
||
as to me will you never understand that i am incorrigible
|
||
|
||
he asked the question with some appearance of scorn
|
||
|
||
you have no business to be incorrigible was his friends answer
|
||
delivered in no very soothing tone
|
||
|
||
i have no business to be at all that i know of said sydney carton
|
||
who is the lady
|
||
|
||
now dont let my announcement of the name make you uncomfortable
|
||
sydney said mr stryver preparing him with ostentatious
|
||
friendliness for the disclosure he was about to make because i know
|
||
you dont mean half you say and if you meant it all it would be of
|
||
no importance i make this little preface because you once mentioned
|
||
the young lady to me in slighting terms
|
||
|
||
i did
|
||
|
||
certainly and in these chambers
|
||
|
||
sydney carton looked at his punch and looked at his complacent friend
|
||
drank his punch and looked at his complacent friend
|
||
|
||
you made mention of the young lady as a golden haired doll the young
|
||
lady is miss manette if you had been a fellow of any sensitiveness or
|
||
delicacy of feeling in that kind of way sydney i might have been a
|
||
little resentful of your employing such a designation but you are not
|
||
you want that sense altogether therefore i am no more annoyed when i
|
||
think of the expression than i should be annoyed by a mans opinion of
|
||
a picture of mine who had no eye for pictures or of a piece of music
|
||
of mine who had no ear for music
|
||
|
||
sydney carton drank the punch at a great rate drank it by bumpers
|
||
looking at his friend
|
||
|
||
now you know all about it syd said mr stryver i dont care
|
||
about fortune she is a charming creature and i have made up my mind
|
||
to please myself on the whole i think i can afford to please myself
|
||
she will have in me a man already pretty well off and a rapidly
|
||
rising man and a man of some distinction it is a piece of good fortune
|
||
for her but she is worthy of good fortune are you astonished
|
||
|
||
carton still drinking the punch rejoined why should i be astonished
|
||
|
||
you approve
|
||
|
||
carton still drinking the punch rejoined why should i not approve
|
||
|
||
well said his friend stryver you take it more easily than i
|
||
fancied you would and are less mercenary on my behalf than i thought
|
||
you would be though to be sure you know well enough by this time
|
||
that your ancient chum is a man of a pretty strong will yes sydney
|
||
i have had enough of this style of life with no other as a change
|
||
from it i feel that it is a pleasant thing for a man to have a home
|
||
when he feels inclined to go to it when he doesnt he can stay away
|
||
and i feel that miss manette will tell well in any station and will
|
||
always do me credit so i have made up my mind and now sydney
|
||
old boy i want to say a word to _you_ about _your_ prospects you are
|
||
in a bad way you know you really are in a bad way you dont know
|
||
the value of money you live hard youll knock up one of these days
|
||
and be ill and poor you really ought to think about a nurse
|
||
|
||
the prosperous patronage with which he said it made him look twice
|
||
as big as he was and four times as offensive
|
||
|
||
now let me recommend you pursued stryver to look it in the face
|
||
i have looked it in the face in my different way look it in the face
|
||
you in your different way marry provide somebody to take care of you
|
||
never mind your having no enjoyment of womens society nor understanding
|
||
of it nor tact for it find out somebody find out some respectable
|
||
woman with a little property somebody in the landlady way or
|
||
lodging letting way and marry her against a rainy day thats the
|
||
kind of thing for _you_ now think of it sydney
|
||
|
||
ill think of it said sydney
|
||
|
||
|
||
|
||
xii
|
||
|
||
the fellow of delicacy
|
||
|
||
|
||
mr stryver having made up his mind to that magnanimous bestowal of
|
||
good fortune on the doctors daughter resolved to make her happiness
|
||
known to her before he left town for the long vacation after some
|
||
mental debating of the point he came to the conclusion that it would
|
||
be as well to get all the preliminaries done with and they could
|
||
then arrange at their leisure whether he should give her his hand a
|
||
week or two before michaelmas term or in the little christmas vacation
|
||
between it and hilary
|
||
|
||
as to the strength of his case he had not a doubt about it but
|
||
clearly saw his way to the verdict argued with the jury on substantial
|
||
worldly grounds the only grounds ever worth taking into account
|
||
it was a plain case and had not a weak spot in it he called himself
|
||
for the plaintiff there was no getting over his evidence the counsel
|
||
for the defendant threw up his brief and the jury did not even turn
|
||
to consider after trying it stryver c j was satisfied that no
|
||
plainer case could be
|
||
|
||
accordingly mr stryver inaugurated the long vacation with a
|
||
formal proposal to take miss manette to vauxhall gardens that failing
|
||
to ranelagh that unaccountably failing too it behoved him to present
|
||
himself in soho and there declare his noble mind
|
||
|
||
towards soho therefore mr stryver shouldered his way from the
|
||
temple while the bloom of the long vacations infancy was still upon
|
||
it anybody who had seen him projecting himself into soho while he
|
||
was yet on saint dunstans side of temple bar bursting in his
|
||
full blown way along the pavement to the jostlement of all weaker
|
||
people might have seen how safe and strong he was
|
||
|
||
his way taking him past tellsons and he both banking at tellsons
|
||
and knowing mr lorry as the intimate friend of the manettes it
|
||
entered mr stryvers mind to enter the bank and reveal to mr lorry
|
||
the brightness of the soho horizon so he pushed open the door with
|
||
the weak rattle in its throat stumbled down the two steps got past
|
||
the two ancient cashiers and shouldered himself into the musty back
|
||
closet where mr lorry sat at great books ruled for figures with
|
||
perpendicular iron bars to his window as if that were ruled for
|
||
figures too and everything under the clouds were a sum
|
||
|
||
halloa said mr stryver how do you do i hope you are well
|
||
|
||
it was stryvers grand peculiarity that he always seemed too big for
|
||
any place or space he was so much too big for tellsons that
|
||
old clerks in distant corners looked up with looks of remonstrance
|
||
as though he squeezed them against the wall the house itself
|
||
magnificently reading the paper quite in the far off perspective
|
||
lowered displeased as if the stryver head had been butted into its
|
||
responsible waistcoat
|
||
|
||
the discreet mr lorry said in a sample tone of the voice he would
|
||
recommend under the circumstances how do you do mr stryver
|
||
how do you do sir and shook hands there was a peculiarity in his
|
||
manner of shaking hands always to be seen in any clerk at tellsons
|
||
who shook hands with a customer when the house pervaded the air
|
||
he shook in a self abnegating way as one who shook for tellson and co
|
||
|
||
can i do anything for you mr stryver asked mr lorry in his
|
||
business character
|
||
|
||
why no thank you this is a private visit to yourself mr lorry
|
||
i have come for a private word
|
||
|
||
oh indeed said mr lorry bending down his ear while his eye
|
||
strayed to the house afar off
|
||
|
||
i am going said mr stryver leaning his arms confidentially on the
|
||
desk whereupon although it was a large double one there appeared to
|
||
be not half desk enough for him i am going to make an offer of myself
|
||
in marriage to your agreeable little friend miss manette mr lorry
|
||
|
||
oh dear me cried mr lorry rubbing his chin and looking at his
|
||
visitor dubiously
|
||
|
||
oh dear me sir repeated stryver drawing back oh dear you sir
|
||
what may your meaning be mr lorry
|
||
|
||
my meaning answered the man of business is of course friendly
|
||
and appreciative and that it does you the greatest credit and
|
||
in short my meaning is everything you could desire but really you
|
||
know mr stryver mr lorry paused and shook his head at him in
|
||
the oddest manner as if he were compelled against his will to add
|
||
internally you know there really is so much too much of you
|
||
|
||
well said stryver slapping the desk with his contentious hand
|
||
opening his eyes wider and taking a long breath if i understand
|
||
you mr lorry ill be hanged
|
||
|
||
mr lorry adjusted his little wig at both ears as a means towards
|
||
that end and bit the feather of a pen
|
||
|
||
d n it all sir said stryver staring at him am i not eligible
|
||
|
||
oh dear yes yes oh yes youre eligible said mr lorry if you
|
||
say eligible you are eligible
|
||
|
||
am i not prosperous asked stryver
|
||
|
||
oh if you come to prosperous you are prosperous said mr lorry
|
||
|
||
and advancing
|
||
|
||
if you come to advancing you know said mr lorry delighted to be
|
||
able to make another admission nobody can doubt that
|
||
|
||
then what on earth is your meaning mr lorry demanded stryver
|
||
perceptibly crestfallen
|
||
|
||
well i were you going there now asked mr lorry
|
||
|
||
straight said stryver with a plump of his fist on the desk
|
||
|
||
then i think i wouldnt if i was you
|
||
|
||
why said stryver now ill put you in a corner forensically
|
||
shaking a forefinger at him you are a man of business and bound
|
||
to have a reason state your reason why wouldnt you go
|
||
|
||
because said mr lorry i wouldnt go on such an object without
|
||
having some cause to believe that i should succeed
|
||
|
||
d n _me_ cried stryver but this beats everything
|
||
|
||
mr lorry glanced at the distant house and glanced at the angry stryver
|
||
|
||
heres a man of business a man of years a man of experience
|
||
_in_ a bank said stryver and having summed up three leading reasons
|
||
for complete success he says theres no reason at all says it with
|
||
his head on mr stryver remarked upon the peculiarity as if it would
|
||
have been infinitely less remarkable if he had said it with his head off
|
||
|
||
when i speak of success i speak of success with the young lady and
|
||
when i speak of causes and reasons to make success probable i speak
|
||
of causes and reasons that will tell as such with the young lady
|
||
the young lady my good sir said mr lorry mildly tapping the
|
||
stryver arm the young lady the young lady goes before all
|
||
|
||
then you mean to tell me mr lorry said stryver squaring his
|
||
elbows that it is your deliberate opinion that the young lady at
|
||
present in question is a mincing fool
|
||
|
||
not exactly so i mean to tell you mr stryver said mr lorry
|
||
reddening that i will hear no disrespectful word of that young lady
|
||
from any lips and that if i knew any man which i hope i do not
|
||
whose taste was so coarse and whose temper was so overbearing
|
||
that he could not restrain himself from speaking disrespectfully of
|
||
that young lady at this desk not even tellsons should prevent my
|
||
giving him a piece of my mind
|
||
|
||
the necessity of being angry in a suppressed tone had put mr stryvers
|
||
blood vessels into a dangerous state when it was his turn to be angry
|
||
mr lorrys veins methodical as their courses could usually be
|
||
were in no better state now it was his turn
|
||
|
||
that is what i mean to tell you sir said mr lorry
|
||
pray let there be no mistake about it
|
||
|
||
mr stryver sucked the end of a ruler for a little while and then
|
||
stood hitting a tune out of his teeth with it which probably gave
|
||
him the toothache he broke the awkward silence by saying
|
||
|
||
this is something new to me mr lorry you deliberately advise
|
||
me not to go up to soho and offer myself _my_self stryver of
|
||
the kings bench bar
|
||
|
||
do you ask me for my advice mr stryver
|
||
|
||
yes i do
|
||
|
||
very good then i give it and you have repeated it correctly
|
||
|
||
and all i can say of it is laughed stryver with a vexed laugh
|
||
that this ha ha beats everything past present and to come
|
||
|
||
now understand me pursued mr lorry as a man of business i
|
||
am not justified in saying anything about this matter for as a man
|
||
of business i know nothing of it but as an old fellow who has
|
||
carried miss manette in his arms who is the trusted friend of
|
||
miss manette and of her father too and who has a great affection for
|
||
them both i have spoken the confidence is not of my seeking
|
||
recollect now you think i may not be right
|
||
|
||
not i said stryver whistling i cant undertake to find third
|
||
parties in common sense i can only find it for myself i suppose
|
||
sense in certain quarters you suppose mincing bread and butter
|
||
nonsense its new to me but you are right i dare say
|
||
|
||
what i suppose mr stryver i claim to characterise for myself and
|
||
understand me sir said mr lorry quickly flushing again
|
||
i will not not even at tellsons have it characterised for me by any
|
||
gentleman breathing
|
||
|
||
there i beg your pardon said stryver
|
||
|
||
granted thank you well mr stryver i was about to say it
|
||
might be painful to you to find yourself mistaken it might be painful
|
||
to doctor manette to have the task of being explicit with you it
|
||
might be very painful to miss manette to have the task of being
|
||
explicit with you you know the terms upon which i have the honour
|
||
and happiness to stand with the family if you please committing you
|
||
in no way representing you in no way i will undertake to correct my
|
||
advice by the exercise of a little new observation and judgment expressly
|
||
brought to bear upon it if you should then be dissatisfied with it
|
||
you can but test its soundness for yourself if on the other hand
|
||
you should be satisfied with it and it should be what it now is
|
||
it may spare all sides what is best spared what do you say
|
||
|
||
how long would you keep me in town
|
||
|
||
oh it is only a question of a few hours i could go to soho in the
|
||
evening and come to your chambers afterwards
|
||
|
||
then i say yes said stryver i wont go up there now i am not
|
||
so hot upon it as that comes to i say yes and i shall expect you
|
||
to look in to night good morning
|
||
|
||
then mr stryver turned and burst out of the bank causing such a
|
||
concussion of air on his passage through that to stand up against it
|
||
bowing behind the two counters required the utmost remaining strength
|
||
of the two ancient clerks those venerable and feeble persons were
|
||
always seen by the public in the act of bowing and were popularly
|
||
believed when they had bowed a customer out still to keep on bowing
|
||
in the empty office until they bowed another customer in
|
||
|
||
the barrister was keen enough to divine that the banker would not
|
||
have gone so far in his expression of opinion on any less solid
|
||
ground than moral certainty unprepared as he was for the large pill
|
||
he had to swallow he got it down and now said mr stryver
|
||
shaking his forensic forefinger at the temple in general when it
|
||
was down my way out of this is to put you all in the wrong
|
||
|
||
it was a bit of the art of an old bailey tactician in which he
|
||
found great relief you shall not put me in the wrong young lady
|
||
said mr stryver ill do that for you
|
||
|
||
accordingly when mr lorry called that night as late as ten oclock
|
||
mr stryver among a quantity of books and papers littered out for
|
||
the purpose seemed to have nothing less on his mind than the subject
|
||
of the morning he even showed surprise when he saw mr lorry and
|
||
was altogether in an absent and preoccupied state
|
||
|
||
well said that good natured emissary after a full half hour of
|
||
bootless attempts to bring him round to the question i have
|
||
been to soho
|
||
|
||
to soho repeated mr stryver coldly oh to be sure
|
||
what am i thinking of
|
||
|
||
and i have no doubt said mr lorry that i was right in the
|
||
conversation we had my opinion is confirmed and i reiterate my advice
|
||
|
||
i assure you returned mr stryver in the friendliest way that i
|
||
am sorry for it on your account and sorry for it on the poor fathers
|
||
account i know this must always be a sore subject with the family
|
||
let us say no more about it
|
||
|
||
i dont understand you said mr lorry
|
||
|
||
i dare say not rejoined stryver nodding his head in a smoothing
|
||
and final way no matter no matter
|
||
|
||
but it does matter mr lorry urged
|
||
|
||
no it doesnt i assure you it doesnt having supposed that there
|
||
was sense where there is no sense and a laudable ambition where there
|
||
is not a laudable ambition i am well out of my mistake and no harm
|
||
is done young women have committed similar follies often before
|
||
and have repented them in poverty and obscurity often before in an
|
||
unselfish aspect i am sorry that the thing is dropped because it
|
||
would have been a bad thing for me in a worldly point of view
|
||
in a selfish aspect i am glad that the thing has dropped because it
|
||
would have been a bad thing for me in a worldly point of view
|
||
it is hardly necessary to say i could have gained nothing by it
|
||
there is no harm at all done i have not proposed to the young lady
|
||
and between ourselves i am by no means certain on reflection
|
||
that i ever should have committed myself to that extent mr lorry
|
||
you cannot control the mincing vanities and giddinesses of
|
||
empty headed girls you must not expect to do it or you will always
|
||
be disappointed now pray say no more about it i tell you
|
||
i regret it on account of others but i am satisfied on my own account
|
||
and i am really very much obliged to you for allowing me to sound you
|
||
and for giving me your advice you know the young lady better
|
||
than i do you were right it never would have done
|
||
|
||
mr lorry was so taken aback that he looked quite stupidly at
|
||
mr stryver shouldering him towards the door with an appearance of
|
||
showering generosity forbearance and goodwill on his erring head
|
||
make the best of it my dear sir said stryver say no more
|
||
about it thank you again for allowing me to sound you good night
|
||
|
||
mr lorry was out in the night before he knew where he was
|
||
mr stryver was lying back on his sofa winking at his ceiling
|
||
|
||
|
||
|
||
xiii
|
||
|
||
the fellow of no delicacy
|
||
|
||
|
||
if sydney carton ever shone anywhere he certainly never shone in the
|
||
house of doctor manette he had been there often during a whole year
|
||
and had always been the same moody and morose lounger there when he
|
||
cared to talk he talked well but the cloud of caring for nothing
|
||
which overshadowed him with such a fatal darkness was very rarely
|
||
pierced by the light within him
|
||
|
||
and yet he did care something for the streets that environed that house
|
||
and for the senseless stones that made their pavements many a night
|
||
he vaguely and unhappily wandered there when wine had brought
|
||
no transitory gladness to him many a dreary daybreak revealed his
|
||
solitary figure lingering there and still lingering there when the first
|
||
beams of the sun brought into strong relief removed beauties of
|
||
architecture in spires of churches and lofty buildings as perhaps
|
||
the quiet time brought some sense of better things else forgotten
|
||
and unattainable into his mind of late the neglected bed in the
|
||
temple court had known him more scantily than ever and often when he
|
||
had thrown himself upon it no longer than a few minutes he had got up
|
||
again and haunted that neighbourhood
|
||
|
||
on a day in august when mr stryver after notifying to his jackal
|
||
that he had thought better of that marrying matter had carried his
|
||
delicacy into devonshire and when the sight and scent of flowers in
|
||
the city streets had some waifs of goodness in them for the worst
|
||
of health for the sickliest and of youth for the oldest sydneys feet
|
||
still trod those stones from being irresolute and purposeless
|
||
his feet became animated by an intention and in the working out of
|
||
that intention they took him to the doctors door
|
||
|
||
he was shown up stairs and found lucie at her work alone she had
|
||
never been quite at her ease with him and received him with some
|
||
little embarrassment as he seated himself near her table but
|
||
looking up at his face in the interchange of the first few
|
||
common places she observed a change in it
|
||
|
||
i fear you are not well mr carton
|
||
|
||
no but the life i lead miss manette is not conducive to health
|
||
what is to be expected of or by such profligates
|
||
|
||
is it not forgive me i have begun the question on my lips a pity
|
||
to live no better life
|
||
|
||
god knows it is a shame
|
||
|
||
then why not change it
|
||
|
||
looking gently at him again she was surprised and saddened to see
|
||
that there were tears in his eyes there were tears in his voice too
|
||
as he answered
|
||
|
||
it is too late for that i shall never be better than i am
|
||
i shall sink lower and be worse
|
||
|
||
he leaned an elbow on her table and covered his eyes with his hand
|
||
the table trembled in the silence that followed
|
||
|
||
she had never seen him softened and was much distressed he knew
|
||
her to be so without looking at her and said
|
||
|
||
pray forgive me miss manette i break down before the knowledge
|
||
of what i want to say to you will you hear me
|
||
|
||
if it will do you any good mr carton if it would make you happier
|
||
it would make me very glad
|
||
|
||
god bless you for your sweet compassion
|
||
|
||
he unshaded his face after a little while and spoke steadily
|
||
|
||
dont be afraid to hear me dont shrink from anything i say
|
||
i am like one who died young all my life might have been
|
||
|
||
no mr carton i am sure that the best part of it might still be
|
||
i am sure that you might be much much worthier of yourself
|
||
|
||
say of you miss manette and although i know better although
|
||
in the mystery of my own wretched heart i know better i shall
|
||
never forget it
|
||
|
||
she was pale and trembling he came to her relief with a fixed
|
||
despair of himself which made the interview unlike any other
|
||
that could have been holden
|
||
|
||
if it had been possible miss manette that you could have returned
|
||
the love of the man you see before yourself flung away wasted
|
||
drunken poor creature of misuse as you know him to be he would have
|
||
been conscious this day and hour in spite of his happiness that he
|
||
would bring you to misery bring you to sorrow and repentance blight
|
||
you disgrace you pull you down with him i know very well that you
|
||
can have no tenderness for me i ask for none i am even thankful
|
||
that it cannot be
|
||
|
||
without it can i not save you mr carton can i not recall you
|
||
forgive me again to a better course can i in no way repay your
|
||
confidence i know this is a confidence she modestly said after a
|
||
little hesitation and in earnest tears i know you would say this to
|
||
no one else can i turn it to no good account for yourself mr carton
|
||
|
||
he shook his head
|
||
|
||
to none no miss manette to none if you will hear me through a
|
||
very little more all you can ever do for me is done i wish you to
|
||
know that you have been the last dream of my soul in my degradation
|
||
i have not been so degraded but that the sight of you with your father
|
||
and of this home made such a home by you has stirred old shadows that
|
||
i thought had died out of me since i knew you i have been troubled
|
||
by a remorse that i thought would never reproach me again and have
|
||
heard whispers from old voices impelling me upward that i thought were
|
||
silent for ever i have had unformed ideas of striving afresh beginning
|
||
anew shaking off sloth and sensuality and fighting out the abandoned
|
||
fight a dream all a dream that ends in nothing and leaves the
|
||
sleeper where he lay down but i wish you to know that you inspired it
|
||
|
||
will nothing of it remain o mr carton think again try again
|
||
|
||
no miss manette all through it i have known myself to be quite
|
||
undeserving and yet i have had the weakness and have still the
|
||
weakness to wish you to know with what a sudden mastery you kindled me
|
||
heap of ashes that i am into fire a fire however inseparable
|
||
in its nature from myself quickening nothing lighting nothing
|
||
doing no service idly burning away
|
||
|
||
since it is my misfortune mr carton to have made you more unhappy
|
||
than you were before you knew me
|
||
|
||
dont say that miss manette for you would have reclaimed me
|
||
if anything could you will not be the cause of my becoming worse
|
||
|
||
since the state of your mind that you describe is at all events
|
||
attributable to some influence of mine this is what i mean
|
||
if i can make it plain can i use no influence to serve you
|
||
have i no power for good with you at all
|
||
|
||
the utmost good that i am capable of now miss manette i have come
|
||
here to realise let me carry through the rest of my misdirected life
|
||
the remembrance that i opened my heart to you last of all the world
|
||
and that there was something left in me at this time which you could
|
||
deplore and pity
|
||
|
||
which i entreated you to believe again and again most fervently
|
||
with all my heart was capable of better things mr carton
|
||
|
||
entreat me to believe it no more miss manette i have proved myself
|
||
and i know better i distress you i draw fast to an end will you let
|
||
me believe when i recall this day that the last confidence of my life
|
||
was reposed in your pure and innocent breast and that it lies there
|
||
alone and will be shared by no one
|
||
|
||
if that will be a consolation to you yes
|
||
|
||
not even by the dearest one ever to be known to you
|
||
|
||
mr carton she answered after an agitated pause the secret is
|
||
yours not mine and i promise to respect it
|
||
|
||
thank you and again god bless you
|
||
|
||
he put her hand to his lips and moved towards the door
|
||
|
||
be under no apprehension miss manette of my ever resuming this
|
||
conversation by so much as a passing word i will never refer to it
|
||
again if i were dead that could not be surer than it is henceforth
|
||
in the hour of my death i shall hold sacred the one good remembrance
|
||
and shall thank and bless you for it that my last avowal of myself was
|
||
made to you and that my name and faults and miseries were gently
|
||
carried in your heart may it otherwise be light and happy
|
||
|
||
he was so unlike what he had ever shown himself to be and it was
|
||
so sad to think how much he had thrown away and how much he every
|
||
day kept down and perverted that lucie manette wept mournfully for
|
||
him as he stood looking back at her
|
||
|
||
be comforted he said i am not worth such feeling miss manette
|
||
an hour or two hence and the low companions and low habits that i scorn
|
||
but yield to will render me less worth such tears as those than any
|
||
wretch who creeps along the streets be comforted but within myself
|
||
i shall always be towards you what i am now though outwardly i shall
|
||
be what you have heretofore seen me the last supplication but one
|
||
i make to you is that you will believe this of me
|
||
|
||
i will mr carton
|
||
|
||
my last supplication of all is this and with it i will relieve
|
||
you of a visitor with whom i well know you have nothing in unison
|
||
and between whom and you there is an impassable space it is useless
|
||
to say it i know but it rises out of my soul for you and for any
|
||
dear to you i would do anything if my career were of that better
|
||
kind that there was any opportunity or capacity of sacrifice in it
|
||
i would embrace any sacrifice for you and for those dear to you
|
||
try to hold me in your mind at some quiet times as ardent and sincere
|
||
in this one thing the time will come the time will not be long
|
||
in coming when new ties will be formed about you ties that will bind
|
||
you yet more tenderly and strongly to the home you so adorn the dearest
|
||
ties that will ever grace and gladden you o miss manette when the
|
||
little picture of a happy fathers face looks up in yours when you
|
||
see your own bright beauty springing up anew at your feet think
|
||
now and then that there is a man who would give his life to keep
|
||
a life you love beside you
|
||
|
||
he said farewell said a last god bless you and left her
|
||
|
||
|
||
|
||
xiv
|
||
|
||
the honest tradesman
|
||
|
||
|
||
to the eyes of mr jeremiah cruncher sitting on his stool in
|
||
fleet street with his grisly urchin beside him a vast number and
|
||
variety of objects in movement were every day presented who could
|
||
sit upon anything in fleet street during the busy hours of the day
|
||
and not be dazed and deafened by two immense processions one ever
|
||
tending westward with the sun the other ever tending eastward
|
||
from the sun both ever tending to the plains beyond the range of red
|
||
and purple where the sun goes down
|
||
|
||
with his straw in his mouth mr cruncher sat watching the two streams
|
||
like the heathen rustic who has for several centuries been on duty
|
||
watching one stream saving that jerry had no expectation of their
|
||
ever running dry nor would it have been an expectation of a hopeful
|
||
kind since a small part of his income was derived from the pilotage
|
||
of timid women mostly of a full habit and past the middle term of life
|
||
from tellsons side of the tides to the opposite shore brief as such
|
||
companionship was in every separate instance mr cruncher never
|
||
failed to become so interested in the lady as to express a strong desire
|
||
to have the honour of drinking her very good health and it was from
|
||
the gifts bestowed upon him towards the execution of this benevolent
|
||
purpose that he recruited his finances as just now observed
|
||
|
||
time was when a poet sat upon a stool in a public place and mused
|
||
in the sight of men mr cruncher sitting on a stool in a public place
|
||
but not being a poet mused as little as possible and looked about him
|
||
|
||
it fell out that he was thus engaged in a season when crowds were few
|
||
and belated women few and when his affairs in general were so
|
||
unprosperous as to awaken a strong suspicion in his breast that
|
||
mrs cruncher must have been flopping in some pointed manner when
|
||
an unusual concourse pouring down fleet street westward attracted his
|
||
attention looking that way mr cruncher made out that some kind of
|
||
funeral was coming along and that there was popular objection to this
|
||
funeral which engendered uproar
|
||
|
||
young jerry said mr cruncher turning to his offspring
|
||
its a buryin
|
||
|
||
hooroar father cried young jerry
|
||
|
||
the young gentleman uttered this exultant sound with mysterious
|
||
significance the elder gentleman took the cry so ill that he
|
||
watched his opportunity and smote the young gentleman on the ear
|
||
|
||
what dye mean what are you hooroaring at what do you want to
|
||
conwey to your own father you young rip this boy is a getting
|
||
too many for _me_ said mr cruncher surveying him him and
|
||
his hooroars dont let me hear no more of you or you shall feel
|
||
some more of me dye hear
|
||
|
||
i warnt doing no harm young jerry protested rubbing his cheek
|
||
|
||
drop it then said mr cruncher i wont have none of _your_
|
||
no harms get a top of that there seat and look at the crowd
|
||
|
||
his son obeyed and the crowd approached they were bawling and hissing
|
||
round a dingy hearse and dingy mourning coach in which mourning coach
|
||
there was only one mourner dressed in the dingy trappings that were
|
||
considered essential to the dignity of the position the position
|
||
appeared by no means to please him however with an increasing rabble
|
||
surrounding the coach deriding him making grimaces at him
|
||
and incessantly groaning and calling out yah spies tst yaha
|
||
spies with many compliments too numerous and forcible to repeat
|
||
|
||
funerals had at all times a remarkable attraction for mr cruncher
|
||
he always pricked up his senses and became excited when a funeral
|
||
passed tellsons naturally therefore a funeral with this uncommon
|
||
attendance excited him greatly and he asked of the first man who ran
|
||
against him
|
||
|
||
what is it brother whats it about
|
||
|
||
_i_ dont know said the man spies yaha tst spies
|
||
|
||
he asked another man who is it
|
||
|
||
_i_ dont know returned the man clapping his hands to his mouth
|
||
nevertheless and vociferating in a surprising heat and with the
|
||
greatest ardour spies yaha tst tst spi ies
|
||
|
||
at length a person better informed on the merits of the case
|
||
tumbled against him and from this person he learned that the funeral
|
||
was the funeral of one roger cly
|
||
|
||
was he a spy asked mr cruncher
|
||
|
||
old bailey spy returned his informant yaha tst yah
|
||
old bailey spi i ies
|
||
|
||
why to be sure exclaimed jerry recalling the trial at which he
|
||
had assisted ive seen him dead is he
|
||
|
||
dead as mutton returned the other and cant be too dead
|
||
have em out there spies pull em out there spies
|
||
|
||
the idea was so acceptable in the prevalent absence of any idea
|
||
that the crowd caught it up with eagerness and loudly repeating the
|
||
suggestion to have em out and to pull em out mobbed the two vehicles
|
||
so closely that they came to a stop on the crowds opening the coach
|
||
doors the one mourner scuffled out of himself and was in their hands
|
||
for a moment but he was so alert and made such good use of his time
|
||
that in another moment he was scouring away up a bye street after
|
||
shedding his cloak hat long hatband white pocket handkerchief
|
||
and other symbolical tears
|
||
|
||
these the people tore to pieces and scattered far and wide with
|
||
great enjoyment while the tradesmen hurriedly shut up their shops
|
||
for a crowd in those times stopped at nothing and was a monster
|
||
much dreaded they had already got the length of opening the hearse
|
||
to take the coffin out when some brighter genius proposed instead
|
||
its being escorted to its destination amidst general rejoicing
|
||
practical suggestions being much needed this suggestion too was
|
||
received with acclamation and the coach was immediately filled with
|
||
eight inside and a dozen out while as many people got on the roof of
|
||
the hearse as could by any exercise of ingenuity stick upon it
|
||
among the first of these volunteers was jerry cruncher himself who
|
||
modestly concealed his spiky head from the observation of tellsons
|
||
in the further corner of the mourning coach
|
||
|
||
the officiating undertakers made some protest against these changes
|
||
in the ceremonies but the river being alarmingly near and several
|
||
voices remarking on the efficacy of cold immersion in bringing
|
||
refractory members of the profession to reason the protest was faint
|
||
and brief the remodelled procession started with a chimney sweep
|
||
driving the hearse advised by the regular driver who was perched
|
||
beside him under close inspection for the purpose and with a pieman
|
||
also attended by his cabinet minister driving the mourning coach
|
||
a bear leader a popular street character of the time was impressed
|
||
as an additional ornament before the cavalcade had gone far down
|
||
the strand and his bear who was black and very mangy gave quite
|
||
an undertaking air to that part of the procession in which he walked
|
||
|
||
thus with beer drinking pipe smoking song roaring and infinite
|
||
caricaturing of woe the disorderly procession went its way recruiting
|
||
at every step and all the shops shutting up before it its destination
|
||
was the old church of saint pancras far off in the fields it got
|
||
there in course of time insisted on pouring into the burial ground
|
||
finally accomplished the interment of the deceased roger cly in
|
||
its own way and highly to its own satisfaction
|
||
|
||
the dead man disposed of and the crowd being under the necessity of
|
||
providing some other entertainment for itself another brighter genius
|
||
or perhaps the same conceived the humour of impeaching casual
|
||
passers by as old bailey spies and wreaking vengeance on them
|
||
chase was given to some scores of inoffensive persons who had never
|
||
been near the old bailey in their lives in the realisation of this
|
||
fancy and they were roughly hustled and maltreated the transition
|
||
to the sport of window breaking and thence to the plundering of
|
||
public houses was easy and natural at last after several hours
|
||
when sundry summer houses had been pulled down and some area railings
|
||
had been torn up to arm the more belligerent spirits a rumour got
|
||
about that the guards were coming before this rumour the crowd
|
||
gradually melted away and perhaps the guards came and perhaps they
|
||
never came and this was the usual progress of a mob
|
||
|
||
mr cruncher did not assist at the closing sports but had remained
|
||
behind in the churchyard to confer and condole with the undertakers
|
||
the place had a soothing influence on him he procured a pipe from a
|
||
neighbouring public house and smoked it looking in at the railings
|
||
and maturely considering the spot
|
||
|
||
jerry said mr cruncher apostrophising himself in his usual way
|
||
you see that there cly that day and you see with your own eyes that
|
||
he was a young un and a straight made un
|
||
|
||
having smoked his pipe out and ruminated a little longer he turned
|
||
himself about that he might appear before the hour of closing on his
|
||
station at tellsons whether his meditations on mortality had touched
|
||
his liver or whether his general health had been previously at all
|
||
amiss or whether he desired to show a little attention to an eminent
|
||
man is not so much to the purpose as that he made a short call upon
|
||
his medical adviser a distinguished surgeon on his way back
|
||
|
||
young jerry relieved his father with dutiful interest and reported no
|
||
job in his absence the bank closed the ancient clerks came out the
|
||
usual watch was set and mr cruncher and his son went home to tea
|
||
|
||
now i tell you where it is said mr cruncher to his wife on
|
||
entering if as a honest tradesman my wenturs goes wrong to night
|
||
i shall make sure that youve been praying again me and i shall work
|
||
you for it just the same as if i seen you do it
|
||
|
||
the dejected mrs cruncher shook her head
|
||
|
||
why youre at it afore my face said mr cruncher with signs of
|
||
angry apprehension
|
||
|
||
i am saying nothing
|
||
|
||
well then dont meditate nothing you might as well flop as
|
||
meditate you may as well go again me one way as another
|
||
drop it altogether
|
||
|
||
yes jerry
|
||
|
||
yes jerry repeated mr cruncher sitting down to tea ah
|
||
it _is_ yes jerry thats about it you may say yes jerry
|
||
|
||
mr cruncher had no particular meaning in these sulky corroborations
|
||
but made use of them as people not unfrequently do to express
|
||
general ironical dissatisfaction
|
||
|
||
you and your yes jerry said mr cruncher taking a bite out of his
|
||
bread and butter and seeming to help it down with a large invisible
|
||
oyster out of his saucer ah i think so i believe you
|
||
|
||
you are going out to night asked his decent wife when he took
|
||
another bite
|
||
|
||
yes i am
|
||
|
||
may i go with you father asked his son briskly
|
||
|
||
no you maynt im a going as your mother knows a fishing
|
||
thats where im going to going a fishing
|
||
|
||
your fishing rod gets rayther rusty dont it father
|
||
|
||
never you mind
|
||
|
||
shall you bring any fish home father
|
||
|
||
if i dont youll have short commons to morrow returned that
|
||
gentleman shaking his head thats questions enough for you i
|
||
aint a going out till youve been long abed
|
||
|
||
he devoted himself during the remainder of the evening to keeping
|
||
a most vigilant watch on mrs cruncher and sullenly holding her in
|
||
conversation that she might be prevented from meditating any petitions
|
||
to his disadvantage with this view he urged his son to hold her in
|
||
conversation also and led the unfortunate woman a hard life by dwelling
|
||
on any causes of complaint he could bring against her rather than he
|
||
would leave her for a moment to her own reflections the devoutest
|
||
person could have rendered no greater homage to the efficacy of an honest
|
||
prayer than he did in this distrust of his wife it was as if a
|
||
professed unbeliever in ghosts should be frightened by a ghost story
|
||
|
||
and mind you said mr cruncher no games to morrow if i
|
||
as a honest tradesman succeed in providing a jinte of meat or two
|
||
none of your not touching of it and sticking to bread if i
|
||
as a honest tradesman am able to provide a little beer none of your
|
||
declaring on water when you go to rome do as rome does rome will
|
||
be a ugly customer to you if you dont _i_m your rome you know
|
||
|
||
then he began grumbling again
|
||
|
||
with your flying into the face of your own wittles and drink i dont
|
||
know how scarce you maynt make the wittles and drink here by your
|
||
flopping tricks and your unfeeling conduct look at your boy he _is_
|
||
yourn aint he hes as thin as a lath do you call yourself a
|
||
mother and not know that a mothers first duty is to blow her boy out
|
||
|
||
this touched young jerry on a tender place who adjured his mother to
|
||
perform her first duty and whatever else she did or neglected above
|
||
all things to lay especial stress on the discharge of that maternal
|
||
function so affectingly and delicately indicated by his other parent
|
||
|
||
thus the evening wore away with the cruncher family until young jerry
|
||
was ordered to bed and his mother laid under similar injunctions
|
||
obeyed them mr cruncher beguiled the earlier watches of the night
|
||
with solitary pipes and did not start upon his excursion until nearly
|
||
one oclock towards that small and ghostly hour he rose up from his
|
||
chair took a key out of his pocket opened a locked cupboard and
|
||
brought forth a sack a crowbar of convenient size a rope and chain
|
||
and other fishing tackle of that nature disposing these articles about
|
||
him in skilful manner he bestowed a parting defiance on mrs cruncher
|
||
extinguished the light and went out
|
||
|
||
young jerry who had only made a feint of undressing when he went to bed
|
||
was not long after his father under cover of the darkness he followed
|
||
out of the room followed down the stairs followed down the court
|
||
followed out into the streets he was in no uneasiness concerning
|
||
his getting into the house again for it was full of lodgers and the
|
||
door stood ajar all night
|
||
|
||
impelled by a laudable ambition to study the art and mystery of his
|
||
fathers honest calling young jerry keeping as close to house fronts
|
||
walls and doorways as his eyes were close to one another held his
|
||
honoured parent in view the honoured parent steering northward
|
||
had not gone far when he was joined by another disciple of
|
||
izaak walton and the two trudged on together
|
||
|
||
within half an hour from the first starting they were beyond the
|
||
winking lamps and the more than winking watchmen and were out upon
|
||
a lonely road another fisherman was picked up here and that so
|
||
silently that if young jerry had been superstitious he might have
|
||
supposed the second follower of the gentle craft to have all of a
|
||
sudden split himself into two
|
||
|
||
the three went on and young jerry went on until the three stopped
|
||
under a bank overhanging the road upon the top of the bank was a
|
||
low brick wall surmounted by an iron railing in the shadow of bank
|
||
and wall the three turned out of the road and up a blind lane of which
|
||
the wall there risen to some eight or ten feet high formed one side
|
||
crouching down in a corner peeping up the lane the next object that
|
||
young jerry saw was the form of his honoured parent pretty well
|
||
defined against a watery and clouded moon nimbly scaling an iron
|
||
gate he was soon over and then the second fisherman got over and
|
||
then the third they all dropped softly on the ground within the gate
|
||
and lay there a little listening perhaps then they moved away on
|
||
their hands and knees
|
||
|
||
it was now young jerrys turn to approach the gate which he did
|
||
holding his breath crouching down again in a corner there and looking
|
||
in he made out the three fishermen creeping through some rank grass
|
||
and all the gravestones in the churchyard it was a large churchyard
|
||
that they were in looking on like ghosts in white while the church
|
||
tower itself looked on like the ghost of a monstrous giant they did
|
||
not creep far before they stopped and stood upright and then they
|
||
began to fish
|
||
|
||
they fished with a spade at first presently the honoured parent
|
||
appeared to be adjusting some instrument like a great corkscrew
|
||
whatever tools they worked with they worked hard until the awful
|
||
striking of the church clock so terrified young jerry that he made off
|
||
with his hair as stiff as his fathers
|
||
|
||
but his long cherished desire to know more about these matters not
|
||
only stopped him in his running away but lured him back again they
|
||
were still fishing perseveringly when he peeped in at the gate for
|
||
the second time but now they seemed to have got a bite there was a
|
||
screwing and complaining sound down below and their bent figures were
|
||
strained as if by a weight by slow degrees the weight broke away the
|
||
earth upon it and came to the surface young jerry very well knew what
|
||
it would be but when he saw it and saw his honoured parent about to
|
||
wrench it open he was so frightened being new to the sight that he
|
||
made off again and never stopped until he had run a mile or more
|
||
|
||
he would not have stopped then for anything less necessary than
|
||
breath it being a spectral sort of race that he ran and one highly
|
||
desirable to get to the end of he had a strong idea that the coffin
|
||
he had seen was running after him and pictured as hopping on behind
|
||
him bolt upright upon its narrow end always on the point of
|
||
overtaking him and hopping on at his side perhaps taking his arm it
|
||
was a pursuer to shun it was an inconsistent and ubiquitous fiend
|
||
too for while it was making the whole night behind him dreadful
|
||
he darted out into the roadway to avoid dark alleys fearful of its
|
||
coming hopping out of them like a dropsical boys kite without tail
|
||
and wings it hid in doorways too rubbing its horrible shoulders
|
||
against doors and drawing them up to its ears as if it were laughing
|
||
it got into shadows on the road and lay cunningly on its back to
|
||
trip him up all this time it was incessantly hopping on behind and
|
||
gaining on him so that when the boy got to his own door he had reason
|
||
for being half dead and even then it would not leave him but followed
|
||
him upstairs with a bump on every stair scrambled into bed with him
|
||
and bumped down dead and heavy on his breast when he fell asleep
|
||
|
||
from his oppressed slumber young jerry in his closet was awakened
|
||
after daybreak and before sunrise by the presence of his father in
|
||
the family room something had gone wrong with him at least so
|
||
young jerry inferred from the circumstance of his holding
|
||
mrs cruncher by the ears and knocking the back of her head against
|
||
the head board of the bed
|
||
|
||
i told you i would said mr cruncher and i did
|
||
|
||
jerry jerry jerry his wife implored
|
||
|
||
you oppose yourself to the profit of the business said jerry
|
||
and me and my partners suffer you was to honour and obey
|
||
why the devil dont you
|
||
|
||
i try to be a good wife jerry the poor woman protested with tears
|
||
|
||
is it being a good wife to oppose your husbands business is it
|
||
honouring your husband to dishonour his business is it obeying your
|
||
husband to disobey him on the wital subject of his business
|
||
|
||
you hadnt taken to the dreadful business then jerry
|
||
|
||
its enough for you retorted mr cruncher to be the wife of a
|
||
honest tradesman and not to occupy your female mind with calculations
|
||
when he took to his trade or when he didnt a honouring and obeying
|
||
wife would let his trade alone altogether call yourself a religious
|
||
woman if youre a religious woman give me a irreligious one
|
||
you have no more natral sense of duty than the bed of this here thames
|
||
river has of a pile and similarly it must be knocked into you
|
||
|
||
the altercation was conducted in a low tone of voice and terminated
|
||
in the honest tradesmans kicking off his clay soiled boots and lying
|
||
down at his length on the floor after taking a timid peep at him
|
||
lying on his back with his rusty hands under his head for a pillow
|
||
his son lay down too and fell asleep again
|
||
|
||
there was no fish for breakfast and not much of anything else
|
||
mr cruncher was out of spirits and out of temper and kept an iron
|
||
pot lid by him as a projectile for the correction of mrs cruncher
|
||
in case he should observe any symptoms of her saying grace he was
|
||
brushed and washed at the usual hour and set off with his son to
|
||
pursue his ostensible calling
|
||
|
||
young jerry walking with the stool under his arm at his fathers
|
||
side along sunny and crowded fleet street was a very different
|
||
young jerry from him of the previous night running home through
|
||
darkness and solitude from his grim pursuer his cunning was fresh
|
||
with the day and his qualms were gone with the night in which
|
||
particulars it is not improbable that he had compeers in fleet street
|
||
and the city of london that fine morning
|
||
|
||
father said young jerry as they walked along taking care to
|
||
keep at arms length and to have the stool well between them
|
||
whats a resurrection man
|
||
|
||
mr cruncher came to a stop on the pavement before he answered
|
||
how should i know
|
||
|
||
i thought you knowed everything father said the artless boy
|
||
|
||
hem well returned mr cruncher going on again and lifting off
|
||
his hat to give his spikes free play hes a tradesman
|
||
|
||
whats his goods father asked the brisk young jerry
|
||
|
||
his goods said mr cruncher after turning it over in his mind
|
||
is a branch of scientific goods
|
||
|
||
persons bodies aint it father asked the lively boy
|
||
|
||
i believe it is something of that sort said mr cruncher
|
||
|
||
oh father i should so like to be a resurrection man when im
|
||
quite growed up
|
||
|
||
mr cruncher was soothed but shook his head in a dubious and moral
|
||
way it depends upon how you dewelop your talents be careful
|
||
to dewelop your talents and never to say no more than you can help
|
||
to nobody and theres no telling at the present time what you may
|
||
not come to be fit for as young jerry thus encouraged went on
|
||
a few yards in advance to plant the stool in the shadow of the bar
|
||
mr cruncher added to himself jerry you honest tradesman theres
|
||
hopes wot that boy will yet be a blessing to you and a recompense
|
||
to you for his mother
|
||
|
||
|
||
|
||
xv
|
||
|
||
knitting
|
||
|
||
|
||
there had been earlier drinking than usual in the wine shop of
|
||
monsieur defarge as early as six oclock in the morning sallow
|
||
faces peeping through its barred windows had descried other faces within
|
||
bending over measures of wine monsieur defarge sold a very thin wine
|
||
at the best of times but it would seem to have been an unusually thin
|
||
wine that he sold at this time a sour wine moreover or a souring
|
||
for its influence on the mood of those who drank it was to make them
|
||
gloomy no vivacious bacchanalian flame leaped out of the pressed grape
|
||
of monsieur defarge but a smouldering fire that burnt in the dark
|
||
lay hidden in the dregs of it
|
||
|
||
this had been the third morning in succession on which there had been
|
||
early drinking at the wine shop of monsieur defarge it had begun
|
||
on monday and here was wednesday come there had been more of early
|
||
brooding than drinking for many men had listened and whispered and
|
||
slunk about there from the time of the opening of the door who could
|
||
not have laid a piece of money on the counter to save their souls
|
||
these were to the full as interested in the place however as if
|
||
they could have commanded whole barrels of wine and they glided from
|
||
seat to seat and from corner to corner swallowing talk in lieu
|
||
of drink with greedy looks
|
||
|
||
notwithstanding an unusual flow of company the master of the wine shop
|
||
was not visible he was not missed for nobody who crossed the
|
||
threshold looked for him nobody asked for him nobody wondered to
|
||
see only madame defarge in her seat presiding over the distribution
|
||
of wine with a bowl of battered small coins before her as much defaced
|
||
and beaten out of their original impress as the small coinage of humanity
|
||
from whose ragged pockets they had come
|
||
|
||
a suspended interest and a prevalent absence of mind were perhaps
|
||
observed by the spies who looked in at the wine shop as they looked in
|
||
at every place high and low from the kings palace to the criminals
|
||
gaol games at cards languished players at dominoes musingly built
|
||
towers with them drinkers drew figures on the tables with spilt drops
|
||
of wine madame defarge herself picked out the pattern on her sleeve
|
||
with her toothpick and saw and heard something inaudible and invisible
|
||
a long way off
|
||
|
||
thus saint antoine in this vinous feature of his until midday it
|
||
was high noontide when two dusty men passed through his streets and
|
||
under his swinging lamps of whom one was monsieur defarge the other
|
||
a mender of roads in a blue cap all adust and athirst the two entered
|
||
the wine shop their arrival had lighted a kind of fire in the breast
|
||
of saint antoine fast spreading as they came along which stirred and
|
||
flickered in flames of faces at most doors and windows yet no one
|
||
had followed them and no man spoke when they entered the wine shop
|
||
though the eyes of every man there were turned upon them
|
||
|
||
good day gentlemen said monsieur defarge
|
||
|
||
it may have been a signal for loosening the general tongue
|
||
it elicited an answering chorus of good day
|
||
|
||
it is bad weather gentlemen said defarge shaking his head
|
||
|
||
upon which every man looked at his neighbour and then all cast down
|
||
their eyes and sat silent except one man who got up and went out
|
||
|
||
my wife said defarge aloud addressing madame defarge i have
|
||
travelled certain leagues with this good mender of roads called
|
||
jacques i met him by accident a day and halfs journey out of
|
||
paris he is a good child this mender of roads called jacques
|
||
give him to drink my wife
|
||
|
||
a second man got up and went out madame defarge set wine before the
|
||
mender of roads called jacques who doffed his blue cap to the company
|
||
and drank in the breast of his blouse he carried some coarse dark
|
||
bread he ate of this between whiles and sat munching and drinking
|
||
near madame defarges counter a third man got up and went out
|
||
|
||
defarge refreshed himself with a draught of wine but he took less
|
||
than was given to the stranger as being himself a man to whom it was
|
||
no rarity and stood waiting until the countryman had made his breakfast
|
||
he looked at no one present and no one now looked at him not even
|
||
madame defarge who had taken up her knitting and was at work
|
||
|
||
have you finished your repast friend he asked in due season
|
||
|
||
yes thank you
|
||
|
||
come then you shall see the apartment that i told you you could
|
||
occupy it will suit you to a marvel
|
||
|
||
out of the wine shop into the street out of the street into a
|
||
courtyard out of the courtyard up a steep staircase out of the
|
||
staircase into a garret formerly the garret where a white haired
|
||
man sat on a low bench stooping forward and very busy making shoes
|
||
|
||
no white haired man was there now but the three men were there
|
||
who had gone out of the wine shop singly and between them and the
|
||
white haired man afar off was the one small link that they had once
|
||
looked in at him through the chinks in the wall
|
||
|
||
defarge closed the door carefully and spoke in a subdued voice
|
||
|
||
jacques one jacques two jacques three this is the witness
|
||
encountered by appointment by me jacques four he will tell you all
|
||
speak jacques five
|
||
|
||
the mender of roads blue cap in hand wiped his swarthy forehead with
|
||
it and said where shall i commence monsieur
|
||
|
||
commence was monsieur defarges not unreasonable reply at the
|
||
commencement
|
||
|
||
i saw him then messieurs began the mender of roads a year ago
|
||
this running summer underneath the carriage of the marquis hanging by
|
||
the chain behold the manner of it i leaving my work on the road
|
||
the sun going to bed the carriage of the marquis slowly ascending
|
||
the hill he hanging by the chain like this
|
||
|
||
again the mender of roads went through the whole performance in which
|
||
he ought to have been perfect by that time seeing that it had been
|
||
the infallible resource and indispensable entertainment of his village
|
||
during a whole year
|
||
|
||
jacques one struck in and asked if he had ever seen the man before
|
||
|
||
never answered the mender of roads recovering his perpendicular
|
||
|
||
jacques three demanded how he afterwards recognised him then
|
||
|
||
by his tall figure said the mender of roads softly and with his
|
||
finger at his nose when monsieur the marquis demands that evening
|
||
say what is he like i make response `tall as a spectre
|
||
|
||
you should have said short as a dwarf returned jacques two
|
||
|
||
but what did i know the deed was not then accomplished neither did
|
||
he confide in me observe under those circumstances even i do not
|
||
offer my testimony monsieur the marquis indicates me with his finger
|
||
standing near our little fountain and says `to me bring that rascal
|
||
my faith messieurs i offer nothing
|
||
|
||
he is right there jacques murmured defarge to him who had
|
||
interrupted go on
|
||
|
||
good said the mender of roads with an air of mystery the tall
|
||
man is lost and he is sought how many months nine ten eleven
|
||
|
||
no matter the number said defarge he is well hidden but at last
|
||
he is unluckily found go on
|
||
|
||
i am again at work upon the hill side and the sun is again about to
|
||
go to bed i am collecting my tools to descend to my cottage down in
|
||
the village below where it is already dark when i raise my eyes
|
||
and see coming over the hill six soldiers in the midst of them
|
||
is a tall man with his arms bound tied to his sides like this
|
||
|
||
with the aid of his indispensable cap he represented a man with his
|
||
elbows bound fast at his hips with cords that were knotted behind him
|
||
|
||
i stand aside messieurs by my heap of stones to see the soldiers
|
||
and their prisoner pass for it is a solitary road that where any
|
||
spectacle is well worth looking at and at first as they approach
|
||
i see no more than that they are six soldiers with a tall man bound
|
||
and that they are almost black to my sight except on the side of the
|
||
sun going to bed where they have a red edge messieurs also i see
|
||
that their long shadows are on the hollow ridge on the opposite side
|
||
of the road and are on the hill above it and are like the shadows of
|
||
giants also i see that they are covered with dust and that the dust
|
||
moves with them as they come tramp tramp but when they advance
|
||
quite near to me i recognise the tall man and he recognises me
|
||
ah but he would be well content to precipitate himself over the
|
||
hill side once again as on the evening when he and i first encountered
|
||
close to the same spot
|
||
|
||
he described it as if he were there and it was evident that he saw
|
||
it vividly perhaps he had not seen much in his life
|
||
|
||
i do not show the soldiers that i recognise the tall man he does
|
||
not show the soldiers that he recognises me we do it and we know it
|
||
with our eyes `come on says the chief of that company pointing to
|
||
the village `bring him fast to his tomb and they bring him faster
|
||
i follow his arms are swelled because of being bound so tight his
|
||
wooden shoes are large and clumsy and he is lame because he is lame
|
||
and consequently slow they drive him with their guns like this
|
||
|
||
he imitated the action of a mans being impelled forward by the
|
||
butt ends of muskets
|
||
|
||
as they descend the hill like madmen running a race he falls
|
||
they laugh and pick him up again his face is bleeding and covered with
|
||
dust but he cannot touch it thereupon they laugh again they bring
|
||
him into the village all the village runs to look they take him past
|
||
the mill and up to the prison all the village sees the prison gate
|
||
open in the darkness of the night and swallow him like this
|
||
|
||
he opened his mouth as wide as he could and shut it with a sounding
|
||
snap of his teeth observant of his unwillingness to mar the effect
|
||
by opening it again defarge said go on jacques
|
||
|
||
all the village pursued the mender of roads on tiptoe and in a
|
||
low voice withdraws all the village whispers by the fountain
|
||
all the village sleeps all the village dreams of that unhappy one
|
||
within the locks and bars of the prison on the crag and never to come
|
||
out of it except to perish in the morning with my tools upon my
|
||
shoulder eating my morsel of black bread as i go i make a circuit
|
||
by the prison on my way to my work there i see him high up
|
||
behind the bars of a lofty iron cage bloody and dusty as last night
|
||
looking through he has no hand free to wave to me i dare not call
|
||
to him he regards me like a dead man
|
||
|
||
defarge and the three glanced darkly at one another the looks of
|
||
all of them were dark repressed and revengeful as they listened to
|
||
the countrymans story the manner of all of them while it was secret
|
||
was authoritative too they had the air of a rough tribunal jacques
|
||
one and two sitting on the old pallet bed each with his chin resting
|
||
on his hand and his eyes intent on the road mender jacques three
|
||
equally intent on one knee behind them with his agitated hand always
|
||
gliding over the network of fine nerves about his mouth and nose
|
||
defarge standing between them and the narrator whom he had stationed
|
||
in the light of the window by turns looking from him to them and
|
||
from them to him
|
||
|
||
go on jacques said defarge
|
||
|
||
he remains up there in his iron cage some days the village looks
|
||
at him by stealth for it is afraid but it always looks up from
|
||
a distance at the prison on the crag and in the evening when the
|
||
work of the day is achieved and it assembles to gossip at the fountain
|
||
all faces are turned towards the prison formerly they were turned
|
||
towards the posting house now they are turned towards the prison
|
||
they whisper at the fountain that although condemned to death he will
|
||
not be executed they say that petitions have been presented in paris
|
||
showing that he was enraged and made mad by the death of his child
|
||
they say that a petition has been presented to the king himself
|
||
what do i know it is possible perhaps yes perhaps no
|
||
|
||
listen then jacques number one of that name sternly interposed
|
||
know that a petition was presented to the king and queen all here
|
||
yourself excepted saw the king take it in his carriage in the street
|
||
sitting beside the queen it is defarge whom you see here who
|
||
at the hazard of his life darted out before the horses with the
|
||
petition in his hand
|
||
|
||
and once again listen jacques said the kneeling number three
|
||
his fingers ever wandering over and over those fine nerves with a
|
||
strikingly greedy air as if he hungered for something that was
|
||
neither food nor drink the guard horse and foot surrounded
|
||
the petitioner and struck him blows you hear
|
||
|
||
i hear messieurs
|
||
|
||
go on then said defarge
|
||
|
||
again on the other hand they whisper at the fountain resumed the
|
||
countryman that he is brought down into our country to be executed
|
||
on the spot and that he will very certainly be executed they even
|
||
whisper that because he has slain monseigneur and because monseigneur
|
||
was the father of his tenants serfs what you will he will be
|
||
executed as a parricide one old man says at the fountain that his
|
||
right hand armed with the knife will be burnt off before his face
|
||
that into wounds which will be made in his arms his breast
|
||
and his legs there will be poured boiling oil melted lead hot resin
|
||
wax and sulphur finally that he will be torn limb from limb by four
|
||
strong horses that old man says all this was actually done to a
|
||
prisoner who made an attempt on the life of the late king
|
||
louis fifteen but how do i know if he lies i am not a scholar
|
||
|
||
listen once again then jacques said the man with the restless hand
|
||
and the craving air the name of that prisoner was damiens and it
|
||
was all done in open day in the open streets of this city of paris
|
||
and nothing was more noticed in the vast concourse that saw it done
|
||
than the crowd of ladies of quality and fashion who were full of eager
|
||
attention to the last to the last jacques prolonged until nightfall
|
||
when he had lost two legs and an arm and still breathed and it
|
||
was done why how old are you
|
||
|
||
thirty five said the mender of roads who looked sixty
|
||
|
||
it was done when you were more than ten years old you might
|
||
have seen it
|
||
|
||
enough said defarge with grim impatience long live the devil
|
||
go on
|
||
|
||
well some whisper this some whisper that they speak of nothing else
|
||
even the fountain appears to fall to that tune at length on sunday
|
||
night when all the village is asleep come soldiers winding down from
|
||
the prison and their guns ring on the stones of the little street
|
||
workmen dig workmen hammer soldiers laugh and sing in the morning
|
||
by the fountain there is raised a gallows forty feet high poisoning
|
||
the water
|
||
|
||
the mender of roads looked _through_ rather than _at_ the low ceiling
|
||
and pointed as if he saw the gallows somewhere in the sky
|
||
|
||
all work is stopped all assemble there nobody leads the cows out
|
||
the cows are there with the rest at midday the roll of drums
|
||
soldiers have marched into the prison in the night and he is in the
|
||
midst of many soldiers he is bound as before and in his mouth there
|
||
is a gag tied so with a tight string making him look almost as if he
|
||
laughed he suggested it by creasing his face with his two thumbs
|
||
from the corners of his mouth to his ears on the top of the gallows
|
||
is fixed the knife blade upwards with its point in the air he is
|
||
hanged there forty feet high and is left hanging poisoning the water
|
||
|
||
they looked at one another as he used his blue cap to wipe his face
|
||
on which the perspiration had started afresh while he recalled the
|
||
spectacle
|
||
|
||
it is frightful messieurs how can the women and the children draw
|
||
water who can gossip of an evening under that shadow under it
|
||
have i said when i left the village monday evening as the sun was
|
||
going to bed and looked back from the hill the shadow struck across
|
||
the church across the mill across the prison seemed to strike across
|
||
the earth messieurs to where the sky rests upon it
|
||
|
||
the hungry man gnawed one of his fingers as he looked at the other
|
||
three and his finger quivered with the craving that was on him
|
||
|
||
thats all messieurs i left at sunset as i had been warned to do
|
||
and i walked on that night and half next day until i met as i was
|
||
warned i should this comrade with him i came on now riding and
|
||
now walking through the rest of yesterday and through last night
|
||
and here you see me
|
||
|
||
after a gloomy silence the first jacques said good you have
|
||
acted and recounted faithfully will you wait for us a little
|
||
outside the door
|
||
|
||
very willingly said the mender of roads whom defarge escorted
|
||
to the top of the stairs and leaving seated there returned
|
||
|
||
the three had risen and their heads were together when he came
|
||
back to the garret
|
||
|
||
how say you jacques demanded number one to be registered
|
||
|
||
to be registered as doomed to destruction returned defarge
|
||
|
||
magnificent croaked the man with the craving
|
||
|
||
the chateau and all the race inquired the first
|
||
|
||
the chateau and all the race returned defarge extermination
|
||
|
||
the hungry man repeated in a rapturous croak magnificent and began
|
||
gnawing another finger
|
||
|
||
are you sure asked jacques two of defarge that no embarrassment
|
||
can arise from our manner of keeping the register without doubt it
|
||
is safe for no one beyond ourselves can decipher it but shall we
|
||
always be able to decipher it or i ought to say will she
|
||
|
||
jacques returned defarge drawing himself up if madame my wife
|
||
undertook to keep the register in her memory alone she would not
|
||
lose a word of it not a syllable of it knitted in her own stitches
|
||
and her own symbols it will always be as plain to her as the sun
|
||
confide in madame defarge it would be easier for the weakest poltroon
|
||
that lives to erase himself from existence than to erase one letter
|
||
of his name or crimes from the knitted register of madame defarge
|
||
|
||
there was a murmur of confidence and approval and then the man who
|
||
hungered asked is this rustic to be sent back soon i hope so
|
||
he is very simple is he not a little dangerous
|
||
|
||
he knows nothing said defarge at least nothing more than would
|
||
easily elevate himself to a gallows of the same height i charge myself
|
||
with him let him remain with me i will take care of him and set him
|
||
on his road he wishes to see the fine world the king the queen and
|
||
court let him see them on sunday
|
||
|
||
what exclaimed the hungry man staring is it a good sign that
|
||
he wishes to see royalty and nobility
|
||
|
||
jacques said defarge judiciously show a cat milk if you wish
|
||
her to thirst for it judiciously show a dog his natural prey
|
||
if you wish him to bring it down one day
|
||
|
||
nothing more was said and the mender of roads being found already
|
||
dozing on the topmost stair was advised to lay himself down on the
|
||
pallet bed and take some rest he needed no persuasion
|
||
and was soon asleep
|
||
|
||
worse quarters than defarges wine shop could easily have been found
|
||
in paris for a provincial slave of that degree saving for a mysterious
|
||
dread of madame by which he was constantly haunted his life was very
|
||
new and agreeable but madame sat all day at her counter so expressly
|
||
unconscious of him and so particularly determined not to perceive that
|
||
his being there had any connection with anything below the surface
|
||
that he shook in his wooden shoes whenever his eye lighted on her
|
||
for he contended with himself that it was impossible to foresee what
|
||
that lady might pretend next and he felt assured that if she should
|
||
take it into her brightly ornamented head to pretend that she had seen
|
||
him do a murder and afterwards flay the victim she would infallibly
|
||
go through with it until the play was played out
|
||
|
||
therefore when sunday came the mender of roads was not enchanted
|
||
though he said he was to find that madame was to accompany monsieur
|
||
and himself to versailles it was additionally disconcerting to have
|
||
madame knitting all the way there in a public conveyance it was
|
||
additionally disconcerting yet to have madame in the crowd in the
|
||
afternoon still with her knitting in her hands as the crowd waited
|
||
to see the carriage of the king and queen
|
||
|
||
you work hard madame said a man near her
|
||
|
||
yes answered madame defarge i have a good deal to do
|
||
|
||
what do you make madame
|
||
|
||
many things
|
||
|
||
for instance
|
||
|
||
for instance returned madame defarge composedly shrouds
|
||
|
||
the man moved a little further away as soon as he could and the
|
||
mender of roads fanned himself with his blue cap feeling it mightily
|
||
close and oppressive if he needed a king and queen to restore him
|
||
he was fortunate in having his remedy at hand for soon the large faced
|
||
king and the fair faced queen came in their golden coach attended by
|
||
the shining bulls eye of their court a glittering multitude of
|
||
laughing ladies and fine lords and in jewels and silks and powder and
|
||
splendour and elegantly spurning figures and handsomely disdainful faces
|
||
of both sexes the mender of roads bathed himself so much to his
|
||
temporary intoxication that he cried long live the king long live
|
||
the queen long live everybody and everything as if he had never
|
||
heard of ubiquitous jacques in his time then there were gardens
|
||
courtyards terraces fountains green banks more king and queen
|
||
more bulls eye more lords and ladies more long live they all until
|
||
he absolutely wept with sentiment during the whole of this scene
|
||
which lasted some three hours he had plenty of shouting and weeping
|
||
and sentimental company and throughout defarge held him by the collar
|
||
as if to restrain him from flying at the objects of his brief devotion
|
||
and tearing them to pieces
|
||
|
||
bravo said defarge clapping him on the back when it was over
|
||
like a patron you are a good boy
|
||
|
||
the mender of roads was now coming to himself and was mistrustful of
|
||
having made a mistake in his late demonstrations but no
|
||
|
||
you are the fellow we want said defarge in his ear you make these
|
||
fools believe that it will last for ever then they are the more
|
||
insolent and it is the nearer ended
|
||
|
||
hey cried the mender of roads reflectively thats true
|
||
|
||
these fools know nothing while they despise your breath and would
|
||
stop it for ever and ever in you or in a hundred like you rather than
|
||
in one of their own horses or dogs they only know what your breath
|
||
tells them let it deceive them then a little longer it cannot
|
||
deceive them too much
|
||
|
||
madame defarge looked superciliously at the client and nodded in
|
||
confirmation
|
||
|
||
as to you said she you would shout and shed tears for anything
|
||
if it made a show and a noise say would you not
|
||
|
||
truly madame i think so for the moment
|
||
|
||
if you were shown a great heap of dolls and were set upon them to
|
||
pluck them to pieces and despoil them for your own advantage you
|
||
would pick out the richest and gayest say would you not
|
||
|
||
truly yes madame
|
||
|
||
yes and if you were shown a flock of birds unable to fly and were
|
||
set upon them to strip them of their feathers for your own advantage
|
||
you would set upon the birds of the finest feathers would you not
|
||
|
||
it is true madame
|
||
|
||
you have seen both dolls and birds to day said madame defarge
|
||
with a wave of her hand towards the place where they had last been
|
||
apparent now go home
|
||
|
||
|
||
|
||
xvi
|
||
|
||
still knitting
|
||
|
||
|
||
madame defarge and monsieur her husband returned amicably to the bosom
|
||
of saint antoine while a speck in a blue cap toiled through the
|
||
darkness and through the dust and down the weary miles of avenue by
|
||
the wayside slowly tending towards that point of the compass where the
|
||
chateau of monsieur the marquis now in his grave listened to the
|
||
whispering trees such ample leisure had the stone faces now for
|
||
listening to the trees and to the fountain that the few village
|
||
scarecrows who in their quest for herbs to eat and fragments of dead
|
||
stick to burn strayed within sight of the great stone courtyard and
|
||
terrace staircase had it borne in upon their starved fancy that the
|
||
expression of the faces was altered a rumour just lived in the
|
||
village had a faint and bare existence there as its people had that
|
||
when the knife struck home the faces changed from faces of pride to
|
||
faces of anger and pain also that when that dangling figure was
|
||
hauled up forty feet above the fountain they changed again and bore
|
||
a cruel look of being avenged which they would henceforth bear
|
||
for ever in the stone face over the great window of the bed chamber
|
||
where the murder was done two fine dints were pointed out in the
|
||
sculptured nose which everybody recognised and which nobody had
|
||
seen of old and on the scarce occasions when two or three ragged
|
||
peasants emerged from the crowd to take a hurried peep at monsieur
|
||
the marquis petrified a skinny finger would not have pointed to it
|
||
for a minute before they all started away among the moss and leaves
|
||
like the more fortunate hares who could find a living there
|
||
|
||
chateau and hut stone face and dangling figure the red stain on the
|
||
stone floor and the pure water in the village well thousands of acres
|
||
of land a whole province of france all france itself lay under the
|
||
night sky concentrated into a faint hair breadth line so does a
|
||
whole world with all its greatnesses and littlenesses lie in a
|
||
twinkling star and as mere human knowledge can split a ray of light
|
||
and analyse the manner of its composition so sublimer intelligences
|
||
may read in the feeble shining of this earth of ours every thought
|
||
and act every vice and virtue of every responsible creature on it
|
||
|
||
the defarges husband and wife came lumbering under the starlight
|
||
in their public vehicle to that gate of paris whereunto their journey
|
||
naturally tended there was the usual stoppage at the barrier
|
||
guardhouse and the usual lanterns came glancing forth for the usual
|
||
examination and inquiry monsieur defarge alighted knowing one or
|
||
two of the soldiery there and one of the police the latter he was
|
||
intimate with and affectionately embraced
|
||
|
||
when saint antoine had again enfolded the defarges in his dusky wings
|
||
and they having finally alighted near the saints boundaries were
|
||
picking their way on foot through the black mud and offal of his streets
|
||
madame defarge spoke to her husband
|
||
|
||
say then my friend what did jacques of the police tell thee
|
||
|
||
very little to night but all he knows there is another spy
|
||
commissioned for our quarter there may be many more for all that
|
||
he can say but he knows of one
|
||
|
||
eh well said madame defarge raising her eyebrows with a cool
|
||
business air it is necessary to register him how do they
|
||
call that man
|
||
|
||
he is english
|
||
|
||
so much the better his name
|
||
|
||
barsad said defarge making it french by pronunciation but
|
||
he had been so careful to get it accurately that he then spelt
|
||
it with perfect correctness
|
||
|
||
barsad repeated madame good christian name
|
||
|
||
john
|
||
|
||
john barsad repeated madame after murmuring it once to herself
|
||
good his appearance is it known
|
||
|
||
age about forty years height about five feet nine black hair
|
||
complexion dark generally rather handsome visage eyes dark face thin
|
||
long and sallow nose aquiline but not straight having a peculiar
|
||
inclination towards the left cheek expression therefore sinister
|
||
|
||
eh my faith it is a portrait said madame laughing he shall
|
||
be registered to morrow
|
||
|
||
they turned into the wine shop which was closed for it was midnight
|
||
and where madame defarge immediately took her post at her desk
|
||
counted the small moneys that had been taken during her absence
|
||
examined the stock went through the entries in the book made other
|
||
entries of her own checked the serving man in every possible way
|
||
and finally dismissed him to bed then she turned out the contents
|
||
of the bowl of money for the second time and began knotting them up
|
||
in her handkerchief in a chain of separate knots for safe keeping
|
||
through the night all this while defarge with his pipe in his mouth
|
||
walked up and down complacently admiring but never interfering
|
||
in which condition indeed as to the business and his domestic affairs
|
||
he walked up and down through life
|
||
|
||
the night was hot and the shop close shut and surrounded by so foul
|
||
a neighbourhood was ill smelling monsieur defarges olfactory
|
||
sense was by no means delicate but the stock of wine smelt much
|
||
stronger than it ever tasted and so did the stock of rum and brandy
|
||
and aniseed he whiffed the compound of scents away as he put down
|
||
his smoked out pipe
|
||
|
||
you are fatigued said madame raising her glance as she knotted
|
||
the money there are only the usual odours
|
||
|
||
i am a little tired her husband acknowledged
|
||
|
||
you are a little depressed too said madame whose quick eyes had
|
||
never been so intent on the accounts but they had had a ray or two
|
||
for him oh the men the men
|
||
|
||
but my dear began defarge
|
||
|
||
but my dear repeated madame nodding firmly but my dear
|
||
you are faint of heart to night my dear
|
||
|
||
well then said defarge as if a thought were wrung out of his breast
|
||
it _is_ a long time
|
||
|
||
it is a long time repeated his wife and when is it not a long time
|
||
vengeance and retribution require a long time it is the rule
|
||
|
||
it does not take a long time to strike a man with lightning
|
||
said defarge
|
||
|
||
how long demanded madame composedly does it take to make and
|
||
store the lightning tell me
|
||
|
||
defarge raised his head thoughtfully as if there were something
|
||
in that too
|
||
|
||
it does not take a long time said madame for an earthquake to swallow
|
||
a town eh well tell me how long it takes to prepare the earthquake
|
||
|
||
a long time i suppose said defarge
|
||
|
||
but when it is ready it takes place and grinds to pieces everything
|
||
before it in the meantime it is always preparing though it is not
|
||
seen or heard that is your consolation keep it
|
||
|
||
she tied a knot with flashing eyes as if it throttled a foe
|
||
|
||
i tell thee said madame extending her right hand for emphasis
|
||
that although it is a long time on the road it is on the road and
|
||
coming i tell thee it never retreats and never stops i tell thee
|
||
it is always advancing look around and consider the lives of all the
|
||
world that we know consider the faces of all the world that we know
|
||
consider the rage and discontent to which the jacquerie addresses itself
|
||
with more and more of certainty every hour can such things last
|
||
bah i mock you
|
||
|
||
my brave wife returned defarge standing before her with his head
|
||
a little bent and his hands clasped at his back like a docile and
|
||
attentive pupil before his catechist i do not question all this
|
||
but it has lasted a long time and it is possible you know well
|
||
my wife it is possible that it may not come during our lives
|
||
|
||
eh well how then demanded madame tying another knot as if
|
||
there were another enemy strangled
|
||
|
||
well said defarge with a half complaining and half apologetic shrug
|
||
we shall not see the triumph
|
||
|
||
we shall have helped it returned madame with her extended hand in
|
||
strong action nothing that we do is done in vain i believe with
|
||
all my soul that we shall see the triumph but even if not even if
|
||
i knew certainly not show me the neck of an aristocrat and tyrant
|
||
and still i would
|
||
|
||
then madame with her teeth set tied a very terrible knot indeed
|
||
|
||
hold cried defarge reddening a little as if he felt charged with
|
||
cowardice i too my dear will stop at nothing
|
||
|
||
yes but it is your weakness that you sometimes need to see your
|
||
victim and your opportunity to sustain you sustain yourself without
|
||
that when the time comes let loose a tiger and a devil but wait
|
||
for the time with the tiger and the devil chained not shown yet
|
||
always ready
|
||
|
||
madame enforced the conclusion of this piece of advice by striking
|
||
her little counter with her chain of money as if she knocked its brains
|
||
out and then gathering the heavy handkerchief under her arm in a
|
||
serene manner and observing that it was time to go to bed
|
||
|
||
next noontide saw the admirable woman in her usual place in the
|
||
wine shop knitting away assiduously a rose lay beside her and
|
||
if she now and then glanced at the flower it was with no infraction
|
||
of her usual preoccupied air there were a few customers drinking
|
||
or not drinking standing or seated sprinkled about the day was
|
||
very hot and heaps of flies who were extending their inquisitive
|
||
and adventurous perquisitions into all the glutinous little glasses
|
||
near madame fell dead at the bottom their decease made no impression
|
||
on the other flies out promenading who looked at them in the coolest
|
||
manner as if they themselves were elephants or something as far
|
||
removed until they met the same fate curious to consider how heedless
|
||
flies are perhaps they thought as much at court that sunny summer day
|
||
|
||
a figure entering at the door threw a shadow on madame defarge which
|
||
she felt to be a new one she laid down her knitting and began to
|
||
pin her rose in her head dress before she looked at the figure
|
||
|
||
it was curious the moment madame defarge took up the rose the
|
||
customers ceased talking and began gradually to drop out of the
|
||
wine shop
|
||
|
||
good day madame said the new comer
|
||
|
||
good day monsieur
|
||
|
||
she said it aloud but added to herself as she resumed her knitting
|
||
hah good day age about forty height about five feet nine black
|
||
hair generally rather handsome visage complexion dark eyes dark
|
||
thin long and sallow face aquiline nose but not straight having a
|
||
peculiar inclination towards the left cheek which imparts a sinister
|
||
expression good day one and all
|
||
|
||
have the goodness to give me a little glass of old cognac and a
|
||
mouthful of cool fresh water madame
|
||
|
||
madame complied with a polite air
|
||
|
||
marvellous cognac this madame
|
||
|
||
it was the first time it had ever been so complemented and madame
|
||
defarge knew enough of its antecedents to know better she said
|
||
however that the cognac was flattered and took up her knitting
|
||
the visitor watched her fingers for a few moments and took the
|
||
opportunity of observing the place in general
|
||
|
||
you knit with great skill madame
|
||
|
||
i am accustomed to it
|
||
|
||
a pretty pattern too
|
||
|
||
_you_ think so said madame looking at him with a smile
|
||
|
||
decidedly may one ask what it is for
|
||
|
||
pastime said madame still looking at him with a smile while her
|
||
fingers moved nimbly
|
||
|
||
not for use
|
||
|
||
that depends i may find a use for it one day if i do well
|
||
said madame drawing a breath and nodding her head with a stern kind
|
||
of coquetry ill use it
|
||
|
||
it was remarkable but the taste of saint antoine seemed to be
|
||
decidedly opposed to a rose on the head dress of madame defarge
|
||
two men had entered separately and had been about to order drink when
|
||
catching sight of that novelty they faltered made a pretence of
|
||
looking about as if for some friend who was not there and went away
|
||
nor of those who had been there when this visitor entered was there one
|
||
left they had all dropped off the spy had kept his eyes open but had
|
||
been able to detect no sign they had lounged away in a poverty stricken
|
||
purposeless accidental manner quite natural and unimpeachable
|
||
|
||
_john_ thought madame checking off her work as her fingers knitted
|
||
and her eyes looked at the stranger stay long enough and i shall
|
||
knit `barsad before you go
|
||
|
||
you have a husband madame
|
||
|
||
i have
|
||
|
||
children
|
||
|
||
no children
|
||
|
||
business seems bad
|
||
|
||
business is very bad the people are so poor
|
||
|
||
ah the unfortunate miserable people so oppressed too as you say
|
||
|
||
as _you_ say madame retorted correcting him and deftly knitting
|
||
an extra something into his name that boded him no good
|
||
|
||
pardon me certainly it was i who said so but you naturally think so
|
||
of course
|
||
|
||
_i_ think returned madame in a high voice i and my husband
|
||
have enough to do to keep this wine shop open without thinking all
|
||
we think here is how to live that is the subject _we_ think of
|
||
and it gives us from morning to night enough to think about without
|
||
embarrassing our heads concerning others _i_ think for others no no
|
||
|
||
the spy who was there to pick up any crumbs he could find or make did
|
||
not allow his baffled state to express itself in his sinister face but
|
||
stood with an air of gossiping gallantry leaning his elbow on madame
|
||
defarges little counter and occasionally sipping his cognac
|
||
|
||
a bad business this madame of gaspards execution ah the poor
|
||
gaspard with a sigh of great compassion
|
||
|
||
my faith returned madame coolly and lightly if people use knives
|
||
for such purposes they have to pay for it he knew beforehand what
|
||
the price of his luxury was he has paid the price
|
||
|
||
i believe said the spy dropping his soft voice to a tone that
|
||
invited confidence and expressing an injured revolutionary
|
||
susceptibility in every muscle of his wicked face i believe there
|
||
is much compassion and anger in this neighbourhood touching the
|
||
poor fellow between ourselves
|
||
|
||
is there asked madame vacantly
|
||
|
||
is there not
|
||
|
||
here is my husband said madame defarge
|
||
|
||
as the keeper of the wine shop entered at the door the spy saluted
|
||
him by touching his hat and saying with an engaging smile good
|
||
day jacques defarge stopped short and stared at him
|
||
|
||
good day jacques the spy repeated with not quite so much
|
||
confidence or quite so easy a smile under the stare
|
||
|
||
you deceive yourself monsieur returned the keeper of the
|
||
wine shop you mistake me for another that is not my name
|
||
i am ernest defarge
|
||
|
||
it is all the same said the spy airily but discomfited too
|
||
good day
|
||
|
||
good day answered defarge drily
|
||
|
||
i was saying to madame with whom i had the pleasure of chatting when
|
||
you entered that they tell me there is and no wonder much sympathy
|
||
and anger in saint antoine touching the unhappy fate of poor gaspard
|
||
|
||
no one has told me so said defarge shaking his head i know
|
||
nothing of it
|
||
|
||
having said it he passed behind the little counter and stood with
|
||
his hand on the back of his wifes chair looking over that barrier
|
||
at the person to whom they were both opposed and whom either of them
|
||
would have shot with the greatest satisfaction
|
||
|
||
the spy well used to his business did not change his unconscious
|
||
attitude but drained his little glass of cognac took a sip of fresh
|
||
water and asked for another glass of cognac madame defarge poured it
|
||
out for him took to her knitting again and hummed a little song over it
|
||
|
||
you seem to know this quarter well that is to say better than i do
|
||
observed defarge
|
||
|
||
not at all but i hope to know it better i am so profoundly interested
|
||
in its miserable inhabitants
|
||
|
||
hah muttered defarge
|
||
|
||
the pleasure of conversing with you monsieur defarge recalls to me
|
||
pursued the spy that i have the honour of cherishing some interesting
|
||
associations with your name
|
||
|
||
indeed said defarge with much indifference
|
||
|
||
yes indeed when doctor manette was released you his old domestic
|
||
had the charge of him i know he was delivered to you you see i am
|
||
informed of the circumstances
|
||
|
||
such is the fact certainly said defarge he had had it conveyed
|
||
to him in an accidental touch of his wifes elbow as she knitted and
|
||
warbled that he would do best to answer but always with brevity
|
||
|
||
it was to you said the spy that his daughter came and it was
|
||
from your care that his daughter took him accompanied by a neat brown
|
||
monsieur how is he called in a little wig lorry of the bank of
|
||
tellson and company over to england
|
||
|
||
such is the fact repeated defarge
|
||
|
||
very interesting remembrances said the spy i have known doctor
|
||
manette and his daughter in england
|
||
|
||
yes said defarge
|
||
|
||
you dont hear much about them now said the spy
|
||
|
||
no said defarge
|
||
|
||
in effect madame struck in looking up from her work and her little
|
||
song we never hear about them we received the news of their safe
|
||
arrival and perhaps another letter or perhaps two but since then
|
||
they have gradually taken their road in life we ours and we have
|
||
held no correspondence
|
||
|
||
perfectly so madame replied the spy she is going to be married
|
||
|
||
going echoed madame she was pretty enough to have been married
|
||
long ago you english are cold it seems to me
|
||
|
||
oh you know i am english
|
||
|
||
i perceive your tongue is returned madame and what the tongue is
|
||
i suppose the man is
|
||
|
||
he did not take the identification as a compliment but he made the
|
||
best of it and turned it off with a laugh after sipping his
|
||
cognac to the end he added
|
||
|
||
yes miss manette is going to be married but not to an englishman
|
||
to one who like herself is french by birth and speaking of gaspard
|
||
ah poor gaspard it was cruel cruel it is a curious thing that
|
||
she is going to marry the nephew of monsieur the marquis for whom
|
||
gaspard was exalted to that height of so many feet in other words
|
||
the present marquis but he lives unknown in england he is no
|
||
marquis there he is mr charles darnay daulnais is the name
|
||
of his mothers family
|
||
|
||
madame defarge knitted steadily but the intelligence had a palpable
|
||
effect upon her husband do what he would behind the little counter
|
||
as to the striking of a light and the lighting of his pipe he was
|
||
troubled and his hand was not trustworthy the spy would have been
|
||
no spy if he had failed to see it or to record it in his mind
|
||
|
||
having made at least this one hit whatever it might prove to be worth
|
||
and no customers coming in to help him to any other mr barsad paid
|
||
for what he had drunk and took his leave taking occasion to say in a
|
||
genteel manner before he departed that he looked forward to the pleasure
|
||
of seeing monsieur and madame defarge again for some minutes after he
|
||
had emerged into the outer presence of saint antoine the husband and
|
||
wife remained exactly as he had left them lest he should come back
|
||
|
||
can it be true said defarge in a low voice looking down at his
|
||
wife as he stood smoking with his hand on the back of her chair what
|
||
he has said of maamselle manette
|
||
|
||
as he has said it returned madame lifting her eyebrows a little
|
||
it is probably false but it may be true
|
||
|
||
if it is defarge began and stopped
|
||
|
||
if it is repeated his wife
|
||
|
||
and if it does come while we live to see it triumph i hope for
|
||
her sake destiny will keep her husband out of france
|
||
|
||
her husbands destiny said madame defarge with her usual composure
|
||
will take him where he is to go and will lead him to the end that is
|
||
to end him that is all i know
|
||
|
||
but it is very strange now at least is it not very strange said
|
||
defarge rather pleading with his wife to induce her to admit it
|
||
that after all our sympathy for monsieur her father and herself
|
||
her husbands name should be proscribed under your hand at this moment
|
||
by the side of that infernal dogs who has just left us
|
||
|
||
stranger things than that will happen when it does come answered
|
||
madame i have them both here of a certainty and they are both
|
||
here for their merits that is enough
|
||
|
||
she rolled up her knitting when she had said those words and presently
|
||
took the rose out of the handkerchief that was wound about her head
|
||
either saint antoine had an instinctive sense that the objectionable
|
||
decoration was gone or saint antoine was on the watch for its
|
||
disappearance howbeit the saint took courage to lounge in very
|
||
shortly afterwards and the wine shop recovered its habitual aspect
|
||
|
||
in the evening at which season of all others saint antoine turned
|
||
himself inside out and sat on door steps and window ledges and
|
||
came to the corners of vile streets and courts for a breath of air
|
||
madame defarge with her work in her hand was accustomed to pass from
|
||
place to place and from group to group a missionary there were
|
||
many like her such as the world will do well never to breed again
|
||
all the women knitted they knitted worthless things but the
|
||
mechanical work was a mechanical substitute for eating and drinking
|
||
the hands moved for the jaws and the digestive apparatus if the bony
|
||
fingers had been still the stomachs would have been more famine pinched
|
||
|
||
but as the fingers went the eyes went and the thoughts and as
|
||
madame defarge moved on from group to group all three went quicker
|
||
and fiercer among every little knot of women that she had spoken with
|
||
and left behind
|
||
|
||
her husband smoked at his door looking after her with admiration
|
||
a great woman said he a strong woman a grand woman a frightfully
|
||
grand woman
|
||
|
||
darkness closed around and then came the ringing of church bells and
|
||
the distant beating of the military drums in the palace courtyard as
|
||
the women sat knitting knitting darkness encompassed them another
|
||
darkness was closing in as surely when the church bells then ringing
|
||
pleasantly in many an airy steeple over france should be melted into
|
||
thundering cannon when the military drums should be beating to drown
|
||
a wretched voice that night all potent as the voice of power and
|
||
plenty freedom and life so much was closing in about the women
|
||
who sat knitting knitting that they their very selves were closing
|
||
in around a structure yet unbuilt where they were to sit knitting
|
||
knitting counting dropping heads
|
||
|
||
|
||
|
||
xvii
|
||
|
||
one night
|
||
|
||
|
||
never did the sun go down with a brighter glory on the quiet corner
|
||
in soho than one memorable evening when the doctor and his daughter
|
||
sat under the plane tree together never did the moon rise with a
|
||
milder radiance over great london than on that night when it found
|
||
them still seated under the tree and shone upon their faces
|
||
through its leaves
|
||
|
||
lucie was to be married to morrow she had reserved this last
|
||
evening for her father and they sat alone under the plane tree
|
||
|
||
you are happy my dear father
|
||
|
||
quite my child
|
||
|
||
they had said little though they had been there a long time when
|
||
it was yet light enough to work and read she had neither engaged
|
||
herself in her usual work nor had she read to him she had employed
|
||
herself in both ways at his side under the tree many and many a time
|
||
but this time was not quite like any other and nothing could make it so
|
||
|
||
and i am very happy to night dear father i am deeply happy in the
|
||
love that heaven has so blessed my love for charles and charless
|
||
love for me but if my life were not to be still consecrated to you
|
||
or if my marriage were so arranged as that it would part us even by
|
||
the length of a few of these streets i should be more unhappy and
|
||
self reproachful now than i can tell you even as it is
|
||
|
||
even as it was she could not command her voice
|
||
|
||
in the sad moonlight she clasped him by the neck and laid her face
|
||
upon his breast in the moonlight which is always sad as the light
|
||
of the sun itself is as the light called human life is at its
|
||
coming and its going
|
||
|
||
dearest dear can you tell me this last time that you feel quite
|
||
quite sure no new affections of mine and no new duties of mine
|
||
will ever interpose between us _i_ know it well but do you know it
|
||
in your own heart do you feel quite certain
|
||
|
||
her father answered with a cheerful firmness of conviction he could
|
||
scarcely have assumed quite sure my darling more than that
|
||
he added as he tenderly kissed her my future is far brighter
|
||
lucie seen through your marriage than it could have been nay
|
||
than it ever was without it
|
||
|
||
if i could hope _that_ my father
|
||
|
||
believe it love indeed it is so consider how natural and how
|
||
plain it is my dear that it should be so you devoted and young
|
||
cannot fully appreciate the anxiety i have felt that your life
|
||
should not be wasted
|
||
|
||
she moved her hand towards his lips but he took it in his
|
||
and repeated the word
|
||
|
||
wasted my child should not be wasted struck aside from the
|
||
natural order of things for my sake your unselfishness cannot
|
||
entirely comprehend how much my mind has gone on this but only ask
|
||
yourself how could my happiness be perfect while yours was incomplete
|
||
|
||
if i had never seen charles my father i should have been quite
|
||
happy with you
|
||
|
||
he smiled at her unconscious admission that she would have been unhappy
|
||
without charles having seen him and replied
|
||
|
||
my child you did see him and it is charles if it had not been
|
||
charles it would have been another or if it had been no other
|
||
i should have been the cause and then the dark part of my life would
|
||
have cast its shadow beyond myself and would have fallen on you
|
||
|
||
it was the first time except at the trial of her ever hearing him refer
|
||
to the period of his suffering it gave her a strange and new sensation
|
||
while his words were in her ears and she remembered it long afterwards
|
||
|
||
see said the doctor of beauvais raising his hand towards the moon
|
||
i have looked at her from my prison window when i could not bear
|
||
her light i have looked at her when it has been such torture to me
|
||
to think of her shining upon what i had lost that i have beaten my
|
||
head against my prison walls i have looked at her in a state so
|
||
dun and lethargic that i have thought of nothing but the number of
|
||
horizontal lines i could draw across her at the full and the number of
|
||
perpendicular lines with which i could intersect them he added in his
|
||
inward and pondering manner as he looked at the moon it was twenty
|
||
either way i remember and the twentieth was difficult to squeeze in
|
||
|
||
the strange thrill with which she heard him go back to that time
|
||
deepened as he dwelt upon it but there was nothing to shock her in
|
||
the manner of his reference he only seemed to contrast his present
|
||
cheerfulness and felicity with the dire endurance that was over
|
||
|
||
i have looked at her speculating thousands of times upon the unborn
|
||
child from whom i had been rent whether it was alive whether it had
|
||
been born alive or the poor mothers shock had killed it whether it
|
||
was a son who would some day avenge his father there was a time in my
|
||
imprisonment when my desire for vengeance was unbearable whether it
|
||
was a son who would never know his fathers story who might even live
|
||
to weigh the possibility of his fathers having disappeared of his own
|
||
will and act whether it was a daughter who would grow to be a woman
|
||
|
||
she drew closer to him and kissed his cheek and his hand
|
||
|
||
i have pictured my daughter to myself as perfectly forgetful of me
|
||
rather altogether ignorant of me and unconscious of me i have
|
||
cast up the years of her age year after year i have seen her married
|
||
to a man who knew nothing of my fate i have altogether perished from
|
||
the remembrance of the living and in the next generation my place
|
||
was a blank
|
||
|
||
my father even to hear that you had such thoughts of a daughter
|
||
who never existed strikes to my heart as if i had been that child
|
||
|
||
you lucie it is out of the consolation and restoration you have
|
||
brought to me that these remembrances arise and pass between us and
|
||
the moon on this last night what did i say just now
|
||
|
||
she knew nothing of you she cared nothing for you
|
||
|
||
so but on other moonlight nights when the sadness and the silence
|
||
have touched me in a different way have affected me with something as
|
||
like a sorrowful sense of peace as any emotion that had pain for its
|
||
foundations could i have imagined her as coming to me in my cell and
|
||
leading me out into the freedom beyond the fortress i have seen her
|
||
image in the moonlight often as i now see you except that i never held
|
||
her in my arms it stood between the little grated window and the door
|
||
but you understand that that was not the child i am speaking of
|
||
|
||
the figure was not the the image the fancy
|
||
|
||
no that was another thing it stood before my disturbed sense of
|
||
sight but it never moved the phantom that my mind pursued was
|
||
another and more real child of her outward appearance i know no more
|
||
than that she was like her mother the other had that likeness too
|
||
as you have but was not the same can you follow me lucie
|
||
hardly i think i doubt you must have been a solitary prisoner to
|
||
understand these perplexed distinctions
|
||
|
||
his collected and calm manner could not prevent her blood from running
|
||
cold as he thus tried to anatomise his old condition
|
||
|
||
in that more peaceful state i have imagined her in the moonlight
|
||
coming to me and taking me out to show me that the home of her married
|
||
life was full of her loving remembrance of her lost father my picture
|
||
was in her room and i was in her prayers her life was active
|
||
cheerful useful but my poor history pervaded it all
|
||
|
||
i was that child my father i was not half so good but in my love
|
||
that was i
|
||
|
||
and she showed me her children said the doctor of beauvais and
|
||
they had heard of me and had been taught to pity me when they
|
||
passed a prison of the state they kept far from its frowning walls
|
||
and looked up at its bars and spoke in whispers she could never
|
||
deliver me i imagined that she always brought me back after showing
|
||
me such things but then blessed with the relief of tears
|
||
i fell upon my knees and blessed her
|
||
|
||
i am that child i hope my father o my dear my dear will you
|
||
bless me as fervently to morrow
|
||
|
||
lucie i recall these old troubles in the reason that i have to night
|
||
for loving you better than words can tell and thanking god for my
|
||
great happiness my thoughts when they were wildest never rose near
|
||
the happiness that i have known with you and that we have before us
|
||
|
||
he embraced her solemnly commended her to heaven and humbly thanked
|
||
heaven for having bestowed her on him by and bye they went
|
||
into the house
|
||
|
||
there was no one bidden to the marriage but mr lorry there was even
|
||
to be no bridesmaid but the gaunt miss pross the marriage was to
|
||
make no change in their place of residence they had been able to
|
||
extend it by taking to themselves the upper rooms formerly belonging
|
||
to the apocryphal invisible lodger and they desired nothing more
|
||
|
||
doctor manette was very cheerful at the little supper they were
|
||
only three at table and miss pross made the third he regretted that
|
||
charles was not there was more than half disposed to object to the
|
||
loving little plot that kept him away and drank to him affectionately
|
||
|
||
so the time came for him to bid lucie good night and they separated
|
||
but in the stillness of the third hour of the morning lucie came
|
||
downstairs again and stole into his room not free from unshaped fears
|
||
beforehand
|
||
|
||
all things however were in their places all was quiet and he lay
|
||
asleep his white hair picturesque on the untroubled pillow and his
|
||
hands lying quiet on the coverlet she put her needless candle in the
|
||
shadow at a distance crept up to his bed and put her lips to his
|
||
then leaned over him and looked at him
|
||
|
||
into his handsome face the bitter waters of captivity had worn but
|
||
he covered up their tracks with a determination so strong that he held
|
||
the mastery of them even in his sleep a more remarkable face in its
|
||
quiet resolute and guarded struggle with an unseen assailant was
|
||
not to be beheld in all the wide dominions of sleep that night
|
||
|
||
she timidly laid her hand on his dear breast and put up a prayer that
|
||
she might ever be as true to him as her love aspired to be and as his
|
||
sorrows deserved then she withdrew her hand and kissed his lips
|
||
once more and went away so the sunrise came and the shadows of
|
||
the leaves of the plane tree moved upon his face as softly as her
|
||
lips had moved in praying for him
|
||
|
||
|
||
|
||
xviii
|
||
|
||
nine days
|
||
|
||
|
||
the marriage day was shining brightly and they were ready outside
|
||
the closed door of the doctors room where he was speaking with
|
||
charles darnay they were ready to go to church the beautiful bride
|
||
mr lorry and miss pross to whom the event through a gradual process
|
||
of reconcilement to the inevitable would have been one of absolute
|
||
bliss but for the yet lingering consideration that her brother
|
||
solomon should have been the bridegroom
|
||
|
||
and so said mr lorry who could not sufficiently admire the bride
|
||
and who had been moving round her to take in every point of her quiet
|
||
pretty dress and so it was for this my sweet lucie that i brought
|
||
you across the channel such a baby lord bless me how little i
|
||
thought what i was doing how lightly i valued the obligation i was
|
||
conferring on my friend mr charles
|
||
|
||
you didnt mean it remarked the matter of fact miss pross and
|
||
therefore how could you know it nonsense
|
||
|
||
really well but dont cry said the gentle mr lorry
|
||
|
||
i am not crying said miss pross _you_ are
|
||
|
||
i my pross by this time mr lorry dared to be pleasant with
|
||
her on occasion
|
||
|
||
you were just now i saw you do it and i dont wonder at it such
|
||
a present of plate as you have made em is enough to bring tears into
|
||
anybodys eyes theres not a fork or a spoon in the collection
|
||
said miss pross that i didnt cry over last night after the box came
|
||
till i couldnt see it
|
||
|
||
i am highly gratified said mr lorry though upon my honour i
|
||
had no intention of rendering those trifling articles of remembrance
|
||
invisible to any one dear me this is an occasion that makes a man
|
||
speculate on all he has lost dear dear dear to think that there
|
||
might have been a mrs lorry any time these fifty years almost
|
||
|
||
not at all from miss pross
|
||
|
||
you think there never might have been a mrs lorry asked the
|
||
gentleman of that name
|
||
|
||
pooh rejoined miss pross you were a bachelor in your cradle
|
||
|
||
well observed mr lorry beamingly adjusting his little wig
|
||
that seems probable too
|
||
|
||
and you were cut out for a bachelor pursued miss pross before
|
||
you were put in your cradle
|
||
|
||
then i think said mr lorry that i was very unhandsomely dealt
|
||
with and that i ought to have had a voice in the selection of my
|
||
pattern enough now my dear lucie drawing his arm soothingly
|
||
round her waist i hear them moving in the next room and miss pross
|
||
and i as two formal folks of business are anxious not to lose the
|
||
final opportunity of saying something to you that you wish to hear
|
||
you leave your good father my dear in hands as earnest and as
|
||
loving as your own he shall be taken every conceivable care of
|
||
during the next fortnight while you are in warwickshire and thereabouts
|
||
even tellsons shall go to the wall comparatively speaking before him
|
||
and when at the fortnights end he comes to join you and your beloved
|
||
husband on your other fortnights trip in wales you shall say that
|
||
we have sent him to you in the best health and in the happiest frame
|
||
now i hear somebodys step coming to the door let me kiss my dear
|
||
girl with an old fashioned bachelor blessing before somebody comes
|
||
to claim his own
|
||
|
||
for a moment he held the fair face from him to look at the
|
||
well remembered expression on the forehead and then laid the bright
|
||
golden hair against his little brown wig with a genuine tenderness and
|
||
delicacy which if such things be old fashioned were as old as adam
|
||
|
||
the door of the doctors room opened and he came out with charles
|
||
darnay he was so deadly pale which had not been the case when they
|
||
went in together that no vestige of colour was to be seen in his face
|
||
but in the composure of his manner he was unaltered except that to
|
||
the shrewd glance of mr lorry it disclosed some shadowy indication
|
||
that the old air of avoidance and dread had lately passed over him
|
||
like a cold wind
|
||
|
||
he gave his arm to his daughter and took her down stairs to the chariot
|
||
which mr lorry had hired in honour of the day the rest followed in
|
||
another carriage and soon in a neighbouring church where no strange
|
||
eyes looked on charles darnay and lucie manette were happily married
|
||
|
||
besides the glancing tears that shone among the smiles of the little
|
||
group when it was done some diamonds very bright and sparkling
|
||
glanced on the brides hand which were newly released from the dark
|
||
obscurity of one of mr lorrys pockets they returned home to
|
||
breakfast and all went well and in due course the golden hair that
|
||
had mingled with the poor shoemakers white locks in the paris garret
|
||
were mingled with them again in the morning sunlight on the threshold
|
||
of the door at parting
|
||
|
||
it was a hard parting though it was not for long but her father
|
||
cheered her and said at last gently disengaging himself from her
|
||
enfolding arms take her charles she is yours
|
||
|
||
and her agitated hand waved to them from a chaise window and
|
||
she was gone
|
||
|
||
the corner being out of the way of the idle and curious and the
|
||
preparations having been very simple and few the doctor mr lorry
|
||
and miss pross were left quite alone it was when they turned into
|
||
the welcome shade of the cool old hall that mr lorry observed a
|
||
great change to have come over the doctor as if the golden arm
|
||
uplifted there had struck him a poisoned blow
|
||
|
||
he had naturally repressed much and some revulsion might have been
|
||
expected in him when the occasion for repression was gone but it
|
||
was the old scared lost look that troubled mr lorry and through
|
||
his absent manner of clasping his head and drearily wandering away
|
||
into his own room when they got up stairs mr lorry was reminded of
|
||
defarge the wine shop keeper and the starlight ride
|
||
|
||
i think he whispered to miss pross after anxious consideration
|
||
i think we had best not speak to him just now or at all disturb him
|
||
i must look in at tellsons so i will go there at once and come back
|
||
presently then we will take him a ride into the country and dine
|
||
there and all will be well
|
||
|
||
it was easier for mr lorry to look in at tellsons than to look
|
||
out of tellsons he was detained two hours when he came back
|
||
he ascended the old staircase alone having asked no question of
|
||
the servant going thus into the doctors rooms he was stopped by
|
||
a low sound of knocking
|
||
|
||
good god he said with a start whats that
|
||
|
||
miss pross with a terrified face was at his ear o me o me
|
||
all is lost cried she wringing her hands what is to be told
|
||
to ladybird he doesnt know me and is making shoes
|
||
|
||
mr lorry said what he could to calm her and went himself into the
|
||
doctors room the bench was turned towards the light as it had
|
||
been when he had seen the shoemaker at his work before and his head
|
||
was bent down and he was very busy
|
||
|
||
doctor manette my dear friend doctor manette
|
||
|
||
the doctor looked at him for a moment half inquiringly half as if
|
||
he were angry at being spoken to and bent over his work again
|
||
|
||
he had laid aside his coat and waistcoat his shirt was open at the
|
||
throat as it used to be when he did that work and even the old
|
||
haggard faded surface of face had come back to him he worked hard
|
||
impatiently as if in some sense of having been interrupted
|
||
|
||
mr lorry glanced at the work in his hand and observed that it was
|
||
a shoe of the old size and shape he took up another that was lying
|
||
by him and asked what it was
|
||
|
||
a young ladys walking shoe he muttered without looking up
|
||
it ought to have been finished long ago let it be
|
||
|
||
but doctor manette look at me
|
||
|
||
he obeyed in the old mechanically submissive manner without
|
||
pausing in his work
|
||
|
||
you know me my dear friend think again this is not your proper
|
||
occupation think dear friend
|
||
|
||
nothing would induce him to speak more he looked up for an instant
|
||
at a time when he was requested to do so but no persuasion would
|
||
extract a word from him he worked and worked and worked in silence
|
||
and words fell on him as they would have fallen on an echoless wall
|
||
or on the air the only ray of hope that mr lorry could discover
|
||
was that he sometimes furtively looked up without being asked in that
|
||
there seemed a faint expression of curiosity or perplexity as though
|
||
he were trying to reconcile some doubts in his mind
|
||
|
||
two things at once impressed themselves on mr lorry as important
|
||
above all others the first that this must be kept secret from lucie
|
||
the second that it must be kept secret from all who knew him in
|
||
conjunction with miss pross he took immediate steps towards the
|
||
latter precaution by giving out that the doctor was not well and
|
||
required a few days of complete rest in aid of the kind deception
|
||
to be practised on his daughter miss pross was to write describing
|
||
his having been called away professionally and referring to an
|
||
imaginary letter of two or three hurried lines in his own hand
|
||
represented to have been addressed to her by the same post
|
||
|
||
these measures advisable to be taken in any case mr lorry took in
|
||
the hope of his coming to himself if that should happen soon he kept
|
||
another course in reserve which was to have a certain opinion that he
|
||
thought the best on the doctors case
|
||
|
||
in the hope of his recovery and of resort to this third course being
|
||
thereby rendered practicable mr lorry resolved to watch him
|
||
attentively with as little appearance as possible of doing so
|
||
he therefore made arrangements to absent himself from tellsons for the
|
||
first time in his life and took his post by the window in the same room
|
||
|
||
he was not long in discovering that it was worse than useless to speak
|
||
to him since on being pressed he became worried he abandoned that
|
||
attempt on the first day and resolved merely to keep himself always
|
||
before him as a silent protest against the delusion into which he had
|
||
fallen or was falling he remained therefore in his seat near the
|
||
window reading and writing and expressing in as many pleasant and
|
||
natural ways as he could think of that it was a free place
|
||
|
||
doctor manette took what was given him to eat and drink and worked on
|
||
that first day until it was too dark to see worked on half an hour
|
||
after mr lorry could not have seen for his life to read or write
|
||
when he put his tools aside as useless until morning mr lorry rose
|
||
and said to him
|
||
|
||
will you go out
|
||
|
||
he looked down at the floor on either side of him in the old manner
|
||
looked up in the old manner and repeated in the old low voice
|
||
|
||
out
|
||
|
||
yes for a walk with me why not
|
||
|
||
he made no effort to say why not and said not a word more but
|
||
mr lorry thought he saw as he leaned forward on his bench in the
|
||
dusk with his elbows on his knees and his head in his hands that he
|
||
was in some misty way asking himself why not the sagacity of the
|
||
man of business perceived an advantage here and determined to hold it
|
||
|
||
miss pross and he divided the night into two watches and observed him
|
||
at intervals from the adjoining room he paced up and down for a long
|
||
time before he lay down but when he did finally lay himself down
|
||
he fell asleep in the morning he was up betimes and went straight
|
||
to his bench and to work
|
||
|
||
on this second day mr lorry saluted him cheerfully by his name and
|
||
spoke to him on topics that had been of late familiar to them he
|
||
returned no reply but it was evident that he heard what was said
|
||
and that he thought about it however confusedly this encouraged
|
||
mr lorry to have miss pross in with her work several times during the
|
||
day at those times they quietly spoke of lucie and of her father then
|
||
present precisely in the usual manner and as if there were nothing
|
||
amiss this was done without any demonstrative accompaniment not long
|
||
enough or often enough to harass him and it lightened mr lorrys
|
||
friendly heart to believe that he looked up oftener and that he appeared
|
||
to be stirred by some perception of inconsistencies surrounding him
|
||
|
||
when it fell dark again mr lorry asked him as before
|
||
|
||
dear doctor will you go out
|
||
|
||
as before he repeated out
|
||
|
||
yes for a walk with me why not
|
||
|
||
this time mr lorry feigned to go out when he could extract no answer
|
||
from him and after remaining absent for an hour returned in the
|
||
meanwhile the doctor had removed to the seat in the window and had
|
||
sat there looking down at the plane tree but on mr lorrys return
|
||
he slipped away to his bench
|
||
|
||
the time went very slowly on and mr lorrys hope darkened and his
|
||
heart grew heavier again and grew yet heavier and heavier every day
|
||
the third day came and went the fourth the fifth five days six
|
||
days seven days eight days nine days
|
||
|
||
with a hope ever darkening and with a heart always growing heavier
|
||
and heavier mr lorry passed through this anxious time the secret
|
||
was well kept and lucie was unconscious and happy but he could not
|
||
fail to observe that the shoemaker whose hand had been a little out
|
||
at first was growing dreadfully skilful and that he had never been
|
||
so intent on his work and that his hands had never been so nimble and
|
||
expert as in the dusk of the ninth evening
|
||
|
||
|
||
|
||
xix
|
||
|
||
an opinion
|
||
|
||
|
||
worn out by anxious watching mr lorry fell asleep at his post on
|
||
the tenth morning of his suspense he was startled by the shining of
|
||
the sun into the room where a heavy slumber had overtaken him when it
|
||
was dark night
|
||
|
||
he rubbed his eyes and roused himself but he doubted when he had
|
||
done so whether he was not still asleep for going to the door of
|
||
the doctors room and looking in he perceived that the shoemakers
|
||
bench and tools were put aside again and that the doctor himself sat
|
||
reading at the window he was in his usual morning dress and his face
|
||
which mr lorry could distinctly see though still very pale was
|
||
calmly studious and attentive
|
||
|
||
even when he had satisfied himself that he was awake mr lorry felt
|
||
giddily uncertain for some few moments whether the late shoemaking
|
||
might not be a disturbed dream of his own for did not his eyes show
|
||
him his friend before him in his accustomed clothing and aspect and
|
||
employed as usual and was there any sign within their range that the
|
||
change of which he had so strong an impression had actually happened
|
||
|
||
it was but the inquiry of his first confusion and astonishment the
|
||
answer being obvious if the impression were not produced by a real
|
||
corresponding and sufficient cause how came he jarvis lorry there
|
||
how came he to have fallen asleep in his clothes on the sofa in
|
||
doctor manettes consulting room and to be debating these points
|
||
outside the doctors bedroom door in the early morning
|
||
|
||
within a few minutes miss pross stood whispering at his side if he
|
||
had had any particle of doubt left her talk would of necessity have
|
||
resolved it but he was by that time clear headed and had none he
|
||
advised that they should let the time go by until the regular
|
||
breakfast hour and should then meet the doctor as if nothing unusual
|
||
had occurred if he appeared to be in his customary state of mind
|
||
mr lorry would then cautiously proceed to seek direction and guidance
|
||
from the opinion he had been in his anxiety so anxious to obtain
|
||
|
||
miss pross submitting herself to his judgment the scheme was worked
|
||
out with care having abundance of time for his usual methodical
|
||
toilette mr lorry presented himself at the breakfast hour in his
|
||
usual white linen and with his usual neat leg the doctor was
|
||
summoned in the usual way and came to breakfast
|
||
|
||
so far as it was possible to comprehend him without overstepping
|
||
those delicate and gradual approaches which mr lorry felt to be the
|
||
only safe advance he at first supposed that his daughters marriage
|
||
had taken place yesterday an incidental allusion purposely thrown
|
||
out to the day of the week and the day of the month set him thinking
|
||
and counting and evidently made him uneasy in all other respects
|
||
however he was so composedly himself that mr lorry determined to
|
||
have the aid he sought and that aid was his own
|
||
|
||
therefore when the breakfast was done and cleared away and he and
|
||
the doctor were left together mr lorry said feelingly
|
||
|
||
my dear manette i am anxious to have your opinion in confidence
|
||
on a very curious case in which i am deeply interested that is to say
|
||
it is very curious to me perhaps to your better information it may
|
||
be less so
|
||
|
||
glancing at his hands which were discoloured by his late work the
|
||
doctor looked troubled and listened attentively he had already
|
||
glanced at his hands more than once
|
||
|
||
doctor manette said mr lorry touching him affectionately on the
|
||
arm the case is the case of a particularly dear friend of mine
|
||
pray give your mind to it and advise me well for his sake and
|
||
above all for his daughters his daughters my dear manette
|
||
|
||
if i understand said the doctor in a subdued tone some mental
|
||
shock
|
||
|
||
yes
|
||
|
||
be explicit said the doctor spare no detail
|
||
|
||
mr lorry saw that they understood one another and proceeded
|
||
|
||
my dear manette it is the case of an old and a prolonged shock of
|
||
great acuteness and severity to the affections the feelings
|
||
the the as you express it the mind the mind it is the case of
|
||
a shock under which the sufferer was borne down one cannot say for
|
||
how long because i believe he cannot calculate the time himself and
|
||
there are no other means of getting at it it is the case of a shock
|
||
from which the sufferer recovered by a process that he cannot trace
|
||
himself as i once heard him publicly relate in a striking manner
|
||
it is the case of a shock from which he has recovered so completely
|
||
as to be a highly intelligent man capable of close application of mind
|
||
and great exertion of body and of constantly making fresh additions to
|
||
his stock of knowledge which was already very large but unfortunately
|
||
there has been he paused and took a deep breath a slight relapse
|
||
|
||
the doctor in a low voice asked of how long duration
|
||
|
||
nine days and nights
|
||
|
||
how did it show itself i infer glancing at his hands again
|
||
in the resumption of some old pursuit connected with the shock
|
||
|
||
that is the fact
|
||
|
||
now did you ever see him asked the doctor distinctly and
|
||
collectedly though in the same low voice engaged in that
|
||
pursuit originally
|
||
|
||
once
|
||
|
||
and when the relapse fell on him was he in most respects or in
|
||
all respects as he was then
|
||
|
||
i think in all respects
|
||
|
||
you spoke of his daughter does his daughter know of the relapse
|
||
|
||
no it has been kept from her and i hope will always be kept from
|
||
her it is known only to myself and to one other who may be trusted
|
||
|
||
the doctor grasped his hand and murmured that was very kind
|
||
that was very thoughtful mr lorry grasped his hand in return
|
||
and neither of the two spoke for a little while
|
||
|
||
now my dear manette said mr lorry at length in his most
|
||
considerate and most affectionate way i am a mere man of business
|
||
and unfit to cope with such intricate and difficult matters i do
|
||
not possess the kind of information necessary i do not possess the
|
||
kind of intelligence i want guiding there is no man in this world
|
||
on whom i could so rely for right guidance as on you tell me how
|
||
does this relapse come about is there danger of another could a
|
||
repetition of it be prevented how should a repetition of it be
|
||
treated how does it come about at all what can i do for my friend
|
||
no man ever can have been more desirous in his heart to serve a friend
|
||
than i am to serve mine if i knew how
|
||
|
||
but i dont know how to originate in such a case if your sagacity
|
||
knowledge and experience could put me on the right track i might be
|
||
able to do so much unenlightened and undirected i can do so little
|
||
pray discuss it with me pray enable me to see it a little more clearly
|
||
and teach me how to be a little more useful
|
||
|
||
doctor manette sat meditating after these earnest words were spoken
|
||
and mr lorry did not press him
|
||
|
||
i think it probable said the doctor breaking silence with an
|
||
effort that the relapse you have described my dear friend was
|
||
not quite unforeseen by its subject
|
||
|
||
was it dreaded by him mr lorry ventured to ask
|
||
|
||
very much he said it with an involuntary shudder
|
||
|
||
you have no idea how such an apprehension weighs on the sufferers
|
||
mind and how difficult how almost impossible it is for him to force
|
||
himself to utter a word upon the topic that oppresses him
|
||
|
||
would he asked mr lorry be sensibly relieved if he could
|
||
prevail upon himself to impart that secret brooding to any one
|
||
when it is on him
|
||
|
||
i think so but it is as i have told you next to impossible
|
||
i even believe it in some cases to be quite impossible
|
||
|
||
now said mr lorry gently laying his hand on the doctors arm
|
||
again after a short silence on both sides to what would you refer
|
||
this attack
|
||
|
||
i believe returned doctor manette that there had been a strong
|
||
and extraordinary revival of the train of thought and remembrance that
|
||
was the first cause of the malady some intense associations of a
|
||
most distressing nature were vividly recalled i think it is probable
|
||
that there had long been a dread lurking in his mind that those
|
||
associations would be recalled say under certain circumstances say
|
||
on a particular occasion he tried to prepare himself in vain perhaps
|
||
the effort to prepare himself made him less able to bear it
|
||
|
||
would he remember what took place in the relapse asked mr lorry
|
||
with natural hesitation
|
||
|
||
the doctor looked desolately round the room shook his head and
|
||
answered in a low voice not at all
|
||
|
||
now as to the future hinted mr lorry
|
||
|
||
as to the future said the doctor recovering firmness i should
|
||
have great hope as it pleased heaven in its mercy to restore him so
|
||
soon i should have great hope he yielding under the pressure of a
|
||
complicated something long dreaded and long vaguely foreseen and
|
||
contended against and recovering after the cloud had burst and passed
|
||
i should hope that the worst was over
|
||
|
||
well well thats good comfort i am thankful said mr lorry
|
||
|
||
i am thankful repeated the doctor bending his head with reverence
|
||
|
||
there are two other points said mr lorry on which i am anxious
|
||
to be instructed i may go on
|
||
|
||
you cannot do your friend a better service the doctor gave him
|
||
his hand
|
||
|
||
to the first then he is of a studious habit and unusually
|
||
energetic he applies himself with great ardour to the acquisition
|
||
of professional knowledge to the conducting of experiments to
|
||
many things now does he do too much
|
||
|
||
i think not it may be the character of his mind to be always in
|
||
singular need of occupation that may be in part natural to it in
|
||
part the result of affliction the less it was occupied with healthy
|
||
things the more it would be in danger of turning in the unhealthy
|
||
direction he may have observed himself and made the discovery
|
||
|
||
you are sure that he is not under too great a strain
|
||
|
||
i think i am quite sure of it
|
||
|
||
my dear manette if he were overworked now
|
||
|
||
my dear lorry i doubt if that could easily be there has been a
|
||
violent stress in one direction and it needs a counterweight
|
||
|
||
excuse me as a persistent man of business assuming for a moment
|
||
that he _was_ overworked it would show itself in some renewal of
|
||
this disorder
|
||
|
||
i do not think so i do not think said doctor manette with the
|
||
firmness of self conviction that anything but the one train of
|
||
association would renew it i think that henceforth nothing but
|
||
some extraordinary jarring of that chord could renew it after what
|
||
has happened and after his recovery i find it difficult to imagine
|
||
any such violent sounding of that string again i trust and i almost
|
||
believe that the circumstances likely to renew it are exhausted
|
||
|
||
he spoke with the diffidence of a man who knew how slight a thing
|
||
would overset the delicate organisation of the mind and yet with the
|
||
confidence of a man who had slowly won his assurance out of personal
|
||
endurance and distress it was not for his friend to abate that
|
||
confidence he professed himself more relieved and encouraged than he
|
||
really was and approached his second and last point he felt it to
|
||
be the most difficult of all but remembering his old sunday morning
|
||
conversation with miss pross and remembering what he had seen in the
|
||
last nine days he knew that he must face it
|
||
|
||
the occupation resumed under the influence of this passing affliction
|
||
so happily recovered from said mr lorry clearing his throat we will
|
||
call blacksmiths work blacksmiths work we will say to put a case
|
||
and for the sake of illustration that he had been used in his bad time
|
||
to work at a little forge we will say that he was unexpectedly found
|
||
at his forge again is it not a pity that he should keep it by him
|
||
|
||
the doctor shaded his forehead with his hand and beat his foot nervously
|
||
on the ground
|
||
|
||
he has always kept it by him said mr lorry with an anxious look
|
||
at his friend now would it not be better that he should let it go
|
||
|
||
still the doctor with shaded forehead beat his foot nervously on
|
||
the ground
|
||
|
||
you do not find it easy to advise me said mr lorry i quite
|
||
understand it to be a nice question and yet i think and there he
|
||
shook his head and stopped
|
||
|
||
you see said doctor manette turning to him after an uneasy pause
|
||
it is very hard to explain consistently the innermost workings of
|
||
this poor mans mind he once yearned so frightfully for that
|
||
occupation and it was so welcome when it came no doubt it relieved
|
||
his pain so much by substituting the perplexity of the fingers for
|
||
the perplexity of the brain and by substituting as he became more
|
||
practised the ingenuity of the hands for the ingenuity of the
|
||
mental torture that he has never been able to bear the thought of
|
||
putting it quite out of his reach even now when i believe he is
|
||
more hopeful of himself than he has ever been and even speaks of
|
||
himself with a kind of confidence the idea that he might need that
|
||
old employment and not find it gives him a sudden sense of terror
|
||
like that which one may fancy strikes to the heart of a lost child
|
||
|
||
he looked like his illustration as he raised his eyes to
|
||
mr lorrys face
|
||
|
||
but may not mind i ask for information as a plodding man of
|
||
business who only deals with such material objects as guineas
|
||
shillings and bank notes may not the retention of the thing involve
|
||
the retention of the idea if the thing were gone my dear manette
|
||
might not the fear go with it in short is it not a concession to
|
||
the misgiving to keep the forge
|
||
|
||
there was another silence
|
||
|
||
you see too said the doctor tremulously it is such an
|
||
old companion
|
||
|
||
i would not keep it said mr lorry shaking his head for he gained
|
||
in firmness as he saw the doctor disquieted i would recommend him
|
||
to sacrifice it i only want your authority i am sure it does no
|
||
good come give me your authority like a dear good man for his
|
||
daughters sake my dear manette
|
||
|
||
very strange to see what a struggle there was within him
|
||
|
||
in her name then let it be done i sanction it but i would not
|
||
take it away while he was present let it be removed when he is not
|
||
there let him miss his old companion after an absence
|
||
|
||
mr lorry readily engaged for that and the conference was ended
|
||
they passed the day in the country and the doctor was quite restored
|
||
on the three following days he remained perfectly well and on the
|
||
fourteenth day he went away to join lucie and her husband the
|
||
precaution that had been taken to account for his silence mr lorry
|
||
had previously explained to him and he had written to lucie in
|
||
accordance with it and she had no suspicions
|
||
|
||
on the night of the day on which he left the house mr lorry went
|
||
into his room with a chopper saw chisel and hammer attended by
|
||
miss pross carrying a light there with closed doors and in a
|
||
mysterious and guilty manner mr lorry hacked the shoemakers bench
|
||
to pieces while miss pross held the candle as if she were assisting
|
||
at a murder for which indeed in her grimness she was no unsuitable
|
||
figure the burning of the body previously reduced to pieces
|
||
convenient for the purpose was commenced without delay in the kitchen
|
||
fire and the tools shoes and leather were buried in the garden
|
||
so wicked do destruction and secrecy appear to honest minds that
|
||
mr lorry and miss pross while engaged in the commission of their
|
||
deed and in the removal of its traces almost felt and almost looked
|
||
like accomplices in a horrible crime
|
||
|
||
|
||
|
||
xx
|
||
|
||
a plea
|
||
|
||
|
||
when the newly married pair came home the first person who appeared
|
||
to offer his congratulations was sydney carton they had not been
|
||
at home many hours when he presented himself he was not improved in
|
||
habits or in looks or in manner but there was a certain rugged air of
|
||
fidelity about him which was new to the observation of charles darnay
|
||
|
||
he watched his opportunity of taking darnay aside into a window and
|
||
of speaking to him when no one overheard
|
||
|
||
mr darnay said carton i wish we might be friends
|
||
|
||
we are already friends i hope
|
||
|
||
you are good enough to say so as a fashion of speech but i dont
|
||
mean any fashion of speech indeed when i say i wish we might be friends
|
||
i scarcely mean quite that either
|
||
|
||
charles darnay as was natural asked him in all good humour and
|
||
good fellowship what he did mean
|
||
|
||
upon my life said carton smiling i find that easier to comprehend
|
||
in my own mind than to convey to yours however let me try you
|
||
remember a certain famous occasion when i was more drunk than than
|
||
usual
|
||
|
||
i remember a certain famous occasion when you forced me to confess
|
||
that you had been drinking
|
||
|
||
i remember it too the curse of those occasions is heavy upon me
|
||
for i always remember them i hope it may be taken into account one
|
||
day when all days are at an end for me dont be alarmed
|
||
i am not going to preach
|
||
|
||
i am not at all alarmed earnestness in you is anything but
|
||
alarming to me
|
||
|
||
ah said carton with a careless wave of his hand as if he waved
|
||
that away on the drunken occasion in question one of a large number
|
||
as you know i was insufferable about liking you and not liking you
|
||
i wish you would forget it
|
||
|
||
i forgot it long ago
|
||
|
||
fashion of speech again but mr darnay oblivion is not so easy to
|
||
me as you represent it to be to you i have by no means forgotten it
|
||
and a light answer does not help me to forget it
|
||
|
||
if it was a light answer returned darnay i beg your forgiveness
|
||
for it i had no other object than to turn a slight thing which
|
||
to my surprise seems to trouble you too much aside i declare to you
|
||
on the faith of a gentleman that i have long dismissed it from my mind
|
||
good heaven what was there to dismiss have i had nothing more
|
||
important to remember in the great service you rendered me that day
|
||
|
||
as to the great service said carton i am bound to avow to you
|
||
when you speak of it in that way that it was mere professional
|
||
claptrap i dont know that i cared what became of you when i
|
||
rendered it mind i say when i rendered it i am speaking of the past
|
||
|
||
you make light of the obligation returned darnay but i will not
|
||
quarrel with _your_ light answer
|
||
|
||
genuine truth mr darnay trust me i have gone aside from my
|
||
purpose i was speaking about our being friends now you know me
|
||
you know i am incapable of all the higher and better flights of men
|
||
if you doubt it ask stryver and hell tell you so
|
||
|
||
i prefer to form my own opinion without the aid of his
|
||
|
||
well at any rate you know me as a dissolute dog who has never
|
||
done any good and never will
|
||
|
||
i dont know that you `never will
|
||
|
||
but i do and you must take my word for it well if you could
|
||
endure to have such a worthless fellow and a fellow of such indifferent
|
||
reputation coming and going at odd times i should ask that i might be
|
||
permitted to come and go as a privileged person here that i might be
|
||
regarded as an useless and i would add if it were not for the
|
||
resemblance i detected between you and me an unornamental piece of
|
||
furniture tolerated for its old service and taken no notice of
|
||
i doubt if i should abuse the permission it is a hundred to one
|
||
if i should avail myself of it four times in a year it would satisfy me
|
||
i dare say to know that i had it
|
||
|
||
will you try
|
||
|
||
that is another way of saying that i am placed on the footing i have
|
||
indicated i thank you darnay i may use that freedom with your name
|
||
|
||
i think so carton by this time
|
||
|
||
they shook hands upon it and sydney turned away within a minute
|
||
afterwards he was to all outward appearance as unsubstantial as ever
|
||
|
||
when he was gone and in the course of an evening passed with miss pross
|
||
the doctor and mr lorry charles darnay made some mention of this
|
||
conversation in general terms and spoke of sydney carton as a problem
|
||
of carelessness and recklessness he spoke of him in short not
|
||
bitterly or meaning to bear hard upon him but as anybody might who
|
||
saw him as he showed himself
|
||
|
||
he had no idea that this could dwell in the thoughts of his fair young
|
||
wife but when he afterwards joined her in their own rooms he found
|
||
her waiting for him with the old pretty lifting of the forehead
|
||
strongly marked
|
||
|
||
we are thoughtful to night said darnay drawing his arm about her
|
||
|
||
yes dearest charles with her hands on his breast and the
|
||
inquiring and attentive expression fixed upon him we are rather
|
||
thoughtful to night for we have something on our mind to night
|
||
|
||
what is it my lucie
|
||
|
||
will you promise not to press one question on me if i beg you
|
||
not to ask it
|
||
|
||
will i promise what will i not promise to my love
|
||
|
||
what indeed with his hand putting aside the golden hair from the
|
||
cheek and his other hand against the heart that beat for him
|
||
|
||
i think charles poor mr carton deserves more consideration and
|
||
respect than you expressed for him to night
|
||
|
||
indeed my own why so
|
||
|
||
that is what you are not to ask me but i think i know he does
|
||
|
||
if you know it it is enough what would you have me do my life
|
||
|
||
i would ask you dearest to be very generous with him always and
|
||
very lenient on his faults when he is not by i would ask you to
|
||
believe that he has a heart he very very seldom reveals and that there
|
||
are deep wounds in it my dear i have seen it bleeding
|
||
|
||
it is a painful reflection to me said charles darnay quite astounded
|
||
that i should have done him any wrong i never thought this of him
|
||
|
||
my husband it is so i fear he is not to be reclaimed there is
|
||
scarcely a hope that anything in his character or fortunes is reparable
|
||
now but i am sure that he is capable of good things gentle things
|
||
even magnanimous things
|
||
|
||
she looked so beautiful in the purity of her faith in this lost man
|
||
that her husband could have looked at her as she was for hours
|
||
|
||
and o my dearest love she urged clinging nearer to him laying
|
||
her head upon his breast and raising her eyes to his remember how
|
||
strong we are in our happiness and how weak he is in his misery
|
||
|
||
the supplication touched him home i will always remember it dear
|
||
heart i will remember it as long as i live
|
||
|
||
he bent over the golden head and put the rosy lips to his and folded
|
||
her in his arms if one forlorn wanderer then pacing the dark streets
|
||
could have heard her innocent disclosure and could have seen the drops
|
||
of pity kissed away by her husband from the soft blue eyes so loving of
|
||
that husband he might have cried to the night and the words would not
|
||
have parted from his lips for the first time
|
||
|
||
god bless her for her sweet compassion
|
||
|
||
|
||
|
||
xxi
|
||
|
||
echoing footsteps
|
||
|
||
|
||
a wonderful corner for echoes it has been remarked that corner where
|
||
the doctor lived ever busily winding the golden thread which bound
|
||
her husband and her father and herself and her old directress and
|
||
companion in a life of quiet bliss lucie sat in the still house in the
|
||
tranquilly resounding corner listening to the echoing footsteps of years
|
||
|
||
at first there were times though she was a perfectly happy young
|
||
wife when her work would slowly fall from her hands and her eyes
|
||
would be dimmed for there was something coming in the echoes
|
||
something light afar off and scarcely audible yet that stirred
|
||
her heart too much fluttering hopes and doubts hopes of a love as
|
||
yet unknown to her doubts of her remaining upon earth to enjoy that
|
||
new delight divided her breast among the echoes then there would
|
||
arise the sound of footsteps at her own early grave and thoughts of
|
||
the husband who would be left so desolate and who would mourn for
|
||
her so much swelled to her eyes and broke like waves
|
||
|
||
that time passed and her little lucie lay on her bosom then
|
||
among the advancing echoes there was the tread of her tiny feet and
|
||
the sound of her prattling words let greater echoes resound as they
|
||
would the young mother at the cradle side could always hear those
|
||
coming they came and the shady house was sunny with a childs laugh
|
||
and the divine friend of children to whom in her trouble she had
|
||
confided hers seemed to take her child in his arms as he took the
|
||
child of old and made it a sacred joy to her
|
||
|
||
ever busily winding the golden thread that bound them all together
|
||
weaving the service of her happy influence through the tissue of all
|
||
their lives and making it predominate nowhere lucie heard in the
|
||
echoes of years none but friendly and soothing sounds her husbands
|
||
step was strong and prosperous among them her fathers firm and equal
|
||
lo miss pross in harness of string awakening the echoes as an
|
||
unruly charger whip corrected snorting and pawing the earth under
|
||
the plane tree in the garden
|
||
|
||
even when there were sounds of sorrow among the rest they were not
|
||
harsh nor cruel even when golden hair like her own lay in a halo
|
||
on a pillow round the worn face of a little boy and he said with a
|
||
radiant smile dear papa and mamma i am very sorry to leave you both
|
||
and to leave my pretty sister but i am called and i must go
|
||
those were not tears all of agony that wetted his young mothers cheek
|
||
as the spirit departed from her embrace that had been entrusted to it
|
||
suffer them and forbid them not they see my fathers face
|
||
o father blessed words
|
||
|
||
thus the rustling of an angels wings got blended with the other
|
||
echoes and they were not wholly of earth but had in them that breath
|
||
of heaven sighs of the winds that blew over a little garden tomb were
|
||
mingled with them also and both were audible to lucie in a hushed
|
||
murmur like the breathing of a summer sea asleep upon a sandy shore
|
||
as the little lucie comically studious at the task of the morning
|
||
or dressing a doll at her mothers footstool chattered in the
|
||
tongues of the two cities that were blended in her life
|
||
|
||
the echoes rarely answered to the actual tread of sydney carton
|
||
some half dozen times a year at most he claimed his privilege of coming
|
||
in uninvited and would sit among them through the evening as he had
|
||
once done often he never came there heated with wine and one other
|
||
thing regarding him was whispered in the echoes which has been
|
||
whispered by all true echoes for ages and ages
|
||
|
||
no man ever really loved a woman lost her and knew her with a
|
||
blameless though an unchanged mind when she was a wife and a mother
|
||
but her children had a strange sympathy with him an instinctive
|
||
delicacy of pity for him what fine hidden sensibilities are touched
|
||
in such a case no echoes tell but it is so and it was so here
|
||
carton was the first stranger to whom little lucie held out her chubby
|
||
arms and he kept his place with her as she grew the little boy had
|
||
spoken of him almost at the last poor carton kiss him for me
|
||
|
||
mr stryver shouldered his way through the law like some great engine
|
||
forcing itself through turbid water and dragged his useful friend in
|
||
his wake like a boat towed astern as the boat so favoured is usually
|
||
in a rough plight and mostly under water so sydney had a swamped life
|
||
of it but easy and strong custom unhappily so much easier and
|
||
stronger in him than any stimulating sense of desert or disgrace made
|
||
it the life he was to lead and he no more thought of emerging from his
|
||
state of lions jackal than any real jackal may be supposed to think
|
||
of rising to be a lion stryver was rich had married a florid widow
|
||
with property and three boys who had nothing particularly shining about
|
||
them but the straight hair of their dumpling heads
|
||
|
||
these three young gentlemen mr stryver exuding patronage of the most
|
||
offensive quality from every pore had walked before him like three
|
||
sheep to the quiet corner in soho and had offered as pupils to lucies
|
||
husband delicately saying halloa here are three lumps of bread and
|
||
cheese towards your matrimonial picnic darnay the polite rejection
|
||
of the three lumps of bread and cheese had quite bloated mr stryver
|
||
with indignation which he afterwards turned to account in the training
|
||
of the young gentlemen by directing them to beware of the pride of
|
||
beggars like that tutor fellow he was also in the habit of declaiming
|
||
to mrs stryver over his full bodied wine on the arts mrs darnay had
|
||
once put in practice to catch him and on the diamond cut diamond
|
||
arts in himself madam which had rendered him not to be caught
|
||
some of his kings bench familiars who were occasionally parties
|
||
to the full bodied wine and the lie excused him for the latter by saying
|
||
that he had told it so often that he believed it himself which is
|
||
surely such an incorrigible aggravation of an originally bad offence
|
||
as to justify any such offenders being carried off to some suitably
|
||
retired spot and there hanged out of the way
|
||
|
||
these were among the echoes to which lucie sometimes pensive
|
||
sometimes amused and laughing listened in the echoing corner until
|
||
her little daughter was six years old how near to her heart the echoes
|
||
of her childs tread came and those of her own dear fathers always
|
||
active and self possessed and those of her dear husbands need not
|
||
be told nor how the lightest echo of their united home directed
|
||
by herself with such a wise and elegant thrift that it was more
|
||
abundant than any waste was music to her nor how there were echoes
|
||
all about her sweet in her ears of the many times her father had
|
||
told her that he found her more devoted to him married if that could be
|
||
than single and of the many times her husband had said to her that no
|
||
cares and duties seemed to divide her love for him or her help to him
|
||
and asked her what is the magic secret my darling of your being
|
||
everything to all of us as if there were only one of us
|
||
yet never seeming to be hurried or to have too much to do
|
||
|
||
but there were other echoes from a distance that rumbled menacingly
|
||
in the corner all through this space of time and it was now about
|
||
little lucies sixth birthday that they began to have an awful sound
|
||
as of a great storm in france with a dreadful sea rising
|
||
|
||
on a night in mid july one thousand seven hundred and eighty nine
|
||
mr lorry came in late from tellsons and sat himself down by lucie
|
||
and her husband in the dark window it was a hot wild night and
|
||
they were all three reminded of the old sunday night when they had
|
||
looked at the lightning from the same place
|
||
|
||
i began to think said mr lorry pushing his brown wig back that
|
||
i should have to pass the night at tellsons we have been so full of
|
||
business all day that we have not known what to do first or which
|
||
way to turn there is such an uneasiness in paris that we have
|
||
actually a run of confidence upon us our customers over there seem
|
||
not to be able to confide their property to us fast enough there is
|
||
positively a mania among some of them for sending it to england
|
||
|
||
that has a bad look said darnay
|
||
|
||
a bad look you say my dear darnay yes but we dont know what
|
||
reason there is in it people are so unreasonable some of us at
|
||
tellsons are getting old and we really cant be troubled out of
|
||
the ordinary course without due occasion
|
||
|
||
still said darnay you know how gloomy and threatening the sky is
|
||
|
||
i know that to be sure assented mr lorry trying to persuade
|
||
himself that his sweet temper was soured and that he grumbled
|
||
but i am determined to be peevish after my long days botheration
|
||
where is manette
|
||
|
||
here he is said the doctor entering the dark room at the moment
|
||
|
||
i am quite glad you are at home for these hurries and forebodings by
|
||
which i have been surrounded all day long have made me nervous
|
||
without reason you are not going out i hope
|
||
|
||
no i am going to play backgammon with you if you like
|
||
said the doctor
|
||
|
||
i dont think i do like if i may speak my mind i am not fit to
|
||
be pitted against you to night is the teaboard still there lucie
|
||
i cant see
|
||
|
||
of course it has been kept for you
|
||
|
||
thank ye my dear the precious child is safe in bed
|
||
|
||
and sleeping soundly
|
||
|
||
thats right all safe and well i dont know why anything should
|
||
be otherwise than safe and well here thank god but i have been so
|
||
put out all day and i am not as young as i was my tea my dear
|
||
thank ye now come and take your place in the circle and let us
|
||
sit quiet and hear the echoes about which you have your theory
|
||
|
||
not a theory it was a fancy
|
||
|
||
a fancy then my wise pet said mr lorry patting her hand they
|
||
are very numerous and very loud though are they not only hear them
|
||
|
||
headlong mad and dangerous footsteps to force their way into anybodys
|
||
life footsteps not easily made clean again if once stained red the
|
||
footsteps raging in saint antoine afar off as the little circle sat
|
||
in the dark london window
|
||
|
||
saint antoine had been that morning a vast dusky mass of scarecrows
|
||
heaving to and fro with frequent gleams of light above the billowy
|
||
heads where steel blades and bayonets shone in the sun a tremendous
|
||
roar arose from the throat of saint antoine and a forest of naked arms
|
||
struggled in the air like shrivelled branches of trees in a winter wind
|
||
all the fingers convulsively clutching at every weapon or semblance of
|
||
a weapon that was thrown up from the depths below no matter how far off
|
||
|
||
who gave them out whence they last came where they began through
|
||
what agency they crookedly quivered and jerked scores at a time over
|
||
the heads of the crowd like a kind of lightning no eye in the throng
|
||
could have told but muskets were being distributed so were
|
||
cartridges powder and ball bars of iron and wood knives axes
|
||
pikes every weapon that distracted ingenuity could discover or devise
|
||
people who could lay hold of nothing else set themselves with bleeding
|
||
hands to force stones and bricks out of their places in walls every
|
||
pulse and heart in saint antoine was on high fever strain and at
|
||
high fever heat every living creature there held life as of no account
|
||
and was demented with a passionate readiness to sacrifice it
|
||
|
||
as a whirlpool of boiling waters has a centre point so all this raging
|
||
circled round defarges wine shop and every human drop in the caldron
|
||
had a tendency to be sucked towards the vortex where defarge himself
|
||
already begrimed with gunpowder and sweat issued orders issued arms
|
||
thrust this man back dragged this man forward disarmed one to arm
|
||
another laboured and strove in the thickest of the uproar
|
||
|
||
keep near to me jacques three cried defarge and do you
|
||
jacques one and two separate and put yourselves at the head of
|
||
as many of these patriots as you can where is my wife
|
||
|
||
eh well here you see me said madame composed as ever but not
|
||
knitting to day madames resolute right hand was occupied with an axe
|
||
in place of the usual softer implements and in her girdle were a pistol
|
||
and a cruel knife
|
||
|
||
where do you go my wife
|
||
|
||
i go said madame with you at present you shall see me at the
|
||
head of women by and bye
|
||
|
||
come then cried defarge in a resounding voice patriots and
|
||
friends we are ready the bastille
|
||
|
||
with a roar that sounded as if all the breath in france had been
|
||
shaped into the detested word the living sea rose wave on wave
|
||
depth on depth and overflowed the city to that point alarm bells
|
||
ringing drums beating the sea raging and thundering on its new beach
|
||
the attack began
|
||
|
||
deep ditches double drawbridge massive stone walls eight great
|
||
towers cannon muskets fire and smoke through the fire and through
|
||
the smoke in the fire and in the smoke for the sea cast him up against
|
||
a cannon and on the instant he became a cannonier defarge of the
|
||
wine shop worked like a manful soldier two fierce hours
|
||
|
||
deep ditch single drawbridge massive stone walls eight great towers
|
||
cannon muskets fire and smoke one drawbridge down work comrades
|
||
all work work jacques one jacques two jacques one thousand
|
||
jacques two thousand jacques five and twenty thousand in the name of
|
||
all the angels or the devils which you prefer work thus defarge
|
||
of the wine shop still at his gun which had long grown hot
|
||
|
||
to me women cried madame his wife what we can kill as well as
|
||
the men when the place is taken and to her with a shrill thirsty cry
|
||
trooping women variously armed but all armed alike in hunger and revenge
|
||
|
||
cannon muskets fire and smoke but still the deep ditch the single
|
||
drawbridge the massive stone walls and the eight great towers slight
|
||
displacements of the raging sea made by the falling wounded flashing
|
||
weapons blazing torches smoking waggonloads of wet straw hard work
|
||
at neighbouring barricades in all directions shrieks volleys
|
||
execrations bravery without stint boom smash and rattle and the
|
||
furious sounding of the living sea but still the deep ditch and the
|
||
single drawbridge and the massive stone walls and the eight great
|
||
towers and still defarge of the wine shop at his gun grown doubly
|
||
hot by the service of four fierce hours
|
||
|
||
a white flag from within the fortress and a parley this dimly
|
||
perceptible through the raging storm nothing audible in it suddenly
|
||
the sea rose immeasurably wider and higher and swept defarge of the
|
||
wine shop over the lowered drawbridge past the massive stone outer
|
||
walls in among the eight great towers surrendered
|
||
|
||
so resistless was the force of the ocean bearing him on that even
|
||
to draw his breath or turn his head was as impracticable as if he had
|
||
been struggling in the surf at the south sea until he was landed in
|
||
the outer courtyard of the bastille there against an angle of a
|
||
wall he made a struggle to look about him jacques three was nearly
|
||
at his side madame defarge still heading some of her women was
|
||
visible in the inner distance and her knife was in her hand everywhere
|
||
was tumult exultation deafening and maniacal bewilderment astounding
|
||
noise yet furious dumb show
|
||
|
||
the prisoners
|
||
|
||
the records
|
||
|
||
the secret cells
|
||
|
||
the instruments of torture
|
||
|
||
the prisoners
|
||
|
||
of all these cries and ten thousand incoherences the prisoners
|
||
was the cry most taken up by the sea that rushed in as if there were
|
||
an eternity of people as well as of time and space when the foremost
|
||
billows rolled past bearing the prison officers with them and
|
||
threatening them all with instant death if any secret nook remained
|
||
undisclosed defarge laid his strong hand on the breast of one of
|
||
these men a man with a grey head who had a lighted torch in his hand
|
||
separated him from the rest and got him between himself and the wall
|
||
|
||
show me the north tower said defarge quick
|
||
|
||
i will faithfully replied the man if you will come with me but
|
||
there is no one there
|
||
|
||
what is the meaning of one hundred and five north tower
|
||
asked defarge quick
|
||
|
||
the meaning monsieur
|
||
|
||
does it mean a captive or a place of captivity or do you mean that
|
||
i shall strike you dead
|
||
|
||
kill him croaked jacques three who had come close up
|
||
|
||
monsieur it is a cell
|
||
|
||
show it me
|
||
|
||
pass this way then
|
||
|
||
jacques three with his usual craving on him and evidently
|
||
disappointed by the dialogue taking a turn that did not seem to promise
|
||
bloodshed held by defarges arm as he held by the turnkeys their
|
||
three heads had been close together during this brief discourse and
|
||
it had been as much as they could do to hear one another even then
|
||
so tremendous was the noise of the living ocean in its irruption into
|
||
the fortress and its inundation of the courts and passages and
|
||
staircases all around outside too it beat the walls with a deep
|
||
hoarse roar from which occasionally some partial shouts of tumult
|
||
broke and leaped into the air like spray
|
||
|
||
through gloomy vaults where the light of day had never shone past
|
||
hideous doors of dark dens and cages down cavernous flights of steps
|
||
and again up steep rugged ascents of stone and brick more like dry
|
||
waterfalls than staircases defarge the turnkey and jacques three
|
||
linked hand and arm went with all the speed they could make here
|
||
and there especially at first the inundation started on them and
|
||
swept by but when they had done descending and were winding and
|
||
climbing up a tower they were alone hemmed in here by the massive
|
||
thickness of walls and arches the storm within the fortress and without
|
||
was only audible to them in a dull subdued way as if the noise out of
|
||
which they had come had almost destroyed their sense of hearing
|
||
|
||
the turnkey stopped at a low door put a key in a clashing lock
|
||
swung the door slowly open and said as they all bent their heads
|
||
and passed in
|
||
|
||
one hundred and five north tower
|
||
|
||
there was a small heavily grated unglazed window high in the wall
|
||
with a stone screen before it so that the sky could be only seen by
|
||
stooping low and looking up there was a small chimney heavily barred
|
||
across a few feet within there was a heap of old feathery wood ashes
|
||
on the hearth there was a stool and table and a straw bed there
|
||
were the four blackened walls and a rusted iron ring in one of them
|
||
|
||
pass that torch slowly along these walls that i may see them
|
||
said defarge to the turnkey
|
||
|
||
the man obeyed and defarge followed the light closely with his eyes
|
||
|
||
stop look here jacques
|
||
|
||
a m croaked jacques three as he read greedily
|
||
|
||
alexandre manette said defarge in his ear following the letters
|
||
with his swart forefinger deeply engrained with gunpowder and here
|
||
he wrote `a poor physician and it was he without doubt who scratched
|
||
a calendar on this stone what is that in your hand a crowbar
|
||
give it me
|
||
|
||
he had still the linstock of his gun in his own hand he made a
|
||
sudden exchange of the two instruments and turning on the worm eaten
|
||
stool and table beat them to pieces in a few blows
|
||
|
||
hold the light higher he said wrathfully to the turnkey look
|
||
among those fragments with care jacques and see here is my knife
|
||
throwing it to him rip open that bed and search the straw hold the
|
||
light higher you
|
||
|
||
with a menacing look at the turnkey he crawled upon the hearth
|
||
and peering up the chimney struck and prised at its sides with the
|
||
crowbar and worked at the iron grating across it in a few minutes
|
||
some mortar and dust came dropping down which he averted his face to
|
||
avoid and in it and in the old wood ashes and in a crevice in the
|
||
chimney into which his weapon had slipped or wrought itself he groped
|
||
with a cautious touch
|
||
|
||
nothing in the wood and nothing in the straw jacques
|
||
|
||
nothing
|
||
|
||
let us collect them together in the middle of the cell so
|
||
light them you
|
||
|
||
the turnkey fired the little pile which blazed high and hot stooping
|
||
again to come out at the low arched door they left it burning and
|
||
retraced their way to the courtyard seeming to recover their sense of
|
||
hearing as they came down until they were in the raging flood once more
|
||
|
||
they found it surging and tossing in quest of defarge himself
|
||
saint antoine was clamorous to have its wine shop keeper foremost in
|
||
the guard upon the governor who had defended the bastille and shot the
|
||
people otherwise the governor would not be marched to the hotel de
|
||
ville for judgment otherwise the governor would escape and the
|
||
peoples blood suddenly of some value after many years of
|
||
worthlessness be unavenged
|
||
|
||
in the howling universe of passion and contention that seemed to
|
||
encompass this grim old officer conspicuous in his grey coat and red
|
||
decoration there was but one quite steady figure and that was a
|
||
womans see there is my husband she cried pointing him out
|
||
see defarge she stood immovable close to the grim old officer
|
||
and remained immovable close to him remained immovable close to him
|
||
through the streets as defarge and the rest bore him along remained
|
||
immovable close to him when he was got near his destination and began
|
||
to be struck at from behind remained immovable close to him when the
|
||
long gathering rain of stabs and blows fell heavy was so close to him
|
||
when he dropped dead under it that suddenly animated she put her foot
|
||
upon his neck and with her cruel knife long ready hewed off his head
|
||
|
||
the hour was come when saint antoine was to execute his horrible idea
|
||
of hoisting up men for lamps to show what he could be and do saint
|
||
antoines blood was up and the blood of tyranny and domination by
|
||
the iron hand was down down on the steps of the hotel de ville where
|
||
the governors body lay down on the sole of the shoe of madame defarge
|
||
where she had trodden on the body to steady it for mutilation
|
||
lower the lamp yonder cried saint antoine after glaring round for a
|
||
new means of death here is one of his soldiers to be left on guard
|
||
the swinging sentinel was posted and the sea rushed on
|
||
|
||
the sea of black and threatening waters and of destructive upheaving
|
||
of wave against wave whose depths were yet unfathomed and whose
|
||
forces were yet unknown the remorseless sea of turbulently swaying
|
||
shapes voices of vengeance and faces hardened in the furnaces of
|
||
suffering until the touch of pity could make no mark on them
|
||
|
||
but in the ocean of faces where every fierce and furious expression
|
||
was in vivid life there were two groups of faces each seven in number
|
||
so fixedly contrasting with the rest that never did sea roll which
|
||
bore more memorable wrecks with it seven faces of prisoners suddenly
|
||
released by the storm that had burst their tomb were carried high
|
||
overhead all scared all lost all wondering and amazed as if the
|
||
last day were come and those who rejoiced around them were lost spirits
|
||
other seven faces there were carried higher seven dead faces whose
|
||
drooping eyelids and half seen eyes awaited the last day impassive
|
||
faces yet with a suspended not an abolished expression on them faces
|
||
rather in a fearful pause as having yet to raise the dropped lids of
|
||
the eyes and bear witness with the bloodless lips thou didst it
|
||
|
||
seven prisoners released seven gory heads on pikes the keys of the
|
||
accursed fortress of the eight strong towers some discovered letters
|
||
and other memorials of prisoners of old time long dead of broken
|
||
hearts such and such like the loudly echoing footsteps of saint
|
||
antoine escort through the paris streets in mid july one thousand seven
|
||
hundred and eighty nine now heaven defeat the fancy of lucie darnay
|
||
and keep these feet far out of her life for they are headlong mad
|
||
and dangerous and in the years so long after the breaking of the cask
|
||
at defarges wine shop door they are not easily purified when once
|
||
stained red
|
||
|
||
|
||
|
||
xxii
|
||
|
||
the sea still rises
|
||
|
||
|
||
haggard saint antoine had had only one exultant week in which to
|
||
soften his modicum of hard and bitter bread to such extent as he
|
||
could with the relish of fraternal embraces and congratulations
|
||
when madame defarge sat at her counter as usual presiding over the
|
||
customers madame defarge wore no rose in her head for the great
|
||
brotherhood of spies had become even in one short week extremely
|
||
chary of trusting themselves to the saints mercies the lamps across
|
||
his streets had a portentously elastic swing with them
|
||
|
||
madame defarge with her arms folded sat in the morning light and heat
|
||
contemplating the wine shop and the street in both there were several
|
||
knots of loungers squalid and miserable but now with a manifest sense
|
||
of power enthroned on their distress the raggedest nightcap awry on
|
||
the wretchedest head had this crooked significance in it i know how
|
||
hard it has grown for me the wearer of this to support life in myself
|
||
but do you know how easy it has grown for me the wearer of this to
|
||
destroy life in you every lean bare arm that had been without work
|
||
before had this work always ready for it now that it could strike
|
||
the fingers of the knitting women were vicious with the experience that
|
||
they could tear there was a change in the appearance of saint antoine
|
||
the image had been hammering into this for hundreds of years and the
|
||
last finishing blows had told mightily on the expression
|
||
|
||
madame defarge sat observing it with such suppressed approval as was
|
||
to be desired in the leader of the saint antoine women one of her
|
||
sisterhood knitted beside her the short rather plump wife of a
|
||
starved grocer and the mother of two children withal this lieutenant
|
||
had already earned the complimentary name of the vengeance
|
||
|
||
hark said the vengeance listen then who comes
|
||
|
||
as if a train of powder laid from the outermost bound of saint antoine
|
||
quarter to the wine shop door had been suddenly fired a fast spreading
|
||
murmur came rushing along
|
||
|
||
it is defarge said madame silence patriots
|
||
|
||
defarge came in breathless pulled off a red cap he wore and looked
|
||
around him listen everywhere said madame again listen to him
|
||
defarge stood panting against a background of eager eyes and open
|
||
mouths formed outside the door all those within the wine shop had
|
||
sprung to their feet
|
||
|
||
say then my husband what is it
|
||
|
||
news from the other world
|
||
|
||
how then cried madame contemptuously the other world
|
||
|
||
does everybody here recall old foulon who told the famished people
|
||
that they might eat grass and who died and went to hell
|
||
|
||
everybody from all throats
|
||
|
||
the news is of him he is among us
|
||
|
||
among us from the universal throat again and dead
|
||
|
||
not dead he feared us so much and with reason that he caused
|
||
himself to be represented as dead and had a grand mock funeral but
|
||
they have found him alive hiding in the country and have brought him
|
||
in i have seen him but now on his way to the hotel de ville a
|
||
prisoner i have said that he had reason to fear us say all
|
||
_had_ he reason
|
||
|
||
wretched old sinner of more than threescore years and ten if he had
|
||
never known it yet he would have known it in his heart of hearts if
|
||
he could have heard the answering cry
|
||
|
||
a moment of profound silence followed defarge and his wife looked
|
||
steadfastly at one another the vengeance stooped and the jar of
|
||
a drum was heard as she moved it at her feet behind the counter
|
||
|
||
patriots said defarge in a determined voice are we ready
|
||
|
||
instantly madame defarges knife was in her girdle the drum was beating
|
||
in the streets as if it and a drummer had flown together by magic and
|
||
the vengeance uttering terrific shrieks and flinging her arms about
|
||
her head like all the forty furies at once was tearing from house to
|
||
house rousing the women
|
||
|
||
the men were terrible in the bloody minded anger with which they looked
|
||
from windows caught up what arms they had and came pouring down into
|
||
the streets but the women were a sight to chill the boldest from
|
||
such household occupations as their bare poverty yielded from their
|
||
children from their aged and their sick crouching on the bare ground
|
||
famished and naked they ran out with streaming hair urging one
|
||
another and themselves to madness with the wildest cries and actions
|
||
villain foulon taken my sister old foulon taken my mother
|
||
miscreant foulon taken my daughter then a score of others ran into
|
||
the midst of these beating their breasts tearing their hair and
|
||
screaming foulon alive foulon who told the starving people they
|
||
might eat grass foulon who told my old father that he might eat
|
||
grass when i had no bread to give him foulon who told my baby it
|
||
might suck grass when these breasts where dry with want o mother
|
||
of god this foulon o heaven our suffering hear me my dead baby
|
||
and my withered father i swear on my knees on these stones to avenge
|
||
you on foulon husbands and brothers and young men give us the blood
|
||
of foulon give us the head of foulon give us the heart of foulon
|
||
give us the body and soul of foulon rend foulon to pieces and dig
|
||
him into the ground that grass may grow from him with these cries
|
||
numbers of the women lashed into blind frenzy whirled about striking
|
||
and tearing at their own friends until they dropped into a passionate
|
||
swoon and were only saved by the men belonging to them from being
|
||
trampled under foot
|
||
|
||
nevertheless not a moment was lost not a moment this foulon was
|
||
at the hotel de ville and might be loosed never if saint antoine
|
||
knew his own sufferings insults and wrongs armed men and women
|
||
flocked out of the quarter so fast and drew even these last dregs
|
||
after them with such a force of suction that within a quarter of an
|
||
hour there was not a human creature in saint antoines bosom but a
|
||
few old crones and the wailing children
|
||
|
||
no they were all by that time choking the hall of examination where
|
||
this old man ugly and wicked was and overflowing into the adjacent
|
||
open space and streets the defarges husband and wife the vengeance
|
||
and jacques three were in the first press and at no great distance
|
||
from him in the hall
|
||
|
||
see cried madame pointing with her knife see the old villain
|
||
bound with ropes that was well done to tie a bunch of grass upon
|
||
his back ha ha that was well done let him eat it now madame
|
||
put her knife under her arm and clapped her hands as at a play
|
||
|
||
the people immediately behind madame defarge explaining the cause of
|
||
her satisfaction to those behind them and those again explaining
|
||
to others and those to others the neighbouring streets resounded with
|
||
the clapping of hands similarly during two or three hours of drawl
|
||
and the winnowing of many bushels of words madame defarges frequent
|
||
expressions of impatience were taken up with marvellous quickness
|
||
at a distance the more readily because certain men who had by some
|
||
wonderful exercise of agility climbed up the external architecture to
|
||
look in from the windows knew madame defarge well and acted as a
|
||
telegraph between her and the crowd outside the building
|
||
|
||
at length the sun rose so high that it struck a kindly ray as of hope
|
||
or protection directly down upon the old prisoners head the favour
|
||
was too much to bear in an instant the barrier of dust and chaff that
|
||
had stood surprisingly long went to the winds and saint antoine had
|
||
got him
|
||
|
||
it was known directly to the furthest confines of the crowd defarge
|
||
had but sprung over a railing and a table and folded the miserable
|
||
wretch in a deadly embrace madame defarge had but followed and turned
|
||
her hand in one of the ropes with which he was tied the vengeance
|
||
and jacques three were not yet up with them and the men at the windows
|
||
had not yet swooped into the hall like birds of prey from their high
|
||
perches when the cry seemed to go up all over the city bring him
|
||
out bring him to the lamp
|
||
|
||
down and up and head foremost on the steps of the building now on
|
||
his knees now on his feet now on his back dragged and struck at
|
||
and stifled by the bunches of grass and straw that were thrust into his
|
||
face by hundreds of hands torn bruised panting bleeding yet always
|
||
entreating and beseeching for mercy now full of vehement agony of
|
||
action with a small clear space about him as the people drew one
|
||
another back that they might see now a log of dead wood drawn through
|
||
a forest of legs he was hauled to the nearest street corner where one
|
||
of the fatal lamps swung and there madame defarge let him go as a
|
||
cat might have done to a mouse and silently and composedly looked
|
||
at him while they made ready and while he besought her the women
|
||
passionately screeching at him all the time and the men sternly
|
||
calling out to have him killed with grass in his mouth once he went
|
||
aloft and the rope broke and they caught him shrieking twice he went
|
||
aloft and the rope broke and they caught him shrieking then the rope
|
||
was merciful and held him and his head was soon upon a pike with
|
||
grass enough in the mouth for all saint antoine to dance at the sight of
|
||
|
||
nor was this the end of the days bad work for saint antoine so
|
||
shouted and danced his angry blood up that it boiled again on
|
||
hearing when the day closed in that the son in law of the despatched
|
||
another of the peoples enemies and insulters was coming into paris
|
||
under a guard five hundred strong in cavalry alone saint antoine
|
||
wrote his crimes on flaring sheets of paper seized him would have
|
||
torn him out of the breast of an army to bear foulon company set
|
||
his head and heart on pikes and carried the three spoils of the day
|
||
in wolf procession through the streets
|
||
|
||
not before dark night did the men and women come back to the children
|
||
wailing and breadless then the miserable bakers shops were beset
|
||
by long files of them patiently waiting to buy bad bread and while
|
||
they waited with stomachs faint and empty they beguiled the time by
|
||
embracing one another on the triumphs of the day and achieving them
|
||
again in gossip gradually these strings of ragged people shortened
|
||
and frayed away and then poor lights began to shine in high windows
|
||
and slender fires were made in the streets at which neighbours cooked
|
||
in common afterwards supping at their doors
|
||
|
||
scanty and insufficient suppers those and innocent of meat as of
|
||
most other sauce to wretched bread yet human fellowship infused
|
||
some nourishment into the flinty viands and struck some sparks of
|
||
cheerfulness out of them fathers and mothers who had had their full
|
||
share in the worst of the day played gently with their meagre
|
||
children and lovers with such a world around them and before them
|
||
loved and hoped
|
||
|
||
it was almost morning when defarges wine shop parted with its last
|
||
knot of customers and monsieur defarge said to madame his wife in
|
||
husky tones while fastening the door
|
||
|
||
at last it is come my dear
|
||
|
||
eh well returned madame almost
|
||
|
||
saint antoine slept the defarges slept even the vengeance slept with
|
||
her starved grocer and the drum was at rest the drums was the only
|
||
voice in saint antoine that blood and hurry had not changed the
|
||
vengeance as custodian of the drum could have wakened him up and had
|
||
the same speech out of him as before the bastille fell or old foulon
|
||
was seized not so with the hoarse tones of the men and women in saint
|
||
antoines bosom
|
||
|
||
|
||
|
||
xxiii
|
||
|
||
fire rises
|
||
|
||
|
||
there was a change on the village where the fountain fell and where
|
||
the mender of roads went forth daily to hammer out of the stones on
|
||
the highway such morsels of bread as might serve for patches to hold
|
||
his poor ignorant soul and his poor reduced body together the prison
|
||
on the crag was not so dominant as of yore there were soldiers to guard
|
||
it but not many there were officers to guard the soldiers but not
|
||
one of them knew what his men would do beyond this that it would
|
||
probably not be what he was ordered
|
||
|
||
far and wide lay a ruined country yielding nothing but desolation
|
||
every green leaf every blade of grass and blade of grain was as
|
||
shrivelled and poor as the miserable people everything was bowed
|
||
down dejected oppressed and broken habitations fences
|
||
domesticated animals men women children and the soil that bore
|
||
them all worn out
|
||
|
||
monseigneur often a most worthy individual gentleman was a national
|
||
blessing gave a chivalrous tone to things was a polite example of
|
||
luxurious and shining fife and a great deal more to equal purpose
|
||
nevertheless monseigneur as a class had somehow or other brought
|
||
things to this strange that creation designed expressly for
|
||
monseigneur should be so soon wrung dry and squeezed out there must
|
||
be something short sighted in the eternal arrangements surely thus
|
||
it was however and the last drop of blood having been extracted from
|
||
the flints and the last screw of the rack having been turned so often
|
||
that its purchase crumbled and it now turned and turned with nothing
|
||
to bite monseigneur began to run away from a phenomenon so low
|
||
and unaccountable
|
||
|
||
but this was not the change on the village and on many a village
|
||
like it for scores of years gone by monseigneur had squeezed it
|
||
and wrung it and had seldom graced it with his presence except for
|
||
the pleasures of the chase now found in hunting the people now
|
||
found in hunting the beasts for whose preservation monseigneur made
|
||
edifying spaces of barbarous and barren wilderness no the change
|
||
consisted in the appearance of strange faces of low caste rather than
|
||
in the disappearance of the high caste chiselled and otherwise
|
||
beautified and beautifying features of monseigneur
|
||
|
||
for in these times as the mender of roads worked solitary in the
|
||
dust not often troubling himself to reflect that dust he was and to
|
||
dust he must return being for the most part too much occupied in
|
||
thinking how little he had for supper and how much more he would eat
|
||
if he had it in these times as he raised his eyes from his lonely
|
||
labour and viewed the prospect he would see some rough figure
|
||
approaching on foot the like of which was once a rarity in those
|
||
parts but was now a frequent presence as it advanced the mender
|
||
of roads would discern without surprise that it was a shaggy haired
|
||
man of almost barbarian aspect tall in wooden shoes that were
|
||
clumsy even to the eyes of a mender of roads grim rough swart
|
||
steeped in the mud and dust of many highways dank with the marshy
|
||
moisture of many low grounds sprinkled with the thorns and leaves
|
||
and moss of many byways through woods
|
||
|
||
such a man came upon him like a ghost at noon in the july weather
|
||
as he sat on his heap of stones under a bank taking such shelter as
|
||
he could get from a shower of hail
|
||
|
||
the man looked at him looked at the village in the hollow at the
|
||
mill and at the prison on the crag when he had identified these
|
||
objects in what benighted mind he had he said in a dialect that
|
||
was just intelligible
|
||
|
||
how goes it jacques
|
||
|
||
all well jacques
|
||
|
||
touch then
|
||
|
||
they joined hands and the man sat down on the heap of stones
|
||
|
||
no dinner
|
||
|
||
nothing but supper now said the mender of roads with a hungry face
|
||
|
||
it is the fashion growled the man i meet no dinner anywhere
|
||
|
||
he took out a blackened pipe filled it lighted it with flint and
|
||
steel pulled at it until it was in a bright glow then suddenly held
|
||
it from him and dropped something into it from between his finger and
|
||
thumb that blazed and went out in a puff of smoke
|
||
|
||
touch then it was the turn of the mender of roads to say it this
|
||
time after observing these operations they again joined hands
|
||
|
||
to night said the mender of roads
|
||
|
||
to night said the man putting the pipe in his mouth
|
||
|
||
where
|
||
|
||
here
|
||
|
||
he and the mender of roads sat on the heap of stones looking silently
|
||
at one another with the hail driving in between them like a pigmy
|
||
charge of bayonets until the sky began to clear over the village
|
||
|
||
show me said the traveller then moving to the brow of the hill
|
||
|
||
see returned the mender of roads with extended finger you go
|
||
down here and straight through the street and past the fountain
|
||
|
||
to the devil with all that interrupted the other rolling his eye
|
||
over the landscape _i_ go through no streets and past no fountains
|
||
well
|
||
|
||
well about two leagues beyond the summit of that hill above
|
||
the village
|
||
|
||
good when do you cease to work
|
||
|
||
at sunset
|
||
|
||
will you wake me before departing i have walked two nights without
|
||
resting let me finish my pipe and i shall sleep like a child will
|
||
you wake me
|
||
|
||
surely
|
||
|
||
the wayfarer smoked his pipe out put it in his breast slipped off
|
||
his great wooden shoes and lay down on his back on the heap of stones
|
||
he was fast asleep directly
|
||
|
||
as the road mender plied his dusty labour and the hail clouds rolling
|
||
away revealed bright bars and streaks of sky which were responded to
|
||
by silver gleams upon the landscape the little man who wore a red cap
|
||
now in place of his blue one seemed fascinated by the figure on the
|
||
heap of stones his eyes were so often turned towards it that he
|
||
used his tools mechanically and one would have said to very poor
|
||
account the bronze face the shaggy black hair and beard the coarse
|
||
woollen red cap the rough medley dress of home spun stuff and hairy
|
||
skins of beasts the powerful frame attenuated by spare living and
|
||
the sullen and desperate compression of the lips in sleep inspired
|
||
the mender of roads with awe the traveller had travelled far and
|
||
his feet were footsore and his ankles chafed and bleeding his great
|
||
shoes stuffed with leaves and grass had been heavy to drag over the
|
||
many long leagues and his clothes were chafed into holes as he himself
|
||
was into sores stooping down beside him the road mender tried to
|
||
get a peep at secret weapons in his breast or where not but in vain
|
||
for he slept with his arms crossed upon him and set as resolutely as
|
||
his lips fortified towns with their stockades guard houses gates
|
||
trenches and drawbridges seemed to the mender of roads to be so much
|
||
air as against this figure and when he lifted his eyes from it to
|
||
the horizon and looked around he saw in his small fancy similar figures
|
||
stopped by no obstacle tending to centres all over france
|
||
|
||
the man slept on indifferent to showers of hail and intervals of
|
||
brightness to sunshine on his face and shadow to the paltering lumps
|
||
of dull ice on his body and the diamonds into which the sun changed
|
||
them until the sun was low in the west and the sky was glowing
|
||
then the mender of roads having got his tools together and all things
|
||
ready to go down into the village roused him
|
||
|
||
good said the sleeper rising on his elbow two leagues beyond
|
||
the summit of the hill
|
||
|
||
about
|
||
|
||
about good
|
||
|
||
the mender of roads went home with the dust going on before him
|
||
according to the set of the wind and was soon at the fountain
|
||
squeezing himself in among the lean kine brought there to drink and
|
||
appearing even to whisper to them in his whispering to all the village
|
||
when the village had taken its poor supper it did not creep to bed
|
||
as it usually did but came out of doors again and remained there
|
||
a curious contagion of whispering was upon it and also when it
|
||
gathered together at the fountain in the dark another curious contagion
|
||
of looking expectantly at the sky in one direction only monsieur
|
||
gabelle chief functionary of the place became uneasy went out on
|
||
his house top alone and looked in that direction too glanced down
|
||
from behind his chimneys at the darkening faces by the fountain below
|
||
and sent word to the sacristan who kept the keys of the church that
|
||
there might be need to ring the tocsin by and bye
|
||
|
||
the night deepened the trees environing the old chateau keeping
|
||
its solitary state apart moved in a rising wind as though they
|
||
threatened the pile of building massive and dark in the gloom up
|
||
the two terrace flights of steps the rain ran wildly and beat at
|
||
the great door like a swift messenger rousing those within uneasy
|
||
rushes of wind went through the hall among the old spears and knives
|
||
and passed lamenting up the stairs and shook the curtains of the bed
|
||
where the last marquis had slept east west north and south through
|
||
the woods four heavy treading unkempt figures crushed the high grass
|
||
and cracked the branches striding on cautiously to come together in
|
||
the courtyard four lights broke out there and moved away in different
|
||
directions and all was black again
|
||
|
||
but not for long presently the chateau began to make itself
|
||
strangely visible by some light of its own as though it were growing
|
||
luminous then a flickering streak played behind the architecture
|
||
of the front picking out transparent places and showing where
|
||
balustrades arches and windows were then it soared higher and
|
||
grew broader and brighter soon from a score of the great windows
|
||
flames burst forth and the stone faces awakened stared out of fire
|
||
|
||
a faint murmur arose about the house from the few people who were left
|
||
there and there was a saddling of a horse and riding away there was
|
||
spurring and splashing through the darkness and bridle was drawn in
|
||
the space by the village fountain and the horse in a foam stood at
|
||
monsieur gabelles door help gabelle help every one the
|
||
tocsin rang impatiently but other help if that were any there was
|
||
none the mender of roads and two hundred and fifty particular
|
||
friends stood with folded arms at the fountain looking at the pillar
|
||
of fire in the sky it must be forty feet high said they grimly
|
||
and never moved
|
||
|
||
the rider from the chateau and the horse in a foam clattered away
|
||
through the village and galloped up the stony steep to the prison
|
||
on the crag at the gate a group of officers were looking at the
|
||
fire removed from them a group of soldiers help gentlemen
|
||
officers the chateau is on fire valuable objects may be saved from
|
||
the flames by timely aid help help the officers looked towards
|
||
the soldiers who looked at the fire gave no orders and answered
|
||
with shrugs and biting of lips it must burn
|
||
|
||
as the rider rattled down the hill again and through the street the
|
||
village was illuminating the mender of roads and the two hundred
|
||
and fifty particular friends inspired as one man and woman by the
|
||
idea of lighting up had darted into their houses and were putting
|
||
candles in every dull little pane of glass the general scarcity of
|
||
everything occasioned candles to be borrowed in a rather peremptory
|
||
manner of monsieur gabelle and in a moment of reluctance and hesitation
|
||
on that functionarys part the mender of roads once so submissive
|
||
to authority had remarked that carriages were good to make bonfires
|
||
with and that post horses would roast
|
||
|
||
the chateau was left to itself to flame and burn in the roaring and
|
||
raging of the conflagration a red hot wind driving straight from
|
||
the infernal regions seemed to be blowing the edifice away with the
|
||
rising and falling of the blaze the stone faces showed as if they were
|
||
in torment when great masses of stone and timber fell the face with
|
||
the two dints in the nose became obscured anon struggled out of the
|
||
smoke again as if it were the face of the cruel marquis burning at
|
||
the stake and contending with the fire
|
||
|
||
the chateau burned the nearest trees laid hold of by the fire
|
||
scorched and shrivelled trees at a distance fired by the four fierce
|
||
figures begirt the blazing edifice with a new forest of smoke molten
|
||
lead and iron boiled in the marble basin of the fountain the water
|
||
ran dry the extinguisher tops of the towers vanished like ice before
|
||
the heat and trickled down into four rugged wells of flame great
|
||
rents and splits branched out in the solid walls like crystallisation
|
||
stupefied birds wheeled about and dropped into the furnace four fierce
|
||
figures trudged away east west north and south along the night
|
||
enshrouded roads guided by the beacon they had lighted towards their
|
||
next destination the illuminated village had seized hold of the
|
||
tocsin and abolishing the lawful ringer rang for joy
|
||
|
||
not only that but the village light headed with famine fire and
|
||
bell ringing and bethinking itself that monsieur gabelle had to do
|
||
with the collection of rent and taxes though it was but a small
|
||
instalment of taxes and no rent at all that gabelle had got in those
|
||
latter days became impatient for an interview with him and
|
||
surrounding his house summoned him to come forth for personal conference
|
||
whereupon monsieur gabelle did heavily bar his door and retire to
|
||
hold counsel with himself the result of that conference was that
|
||
gabelle again withdrew himself to his housetop behind his stack of
|
||
chimneys this time resolved if his door were broken in he was a
|
||
small southern man of retaliative temperament to pitch himself head
|
||
foremost over the parapet and crush a man or two below
|
||
|
||
probably monsieur gabelle passed a long night up there with the
|
||
distant chateau for fire and candle and the beating at his door
|
||
combined with the joy ringing for music not to mention his having
|
||
an ill omened lamp slung across the road before his posting house gate
|
||
which the village showed a lively inclination to displace in his favour
|
||
a trying suspense to be passing a whole summer night on the brink of
|
||
the black ocean ready to take that plunge into it upon which monsieur
|
||
gabelle had resolved but the friendly dawn appearing at last and
|
||
the rush candles of the village guttering out the people happily
|
||
dispersed and monsieur gabelle came down bringing his life with him
|
||
for that while
|
||
|
||
within a hundred miles and in the light of other fires there were
|
||
other functionaries less fortunate that night and other nights whom
|
||
the rising sun found hanging across once peaceful streets where they
|
||
had been born and bred also there were other villagers and townspeople
|
||
less fortunate than the mender of roads and his fellows upon whom
|
||
the functionaries and soldiery turned with success and whom they
|
||
strung up in their turn but the fierce figures were steadily wending
|
||
east west north and south be that as it would and whosoever hung
|
||
fire burned the altitude of the gallows that would turn to water
|
||
and quench it no functionary by any stretch of mathematics was
|
||
able to calculate successfully
|
||
|
||
|
||
|
||
xxiv
|
||
|
||
drawn to the loadstone rock
|
||
|
||
|
||
in such risings of fire and risings of sea the firm earth shaken by
|
||
the rushes of an angry ocean which had now no ebb but was always on
|
||
the flow higher and higher to the terror and wonder of the beholders
|
||
on the shore three years of tempest were consumed three more
|
||
birthdays of little lucie had been woven by the golden thread into
|
||
the peaceful tissue of the life of her home
|
||
|
||
many a night and many a day had its inmates listened to the echoes in
|
||
the corner with hearts that failed them when they heard the thronging
|
||
feet for the footsteps had become to their minds as the footsteps
|
||
of a people tumultuous under a red flag and with their country declared
|
||
in danger changed into wild beasts by terrible enchantment long
|
||
persisted in
|
||
|
||
monseigneur as a class had dissociated himself from the phenomenon
|
||
of his not being appreciated of his being so little wanted in france
|
||
as to incur considerable danger of receiving his dismissal from it
|
||
and this life together like the fabled rustic who raised the devil
|
||
with infinite pains and was so terrified at the sight of him that he
|
||
could ask the enemy no question but immediately fled so monseigneur
|
||
after boldly reading the lords prayer backwards for a great number of
|
||
years and performing many other potent spells for compelling the evil
|
||
one no sooner beheld him in his terrors than he took to his noble heels
|
||
|
||
the shining bulls eye of the court was gone or it would have been
|
||
the mark for a hurricane of national bullets it had never been a
|
||
good eye to see with had long had the mote in it of lucifers pride
|
||
sardanapaluss luxury and a moles blindness but it had dropped
|
||
out and was gone the court from that exclusive inner circle to its
|
||
outermost rotten ring of intrigue corruption and dissimulation was
|
||
all gone together royalty was gone had been besieged in its palace
|
||
and suspended when the last tidings came over
|
||
|
||
the august of the year one thousand seven hundred and ninety two was
|
||
come and monseigneur was by this time scattered far and wide
|
||
|
||
as was natural the head quarters and great gathering place of
|
||
monseigneur in london was tellsons bank spirits are supposed to
|
||
haunt the places where their bodies most resorted and monseigneur
|
||
without a guinea haunted the spot where his guineas used to be
|
||
moreover it was the spot to which such french intelligence as was
|
||
most to be relied upon came quickest again tellsons was a
|
||
munificent house and extended great liberality to old customers who
|
||
had fallen from their high estate again those nobles who had seen
|
||
the coming storm in time and anticipating plunder or confiscation
|
||
had made provident remittances to tellsons were always to be heard
|
||
of there by their needy brethren to which it must be added that every
|
||
new comer from france reported himself and his tidings at tellsons
|
||
almost as a matter of course for such variety of reasons tellsons
|
||
was at that time as to french intelligence a kind of high exchange
|
||
and this was so well known to the public and the inquiries made there
|
||
were in consequence so numerous that tellsons sometimes wrote the
|
||
latest news out in a line or so and posted it in the bank windows
|
||
for all who ran through temple bar to read
|
||
|
||
on a steaming misty afternoon mr lorry sat at his desk and charles
|
||
darnay stood leaning on it talking with him in a low voice the
|
||
penitential den once set apart for interviews with the house was now
|
||
the news exchange and was filled to overflowing it was within half
|
||
an hour or so of the time of closing
|
||
|
||
but although you are the youngest man that ever lived said charles
|
||
darnay rather hesitating i must still suggest to you
|
||
|
||
i understand that i am too old said mr lorry
|
||
|
||
unsettled weather a long journey uncertain means of travelling a
|
||
disorganised country a city that may not be even safe for you
|
||
|
||
my dear charles said mr lorry with cheerful confidence you
|
||
touch some of the reasons for my going not for my staying away
|
||
it is safe enough for me nobody will care to interfere with an old
|
||
fellow of hard upon fourscore when there are so many people there
|
||
much better worth interfering with as to its being a disorganised
|
||
city if it were not a disorganised city there would be no occasion
|
||
to send somebody from our house here to our house there who knows
|
||
the city and the business of old and is in tellsons confidence
|
||
as to the uncertain travelling the long journey and the winter
|
||
weather if i were not prepared to submit myself to a few inconveniences
|
||
for the sake of tellsons after all these years who ought to be
|
||
|
||
i wish i were going myself said charles darnay somewhat restlessly
|
||
and like one thinking aloud
|
||
|
||
indeed you are a pretty fellow to object and advise exclaimed
|
||
mr lorry you wish you were going yourself and you a frenchman
|
||
born you are a wise counsellor
|
||
|
||
my dear mr lorry it is because i am a frenchman born that the
|
||
thought which i did not mean to utter here however has passed
|
||
through my mind often one cannot help thinking having had some
|
||
sympathy for the miserable people and having abandoned something to
|
||
them he spoke here in his former thoughtful manner that one might
|
||
be listened to and might have the power to persuade to some restraint
|
||
only last night after you had left us when i was talking to lucie
|
||
|
||
when you were talking to lucie mr lorry repeated yes i wonder
|
||
you are not ashamed to mention the name of lucie wishing you were
|
||
going to france at this time of day
|
||
|
||
however i am not going said charles darnay with a smile it is
|
||
more to the purpose that you say you are
|
||
|
||
and i am in plain reality the truth is my dear charles mr lorry
|
||
glanced at the distant house and lowered his voice you can have no
|
||
conception of the difficulty with which our business is transacted
|
||
and of the peril in which our books and papers over yonder are involved
|
||
the lord above knows what the compromising consequences would be to
|
||
numbers of people if some of our documents were seized or destroyed
|
||
and they might be at any time you know for who can say that paris
|
||
is not set afire to day or sacked to morrow now a judicious selection
|
||
from these with the least possible delay and the burying of them
|
||
or otherwise getting of them out of harms way is within the power
|
||
without loss of precious time of scarcely any one but myself
|
||
if any one and shall i hang back when tellsons knows this and says
|
||
this tellsons whose bread i have eaten these sixty years because
|
||
i am a little stiff about the joints why i am a boy sir to half
|
||
a dozen old codgers here
|
||
|
||
how i admire the gallantry of your youthful spirit mr lorry
|
||
|
||
tut nonsense sir and my dear charles said mr lorry glancing
|
||
at the house again you are to remember that getting things out of
|
||
paris at this present time no matter what things is next to an
|
||
impossibility papers and precious matters were this very day brought
|
||
to us here i speak in strict confidence it is not business like to
|
||
whisper it even to you by the strangest bearers you can imagine
|
||
every one of whom had his head hanging on by a single hair as he
|
||
passed the barriers at another time our parcels would come and go
|
||
as easily as in business like old england but now everything
|
||
is stopped
|
||
|
||
and do you really go to night
|
||
|
||
i really go to night for the case has become too pressing to
|
||
admit of delay
|
||
|
||
and do you take no one with you
|
||
|
||
all sorts of people have been proposed to me but i will have
|
||
nothing to say to any of them i intend to take jerry jerry has
|
||
been my bodyguard on sunday nights for a long time past and i am used
|
||
to him nobody will suspect jerry of being anything but an english
|
||
bull dog or of having any design in his head but to fly at anybody
|
||
who touches his master
|
||
|
||
i must say again that i heartily admire your gallantry and
|
||
youthfulness
|
||
|
||
i must say again nonsense nonsense when i have executed this
|
||
little commission i shall perhaps accept tellsons proposal to retire
|
||
and live at my ease time enough then to think about growing old
|
||
|
||
this dialogue had taken place at mr lorrys usual desk with monseigneur
|
||
swarming within a yard or two of it boastful of what he would do to
|
||
avenge himself on the rascal people before long it was too much the
|
||
way of monseigneur under his reverses as a refugee and it was much
|
||
too much the way of native british orthodoxy to talk of this terrible
|
||
revolution as if it were the only harvest ever known under the skies
|
||
that had not been sown as if nothing had ever been done or omitted
|
||
to be done that had led to it as if observers of the wretched
|
||
millions in france and of the misused and perverted resources that
|
||
should have made them prosperous had not seen it inevitably coming
|
||
years before and had not in plain words recorded what they saw such
|
||
vapouring combined with the extravagant plots of monseigneur for the
|
||
restoration of a state of things that had utterly exhausted itself
|
||
and worn out heaven and earth as well as itself was hard to be endured
|
||
without some remonstrance by any sane man who knew the truth and it
|
||
was such vapouring all about his ears like a troublesome confusion of
|
||
blood in his own head added to a latent uneasiness in his mind which
|
||
had already made charles darnay restless and which still kept him so
|
||
|
||
among the talkers was stryver of the kings bench bar far on his
|
||
way to state promotion and therefore loud on the theme broaching
|
||
to monseigneur his devices for blowing the people up and
|
||
exterminating them from the face of the earth and doing without them
|
||
and for accomplishing many similar objects akin in their nature to
|
||
the abolition of eagles by sprinkling salt on the tails of the race
|
||
him darnay heard with a particular feeling of objection and darnay
|
||
stood divided between going away that he might hear no more and
|
||
remaining to interpose his word when the thing that was to be went
|
||
on to shape itself out
|
||
|
||
the house approached mr lorry and laying a soiled and unopened
|
||
letter before him asked if he had yet discovered any traces of the
|
||
person to whom it was addressed the house laid the letter down so
|
||
close to darnay that he saw the direction the more quickly because
|
||
it was his own right name the address turned into english ran
|
||
|
||
very pressing to monsieur heretofore the marquis st evremonde
|
||
of france confided to the cares of messrs tellson and co bankers
|
||
london england
|
||
|
||
on the marriage morning doctor manette had made it his one urgent
|
||
and express request to charles darnay that the secret of this name
|
||
should be unless he the doctor dissolved the obligation kept
|
||
inviolate between them nobody else knew it to be his name his own
|
||
wife had no suspicion of the fact mr lorry could have none
|
||
|
||
no said mr lorry in reply to the house i have referred it
|
||
i think to everybody now here and no one can tell me where this
|
||
gentleman is to be found
|
||
|
||
the hands of the clock verging upon the hour of closing the bank
|
||
there was a general set of the current of talkers past mr lorrys
|
||
desk he held the letter out inquiringly and monseigneur looked at
|
||
it in the person of this plotting and indignant refugee and
|
||
monseigneur looked at it in the person of that plotting and indignant
|
||
refugee and this that and the other all had something disparaging
|
||
to say in french or in english concerning the marquis who was not
|
||
to be found
|
||
|
||
nephew i believe but in any case degenerate successor of the
|
||
polished marquis who was murdered said one happy to say i never
|
||
knew him
|
||
|
||
a craven who abandoned his post said another this monseigneur
|
||
had been got out of paris legs uppermost and half suffocated in a
|
||
load of hay some years ago
|
||
|
||
infected with the new doctrines said a third eyeing the direction
|
||
through his glass in passing set himself in opposition to the last
|
||
marquis abandoned the estates when he inherited them and left them
|
||
to the ruffian herd they will recompense him now i hope
|
||
as he deserves
|
||
|
||
hey cried the blatant stryver did he though is that the sort
|
||
of fellow let us look at his infamous name d n the fellow
|
||
|
||
darnay unable to restrain himself any longer touched mr stryver on
|
||
the shoulder and said
|
||
|
||
i know the fellow
|
||
|
||
do you by jupiter said stryver i am sorry for it
|
||
|
||
why
|
||
|
||
why mr darnay dye hear what he did dont ask why
|
||
in these times
|
||
|
||
but i do ask why
|
||
|
||
then i tell you again mr darnay i am sorry for it i am sorry to
|
||
hear you putting any such extraordinary questions here is a fellow
|
||
who infected by the most pestilent and blasphemous code of devilry
|
||
that ever was known abandoned his property to the vilest scum of the
|
||
earth that ever did murder by wholesale and you ask me why i am
|
||
sorry that a man who instructs youth knows him well but ill
|
||
answer you i am sorry because i believe there is contamination in
|
||
such a scoundrel thats why
|
||
|
||
mindful of the secret darnay with great difficulty checked himself
|
||
and said you may not understand the gentleman
|
||
|
||
i understand how to put _you_ in a corner mr darnay said bully
|
||
stryver and ill do it if this fellow is a gentleman i _dont_
|
||
understand him you may tell him so with my compliments you may
|
||
also tell him from me that after abandoning his worldly goods and
|
||
position to this butcherly mob i wonder he is not at the head of them
|
||
but no gentlemen said stryver looking all round and snapping his
|
||
fingers i know something of human nature and i tell you that youll
|
||
never find a fellow like this fellow trusting himself to the mercies
|
||
of such precious _prot<6F>g<EFBFBD>s_ no gentlemen hell always show em
|
||
a clean pair of heels very early in the scuffle and sneak away
|
||
|
||
with those words and a final snap of his fingers mr stryver
|
||
shouldered himself into fleet street amidst the general approbation
|
||
of his hearers mr lorry and charles darnay were left alone at the
|
||
desk in the general departure from the bank
|
||
|
||
will you take charge of the letter said mr lorry you know
|
||
where to deliver it
|
||
|
||
i do
|
||
|
||
will you undertake to explain that we suppose it to have been
|
||
addressed here on the chance of our knowing where to forward it
|
||
and that it has been here some time
|
||
|
||
i will do so do you start for paris from here
|
||
|
||
from here at eight
|
||
|
||
i will come back to see you off
|
||
|
||
very ill at ease with himself and with stryver and most other men
|
||
darnay made the best of his way into the quiet of the temple
|
||
opened the letter and read it these were its contents
|
||
|
||
|
||
prison of the abbaye paris
|
||
|
||
june 21 1792
|
||
monsieur heretofore the marquis
|
||
|
||
after having long been in danger of my life at the hands of the
|
||
village i have been seized with great violence and indignity and
|
||
brought a long journey on foot to paris on the road i have suffered
|
||
a great deal nor is that all my house has been destroyed razed
|
||
to the ground
|
||
|
||
the crime for which i am imprisoned monsieur heretofore the
|
||
marquis and for which i shall be summoned before the tribunal and
|
||
shall lose my life without your so generous help is they tell me
|
||
treason against the majesty of the people in that i have acted
|
||
against them for an emigrant it is in vain i represent that i have
|
||
acted for them and not against according to your commands it is
|
||
in vain i represent that before the sequestration of emigrant
|
||
property i had remitted the imposts they had ceased to pay that i
|
||
had collected no rent that i had had recourse to no process the
|
||
only response is that i have acted for an emigrant and where is
|
||
that emigrant
|
||
|
||
ah most gracious monsieur heretofore the marquis where is that
|
||
emigrant i cry in my sleep where is he i demand of heaven will
|
||
he not come to deliver me no answer ah monsieur heretofore the
|
||
marquis i send my desolate cry across the sea hoping it may perhaps
|
||
reach your ears through the great bank of tilson known at paris
|
||
|
||
for the love of heaven of justice of generosity of the honour of
|
||
your noble name i supplicate you monsieur heretofore the marquis
|
||
to succour and release me my fault is that i have been true to you
|
||
oh monsieur heretofore the marquis i pray you be you true to me
|
||
|
||
from this prison here of horror whence i every hour tend nearer
|
||
and nearer to destruction i send you monsieur heretofore the marquis
|
||
the assurance of my dolorous and unhappy service
|
||
|
||
your afflicted
|
||
|
||
gabelle
|
||
|
||
|
||
the latent uneasiness in darnays mind was roused to vigourous life
|
||
by this letter the peril of an old servant and a good one whose
|
||
only crime was fidelity to himself and his family stared him so
|
||
reproachfully in the face that as he walked to and fro in the temple
|
||
considering what to do he almost hid his face from the passersby
|
||
|
||
he knew very well that in his horror of the deed which had culminated
|
||
the bad deeds and bad reputation of the old family house in his
|
||
resentful suspicions of his uncle and in the aversion with which his
|
||
conscience regarded the crumbling fabric that he was supposed to
|
||
uphold he had acted imperfectly he knew very well that in his love
|
||
for lucie his renunciation of his social place though by no means
|
||
new to his own mind had been hurried and incomplete he knew that
|
||
he ought to have systematically worked it out and supervised it and
|
||
that he had meant to do it and that it had never been done
|
||
|
||
the happiness of his own chosen english home the necessity of being
|
||
always actively employed the swift changes and troubles of the time
|
||
which had followed on one another so fast that the events of this
|
||
week annihilated the immature plans of last week and the events of
|
||
the week following made all new again he knew very well that to the
|
||
force of these circumstances he had yielded not without disquiet
|
||
but still without continuous and accumulating resistance that he
|
||
had watched the times for a time of action and that they had shifted
|
||
and struggled until the time had gone by and the nobility were
|
||
trooping from france by every highway and byway and their property
|
||
was in course of confiscation and destruction and their very names
|
||
were blotting out was as well known to himself as it could be to any
|
||
new authority in france that might impeach him for it
|
||
|
||
but he had oppressed no man he had imprisoned no man he was so far
|
||
from having harshly exacted payment of his dues that he had
|
||
relinquished them of his own will thrown himself on a world with no
|
||
favour in it won his own private place there and earned his own
|
||
bread monsieur gabelle had held the impoverished and involved estate
|
||
on written instructions to spare the people to give them what little
|
||
there was to give such fuel as the heavy creditors would let them
|
||
have in the winter and such produce as could be saved from the same
|
||
grip in the summer and no doubt he had put the fact in plea and proof
|
||
for his own safety so that it could not but appear now
|
||
|
||
this favoured the desperate resolution charles darnay had begun to make
|
||
that he would go to paris
|
||
|
||
yes like the mariner in the old story the winds and streams had
|
||
driven him within the influence of the loadstone rock and it was
|
||
drawing him to itself and he must go everything that arose before
|
||
his mind drifted him on faster and faster more and more steadily
|
||
to the terrible attraction his latent uneasiness had been that bad
|
||
aims were being worked out in his own unhappy land by bad instruments
|
||
and that he who could not fail to know that he was better than they
|
||
was not there trying to do something to stay bloodshed and assert
|
||
the claims of mercy and humanity with this uneasiness half stifled
|
||
and half reproaching him he had been brought to the pointed comparison
|
||
of himself with the brave old gentleman in whom duty was so strong
|
||
upon that comparison injurious to himself had instantly followed
|
||
the sneers of monseigneur which had stung him bitterly and those of
|
||
stryver which above all were coarse and galling for old reasons
|
||
upon those had followed gabelles letter the appeal of an innocent
|
||
prisoner in danger of death to his justice honour and good name
|
||
|
||
his resolution was made he must go to paris
|
||
|
||
yes the loadstone rock was drawing him and he must sail on until
|
||
he struck he knew of no rock he saw hardly any danger the
|
||
intention with which he had done what he had done even although he
|
||
had left it incomplete presented it before him in an aspect that
|
||
would be gratefully acknowledged in france on his presenting himself
|
||
to assert it then that glorious vision of doing good which is so
|
||
often the sanguine mirage of so many good minds arose before him
|
||
and he even saw himself in the illusion with some influence to guide
|
||
this raging revolution that was running so fearfully wild
|
||
|
||
as he walked to and fro with his resolution made he considered that
|
||
neither lucie nor her father must know of it until he was gone
|
||
lucie should be spared the pain of separation and her father always
|
||
reluctant to turn his thoughts towards the dangerous ground of old
|
||
should come to the knowledge of the step as a step taken and not in
|
||
the balance of suspense and doubt how much of the incompleteness of
|
||
his situation was referable to her father through the painful
|
||
anxiety to avoid reviving old associations of france in his mind he
|
||
did not discuss with himself but that circumstance too
|
||
had had its influence in his course
|
||
|
||
he walked to and fro with thoughts very busy until it was time to
|
||
return to tellsons and take leave of mr lorry as soon as he
|
||
arrived in paris he would present himself to this old friend but he
|
||
must say nothing of his intention now
|
||
|
||
a carriage with post horses was ready at the bank door and jerry
|
||
was booted and equipped
|
||
|
||
i have delivered that letter said charles darnay to mr lorry
|
||
i would not consent to your being charged with any written answer
|
||
but perhaps you will take a verbal one
|
||
|
||
that i will and readily said mr lorry if it is not dangerous
|
||
|
||
not at all though it is to a prisoner in the abbaye
|
||
|
||
what is his name said mr lorry with his open pocket book in his hand
|
||
|
||
gabelle
|
||
|
||
gabelle and what is the message to the unfortunate gabelle in prison
|
||
|
||
simply `that he has received the letter and will come
|
||
|
||
any time mentioned
|
||
|
||
he will start upon his journey to morrow night
|
||
|
||
any person mentioned
|
||
|
||
no
|
||
|
||
he helped mr lorry to wrap himself in a number of coats and cloaks
|
||
and went out with him from the warm atmosphere of the old bank into
|
||
the misty air of fleet street my love to lucie and to little
|
||
lucie said mr lorry at parting and take precious care of them
|
||
till i come back charles darnay shook his head and doubtfully smiled
|
||
as the carriage rolled away
|
||
|
||
that night it was the fourteenth of august he sat up late and
|
||
wrote two fervent letters one was to lucie explaining the strong
|
||
obligation he was under to go to paris and showing her at length
|
||
the reasons that he had for feeling confident that he could become
|
||
involved in no personal danger there the other was to the doctor
|
||
confiding lucie and their dear child to his care and dwelling on
|
||
the same topics with the strongest assurances to both he wrote
|
||
that he would despatch letters in proof of his safety immediately
|
||
after his arrival
|
||
|
||
it was a hard day that day of being among them with the first
|
||
reservation of their joint lives on his mind it was a hard matter
|
||
to preserve the innocent deceit of which they were profoundly
|
||
unsuspicious but an affectionate glance at his wife so happy and
|
||
busy made him resolute not to tell her what impended he had been
|
||
half moved to do it so strange it was to him to act in anything
|
||
without her quiet aid and the day passed quickly early in the
|
||
evening he embraced her and her scarcely less dear namesake pretending
|
||
that he would return by and bye an imaginary engagement took him out
|
||
and he had secreted a valise of clothes ready and so he emerged
|
||
into the heavy mist of the heavy streets with a heavier heart
|
||
|
||
the unseen force was drawing him fast to itself now and all the
|
||
tides and winds were setting straight and strong towards it he left
|
||
his two letters with a trusty porter to be delivered half an hour
|
||
before midnight and no sooner took horse for dover and began his
|
||
journey for the love of heaven of justice of generosity of the
|
||
honour of your noble name was the poor prisoners cry with which
|
||
he strengthened his sinking heart as he left all that was dear on
|
||
earth behind him and floated away for the loadstone rock
|
||
|
||
|
||
|
||
the end of the second book
|
||
|
||
|
||
|
||
|
||
|
||
book the third the track of a storm
|
||
|
||
|
||
|
||
|
||
i
|
||
|
||
in secret
|
||
|
||
|
||
the traveller fared slowly on his way who fared towards paris from
|
||
england in the autumn of the year one thousand seven hundred and
|
||
ninety two more than enough of bad roads bad equipages and bad
|
||
horses he would have encountered to delay him though the fallen and
|
||
unfortunate king of france had been upon his throne in all his glory
|
||
but the changed times were fraught with other obstacles than these
|
||
every town gate and village taxing house had its band of citizen
|
||
patriots with their national muskets in a most explosive state of
|
||
readiness who stopped all comers and goers cross questioned them
|
||
inspected their papers looked for their names in lists of their own
|
||
turned them back or sent them on or stopped them and laid them in
|
||
hold as their capricious judgment or fancy deemed best for the
|
||
dawning republic one and indivisible of liberty equality
|
||
fraternity or death
|
||
|
||
a very few french leagues of his journey were accomplished when
|
||
charles darnay began to perceive that for him along these country
|
||
roads there was no hope of return until he should have been declared
|
||
a good citizen at paris whatever might befall now he must on to
|
||
his journeys end not a mean village closed upon him not a common
|
||
barrier dropped across the road behind him but he knew it to be
|
||
another iron door in the series that was barred between him and
|
||
england the universal watchfulness so encompassed him that if he
|
||
had been taken in a net or were being forwarded to his destination
|
||
in a cage he could not have felt his freedom more completely gone
|
||
|
||
this universal watchfulness not only stopped him on the highway
|
||
twenty times in a stage but retarded his progress twenty times in a
|
||
day by riding after him and taking him back riding before him and
|
||
stopping him by anticipation riding with him and keeping him in
|
||
charge he had been days upon his journey in france alone when he
|
||
went to bed tired out in a little town on the high road still a
|
||
long way from paris
|
||
|
||
nothing but the production of the afflicted gabelles letter from his
|
||
prison of the abbaye would have got him on so far his difficulty at
|
||
the guard house in this small place had been such that he felt his
|
||
journey to have come to a crisis and he was therefore as little
|
||
surprised as a man could be to find himself awakened at the small
|
||
inn to which he had been remitted until morning in the middle of the
|
||
night
|
||
|
||
awakened by a timid local functionary and three armed patriots in
|
||
rough red caps and with pipes in their mouths who sat down on the bed
|
||
|
||
emigrant said the functionary i am going to send you on to paris
|
||
under an escort
|
||
|
||
citizen i desire nothing more than to get to paris though i could
|
||
dispense with the escort
|
||
|
||
silence growled a red cap striking at the coverlet with the
|
||
butt end of his musket peace aristocrat
|
||
|
||
it is as the good patriot says observed the timid functionary
|
||
you are an aristocrat and must have an escort and must pay for it
|
||
|
||
i have no choice said charles darnay
|
||
|
||
choice listen to him cried the same scowling red cap as if it
|
||
was not a favour to be protected from the lamp iron
|
||
|
||
it is always as the good patriot says observed the functionary
|
||
rise and dress yourself emigrant
|
||
|
||
darnay complied and was taken back to the guard house where other
|
||
patriots in rough red caps were smoking drinking and sleeping by a
|
||
watch fire here he paid a heavy price for his escort and hence he
|
||
started with it on the wet wet roads at three oclock in the morning
|
||
|
||
the escort were two mounted patriots in red caps and tri coloured
|
||
cockades armed with national muskets and sabres who rode one on
|
||
either side of him
|
||
|
||
the escorted governed his own horse but a loose line was attached to
|
||
his bridle the end of which one of the patriots kept girded round
|
||
his wrist in this state they set forth with the sharp rain driving
|
||
in their faces clattering at a heavy dragoon trot over the uneven
|
||
town pavement and out upon the mire deep roads in this state they
|
||
traversed without change except of horses and pace all the mire
|
||
deep leagues that lay between them and the capital
|
||
|
||
they travelled in the night halting an hour or two after daybreak
|
||
and lying by until the twilight fell the escort were so wretchedly
|
||
clothed that they twisted straw round their bare legs and thatched
|
||
their ragged shoulders to keep the wet off apart from the personal
|
||
discomfort of being so attended and apart from such considerations
|
||
of present danger as arose from one of the patriots being chronically
|
||
drunk and carrying his musket very recklessly charles darnay did
|
||
not allow the restraint that was laid upon him to awaken any serious
|
||
fears in his breast for he reasoned with himself that it could have
|
||
no reference to the merits of an individual case that was not yet
|
||
stated and of representations confirmable by the prisoner in the
|
||
abbaye that were not yet made
|
||
|
||
but when they came to the town of beauvais which they did at
|
||
eventide when the streets were filled with people he could not
|
||
conceal from himself that the aspect of affairs was very alarming
|
||
an ominous crowd gathered to see him dismount of the posting yard
|
||
and many voices called out loudly down with the emigrant
|
||
|
||
he stopped in the act of swinging himself out of his saddle and
|
||
resuming it as his safest place said
|
||
|
||
emigrant my friends do you not see me here in france of my
|
||
own will
|
||
|
||
you are a cursed emigrant cried a farrier making at him in a
|
||
furious manner through the press hammer in hand and you are a
|
||
cursed aristocrat
|
||
|
||
the postmaster interposed himself between this man and the riders
|
||
bridle at which he was evidently making and soothingly said
|
||
let him be let him be he will be judged at paris
|
||
|
||
judged repeated the farrier swinging his hammer
|
||
ay and condemned as a traitor at this the crowd roared approval
|
||
|
||
checking the postmaster who was for turning his horses head to the
|
||
yard the drunken patriot sat composedly in his saddle looking on
|
||
with the line round his wrist darnay said as soon as he could make
|
||
his voice heard
|
||
|
||
friends you deceive yourselves or you are deceived i am not
|
||
a traitor
|
||
|
||
he lies cried the smith he is a traitor since the decree
|
||
his life is forfeit to the people his cursed life is not his own
|
||
|
||
at the instant when darnay saw a rush in the eyes of the crowd
|
||
which another instant would have brought upon him the postmaster
|
||
turned his horse into the yard the escort rode in close upon his
|
||
horses flanks and the postmaster shut and barred the crazy double
|
||
gates the farrier struck a blow upon them with his hammer and the
|
||
crowd groaned but no more was done
|
||
|
||
what is this decree that the smith spoke of darnay asked the
|
||
postmaster when he had thanked him and stood beside him in the yard
|
||
|
||
truly a decree for selling the property of emigrants
|
||
|
||
when passed
|
||
|
||
on the fourteenth
|
||
|
||
the day i left england
|
||
|
||
everybody says it is but one of several and that there will be
|
||
others if there are not already banishing all emigrants and
|
||
condemning all to death who return that is what he meant when he
|
||
said your life was not your own
|
||
|
||
but there are no such decrees yet
|
||
|
||
what do i know said the postmaster shrugging his shoulders
|
||
there may be or there will be it is all the same what would
|
||
you have
|
||
|
||
they rested on some straw in a loft until the middle of the night
|
||
and then rode forward again when all the town was asleep among the
|
||
many wild changes observable on familiar things which made this wild
|
||
ride unreal not the least was the seeming rarity of sleep
|
||
after long and lonely spurring over dreary roads they would come to
|
||
a cluster of poor cottages not steeped in darkness but all
|
||
glittering with lights and would find the people in a ghostly
|
||
manner in the dead of the night circling hand in hand round a
|
||
shrivelled tree of liberty or all drawn up together singing a
|
||
liberty song happily however there was sleep in beauvais that
|
||
night to help them out of it and they passed on once more into
|
||
solitude and loneliness jingling through the untimely cold and wet
|
||
among impoverished fields that had yielded no fruits of the earth
|
||
that year diversified by the blackened remains of burnt houses and
|
||
by the sudden emergence from ambuscade and sharp reining up across
|
||
their way of patriot patrols on the watch on all the roads
|
||
|
||
daylight at last found them before the wall of paris the barrier
|
||
was closed and strongly guarded when they rode up to it
|
||
|
||
where are the papers of this prisoner demanded a resolute looking
|
||
man in authority who was summoned out by the guard
|
||
|
||
naturally struck by the disagreeable word charles darnay requested
|
||
the speaker to take notice that he was a free traveller and french
|
||
citizen in charge of an escort which the disturbed state of the
|
||
country had imposed upon him and which he had paid for
|
||
|
||
where repeated the same personage without taking any heed of him
|
||
whatever are the papers of this prisoner
|
||
|
||
the drunken patriot had them in his cap and produced them casting his
|
||
eyes over gabelles letter the same personage in authority showed
|
||
some disorder and surprise and looked at darnay with a close attention
|
||
|
||
he left escort and escorted without saying a word however and went
|
||
into the guard room meanwhile they sat upon their horses outside
|
||
the gate looking about him while in this state of suspense charles
|
||
darnay observed that the gate was held by a mixed guard of soldiers
|
||
and patriots the latter far outnumbering the former and that while
|
||
ingress into the city for peasants carts bringing in supplies and
|
||
for similar traffic and traffickers was easy enough egress even
|
||
for the homeliest people was very difficult a numerous medley of
|
||
men and women not to mention beasts and vehicles of various sorts
|
||
was waiting to issue forth but the previous identification was so
|
||
strict that they filtered through the barrier very slowly some of
|
||
these people knew their turn for examination to be so far off that
|
||
they lay down on the ground to sleep or smoke while others talked
|
||
together or loitered about the red cap and tri colour cockade were
|
||
universal both among men and women
|
||
|
||
when he had sat in his saddle some half hour taking note of these
|
||
things darnay found himself confronted by the same man in authority
|
||
who directed the guard to open the barrier then he delivered to the
|
||
escort drunk and sober a receipt for the escorted and requested him
|
||
to dismount he did so and the two patriots leading his tired horse
|
||
turned and rode away without entering the city
|
||
|
||
he accompanied his conductor into a guard room smelling of common
|
||
wine and tobacco where certain soldiers and patriots asleep and
|
||
awake drunk and sober and in various neutral states between
|
||
sleeping and waking drunkenness and sobriety were standing and
|
||
lying about the light in the guard house half derived from the
|
||
waning oil lamps of the night and half from the overcast day was in
|
||
a correspondingly uncertain condition some registers were lying
|
||
open on a desk and an officer of a coarse dark aspect presided
|
||
over these
|
||
|
||
citizen defarge said he to darnays conductor as he took a slip
|
||
of paper to write on is this the emigrant evremonde
|
||
|
||
this is the man
|
||
|
||
your age evremonde
|
||
|
||
thirty seven
|
||
|
||
married evremonde
|
||
|
||
yes
|
||
|
||
where married
|
||
|
||
in england
|
||
|
||
without doubt where is your wife evremonde
|
||
|
||
in england
|
||
|
||
without doubt you are consigned evremonde to the prison of la force
|
||
|
||
just heaven exclaimed darnay under what law and for what offence
|
||
|
||
the officer looked up from his slip of paper for a moment
|
||
|
||
we have new laws evremonde and new offences since you were here
|
||
he said it with a hard smile and went on writing
|
||
|
||
i entreat you to observe that i have come here voluntarily in response
|
||
to that written appeal of a fellow countryman which lies before you
|
||
i demand no more than the opportunity to do so without delay
|
||
is not that my right
|
||
|
||
emigrants have no rights evremonde was the stolid reply
|
||
the officer wrote until he had finished read over to himself what he
|
||
had written sanded it and handed it to defarge with the words
|
||
in secret
|
||
|
||
defarge motioned with the paper to the prisoner that he must
|
||
accompany him the prisoner obeyed and a guard of two armed
|
||
patriots attended them
|
||
|
||
is it you said defarge in a low voice as they went down the
|
||
guardhouse steps and turned into paris who married the daughter of
|
||
doctor manette once a prisoner in the bastille that is no more
|
||
|
||
yes replied darnay looking at him with surprise
|
||
|
||
my name is defarge and i keep a wine shop in the quarter saint
|
||
antoine possibly you have heard of me
|
||
|
||
my wife came to your house to reclaim her father yes
|
||
|
||
the word wife seemed to serve as a gloomy reminder to defarge
|
||
to say with sudden impatience in the name of that sharp female
|
||
newly born and called la guillotine why did you come to france
|
||
|
||
you heard me say why a minute ago do you not believe it is the
|
||
truth
|
||
|
||
a bad truth for you said defarge speaking with knitted brows
|
||
and looking straight before him
|
||
|
||
indeed i am lost here all here is so unprecedented so changed
|
||
so sudden and unfair that i am absolutely lost will you render me
|
||
a little help
|
||
|
||
none defarge spoke always looking straight before him
|
||
|
||
will you answer me a single question
|
||
|
||
perhaps according to its nature you can say what it is
|
||
|
||
in this prison that i am going to so unjustly shall i have some
|
||
free communication with the world outside
|
||
|
||
you will see
|
||
|
||
i am not to be buried there prejudged and without any means of
|
||
presenting my case
|
||
|
||
you will see but what then other people have been similarly
|
||
buried in worse prisons before now
|
||
|
||
but never by me citizen defarge
|
||
|
||
defarge glanced darkly at him for answer and walked on in a steady
|
||
and set silence the deeper he sank into this silence the fainter
|
||
hope there was or so darnay thought of his softening in any slight
|
||
degree he therefore made haste to say
|
||
|
||
it is of the utmost importance to me you know citizen even better
|
||
than i of how much importance that i should be able to communicate
|
||
to mr lorry of tellsons bank an english gentleman who is now in
|
||
paris the simple fact without comment that i have been thrown into
|
||
the prison of la force will you cause that to be done for me
|
||
|
||
i will do defarge doggedly rejoined nothing for you my duty is
|
||
to my country and the people i am the sworn servant of both
|
||
against you i will do nothing for you
|
||
|
||
charles darnay felt it hopeless to entreat him further and his pride
|
||
was touched besides as they walked on in silence he could not but
|
||
see how used the people were to the spectacle of prisoners passing
|
||
along the streets the very children scarcely noticed him a few
|
||
passers turned their heads and a few shook their fingers at him as
|
||
an aristocrat otherwise that a man in good clothes should be going
|
||
to prison was no more remarkable than that a labourer in working
|
||
clothes should be going to work in one narrow dark and dirty
|
||
street through which they passed an excited orator mounted on a stool
|
||
was addressing an excited audience on the crimes against the people
|
||
of the king and the royal family the few words that he caught from
|
||
this mans lips first made it known to charles darnay that the king
|
||
was in prison and that the foreign ambassadors had one and all left
|
||
paris on the road except at beauvais he had heard absolutely nothing
|
||
the escort and the universal watchfulness had completely isolated him
|
||
|
||
that he had fallen among far greater dangers than those which had
|
||
developed themselves when he left england he of course knew now
|
||
that perils had thickened about him fast and might thicken faster
|
||
and faster yet he of course knew now he could not but admit to
|
||
himself that he might not have made this journey if he could have
|
||
foreseen the events of a few days and yet his misgivings were not
|
||
so dark as imagined by the light of this later time they would appear
|
||
troubled as the future was it was the unknown future and in its
|
||
obscurity there was ignorant hope the horrible massacre days and
|
||
nights long which within a few rounds of the clock was to set a
|
||
great mark of blood upon the blessed garnering time of harvest was
|
||
as far out of his knowledge as if it had been a hundred thousand
|
||
years away the sharp female newly born and called la guillotine
|
||
was hardly known to him or to the generality of people by name
|
||
the frightful deeds that were to be soon done were probably
|
||
unimagined at that time in the brains of the doers how could they
|
||
have a place in the shadowy conceptions of a gentle mind
|
||
|
||
of unjust treatment in detention and hardship and in cruel
|
||
separation from his wife and child he foreshadowed the likelihood
|
||
or the certainty but beyond this he dreaded nothing distinctly
|
||
with this on his mind which was enough to carry into a dreary prison
|
||
courtyard he arrived at the prison of la force
|
||
|
||
a man with a bloated face opened the strong wicket to whom defarge
|
||
presented the emigrant evremonde
|
||
|
||
what the devil how many more of them exclaimed the man with
|
||
the bloated face
|
||
|
||
defarge took his receipt without noticing the exclamation
|
||
and withdrew with his two fellow patriots
|
||
|
||
what the devil i say again exclaimed the gaoler left with his wife
|
||
how many more
|
||
|
||
the gaolers wife being provided with no answer to the question
|
||
merely replied one must have patience my dear three turnkeys who
|
||
entered responsive to a bell she rang echoed the sentiment and one
|
||
added for the love of liberty which sounded in that place like an
|
||
inappropriate conclusion
|
||
|
||
the prison of la force was a gloomy prison dark and filthy and with
|
||
a horrible smell of foul sleep in it extraordinary how soon the
|
||
noisome flavour of imprisoned sleep becomes manifest in all such
|
||
places that are ill cared for
|
||
|
||
in secret too grumbled the gaoler looking at the written paper
|
||
as if i was not already full to bursting
|
||
|
||
he stuck the paper on a file in an ill humour and charles darnay
|
||
awaited his further pleasure for half an hour sometimes pacing to
|
||
and fro in the strong arched room sometimes resting on a stone seat
|
||
in either case detained to be imprinted on the memory of the chief
|
||
and his subordinates
|
||
|
||
come said the chief at length taking up his keys come with me
|
||
emigrant
|
||
|
||
through the dismal prison twilight his new charge accompanied him by
|
||
corridor and staircase many doors clanging and locking behind them
|
||
until they came into a large low vaulted chamber crowded with
|
||
prisoners of both sexes the women were seated at a long table
|
||
reading and writing knitting sewing and embroidering the men were
|
||
for the most part standing behind their chairs or lingering up and
|
||
down the room
|
||
|
||
in the instinctive association of prisoners with shameful crime and
|
||
disgrace the new comer recoiled from this company but the crowning
|
||
unreality of his long unreal ride was their all at once rising to
|
||
receive him with every refinement of manner known to the time and
|
||
with all the engaging graces and courtesies of life
|
||
|
||
so strangely clouded were these refinements by the prison manners and
|
||
gloom so spectral did they become in the inappropriate squalor and
|
||
misery through which they were seen that charles darnay seemed to
|
||
stand in a company of the dead ghosts all the ghost of beauty
|
||
the ghost of stateliness the ghost of elegance the ghost of pride
|
||
the ghost of frivolity the ghost of wit the ghost of youth the
|
||
ghost of age all waiting their dismissal from the desolate shore
|
||
all turning on him eyes that were changed by the death they had died
|
||
in coming there
|
||
|
||
it struck him motionless the gaoler standing at his side and the
|
||
other gaolers moving about who would have been well enough as to
|
||
appearance in the ordinary exercise of their functions looked so
|
||
extravagantly coarse contrasted with sorrowing mothers and blooming
|
||
daughters who were there with the apparitions of the coquette
|
||
the young beauty and the mature woman delicately bred that the
|
||
inversion of all experience and likelihood which the scene of shadows
|
||
presented was heightened to its utmost surely ghosts all
|
||
surely the long unreal ride some progress of disease that had
|
||
brought him to these gloomy shades
|
||
|
||
in the name of the assembled companions in misfortune said a
|
||
gentleman of courtly appearance and address coming forward
|
||
i have the honour of giving you welcome to la force and of
|
||
condoling with you on the calamity that has brought you among us
|
||
may it soon terminate happily it would be an impertinence elsewhere
|
||
but it is not so here to ask your name and condition
|
||
|
||
charles darnay roused himself and gave the required information
|
||
in words as suitable as he could find
|
||
|
||
but i hope said the gentleman following the chief gaoler with his
|
||
eyes who moved across the room that you are not in secret
|
||
|
||
i do not understand the meaning of the term but i have heard them
|
||
say so
|
||
|
||
ah what a pity we so much regret it but take courage several
|
||
members of our society have been in secret at first and it has
|
||
lasted but a short time then he added raising his voice
|
||
i grieve to inform the society in secret
|
||
|
||
there was a murmur of commiseration as charles darnay crossed the
|
||
room to a grated door where the gaoler awaited him and many
|
||
voices among which the soft and compassionate voices of women were
|
||
conspicuous gave him good wishes and encouragement he turned at
|
||
the grated door to render the thanks of his heart it closed under
|
||
the gaolers hand and the apparitions vanished from his sight forever
|
||
|
||
the wicket opened on a stone staircase leading upward when they
|
||
had ascended forty steps the prisoner of half an hour already
|
||
counted them the gaoler opened a low black door and they passed
|
||
into a solitary cell it struck cold and damp but was not dark
|
||
|
||
yours said the gaoler
|
||
|
||
why am i confined alone
|
||
|
||
how do i know
|
||
|
||
i can buy pen ink and paper
|
||
|
||
such are not my orders you will be visited and can ask then
|
||
at present you may buy your food and nothing more
|
||
|
||
there were in the cell a chair a table and a straw mattress
|
||
as the gaoler made a general inspection of these objects and of the
|
||
four walls before going out a wandering fancy wandered through the
|
||
mind of the prisoner leaning against the wall opposite to him that
|
||
this gaoler was so unwholesomely bloated both in face and person
|
||
as to look like a man who had been drowned and filled with water
|
||
when the gaoler was gone he thought in the same wandering way
|
||
now am i left as if i were dead stopping then to look down at
|
||
the mattress he turned from it with a sick feeling and thought
|
||
and here in these crawling creatures is the first condition of the
|
||
body after death
|
||
|
||
five paces by four and a half five paces by four and a half five
|
||
paces by four and a half the prisoner walked to and fro in his
|
||
cell counting its measurement and the roar of the city arose like
|
||
muffled drums with a wild swell of voices added to them he made
|
||
shoes he made shoes he made shoes the prisoner counted the
|
||
measurement again and paced faster to draw his mind with him from
|
||
that latter repetition the ghosts that vanished when the wicket
|
||
closed there was one among them the appearance of a lady dressed
|
||
in black who was leaning in the embrasure of a window and she had a
|
||
light shining upon her golden hair and she looked like * * * * let
|
||
us ride on again for gods sake through the illuminated villages
|
||
with the people all awake * * * * he made shoes he made shoes
|
||
he made shoes * * * * five paces by four and a half with such scraps
|
||
tossing and rolling upward from the depths of his mind the prisoner
|
||
walked faster and faster obstinately counting and counting and the
|
||
roar of the city changed to this extent that it still rolled in like
|
||
muffled drums but with the wail of voices that he knew in the swell
|
||
that rose above them
|
||
|
||
|
||
|
||
ii
|
||
|
||
the grindstone
|
||
|
||
|
||
tellsons bank established in the saint germain quarter of paris
|
||
was in a wing of a large house approached by a courtyard and shut
|
||
off from the street by a high wall and a strong gate the house
|
||
belonged to a great nobleman who had lived in it until he made a
|
||
flight from the troubles in his own cooks dress and got across the
|
||
borders a mere beast of the chase flying from hunters he was still
|
||
in his metempsychosis no other than the same monseigneur the
|
||
preparation of whose chocolate for whose lips had once occupied three
|
||
strong men besides the cook in question
|
||
|
||
monseigneur gone and the three strong men absolving themselves from
|
||
the sin of having drawn his high wages by being more than ready and
|
||
willing to cut his throat on the altar of the dawning republic one and
|
||
indivisible of liberty equality fraternity or death monseigneurs
|
||
house had been first sequestrated and then confiscated for all
|
||
things moved so fast and decree followed decree with that fierce
|
||
precipitation that now upon the third night of the autumn month of
|
||
september patriot emissaries of the law were in possession of
|
||
monseigneurs house and had marked it with the tri colour and were
|
||
drinking brandy in its state apartments
|
||
|
||
a place of business in london like tellsons place of business in
|
||
paris would soon have driven the house out of its mind and into the
|
||
gazette for what would staid british responsibility and
|
||
respectability have said to orange trees in boxes in a bank courtyard
|
||
and even to a cupid over the counter yet such things were
|
||
tellsons had whitewashed the cupid but he was still to be seen on
|
||
the ceiling in the coolest linen aiming as he very often does at
|
||
money from morning to night bankruptcy must inevitably have come of
|
||
this young pagan in lombard street london and also of a curtained
|
||
alcove in the rear of the immortal boy and also of a looking glass
|
||
let into the wall and also of clerks not at all old who danced in
|
||
public on the slightest provocation yet a french tellsons could
|
||
get on with these things exceedingly well and as long as the times
|
||
held together no man had taken fright at them and drawn out his money
|
||
|
||
what money would be drawn out of tellsons henceforth and what would
|
||
lie there lost and forgotten what plate and jewels would tarnish in
|
||
tellsons hiding places while the depositors rusted in prisons and
|
||
when they should have violently perished how many accounts with
|
||
tellsons never to be balanced in this world must be carried over
|
||
into the next no man could have said that night any more than
|
||
mr jarvis lorry could though he thought heavily of these questions
|
||
he sat by a newly lighted wood fire the blighted and unfruitful year
|
||
was prematurely cold and on his honest and courageous face there
|
||
was a deeper shade than the pendent lamp could throw or any object
|
||
in the room distortedly reflect a shade of horror
|
||
|
||
he occupied rooms in the bank in his fidelity to the house of which
|
||
he had grown to be a part like strong root ivy it chanced that they
|
||
derived a kind of security from the patriotic occupation of the main
|
||
building but the true hearted old gentleman never calculated about
|
||
that all such circumstances were indifferent to him so that he did
|
||
his duty on the opposite side of the courtyard under a colonnade
|
||
was extensive standing for carriages where indeed some carriages
|
||
of monseigneur yet stood against two of the pillars were fastened
|
||
two great flaring flambeaux and in the light of these standing out
|
||
in the open air was a large grindstone a roughly mounted thing
|
||
which appeared to have hurriedly been brought there from some
|
||
neighbouring smithy or other workshop rising and looking out of
|
||
window at these harmless objects mr lorry shivered and retired to
|
||
his seat by the fire he had opened not only the glass window but
|
||
the lattice blind outside it and he had closed both again and he
|
||
shivered through his frame
|
||
|
||
from the streets beyond the high wall and the strong gate there came
|
||
the usual night hum of the city with now and then an indescribable
|
||
ring in it weird and unearthly as if some unwonted sounds of a
|
||
terrible nature were going up to heaven
|
||
|
||
thank god said mr lorry clasping his hands that no one near
|
||
and dear to me is in this dreadful town to night may he have mercy
|
||
on all who are in danger
|
||
|
||
soon afterwards the bell at the great gate sounded and he thought
|
||
they have come back and sat listening but there was no loud
|
||
irruption into the courtyard as he had expected and he heard the
|
||
gate clash again and all was quiet
|
||
|
||
the nervousness and dread that were upon him inspired that vague
|
||
uneasiness respecting the bank which a great change would naturally
|
||
awaken with such feelings roused it was well guarded and he got
|
||
up to go among the trusty people who were watching it when his door
|
||
suddenly opened and two figures rushed in at sight of which he fell
|
||
back in amazement
|
||
|
||
lucie and her father lucie with her arms stretched out to him and
|
||
with that old look of earnestness so concentrated and intensified
|
||
that it seemed as though it had been stamped upon her face expressly
|
||
to give force and power to it in this one passage of her life
|
||
|
||
what is this cried mr lorry breathless and confused
|
||
what is the matter lucie manette what has happened what has
|
||
brought you here what is it
|
||
|
||
with the look fixed upon him in her paleness and wildness
|
||
she panted out in his arms imploringly o my dear friend
|
||
my husband
|
||
|
||
your husband lucie
|
||
|
||
charles
|
||
|
||
what of charles
|
||
|
||
here
|
||
|
||
here in paris
|
||
|
||
has been here some days three or four i dont know how many
|
||
i cant collect my thoughts an errand of generosity brought him
|
||
here unknown to us he was stopped at the barrier and sent to prison
|
||
|
||
the old man uttered an irrepressible cry almost at the same moment
|
||
the beg of the great gate rang again and a loud noise of feet and
|
||
voices came pouring into the courtyard
|
||
|
||
what is that noise said the doctor turning towards the window
|
||
|
||
dont look cried mr lorry dont look out manette
|
||
for your life dont touch the blind
|
||
|
||
the doctor turned with his hand upon the fastening of the window
|
||
and said with a cool bold smile
|
||
|
||
my dear friend i have a charmed life in this city i have been a
|
||
bastille prisoner there is no patriot in paris in paris in
|
||
france who knowing me to have been a prisoner in the bastille
|
||
would touch me except to overwhelm me with embraces or carry me in
|
||
triumph my old pain has given me a power that has brought us
|
||
through the barrier and gained us news of charles there and brought
|
||
us here i knew it would be so i knew i could help charles out of
|
||
all danger i told lucie so what is that noise his hand was again
|
||
upon the window
|
||
|
||
dont look cried mr lorry absolutely desperate no lucie my
|
||
dear nor you he got his arm round her and held her dont be so
|
||
terrified my love i solemnly swear to you that i know of no harm
|
||
having happened to charles that i had no suspicion even of his being
|
||
in this fatal place what prison is he in
|
||
|
||
la force
|
||
|
||
la force lucie my child if ever you were brave and serviceable in
|
||
your life and you were always both you will compose yourself now
|
||
to do exactly as i bid you for more depends upon it than you can think
|
||
or i can say there is no help for you in any action on your part
|
||
to night you cannot possibly stir out i say this because what i
|
||
must bid you to do for charless sake is the hardest thing to do of all
|
||
you must instantly be obedient still and quiet you must let me
|
||
put you in a room at the back here you must leave your father and
|
||
me alone for two minutes and as there are life and death in the
|
||
world you must not delay
|
||
|
||
i will be submissive to you i see in your face that you know i can
|
||
do nothing else than this i know you are true
|
||
|
||
the old man kissed her and hurried her into his room and turned the
|
||
key then came hurrying back to the doctor and opened the window
|
||
and partly opened the blind and put his hand upon the doctors arm
|
||
and looked out with him into the courtyard
|
||
|
||
looked out upon a throng of men and women not enough in number or
|
||
near enough to fill the courtyard not more than forty or fifty in
|
||
all the people in possession of the house had let them in at the
|
||
gate and they had rushed in to work at the grindstone it had
|
||
evidently been set up there for their purpose as in a convenient and
|
||
retired spot
|
||
|
||
but such awful workers and such awful work
|
||
|
||
the grindstone had a double handle and turning at it madly were two
|
||
men whose faces as their long hair flapped back when the whirlings
|
||
of the grindstone brought their faces up were more horrible and
|
||
cruel than the visages of the wildest savages in their most barbarous
|
||
disguise false eyebrows and false moustaches were stuck upon them
|
||
and their hideous countenances were all bloody and sweaty and all
|
||
awry with howling and all staring and glaring with beastly
|
||
excitement and want of sleep as these ruffians turned and turned
|
||
their matted locks now flung forward over their eyes now flung
|
||
backward over their necks some women held wine to their mouths that
|
||
they might drink and what with dropping blood and what with
|
||
dropping wine and what with the stream of sparks struck out of the
|
||
stone all their wicked atmosphere seemed gore and fire the eye
|
||
could not detect one creature in the group free from the smear of blood
|
||
shouldering one another to get next at the sharpening stone were men
|
||
stripped to the waist with the stain all over their limbs and
|
||
bodies men in all sorts of rags with the stain upon those rags men
|
||
devilishly set off with spoils of womens lace and silk and ribbon
|
||
with the stain dyeing those trifles through and through hatchets
|
||
knives bayonets swords all brought to be sharpened were all red
|
||
with it some of the hacked swords were tied to the wrists of those
|
||
who carried them with strips of linen and fragments of dress
|
||
ligatures various in kind but all deep of the one colour and as
|
||
the frantic wielders of these weapons snatched them from the stream
|
||
of sparks and tore away into the streets the same red hue was red in
|
||
their frenzied eyes eyes which any unbrutalised beholder would have
|
||
given twenty years of life to petrify with a well directed gun
|
||
|
||
all this was seen in a moment as the vision of a drowning man or of
|
||
any human creature at any very great pass could see a world if it
|
||
were there they drew back from the window and the doctor looked
|
||
for explanation in his friends ashy face
|
||
|
||
they are mr lorry whispered the words glancing fearfully round
|
||
at the locked room murdering the prisoners if you are sure of
|
||
what you say if you really have the power you think you have as i
|
||
believe you have make yourself known to these devils and get taken
|
||
to la force it may be too late i dont know but let it not be a
|
||
minute later
|
||
|
||
doctor manette pressed his hand hastened bareheaded out of the room
|
||
and was in the courtyard when mr lorry regained the blind
|
||
|
||
his streaming white hair his remarkable face and the impetuous
|
||
confidence of his manner as he put the weapons aside like water
|
||
carried him in an instant to the heart of the concourse at the stone
|
||
for a few moments there was a pause and a hurry and a murmur and
|
||
the unintelligible sound of his voice and then mr lorry saw him
|
||
surrounded by all and in the midst of a line of twenty men long all
|
||
linked shoulder to shoulder and hand to shoulder hurried out with
|
||
cries of live the bastille prisoner help for the bastille
|
||
prisoners kindred in la force room for the bastille prisoner in
|
||
front there save the prisoner evremonde at la force and a thousand
|
||
answering shouts
|
||
|
||
he closed the lattice again with a fluttering heart closed the
|
||
window and the curtain hastened to lucie and told her that her
|
||
father was assisted by the people and gone in search of her husband
|
||
he found her child and miss pross with her but it never occurred to
|
||
him to be surprised by their appearance until a long time afterwards
|
||
when he sat watching them in such quiet as the night knew
|
||
|
||
lucie had by that time fallen into a stupor on the floor at his feet
|
||
clinging to his hand miss pross had laid the child down on his own bed
|
||
and her head had gradually fallen on the pillow beside her pretty charge
|
||
o the long long night with the moans of the poor wife and o the long
|
||
long night with no return of her father and no tidings
|
||
|
||
twice more in the darkness the bell at the great gate sounded
|
||
and the irruption was repeated and the grindstone whirled and
|
||
spluttered what is it cried lucie affrighted hush the
|
||
soldiers swords are sharpened there said mr lorry the place
|
||
is national property now and used as a kind of armoury my love
|
||
|
||
twice more in all but the last spell of work was feeble and fitful
|
||
soon afterwards the day began to dawn and he softly detached himself
|
||
from the clasping hand and cautiously looked out again a man so
|
||
besmeared that he might have been a sorely wounded soldier creeping
|
||
back to consciousness on a field of slain was rising from the
|
||
pavement by the side of the grindstone and looking about him with a
|
||
vacant air shortly this worn out murderer descried in the imperfect
|
||
light one of the carriages of monseigneur and staggering to that
|
||
gorgeous vehicle climbed in at the door and shut himself up to take
|
||
his rest on its dainty cushions
|
||
|
||
the great grindstone earth had turned when mr lorry looked out again
|
||
and the sun was red on the courtyard but the lesser grindstone
|
||
stood alone there in the calm morning air with a red upon it that
|
||
the sun had never given and would never take away
|
||
|
||
|
||
|
||
iii
|
||
|
||
the shadow
|
||
|
||
|
||
one of the first considerations which arose in the business mind of
|
||
mr lorry when business hours came round was this that he had no
|
||
right to imperil tellsons by sheltering the wife of an emigrant
|
||
prisoner under the bank roof his own possessions safety life
|
||
he would have hazarded for lucie and her child without a moments
|
||
demur but the great trust he held was not his own and as to that
|
||
business charge he was a strict man of business
|
||
|
||
at first his mind reverted to defarge and he thought of finding out
|
||
the wine shop again and taking counsel with its master in reference
|
||
to the safest dwelling place in the distracted state of the city
|
||
but the same consideration that suggested him repudiated him he
|
||
lived in the most violent quarter and doubtless was influential
|
||
there and deep in its dangerous workings
|
||
|
||
noon coming and the doctor not returning and every minutes delay
|
||
tending to compromise tellsons mr lorry advised with lucie
|
||
she said that her father had spoken of hiring a lodging for a short
|
||
term in that quarter near the banking house as there was no
|
||
business objection to this and as he foresaw that even if it were
|
||
all well with charles and he were to be released he could not hope
|
||
to leave the city mr lorry went out in quest of such a lodging and
|
||
found a suitable one high up in a removed by street where the closed
|
||
blinds in all the other windows of a high melancholy square of buildings
|
||
marked deserted homes
|
||
|
||
to this lodging he at once removed lucie and her child and miss
|
||
pross giving them what comfort he could and much more than he had
|
||
himself he left jerry with them as a figure to fill a doorway that
|
||
would bear considerable knocking on the head and retained to his own
|
||
occupations a disturbed and doleful mind he brought to bear upon them
|
||
and slowly and heavily the day lagged on with him
|
||
|
||
it wore itself out and wore him out with it until the bank closed
|
||
he was again alone in his room of the previous night considering
|
||
what to do next when he heard a foot upon the stair in a few
|
||
moments a man stood in his presence who with a keenly observant
|
||
look at him addressed him by his name
|
||
|
||
your servant said mr lorry do you know me
|
||
|
||
he was a strongly made man with dark curling hair from forty five to
|
||
fifty years of age for answer he repeated without any change of
|
||
emphasis the words
|
||
|
||
do you know me
|
||
|
||
i have seen you somewhere
|
||
|
||
perhaps at my wine shop
|
||
|
||
much interested and agitated mr lorry said you come from doctor
|
||
manette
|
||
|
||
yes i come from doctor manette
|
||
|
||
and what says he what does he send me
|
||
|
||
defarge gave into his anxious hand an open scrap of paper it bore
|
||
the words in the doctors writing
|
||
|
||
charles is safe but i cannot safely leave this place yet
|
||
i have obtained the favour that the bearer has a short note
|
||
from charles to his wife let the bearer see his wife
|
||
|
||
it was dated from la force within an hour
|
||
|
||
will you accompany me said mr lorry joyfully relieved after
|
||
reading this note aloud to where his wife resides
|
||
|
||
yes returned defarge
|
||
|
||
scarcely noticing as yet in what a curiously reserved and mechanical
|
||
way defarge spoke mr lorry put on his hat and they went down into
|
||
the courtyard there they found two women one knitting
|
||
|
||
madame defarge surely said mr lorry who had left her in exactly
|
||
the same attitude some seventeen years ago
|
||
|
||
it is she observed her husband
|
||
|
||
does madame go with us inquired mr lorry seeing that she moved
|
||
as they moved
|
||
|
||
yes that she may be able to recognise the faces and know the persons
|
||
it is for their safety
|
||
|
||
beginning to be struck by defarges manner mr lorry looked
|
||
dubiously at him and led the way both the women followed the
|
||
second woman being the vengeance
|
||
|
||
they passed through the intervening streets as quickly as they might
|
||
ascended the staircase of the new domicile were admitted by jerry
|
||
and found lucie weeping alone she was thrown into a transport by
|
||
the tidings mr lorry gave her of her husband and clasped the hand
|
||
that delivered his note little thinking what it had been doing near
|
||
him in the night and might but for a chance have done to him
|
||
|
||
dearest take courage i am well and your father has
|
||
influence around me you cannot answer this
|
||
kiss our child for me
|
||
|
||
that was all the writing it was so much however to her who
|
||
received it that she turned from defarge to his wife and kissed one
|
||
of the hands that knitted it was a passionate loving thankful
|
||
womanly action but the hand made no response dropped cold and
|
||
heavy and took to its knitting again
|
||
|
||
there was something in its touch that gave lucie a check
|
||
she stopped in the act of putting the note in her bosom and
|
||
with her hands yet at her neck looked terrified at madame defarge
|
||
madame defarge met the lifted eyebrows and forehead with a cold
|
||
impassive stare
|
||
|
||
my dear said mr lorry striking in to explain there are
|
||
frequent risings in the streets and although it is not likely they
|
||
will ever trouble you madame defarge wishes to see those whom she
|
||
has the power to protect at such times to the end that she may know
|
||
them that she may identify them i believe said mr lorry
|
||
rather halting in his reassuring words as the stony manner of all
|
||
the three impressed itself upon him more and more i state the case
|
||
citizen defarge
|
||
|
||
defarge looked gloomily at his wife and gave no other answer than a
|
||
gruff sound of acquiescence
|
||
|
||
you had better lucie said mr lorry doing all he could to
|
||
propitiate by tone and manner have the dear child here and our
|
||
good pross our good pross defarge is an english lady and knows
|
||
no french
|
||
|
||
the lady in question whose rooted conviction that she was more than
|
||
a match for any foreigner was not to be shaken by distress and
|
||
danger appeared with folded arms and observed in english to the
|
||
vengeance whom her eyes first encountered well i am sure boldface
|
||
i hope _you_ are pretty well she also bestowed a british cough on
|
||
madame defarge but neither of the two took much heed of her
|
||
|
||
is that his child said madame defarge stopping in her work for
|
||
the first time and pointing her knitting needle at little lucie as
|
||
if it were the finger of fate
|
||
|
||
yes madame answered mr lorry this is our poor prisoners
|
||
darling daughter and only child
|
||
|
||
the shadow attendant on madame defarge and her party seemed to fall
|
||
so threatening and dark on the child that her mother instinctively
|
||
kneeled on the ground beside her and held her to her breast the
|
||
shadow attendant on madame defarge and her party seemed then to fall
|
||
threatening and dark on both the mother and the child
|
||
|
||
it is enough my husband said madame defarge i have seen them
|
||
we may go
|
||
|
||
but the suppressed manner had enough of menace in it not visible
|
||
and presented but indistinct and withheld to alarm lucie into
|
||
saying as she laid her appealing hand on madame defarges dress
|
||
|
||
you will be good to my poor husband you will do him no harm
|
||
you will help me to see him if you can
|
||
|
||
your husband is not my business here returned madame defarge
|
||
looking down at her with perfect composure it is the daughter of
|
||
your father who is my business here
|
||
|
||
for my sake then be merciful to my husband for my childs sake
|
||
she will put her hands together and pray you to be merciful we are
|
||
more afraid of you than of these others
|
||
|
||
madame defarge received it as a compliment and looked at her
|
||
husband defarge who had been uneasily biting his thumb nail and
|
||
looking at her collected his face into a sterner expression
|
||
|
||
what is it that your husband says in that little letter asked
|
||
madame defarge with a lowering smile influence he says something
|
||
touching influence
|
||
|
||
that my father said lucie hurriedly taking the paper from her
|
||
breast but with her alarmed eyes on her questioner and not on it
|
||
has much influence around him
|
||
|
||
surely it will release him said madame defarge let it do so
|
||
|
||
as a wife and mother cried lucie most earnestly i implore you
|
||
to have pity on me and not to exercise any power that you possess
|
||
against my innocent husband but to use it in his behalf
|
||
o sister woman think of me as a wife and mother
|
||
|
||
madame defarge looked coldly as ever at the suppliant and said
|
||
turning to her friend the vengeance
|
||
|
||
the wives and mothers we have been used to see since we were as
|
||
little as this child and much less have not been greatly
|
||
considered we have known _their_ husbands and fathers laid in prison
|
||
and kept from them often enough all our lives we have seen our
|
||
sister women suffer in themselves and in their children poverty
|
||
nakedness hunger thirst sickness misery oppression and neglect
|
||
of all kinds
|
||
|
||
we have seen nothing else returned the vengeance
|
||
|
||
we have borne this a long time said madame defarge turning her
|
||
eyes again upon lucie judge you is it likely that the trouble of
|
||
one wife and mother would be much to us now
|
||
|
||
she resumed her knitting and went out the vengeance followed
|
||
defarge went last and closed the door
|
||
|
||
courage my dear lucie said mr lorry as he raised her
|
||
courage courage so far all goes well with us much much better
|
||
than it has of late gone with many poor souls cheer up and have a
|
||
thankful heart
|
||
|
||
i am not thankless i hope but that dreadful woman seems to throw a
|
||
shadow on me and on all my hopes
|
||
|
||
tut tut said mr lorry what is this despondency in the brave
|
||
little breast a shadow indeed no substance in it lucie
|
||
|
||
but the shadow of the manner of these defarges was dark upon himself
|
||
for all that and in his secret mind it troubled him greatly
|
||
|
||
|
||
|
||
iv
|
||
|
||
calm in storm
|
||
|
||
|
||
doctor manette did not return until the morning of the fourth day of
|
||
his absence so much of what had happened in that dreadful time as
|
||
could be kept from the knowledge of lucie was so well concealed from
|
||
her that not until long afterwards when france and she were far apart
|
||
did she know that eleven hundred defenceless prisoners of both sexes
|
||
and all ages had been killed by the populace that four days and
|
||
nights had been darkened by this deed of horror and that the air
|
||
around her had been tainted by the slain she only knew that there
|
||
had been an attack upon the prisons that all political prisoners had
|
||
been in danger and that some had been dragged out by the crowd and
|
||
murdered
|
||
|
||
to mr lorry the doctor communicated under an injunction of secrecy
|
||
on which he had no need to dwell that the crowd had taken him
|
||
through a scene of carnage to the prison of la force that in the
|
||
prison he had found a self appointed tribunal sitting before which
|
||
the prisoners were brought singly and by which they were rapidly
|
||
ordered to be put forth to be massacred or to be released or in a
|
||
few cases to be sent back to their cells that presented by his
|
||
conductors to this tribunal he had announced himself by name and
|
||
profession as having been for eighteen years a secret and unaccused
|
||
prisoner in the bastille that one of the body so sitting in
|
||
judgment had risen and identified him and that this man was defarge
|
||
|
||
that hereupon he had ascertained through the registers on the table
|
||
that his son in law was among the living prisoners and had pleaded
|
||
hard to the tribunal of whom some members were asleep and some awake
|
||
some dirty with murder and some clean some sober and some not for
|
||
his life and liberty that in the first frantic greetings lavished
|
||
on himself as a notable sufferer under the overthrown system it had
|
||
been accorded to him to have charles darnay brought before the lawless
|
||
court and examined that he seemed on the point of being at once
|
||
released when the tide in his favour met with some unexplained check
|
||
not intelligible to the doctor which led to a few words of secret
|
||
conference that the man sitting as president had then informed
|
||
doctor manette that the prisoner must remain in custody but should
|
||
for his sake be held inviolate in safe custody that immediately
|
||
on a signal the prisoner was removed to the interior of the prison
|
||
again but that he the doctor had then so strongly pleaded for
|
||
permission to remain and assure himself that his son in law was
|
||
through no malice or mischance delivered to the concourse whose
|
||
murderous yells outside the gate had often drowned the proceedings
|
||
that he had obtained the permission and had remained in that hall of
|
||
blood until the danger was over
|
||
|
||
the sights he had seen there with brief snatches of food and sleep
|
||
by intervals shall remain untold the mad joy over the prisoners
|
||
who were saved had astounded him scarcely less than the mad ferocity
|
||
against those who were cut to pieces one prisoner there was he
|
||
said who had been discharged into the street free but at whom a
|
||
mistaken savage had thrust a pike as he passed out being besought
|
||
to go to him and dress the wound the doctor had passed out at the
|
||
same gate and had found him in the arms of a company of samaritans
|
||
who were seated on the bodies of their victims with an inconsistency
|
||
as monstrous as anything in this awful nightmare they had helped the
|
||
healer and tended the wounded man with the gentlest solicitude
|
||
had made a litter for him and escorted him carefully from the spot
|
||
had then caught up their weapons and plunged anew into a butchery so
|
||
dreadful that the doctor had covered his eyes with his hands and
|
||
swooned away in the midst of it
|
||
|
||
as mr lorry received these confidences and as he watched the face
|
||
of his friend now sixty two years of age a misgiving arose within
|
||
him that such dread experiences would revive the old danger
|
||
|
||
but he had never seen his friend in his present aspect he had never
|
||
at all known him in his present character for the first time the
|
||
doctor felt now that his suffering was strength and power for the
|
||
first time he felt that in that sharp fire he had slowly forged the
|
||
iron which could break the prison door of his daughters husband and
|
||
deliver him it all tended to a good end my friend it was not
|
||
mere waste and ruin as my beloved child was helpful in restoring me
|
||
to myself i will be helpful now in restoring the dearest part of
|
||
herself to her by the aid of heaven i will do it thus doctor
|
||
manette and when jarvis lorry saw the kindled eyes the resolute
|
||
face the calm strong look and bearing of the man whose life always
|
||
seemed to him to have been stopped like a clock for so many years
|
||
and then set going again with an energy which had lain dormant during
|
||
the cessation of its usefulness he believed
|
||
|
||
greater things than the doctor had at that time to contend with
|
||
would have yielded before his persevering purpose while he kept
|
||
himself in his place as a physician whose business was with all
|
||
degrees of mankind bond and free rich and poor bad and good he
|
||
used his personal influence so wisely that he was soon the inspecting
|
||
physician of three prisons and among them of la force he could now
|
||
assure lucie that her husband was no longer confined alone but was
|
||
mixed with the general body of prisoners he saw her husband weekly
|
||
and brought sweet messages to her straight from his lips sometimes
|
||
her husband himself sent a letter to her though never by the doctors
|
||
hand but she was not permitted to write to him for among the many
|
||
wild suspicions of plots in the prisons the wildest of all pointed
|
||
at emigrants who were known to have made friends or permanent
|
||
connections abroad
|
||
|
||
this new life of the doctors was an anxious life no doubt still
|
||
the sagacious mr lorry saw that there was a new sustaining pride in it
|
||
nothing unbecoming tinged the pride it was a natural and worthy one
|
||
but he observed it as a curiosity the doctor knew that up to that
|
||
time his imprisonment had been associated in the minds of his
|
||
daughter and his friend with his personal affliction deprivation
|
||
and weakness now that this was changed and he knew himself to be
|
||
invested through that old trial with forces to which they both looked
|
||
for charless ultimate safety and deliverance he became so far exalted
|
||
by the change that he took the lead and direction and required them
|
||
as the weak to trust to him as the strong the preceding relative
|
||
positions of himself and lucie were reversed yet only as the
|
||
liveliest gratitude and affection could reverse them for he could
|
||
have had no pride but in rendering some service to her who had
|
||
rendered so much to him all curious to see thought mr lorry
|
||
in his amiably shrewd way but all natural and right so take the
|
||
lead my dear friend and keep it it couldnt be in better hands
|
||
|
||
but though the doctor tried hard and never ceased trying to get
|
||
charles darnay set at liberty or at least to get him brought to trial
|
||
the public current of the time set too strong and fast for him
|
||
the new era began the king was tried doomed and beheaded the
|
||
republic of liberty equality fraternity or death declared for
|
||
victory or death against the world in arms the black flag waved
|
||
night and day from the great towers of notre dame three hundred
|
||
thousand men summoned to rise against the tyrants of the earth rose
|
||
from all the varying soils of france as if the dragons teeth had
|
||
been sown broadcast and had yielded fruit equally on hill and plain
|
||
on rock in gravel and alluvial mud under the bright sky of the
|
||
south and under the clouds of the north in fell and forest in the
|
||
vineyards and the olive grounds and among the cropped grass and the
|
||
stubble of the corn along the fruitful banks of the broad rivers
|
||
and in the sand of the sea shore what private solicitude could rear
|
||
itself against the deluge of the year one of liberty the deluge
|
||
rising from below not falling from above and with the windows of
|
||
heaven shut not opened
|
||
|
||
there was no pause no pity no peace no interval of relenting rest
|
||
no measurement of time though days and nights circled as regularly
|
||
as when time was young and the evening and morning were the first
|
||
day other count of time there was none hold of it was lost in the
|
||
raging fever of a nation as it is in the fever of one patient
|
||
now breaking the unnatural silence of a whole city the executioner
|
||
showed the people the head of the king and now it seemed almost in
|
||
the same breath the head of his fair wife which had had eight weary
|
||
months of imprisoned widowhood and misery to turn it grey
|
||
|
||
and yet observing the strange law of contradiction which obtains in
|
||
all such cases the time was long while it flamed by so fast
|
||
a revolutionary tribunal in the capital and forty or fifty thousand
|
||
revolutionary committees all over the land a law of the suspected
|
||
which struck away all security for liberty or life and delivered
|
||
over any good and innocent person to any bad and guilty one prisons
|
||
gorged with people who had committed no offence and could obtain no
|
||
hearing these things became the established order and nature of
|
||
appointed things and seemed to be ancient usage before they were
|
||
many weeks old above all one hideous figure grew as familiar as if
|
||
it had been before the general gaze from the foundations of the
|
||
world the figure of the sharp female called la guillotine
|
||
|
||
it was the popular theme for jests it was the best cure for
|
||
headache it infallibly prevented the hair from turning grey it
|
||
imparted a peculiar delicacy to the complexion it was the national
|
||
razor which shaved close who kissed la guillotine looked through
|
||
the little window and sneezed into the sack it was the sign of the
|
||
regeneration of the human race it superseded the cross models of
|
||
it were worn on breasts from which the cross was discarded and it
|
||
was bowed down to and believed in where the cross was denied
|
||
|
||
it sheared off heads so many that it and the ground it most
|
||
polluted were a rotten red it was taken to pieces like a
|
||
toy puzzle for a young devil and was put together again when the
|
||
occasion wanted it it hushed the eloquent struck down the powerful
|
||
abolished the beautiful and good twenty two friends of high public
|
||
mark twenty one living and one dead it had lopped the heads off
|
||
in one morning in as many minutes the name of the strong man of
|
||
old scripture had descended to the chief functionary who worked it
|
||
but so armed he was stronger than his namesake and blinder and
|
||
tore away the gates of gods own temple every day
|
||
|
||
among these terrors and the brood belonging to them the doctor
|
||
walked with a steady head confident in his power cautiously
|
||
persistent in his end never doubting that he would save lucies
|
||
husband at last yet the current of the time swept by so strong and
|
||
deep and carried the time away so fiercely that charles had lain in
|
||
prison one year and three months when the doctor was thus steady and
|
||
confident so much more wicked and distracted had the revolution
|
||
grown in that december month that the rivers of the south were
|
||
encumbered with the bodies of the violently drowned by night and
|
||
prisoners were shot in lines and squares under the southern wintry sun
|
||
still the doctor walked among the terrors with a steady head
|
||
no man better known than he in paris at that day no man in a
|
||
stranger situation silent humane indispensable in hospital and
|
||
prison using his art equally among assassins and victims he was a
|
||
man apart in the exercise of his skill the appearance and the
|
||
story of the bastille captive removed him from all other men he was
|
||
not suspected or brought in question any more than if he had indeed
|
||
been recalled to life some eighteen years before or were a spirit
|
||
moving among mortals
|
||
|
||
|
||
|
||
v
|
||
|
||
the wood sawyer
|
||
|
||
|
||
one year and three months during all that time lucie was never
|
||
sure from hour to hour but that the guillotine would strike off her
|
||
husbands head next day every day through the stony streets the
|
||
tumbrils now jolted heavily filled with condemned lovely girls
|
||
bright women brown haired black haired and grey youths stalwart
|
||
men and old gentle born and peasant born all red wine for la
|
||
guillotine all daily brought into light from the dark cellars of the
|
||
loathsome prisons and carried to her through the streets to slake
|
||
her devouring thirst liberty equality fraternity or death the
|
||
last much the easiest to bestow o guillotine
|
||
|
||
if the suddenness of her calamity and the whirling wheels of the
|
||
time had stunned the doctors daughter into awaiting the result in
|
||
idle despair it would but have been with her as it was with many
|
||
but from the hour when she had taken the white head to her fresh
|
||
young bosom in the garret of saint antoine she had been true to her
|
||
duties she was truest to them in the season of trial as all the
|
||
quietly loyal and good will always be
|
||
|
||
as soon as they were established in their new residence and her
|
||
father had entered on the routine of his avocations she arranged the
|
||
little household as exactly as if her husband had been there
|
||
everything had its appointed place and its appointed time little
|
||
lucie she taught as regularly as if they had all been united in
|
||
their english home the slight devices with which she cheated
|
||
herself into the show of a belief that they would soon be reunited
|
||
the little preparations for his speedy return the setting aside of
|
||
his chair and his books these and the solemn prayer at night for
|
||
one dear prisoner especially among the many unhappy souls in prison
|
||
and the shadow of death were almost the only outspoken reliefs of
|
||
her heavy mind
|
||
|
||
she did not greatly alter in appearance the plain dark dresses
|
||
akin to mourning dresses which she and her child wore were as neat
|
||
and as well attended to as the brighter clothes of happy days
|
||
she lost her colour and the old and intent expression was a constant
|
||
not an occasional thing otherwise she remained very pretty and
|
||
comely sometimes at night on kissing her father she would burst
|
||
into the grief she had repressed all day and would say that her sole
|
||
reliance under heaven was on him he always resolutely answered
|
||
nothing can happen to him without my knowledge and i know that i
|
||
can save him lucie
|
||
|
||
they had not made the round of their changed life many weeks
|
||
when her father said to her on coming home one evening
|
||
|
||
my dear there is an upper window in the prison to which charles
|
||
can sometimes gain access at three in the afternoon when he can get
|
||
to it which depends on many uncertainties and incidents he might
|
||
see you in the street he thinks if you stood in a certain place
|
||
that i can show you but you will not be able to see him my poor
|
||
child and even if you could it would be unsafe for you to make a
|
||
sign of recognition
|
||
|
||
o show me the place my father and i will go there every day
|
||
|
||
from that time in all weathers she waited there two hours
|
||
as the clock struck two she was there and at four she turned
|
||
resignedly away when it was not too wet or inclement for her child
|
||
to be with her they went together at other times she was alone
|
||
but she never missed a single day
|
||
|
||
it was the dark and dirty corner of a small winding street
|
||
the hovel of a cutter of wood into lengths for burning was the only
|
||
house at that end all else was wall on the third day of her being
|
||
there he noticed her
|
||
|
||
good day citizeness
|
||
|
||
good day citizen
|
||
|
||
this mode of address was now prescribed by decree it had been
|
||
established voluntarily some time ago among the more thorough
|
||
patriots but was now law for everybody
|
||
|
||
walking here again citizeness
|
||
|
||
you see me citizen
|
||
|
||
the wood sawyer who was a little man with a redundancy of gesture
|
||
he had once been a mender of roads cast a glance at the prison
|
||
pointed at the prison and putting his ten fingers before his face to
|
||
represent bars peeped through them jocosely
|
||
|
||
but its not my business said he and went on sawing his wood
|
||
|
||
next day he was looking out for her and accosted her the moment she
|
||
appeared
|
||
|
||
what walking here again citizeness
|
||
|
||
yes citizen
|
||
|
||
ah a child too your mother is it not my little citizeness
|
||
|
||
do i say yes mamma whispered little lucie drawing close to her
|
||
|
||
yes dearest
|
||
|
||
yes citizen
|
||
|
||
ah but its not my business my work is my business see my saw
|
||
i call it my little guillotine la la la la la la and off his
|
||
head comes
|
||
|
||
the billet fell as he spoke and he threw it into a basket
|
||
|
||
i call myself the samson of the firewood guillotine see here again
|
||
loo loo loo loo loo loo and off _her_ head comes now a child
|
||
tickle tickle pickle pickle and off _its_ head comes all the family
|
||
|
||
lucie shuddered as he threw two more billets into his basket but it
|
||
was impossible to be there while the wood sawyer was at work and not
|
||
be in his sight thenceforth to secure his good will she always
|
||
spoke to him first and often gave him drink money which he readily
|
||
received
|
||
|
||
he was an inquisitive fellow and sometimes when she had quite
|
||
forgotten him in gazing at the prison roof and grates and in lifting
|
||
her heart up to her husband she would come to herself to find him
|
||
looking at her with his knee on his bench and his saw stopped in its
|
||
work but its not my business he would generally say at those
|
||
times and would briskly fall to his sawing again
|
||
|
||
in all weathers in the snow and frost of winter in the bitter winds
|
||
of spring in the hot sunshine of summer in the rains of autumn and
|
||
again in the snow and frost of winter lucie passed two hours of
|
||
every day at this place and every day on leaving it she kissed the
|
||
prison wall her husband saw her so she learned from her father it
|
||
might be once in five or six times it might be twice or thrice running
|
||
it might be not for a week or a fortnight together it was enough
|
||
that he could and did see her when the chances served and on that
|
||
possibility she would have waited out the day seven days a week
|
||
|
||
these occupations brought her round to the december month wherein
|
||
her father walked among the terrors with a steady head on a
|
||
lightly snowing afternoon she arrived at the usual corner it was a
|
||
day of some wild rejoicing and a festival she had seen the houses
|
||
as she came along decorated with little pikes and with little red
|
||
caps stuck upon them also with tricoloured ribbons also with the
|
||
standard inscription tricoloured letters were the favourite
|
||
republic one and indivisible liberty equality fraternity or death
|
||
|
||
the miserable shop of the wood sawyer was so small that its whole
|
||
surface furnished very indifferent space for this legend he had got
|
||
somebody to scrawl it up for him however who had squeezed death in
|
||
with most inappropriate difficulty on his house top he displayed
|
||
pike and cap as a good citizen must and in a window he had
|
||
stationed his saw inscribed as his little sainte guillotine
|
||
for the great sharp female was by that time popularly canonised
|
||
his shop was shut and he was not there which was a relief to lucie
|
||
and left her quite alone
|
||
|
||
but he was not far off for presently she heard a troubled movement
|
||
and a shouting coming along which filled her with fear a moment
|
||
afterwards and a throng of people came pouring round the corner by
|
||
the prison wall in the midst of whom was the wood sawyer hand in
|
||
hand with the vengeance there could not be fewer than five hundred
|
||
people and they were dancing like five thousand demons there was
|
||
no other music than their own singing they danced to the popular
|
||
revolution song keeping a ferocious time that was like a gnashing of
|
||
teeth in unison men and women danced together women danced
|
||
together men danced together as hazard had brought them together
|
||
at first they were a mere storm of coarse red caps and coarse
|
||
woollen rags but as they filled the place and stopped to dance
|
||
about lucie some ghastly apparition of a dance figure gone raving
|
||
mad arose among them they advanced retreated struck at one
|
||
anothers hands clutched at one anothers heads spun round alone
|
||
caught one another and spun round in pairs until many of them
|
||
dropped while those were down the rest linked hand in hand and
|
||
all spun round together then the ring broke and in separate rings
|
||
of two and four they turned and turned until they all stopped at
|
||
once began again struck clutched and tore and then reversed the
|
||
spin and all spun round another way suddenly they stopped again
|
||
paused struck out the time afresh formed into lines the width of
|
||
the public way and with their heads low down and their hands high
|
||
up swooped screaming off no fight could have been half so terrible
|
||
as this dance it was so emphatically a fallen sport a something
|
||
once innocent delivered over to all devilry a healthy pastime
|
||
changed into a means of angering the blood bewildering the senses
|
||
and steeling the heart such grace as was visible in it made it the
|
||
uglier showing how warped and perverted all things good by nature
|
||
were become the maidenly bosom bared to this the pretty
|
||
almost childs head thus distracted the delicate foot mincing in
|
||
this slough of blood and dirt were types of the disjointed time
|
||
|
||
this was the carmagnole as it passed leaving lucie frightened and
|
||
bewildered in the doorway of the wood sawyers house the feathery
|
||
snow fell as quietly and lay as white and soft as if it had never been
|
||
|
||
o my father for he stood before her when she lifted up the eyes
|
||
she had momentarily darkened with her hand such a cruel bad sight
|
||
|
||
i know my dear i know i have seen it many times dont be
|
||
frightened not one of them would harm you
|
||
|
||
i am not frightened for myself my father but when i think of my
|
||
husband and the mercies of these people
|
||
|
||
we will set him above their mercies very soon i left him climbing
|
||
to the window and i came to tell you there is no one here to see
|
||
you may kiss your hand towards that highest shelving roof
|
||
|
||
i do so father and i send him my soul with it
|
||
|
||
you cannot see him my poor dear
|
||
|
||
no father said lucie yearning and weeping as she kissed her hand
|
||
no
|
||
|
||
a footstep in the snow madame defarge i salute you citizeness
|
||
from the doctor i salute you citizen this in passing nothing
|
||
more madame defarge gone like a shadow over the white road
|
||
|
||
give me your arm my love pass from here with an air of cheerfulness
|
||
and courage for his sake that was well done they had left the spot
|
||
it shall not be in vain charles is summoned for to morrow
|
||
|
||
for to morrow
|
||
|
||
there is no time to lose i am well prepared but there are
|
||
precautions to be taken that could not be taken until he was actually
|
||
summoned before the tribunal he has not received the notice yet
|
||
but i know that he will presently be summoned for to morrow and
|
||
removed to the conciergerie i have timely information
|
||
you are not afraid
|
||
|
||
she could scarcely answer i trust in you
|
||
|
||
do so implicitly your suspense is nearly ended my darling he
|
||
shall be restored to you within a few hours i have encompassed him
|
||
with every protection i must see lorry
|
||
|
||
he stopped there was a heavy lumbering of wheels within hearing
|
||
they both knew too well what it meant one two three three
|
||
tumbrils faring away with their dread loads over the hushing snow
|
||
|
||
i must see lorry the doctor repeated turning her another way
|
||
|
||
the staunch old gentleman was still in his trust had never left it
|
||
he and his books were in frequent requisition as to property
|
||
confiscated and made national what he could save for the owners he
|
||
saved no better man living to hold fast by what tellsons had in
|
||
keeping and to hold his peace
|
||
|
||
a murky red and yellow sky and a rising mist from the seine denoted
|
||
the approach of darkness it was almost dark when they arrived at
|
||
the bank the stately residence of monseigneur was altogether
|
||
blighted and deserted above a heap of dust and ashes in the court
|
||
ran the letters national property republic one and indivisible
|
||
liberty equality fraternity or death
|
||
|
||
who could that be with mr lorry the owner of the riding coat upon
|
||
the chair who must not be seen from whom newly arrived did he come
|
||
out agitated and surprised to take his favourite in his arms to
|
||
whom did he appear to repeat her faltering words when raising his
|
||
voice and turning his head towards the door of the room from which he
|
||
had issued he said removed to the conciergerie and summoned for
|
||
to morrow
|
||
|
||
|
||
|
||
vi
|
||
|
||
triumph
|
||
|
||
|
||
the dread tribunal of five judges public prosecutor and determined
|
||
jury sat every day their lists went forth every evening and were
|
||
read out by the gaolers of the various prisons to their prisoners
|
||
the standard gaoler joke was come out and listen to the evening paper
|
||
you inside there
|
||
|
||
charles evremonde called darnay
|
||
|
||
so at last began the evening paper at la force
|
||
|
||
when a name was called its owner stepped apart into a spot reserved
|
||
for those who were announced as being thus fatally recorded charles
|
||
evremonde called darnay had reason to know the usage he had seen
|
||
hundreds pass away so
|
||
|
||
his bloated gaoler who wore spectacles to read with glanced over
|
||
them to assure himself that he had taken his place and went through
|
||
the list making a similar short pause at each name there were
|
||
twenty three names but only twenty were responded to for one of the
|
||
prisoners so summoned had died in gaol and been forgotten and two
|
||
had already been guillotined and forgotten the list was read in
|
||
the vaulted chamber where darnay had seen the associated prisoners on
|
||
the night of his arrival every one of those had perished in the
|
||
massacre every human creature he had since cared for and parted with
|
||
had died on the scaffold
|
||
|
||
there were hurried words of farewell and kindness but the parting
|
||
was soon over it was the incident of every day and the society of
|
||
la force were engaged in the preparation of some games of forfeits
|
||
and a little concert for that evening they crowded to the grates
|
||
and shed tears there but twenty places in the projected
|
||
entertainments had to be refilled and the time was at best short
|
||
to the lock up hour when the common rooms and corridors would be
|
||
delivered over to the great dogs who kept watch there through the
|
||
night the prisoners were far from insensible or unfeeling their
|
||
ways arose out of the condition of the time similarly though with
|
||
a subtle difference a species of fervour or intoxication known
|
||
without doubt to have led some persons to brave the guillotine
|
||
unnecessarily and to die by it was not mere boastfulness but a
|
||
wild infection of the wildly shaken public mind in seasons of
|
||
pestilence some of us will have a secret attraction to the disease
|
||
a terrible passing inclination to die of it and all of us have like
|
||
wonders hidden in our breasts only needing circumstances to evoke them
|
||
|
||
the passage to the conciergerie was short and dark the night in its
|
||
vermin haunted cells was long and cold next day fifteen prisoners
|
||
were put to the bar before charles darnays name was called all the
|
||
fifteen were condemned and the trials of the whole occupied an hour
|
||
and a half
|
||
|
||
charles evremonde called darnay was at length arraigned
|
||
|
||
his judges sat upon the bench in feathered hats but the rough red
|
||
cap and tricoloured cockade was the head dress otherwise prevailing
|
||
looking at the jury and the turbulent audience he might have thought
|
||
that the usual order of things was reversed and that the felons were
|
||
trying the honest men the lowest cruelest and worst populace of a
|
||
city never without its quantity of low cruel and bad were the
|
||
directing spirits of the scene noisily commenting applauding
|
||
disapproving anticipating and precipitating the result without a
|
||
check of the men the greater part were armed in various ways of
|
||
the women some wore knives some daggers some ate and drank as they
|
||
looked on many knitted among these last was one with a spare
|
||
piece of knitting under her arm as she worked she was in a front
|
||
row by the side of a man whom he had never seen since his arrival at
|
||
the barrier but whom he directly remembered as defarge he noticed
|
||
that she once or twice whispered in his ear and that she seemed to
|
||
be his wife but what he most noticed in the two figures was that
|
||
although they were posted as close to himself as they could be they
|
||
never looked towards him they seemed to be waiting for something
|
||
with a dogged determination and they looked at the jury but at
|
||
nothing else under the president sat doctor manette in his usual
|
||
quiet dress as well as the prisoner could see he and mr lorry
|
||
were the only men there unconnected with the tribunal who wore their
|
||
usual clothes and had not assumed the coarse garb of the carmagnole
|
||
|
||
charles evremonde called darnay was accused by the public
|
||
prosecutor as an emigrant whose life was forfeit to the republic
|
||
under the decree which banished all emigrants on pain of death
|
||
it was nothing that the decree bore date since his return to france
|
||
there he was and there was the decree he had been taken in france
|
||
and his head was demanded
|
||
|
||
take off his head cried the audience an enemy to the republic
|
||
|
||
the president rang his bell to silence those cries and asked the
|
||
prisoner whether it was not true that he had lived many years in england
|
||
|
||
undoubtedly it was
|
||
|
||
was he not an emigrant then what did he call himself
|
||
|
||
not an emigrant he hoped within the sense and spirit of the law
|
||
|
||
why not the president desired to know
|
||
|
||
because he had voluntarily relinquished a title that was distasteful
|
||
to him and a station that was distasteful to him and had left his
|
||
country he submitted before the word emigrant in the present
|
||
acceptation by the tribunal was in use to live by his own industry
|
||
in england rather than on the industry of the overladen people of
|
||
france
|
||
|
||
what proof had he of this
|
||
|
||
he handed in the names of two witnesses theophile gabelle and
|
||
alexandre manette
|
||
|
||
but he had married in england the president reminded him
|
||
|
||
true but not an english woman
|
||
|
||
a citizeness of france
|
||
|
||
yes by birth
|
||
|
||
her name and family
|
||
|
||
lucie manette only daughter of doctor manette the good physician
|
||
who sits there
|
||
|
||
this answer had a happy effect upon the audience cries in
|
||
exaltation of the well known good physician rent the hall so
|
||
capriciously were the people moved that tears immediately rolled
|
||
down several ferocious countenances which had been glaring at the
|
||
prisoner a moment before as if with impatience to pluck him out into
|
||
the streets and kill him
|
||
|
||
on these few steps of his dangerous way charles darnay had set his
|
||
foot according to doctor manettes reiterated instructions the same
|
||
cautious counsel directed every step that lay before him and had
|
||
prepared every inch of his road
|
||
|
||
the president asked why had he returned to france when he did
|
||
and not sooner
|
||
|
||
he had not returned sooner he replied simply because he had no
|
||
means of living in france save those he had resigned whereas in
|
||
england he lived by giving instruction in the french language and
|
||
literature he had returned when he did on the pressing and written
|
||
entreaty of a french citizen who represented that his life was
|
||
endangered by his absence he had come back to save a citizens life
|
||
and to bear his testimony at whatever personal hazard to the truth
|
||
was that criminal in the eyes of the republic
|
||
|
||
the populace cried enthusiastically no and the president rang his
|
||
bell to quiet them which it did not for they continued to cry
|
||
no until they left off of their own will
|
||
|
||
the president required the name of that citizen the accused
|
||
explained that the citizen was his first witness he also referred
|
||
with confidence to the citizens letter which had been taken from
|
||
him at the barrier but which he did not doubt would be found among
|
||
the papers then before the president
|
||
|
||
the doctor had taken care that it should be there had assured him
|
||
that it would be there and at this stage of the proceedings it was
|
||
produced and read citizen gabelle was called to confirm it and did
|
||
so citizen gabelle hinted with infinite delicacy and politeness
|
||
that in the pressure of business imposed on the tribunal by the
|
||
multitude of enemies of the republic with which it had to deal he
|
||
had been slightly overlooked in his prison of the abbaye in fact
|
||
had rather passed out of the tribunals patriotic remembrance until
|
||
three days ago when he had been summoned before it and had been set
|
||
at liberty on the jurys declaring themselves satisfied that the
|
||
accusation against him was answered as to himself by the surrender
|
||
of the citizen evremonde called darnay
|
||
|
||
doctor manette was next questioned his high personal popularity
|
||
and the clearness of his answers made a great impression but as he
|
||
proceeded as he showed that the accused was his first friend on his
|
||
release from his long imprisonment that the accused had remained in
|
||
england always faithful and devoted to his daughter and himself in
|
||
their exile that so far from being in favour with the aristocrat
|
||
government there he had actually been tried for his life by it as
|
||
the foe of england and friend of the united states as he brought
|
||
these circumstances into view with the greatest discretion and with
|
||
the straightforward force of truth and earnestness the jury and the
|
||
populace became one at last when he appealed by name to monsieur
|
||
lorry an english gentleman then and there present who like himself
|
||
had been a witness on that english trial and could corroborate his
|
||
account of it the jury declared that they had heard enough and that
|
||
they were ready with their votes if the president were content to
|
||
receive them
|
||
|
||
at every vote the jurymen voted aloud and individually the
|
||
populace set up a shout of applause all the voices were in the
|
||
prisoners favour and the president declared him free
|
||
|
||
then began one of those extraordinary scenes with which the populace
|
||
sometimes gratified their fickleness or their better impulses
|
||
towards generosity and mercy or which they regarded as some set off
|
||
against their swollen account of cruel rage no man can decide now
|
||
to which of these motives such extraordinary scenes were referable
|
||
it is probable to a blending of all the three with the second
|
||
predominating no sooner was the acquittal pronounced than tears
|
||
were shed as freely as blood at another time and such fraternal
|
||
embraces were bestowed upon the prisoner by as many of both sexes as
|
||
could rush at him that after his long and unwholesome confinement he
|
||
was in danger of fainting from exhaustion none the less because he
|
||
knew very well that the very same people carried by another current
|
||
would have rushed at him with the very same intensity to rend him to
|
||
pieces and strew him over the streets
|
||
|
||
his removal to make way for other accused persons who were to be
|
||
tried rescued him from these caresses for the moment five were to
|
||
be tried together next as enemies of the republic forasmuch as
|
||
they had not assisted it by word or deed so quick was the tribunal
|
||
to compensate itself and the nation for a chance lost that these
|
||
five came down to him before he left the place condemned to die
|
||
within twenty four hours the first of them told him so with the
|
||
customary prison sign of death a raised finger and they all added
|
||
in words long live the republic
|
||
|
||
the five had had it is true no audience to lengthen their
|
||
proceedings for when he and doctor manette emerged from the gate
|
||
there was a great crowd about it in which there seemed to be every
|
||
face he had seen in court except two for which he looked in vain
|
||
on his coming out the concourse made at him anew weeping
|
||
embracing and shouting all by turns and all together until the
|
||
very tide of the river on the bank of which the mad scene was acted
|
||
seemed to run mad like the people on the shore
|
||
|
||
they put him into a great chair they had among them and which they
|
||
had taken either out of the court itself or one of its rooms or
|
||
passages over the chair they had thrown a red flag and to the back
|
||
of it they had bound a pike with a red cap on its top in this car
|
||
of triumph not even the doctors entreaties could prevent his being
|
||
carried to his home on mens shoulders with a confused sea of red
|
||
caps heaving about him and casting up to sight from the stormy deep
|
||
such wrecks of faces that he more than once misdoubted his mind
|
||
being in confusion and that he was in the tumbril on his way to the
|
||
guillotine
|
||
|
||
in wild dreamlike procession embracing whom they met and pointing
|
||
him out they carried him on reddening the snowy streets with the
|
||
prevailing republican colour in winding and tramping through them
|
||
as they had reddened them below the snow with a deeper dye they
|
||
carried him thus into the courtyard of the building where he lived
|
||
her father had gone on before to prepare her and when her husband
|
||
stood upon his feet she dropped insensible in his arms
|
||
|
||
as he held her to his heart and turned her beautiful head between his
|
||
face and the brawling crowd so that his tears and her lips might
|
||
come together unseen a few of the people fell to dancing instantly
|
||
all the rest fell to dancing and the courtyard overflowed with the
|
||
carmagnole then they elevated into the vacant chair a young woman
|
||
from the crowd to be carried as the goddess of liberty and then
|
||
swelling and overflowing out into the adjacent streets and along the
|
||
rivers bank and over the bridge the carmagnole absorbed them every
|
||
one and whirled them away
|
||
|
||
after grasping the doctors hand as he stood victorious and proud
|
||
before him after grasping the hand of mr lorry who came panting in
|
||
breathless from his struggle against the waterspout of the carmagnole
|
||
after kissing little lucie who was lifted up to clasp her arms round
|
||
his neck and after embracing the ever zealous and faithful pross who
|
||
lifted her he took his wife in his arms and carried her up to their
|
||
rooms
|
||
|
||
lucie my own i am safe
|
||
|
||
o dearest charles let me thank god for this on my knees as i have
|
||
prayed to him
|
||
|
||
they all reverently bowed their heads and hearts when she was again
|
||
in his arms he said to her
|
||
|
||
and now speak to your father dearest no other man in all this
|
||
france could have done what he has done for me
|
||
|
||
she laid her head upon her fathers breast as she had laid his poor
|
||
head on her own breast long long ago he was happy in the return
|
||
he had made her he was recompensed for his suffering he was proud
|
||
of his strength you must not be weak my darling he remonstrated
|
||
dont tremble so i have saved him
|
||
|
||
|
||
|
||
vii
|
||
|
||
a knock at the door
|
||
|
||
|
||
i have saved him it was not another of the dreams in which he had
|
||
often come back he was really here and yet his wife trembled and
|
||
a vague but heavy fear was upon her
|
||
|
||
all the air round was so thick and dark the people were so
|
||
passionately revengeful and fitful the innocent were so constantly
|
||
put to death on vague suspicion and black malice it was so
|
||
impossible to forget that many as blameless as her husband and as
|
||
dear to others as he was to her every day shared the fate from which
|
||
he had been clutched that her heart could not be as lightened of its
|
||
load as she felt it ought to be the shadows of the wintry afternoon
|
||
were beginning to fall and even now the dreadful carts were rolling
|
||
through the streets her mind pursued them looking for him among
|
||
the condemned and then she clung closer to his real presence and
|
||
trembled more
|
||
|
||
her father cheering her showed a compassionate superiority to this
|
||
womans weakness which was wonderful to see no garret no shoemaking
|
||
no one hundred and five north tower now he had accomplished the
|
||
task he had set himself his promise was redeemed he had saved charles
|
||
let them all lean upon him
|
||
|
||
their housekeeping was of a very frugal kind not only because that
|
||
was the safest way of life involving the least offence to the
|
||
people but because they were not rich and charles throughout his
|
||
imprisonment had had to pay heavily for his bad food and for his
|
||
guard and towards the living of the poorer prisoners partly on
|
||
this account and partly to avoid a domestic spy they kept no
|
||
servant the citizen and citizeness who acted as porters at the
|
||
courtyard gate rendered them occasional service and jerry almost
|
||
wholly transferred to them by mr lorry had become their daily
|
||
retainer and had his bed there every night
|
||
|
||
it was an ordinance of the republic one and indivisible of liberty
|
||
equality fraternity or death that on the door or doorpost of every
|
||
house the name of every inmate must be legibly inscribed in letters
|
||
of a certain size at a certain convenient height from the ground
|
||
mr jerry crunchers name therefore duly embellished the doorpost
|
||
down below and as the afternoon shadows deepened the owner of that
|
||
name himself appeared from overlooking a painter whom doctor manette
|
||
had employed to add to the list the name of charles evremonde called
|
||
darnay
|
||
|
||
in the universal fear and distrust that darkened the time all the
|
||
usual harmless ways of life were changed in the doctors little
|
||
household as in very many others the articles of daily consumption
|
||
that were wanted were purchased every evening in small quantities
|
||
and at various small shops to avoid attracting notice and to give
|
||
as little occasion as possible for talk and envy was the general desire
|
||
|
||
for some months past miss pross and mr cruncher had discharged the
|
||
office of purveyors the former carrying the money the latter the
|
||
basket every afternoon at about the time when the public lamps were
|
||
lighted they fared forth on this duty and made and brought home
|
||
such purchases as were needful although miss pross through her
|
||
long association with a french family might have known as much of
|
||
their language as of her own if she had had a mind she had no mind
|
||
in that direction consequently she knew no more of that nonsense
|
||
as she was pleased to call it than mr cruncher did so her
|
||
manner of marketing was to plump a noun substantive at the head of a
|
||
shopkeeper without any introduction in the nature of an article and
|
||
if it happened not to be the name of the thing she wanted to look
|
||
round for that thing lay hold of it and hold on by it until the
|
||
bargain was concluded she always made a bargain for it by holding
|
||
up as a statement of its just price one finger less than the merchant
|
||
held up whatever his number might be
|
||
|
||
now mr cruncher said miss pross whose eyes were red with
|
||
felicity if you are ready i am
|
||
|
||
jerry hoarsely professed himself at miss prosss service he had worn
|
||
all his rust off long ago but nothing would file his spiky head down
|
||
|
||
theres all manner of things wanted said miss pross and we shall
|
||
have a precious time of it we want wine among the rest
|
||
nice toasts these redheads will be drinking wherever we buy it
|
||
|
||
it will be much the same to your knowledge miss i should think
|
||
retorted jerry whether they drink your health or the old uns
|
||
|
||
whos he said miss pross
|
||
|
||
mr cruncher with some diffidence explained himself as meaning old
|
||
nicks
|
||
|
||
ha said miss pross it doesnt need an interpreter to explain the
|
||
meaning of these creatures they have but one and its midnight
|
||
murder and mischief
|
||
|
||
hush dear pray pray be cautious cried lucie
|
||
|
||
yes yes yes ill be cautious said miss pross but i may say
|
||
among ourselves that i do hope there will be no oniony and tobaccoey
|
||
smotherings in the form of embracings all round going on in the
|
||
streets now ladybird never you stir from that fire till i come
|
||
back take care of the dear husband you have recovered and dont
|
||
move your pretty head from his shoulder as you have it now till you
|
||
see me again may i ask a question doctor manette before i go
|
||
|
||
i think you may take that liberty the doctor answered smiling
|
||
|
||
for gracious sake dont talk about liberty we have quite enough of
|
||
that said miss pross
|
||
|
||
hush dear again lucie remonstrated
|
||
|
||
well my sweet said miss pross nodding her head emphatically
|
||
the short and the long of it is that i am a subject of his most
|
||
gracious majesty king george the third miss pross curtseyed at the
|
||
name and as such my maxim is confound their politics frustrate
|
||
their knavish tricks on him our hopes we fix god save the king
|
||
|
||
mr cruncher in an access of loyalty growlingly repeated the words
|
||
after miss pross like somebody at church
|
||
|
||
i am glad you have so much of the englishman in you though i wish
|
||
you had never taken that cold in your voice said miss pross
|
||
approvingly but the question doctor manette is there it was
|
||
the good creatures way to affect to make light of anything that was
|
||
a great anxiety with them all and to come at it in this chance
|
||
manner is there any prospect yet of our getting out of this place
|
||
|
||
i fear not yet it would be dangerous for charles yet
|
||
|
||
heigh ho hum said miss pross cheerfully repressing a sigh as she
|
||
glanced at her darlings golden hair in the light of the fire
|
||
then we must have patience and wait thats all we must hold up
|
||
our heads and fight low as my brother solomon used to say
|
||
now mr cruncher dont you move ladybird
|
||
|
||
they went out leaving lucie and her husband her father and the
|
||
child by a bright fire mr lorry was expected back presently from
|
||
the banking house miss pross had lighted the lamp but had put it
|
||
aside in a corner that they might enjoy the fire light undisturbed
|
||
little lucie sat by her grandfather with her hands clasped through
|
||
his arm and he in a tone not rising much above a whisper began to
|
||
tell her a story of a great and powerful fairy who had opened a
|
||
prison wall and let out a captive who had once done the fairy a
|
||
service all was subdued and quiet and lucie was more at ease than
|
||
she had been
|
||
|
||
what is that she cried all at once
|
||
|
||
my dear said her father stopping in his story and laying his
|
||
hand on hers command yourself what a disordered state you are in
|
||
the least thing nothing startles you _you_ your fathers daughter
|
||
|
||
i thought my father said lucie excusing herself with a pale face
|
||
and in a faltering voice that i heard strange feet upon the stairs
|
||
|
||
my love the staircase is as still as death
|
||
|
||
as he said the word a blow was struck upon the door
|
||
|
||
oh father father what can this be hide charles save him
|
||
|
||
my child said the doctor rising and laying his hand upon her
|
||
shoulder i _have_ saved him what weakness is this my dear
|
||
let me go to the door
|
||
|
||
he took the lamp in his hand crossed the two intervening outer
|
||
rooms and opened it a rude clattering of feet over the floor
|
||
and four rough men in red caps armed with sabres and pistols
|
||
entered the room
|
||
|
||
the citizen evremonde called darnay said the first
|
||
|
||
who seeks him answered darnay
|
||
|
||
i seek him we seek him i know you evremonde i saw you before
|
||
the tribunal to day you are again the prisoner of the republic
|
||
|
||
the four surrounded him where he stood with his wife and child
|
||
clinging to him
|
||
|
||
tell me how and why am i again a prisoner
|
||
|
||
it is enough that you return straight to the conciergerie and will
|
||
know to morrow you are summoned for to morrow
|
||
|
||
doctor manette whom this visitation had so turned into stone that
|
||
he stood with the lamp in his hand as if be woe a statue made to
|
||
hold it moved after these words were spoken put the lamp down and
|
||
confronting the speaker and taking him not ungently by the loose
|
||
front of his red woollen shirt said
|
||
|
||
you know him you have said do you know me
|
||
|
||
yes i know you citizen doctor
|
||
|
||
we all know you citizen doctor said the other three
|
||
|
||
he looked abstractedly from one to another and said in a lower
|
||
voice after a pause
|
||
|
||
will you answer his question to me then how does this happen
|
||
|
||
citizen doctor said the first reluctantly he has been denounced
|
||
to the section of saint antoine this citizen pointing out the
|
||
second who had entered is from saint antoine
|
||
|
||
the citizen here indicated nodded his head and added
|
||
|
||
he is accused by saint antoine
|
||
|
||
of what asked the doctor
|
||
|
||
citizen doctor said the first with his former reluctance ask no
|
||
more if the republic demands sacrifices from you without doubt you
|
||
as a good patriot will be happy to make them the republic goes
|
||
before all the people is supreme evremonde we are pressed
|
||
|
||
one word the doctor entreated will you tell me who denounced him
|
||
|
||
it is against rule answered the first but you can ask him of
|
||
saint antoine here
|
||
|
||
the doctor turned his eyes upon that man who moved uneasily on his
|
||
feet rubbed his beard a little and at length said
|
||
|
||
well truly it is against rule but he is denounced and
|
||
gravely by the citizen and citizeness defarge and by one other
|
||
|
||
what other
|
||
|
||
do _you_ ask citizen doctor
|
||
|
||
yes
|
||
|
||
then said he of saint antoine with a strange look you will be
|
||
answered to morrow now i am dumb
|
||
|
||
|
||
|
||
viii
|
||
|
||
a hand at cards
|
||
|
||
|
||
happily unconscious of the new calamity at home miss pross threaded
|
||
her way along the narrow streets and crossed the river by the bridge
|
||
of the pont neuf reckoning in her mind the number of indispensable
|
||
purchases she had to make mr cruncher with the basket walked at
|
||
her side they both looked to the right and to the left into most of
|
||
the shops they passed had a wary eye for all gregarious assemblages
|
||
of people and turned out of their road to avoid any very excited
|
||
group of talkers it was a raw evening and the misty river blurred
|
||
to the eye with blazing lights and to the ear with harsh noises
|
||
showed where the barges were stationed in which the smiths worked
|
||
making guns for the army of the republic woe to the man who played
|
||
tricks with _that_ army or got undeserved promotion in it better
|
||
for him that his beard had never grown for the national razor shaved
|
||
him close
|
||
|
||
having purchased a few small articles of grocery and a measure of
|
||
oil for the lamp miss pross bethought herself of the wine they
|
||
wanted after peeping into several wine shops she stopped at the
|
||
sign of the good republican brutus of antiquity not far from the
|
||
national palace once and twice the tuileries where the aspect of
|
||
things rather took her fancy it had a quieter look than any other
|
||
place of the same description they had passed and though red with
|
||
patriotic caps was not so red as the rest sounding mr cruncher
|
||
and finding him of her opinion miss pross resorted to the good
|
||
republican brutus of antiquity attended by her cavalier
|
||
|
||
slightly observant of the smoky lights of the people pipe in mouth
|
||
playing with limp cards and yellow dominoes of the one bare
|
||
breasted bare armed soot begrimed workman reading a journal aloud
|
||
and of the others listening to him of the weapons worn or laid
|
||
aside to be resumed of the two or three customers fallen forward
|
||
asleep who in the popular high shouldered shaggy black spencer
|
||
looked in that attitude like slumbering bears or dogs the two
|
||
outlandish customers approached the counter and showed what they wanted
|
||
|
||
as their wine was measuring out a man parted from another man in a
|
||
corner and rose to depart in going he had to face miss pross
|
||
no sooner did he face her than miss pross uttered a scream and
|
||
clapped her hands
|
||
|
||
in a moment the whole company were on their feet that somebody was
|
||
assassinated by somebody vindicating a difference of opinion was the
|
||
likeliest occurrence everybody looked to see somebody fall but
|
||
only saw a man and a woman standing staring at each other the man
|
||
with all the outward aspect of a frenchman and a thorough republican
|
||
the woman evidently english
|
||
|
||
what was said in this disappointing anti climax by the disciples of
|
||
the good republican brutus of antiquity except that it was something
|
||
very voluble and loud would have been as so much hebrew or chaldean
|
||
to miss pross and her protector though they had been all ears but
|
||
they had no ears for anything in their surprise for it must be
|
||
recorded that not only was miss pross lost in amazement and
|
||
agitation but mr cruncher though it seemed on his own separate
|
||
and individual account was in a state of the greatest wonder
|
||
|
||
what is the matter said the man who had caused miss pross to scream
|
||
speaking in a vexed abrupt voice though in a low tone and in
|
||
english
|
||
|
||
oh solomon dear solomon cried miss pross clapping her hands
|
||
again after not setting eyes upon you or hearing of you for so
|
||
long a time do i find you here
|
||
|
||
dont call me solomon do you want to be the death of me asked
|
||
the man in a furtive frightened way
|
||
|
||
brother brother cried miss pross bursting into tears have i
|
||
ever been so hard with you that you ask me such a cruel question
|
||
|
||
then hold your meddlesome tongue said solomon and come out if
|
||
you want to speak to me pay for your wine and come out
|
||
whos this man
|
||
|
||
miss pross shaking her loving and dejected head at her by no means
|
||
affectionate brother said through her tears mr cruncher
|
||
|
||
let him come out too said solomon does he think me a ghost
|
||
|
||
apparently mr cruncher did to judge from his looks he said not a
|
||
word however and miss pross exploring the depths of her reticule
|
||
through her tears with great difficulty paid for her wine as she
|
||
did so solomon turned to the followers of the good republican brutus
|
||
of antiquity and offered a few words of explanation in the french
|
||
language which caused them all to relapse into their former places
|
||
and pursuits
|
||
|
||
now said solomon stopping at the dark street corner
|
||
what do you want
|
||
|
||
how dreadfully unkind in a brother nothing has ever turned my love
|
||
away from cried miss pross to give me such a greeting and show
|
||
me no affection
|
||
|
||
there confound it there said solomon making a dab at miss
|
||
prosss lips with his own now are you content
|
||
|
||
miss pross only shook her head and wept in silence
|
||
|
||
if you expect me to be surprised said her brother solomon i am
|
||
not surprised i knew you were here i know of most people who are
|
||
here if you really dont want to endanger my existence which i half
|
||
believe you do go your ways as soon as possible and let me go mine
|
||
i am busy i am an official
|
||
|
||
my english brother solomon mourned miss pross casting up her
|
||
tear fraught eyes that had the makings in him of one of the best
|
||
and greatest of men in his native country an official among
|
||
foreigners and such foreigners i would almost sooner have seen the
|
||
dear boy lying in his
|
||
|
||
i said so cried her brother interrupting i knew it you want
|
||
to be the death of me i shall be rendered suspected by my own
|
||
sister just as i am getting on
|
||
|
||
the gracious and merciful heavens forbid cried miss pross far
|
||
rather would i never see you again dear solomon though i have ever
|
||
loved you truly and ever shall say but one affectionate word to
|
||
me and tell me there is nothing angry or estranged between us and i
|
||
will detain you no longer
|
||
|
||
good miss pross as if the estrangement between them had come of any
|
||
culpability of hers as if mr lorry had not known it for a fact
|
||
years ago in the quiet corner in soho that this precious brother
|
||
had spent her money and left her
|
||
|
||
he was saying the affectionate word however with a far more
|
||
grudging condescension and patronage than he could have shown if
|
||
their relative merits and positions had been reversed which is
|
||
invariably the case all the world over when mr cruncher touching
|
||
him on the shoulder hoarsely and unexpectedly interposed with the
|
||
following singular question
|
||
|
||
i say might i ask the favour as to whether your name is john
|
||
solomon or solomon john
|
||
|
||
the official turned towards him with sudden distrust he had not
|
||
previously uttered a word
|
||
|
||
come said mr cruncher speak out you know which by the
|
||
way was more than he could do himself john solomon or solomon
|
||
john she calls you solomon and she must know being your sister
|
||
and _i_ know youre john you know which of the two goes first
|
||
and regarding that name of pross likewise that warnt your name
|
||
over the water
|
||
|
||
what do you mean
|
||
|
||
well i dont know all i mean for i cant call to mind what your
|
||
name was over the water
|
||
|
||
no
|
||
|
||
no but ill swear it was a name of two syllables
|
||
|
||
indeed
|
||
|
||
yes tother ones was one syllable i know you you was a spy
|
||
witness at the bailey what in the name of the father of lies
|
||
own father to yourself was you called at that time
|
||
|
||
barsad said another voice striking in
|
||
|
||
thats the name for a thousand pound cried jerry
|
||
|
||
the speaker who struck in was sydney carton he had his hands
|
||
behind him under the skirts of his riding coat and he stood at
|
||
mr crunchers elbow as negligently as he might have stood at the old
|
||
bailey itself
|
||
|
||
dont be alarmed my dear miss pross i arrived at mr lorrys
|
||
to his surprise yesterday evening we agreed that i would not
|
||
present myself elsewhere until all was well or unless i could be
|
||
useful i present myself here to beg a little talk with your brother
|
||
i wish you had a better employed brother than mr barsad i wish
|
||
for your sake mr barsad was not a sheep of the prisons
|
||
|
||
sheep was a cant word of the time for a spy under the gaolers
|
||
the spy who was pale turned paler and asked him how he dared
|
||
|
||
ill tell you said sydney i lighted on you mr barsad coming
|
||
out of the prison of the conciergerie while i was contemplating the
|
||
walls an hour or more ago you have a face to be remembered and i
|
||
remember faces well made curious by seeing you in that connection
|
||
and having a reason to which you are no stranger for associating
|
||
you with the misfortunes of a friend now very unfortunate i walked
|
||
in your direction i walked into the wine shop here close after you
|
||
and sat near you i had no difficulty in deducing from your unreserved
|
||
conversation and the rumour openly going about among your admirers
|
||
the nature of your calling and gradually what i had done at random
|
||
seemed to shape itself into a purpose mr barsad
|
||
|
||
what purpose the spy asked
|
||
|
||
it would be troublesome and might be dangerous to explain in the
|
||
street could you favour me in confidence with some minutes of
|
||
your company at the office of tellsons bank for instance
|
||
|
||
under a threat
|
||
|
||
oh did i say that
|
||
|
||
then why should i go there
|
||
|
||
really mr barsad i cant say if you cant
|
||
|
||
do you mean that you wont say sir the spy irresolutely asked
|
||
|
||
you apprehend me very clearly mr barsad i wont
|
||
|
||
cartons negligent recklessness of manner came powerfully in aid of
|
||
his quickness and skill in such a business as he had in his secret
|
||
mind and with such a man as he had to do with his practised eye
|
||
saw it and made the most of it
|
||
|
||
now i told you so said the spy casting a reproachful look at his
|
||
sister if any trouble comes of this its your doing
|
||
|
||
come come mr barsad exclaimed sydney dont be
|
||
ungrateful but for my great respect for your sister i might not
|
||
have led up so pleasantly to a little proposal that i wish to make
|
||
for our mutual satisfaction do you go with me to the bank
|
||
|
||
ill hear what you have got to say yes ill go with you
|
||
|
||
i propose that we first conduct your sister safely to the corner of
|
||
her own street let me take your arm miss pross this is not a
|
||
good city at this time for you to be out in unprotected and as
|
||
your escort knows mr barsad i will invite him to mr lorrys with us
|
||
are we ready come then
|
||
|
||
miss pross recalled soon afterwards and to the end of her life
|
||
remembered that as she pressed her hands on sydneys arm and looked
|
||
up in his face imploring him to do no hurt to solomon there was a
|
||
braced purpose in the arm and a kind of inspiration in the eyes
|
||
which not only contradicted his light manner but changed and raised
|
||
the man she was too much occupied then with fears for the brother
|
||
who so little deserved her affection and with sydneys friendly
|
||
reassurances adequately to heed what she observed
|
||
|
||
they left her at the corner of the street and carton led the way to
|
||
mr lorrys which was within a few minutes walk john barsad or
|
||
solomon pross walked at his side
|
||
|
||
mr lorry had just finished his dinner and was sitting before a
|
||
cheery little log or two of fire perhaps looking into their blaze
|
||
for the picture of that younger elderly gentleman from tellsons who
|
||
had looked into the red coals at the royal george at dover now a
|
||
good many years ago he turned his head as they entered and showed
|
||
the surprise with which he saw a stranger
|
||
|
||
miss prosss brother sir said sydney mr barsad
|
||
|
||
barsad repeated the old gentleman barsad i have an association
|
||
with the name and with the face
|
||
|
||
i told you you had a remarkable face mr barsad observed carton
|
||
coolly pray sit down
|
||
|
||
as he took a chair himself he supplied the link that mr lorry
|
||
wanted by saying to him with a frown witness at that trial
|
||
mr lorry immediately remembered and regarded his new visitor with
|
||
an undisguised look of abhorrence
|
||
|
||
mr barsad has been recognised by miss pross as the affectionate
|
||
brother you have heard of said sydney and has acknowledged the
|
||
relationship i pass to worse news darnay has been arrested again
|
||
|
||
struck with consternation the old gentleman exclaimed what do you
|
||
tell me i left him safe and free within these two hours and am
|
||
about to return to him
|
||
|
||
arrested for all that when was it done mr barsad
|
||
|
||
just now if at all
|
||
|
||
mr barsad is the best authority possible sir said sydney and i
|
||
have it from mr barsads communication to a friend and brother sheep
|
||
over a bottle of wine that the arrest has taken place he left the
|
||
messengers at the gate and saw them admitted by the porter
|
||
there is no earthly doubt that he is retaken
|
||
|
||
mr lorrys business eye read in the speakers face that it was loss
|
||
of time to dwell upon the point confused but sensible that
|
||
something might depend on his presence of mind he commanded himself
|
||
and was silently attentive
|
||
|
||
now i trust said sydney to him that the name and influence of
|
||
doctor manette may stand him in as good stead to morrow you said he
|
||
would be before the tribunal again to morrow mr barsad
|
||
|
||
yes i believe so
|
||
|
||
in as good stead to morrow as to day but it may not be so
|
||
i own to you i am shaken mr lorry by doctor manettes not having
|
||
had the power to prevent this arrest
|
||
|
||
he may not have known of it beforehand said mr lorry
|
||
|
||
but that very circumstance would be alarming when we remember how
|
||
identified he is with his son in law
|
||
|
||
thats true mr lorry acknowledged with his troubled hand at his
|
||
chin and his troubled eyes on carton
|
||
|
||
in short said sydney this is a desperate time when desperate
|
||
games are played for desperate stakes let the doctor play the
|
||
winning game i will play the losing one no mans life here is
|
||
worth purchase any one carried home by the people to day may be
|
||
condemned tomorrow now the stake i have resolved to play for in
|
||
case of the worst is a friend in the conciergerie and the friend i
|
||
purpose to myself to win is mr barsad
|
||
|
||
you need have good cards sir said the spy
|
||
|
||
ill run them over ill see what i hold mr lorry you know
|
||
what a brute i am i wish youd give me a little brandy
|
||
|
||
it was put before him and he drank off a glassful drank off another
|
||
glassful pushed the bottle thoughtfully away
|
||
|
||
mr barsad he went on in the tone of one who really was looking
|
||
over a hand at cards sheep of the prisons emissary of republican
|
||
committees now turnkey now prisoner always spy and secret
|
||
informer so much the more valuable here for being english that an
|
||
englishman is less open to suspicion of subornation in those
|
||
characters than a frenchman represents himself to his employers
|
||
under a false name thats a very good card mr barsad now in the
|
||
employ of the republican french government was formerly in the
|
||
employ of the aristocratic english government the enemy of france
|
||
and freedom thats an excellent card inference clear as day in
|
||
this region of suspicion that mr barsad still in the pay of the
|
||
aristocratic english government is the spy of pitt the treacherous
|
||
foe of the republic crouching in its bosom the english traitor and
|
||
agent of all mischief so much spoken of and so difficult to find
|
||
thats a card not to be beaten have you followed my hand mr barsad
|
||
|
||
not to understand your play returned the spy somewhat uneasily
|
||
|
||
i play my ace denunciation of mr barsad to the nearest section
|
||
committee look over your hand mr barsad and see what you have
|
||
dont hurry
|
||
|
||
he drew the bottle near poured out another glassful of brandy
|
||
and drank it off he saw that the spy was fearful of his drinking
|
||
himself into a fit state for the immediate denunciation of him
|
||
seeing it he poured out and drank another glassful
|
||
|
||
look over your hand carefully mr barsad take time
|
||
|
||
it was a poorer hand than he suspected mr barsad saw losing cards
|
||
in it that sydney carton knew nothing of thrown out of his
|
||
honourable employment in england through too much unsuccessful hard
|
||
swearing there not because he was not wanted there our english
|
||
reasons for vaunting our superiority to secrecy and spies are of very
|
||
modern date he knew that he had crossed the channel and accepted
|
||
service in france first as a tempter and an eavesdropper among his
|
||
own countrymen there gradually as a tempter and an eavesdropper
|
||
among the natives he knew that under the overthrown government he
|
||
had been a spy upon saint antoine and defarges wine shop had
|
||
received from the watchful police such heads of information
|
||
concerning doctor manettes imprisonment release and history as
|
||
should serve him for an introduction to familiar conversation with
|
||
the defarges and tried them on madame defarge and had broken down
|
||
with them signally he always remembered with fear and trembling
|
||
that that terrible woman had knitted when he talked with her and had
|
||
looked ominously at him as her fingers moved he had since seen her
|
||
in the section of saint antoine over and over again produce her
|
||
knitted registers and denounce people whose lives the guillotine
|
||
then surely swallowed up he knew as every one employed as he was
|
||
did that he was never safe that flight was impossible that he was
|
||
tied fast under the shadow of the axe and that in spite of his
|
||
utmost tergiversation and treachery in furtherance of the reigning
|
||
terror a word might bring it down upon him once denounced and on
|
||
such grave grounds as had just now been suggested to his mind he
|
||
foresaw that the dreadful woman of whose unrelenting character he had
|
||
seen many proofs would produce against him that fatal register and
|
||
would quash his last chance of life besides that all secret men are
|
||
men soon terrified here were surely cards enough of one black suit
|
||
to justify the holder in growing rather livid as he turned them over
|
||
|
||
you scarcely seem to like your hand said sydney with the greatest
|
||
composure do you play
|
||
|
||
i think sir said the spy in the meanest manner as he turned to
|
||
mr lorry i may appeal to a gentleman of your years and benevolence
|
||
to put it to this other gentleman so much your junior whether he
|
||
can under any circumstances reconcile it to his station to play that
|
||
ace of which he has spoken i admit that _i_ am a spy and that it
|
||
is considered a discreditable station though it must be filled by
|
||
somebody but this gentleman is no spy and why should he so demean
|
||
himself as to make himself one
|
||
|
||
i play my ace mr barsad said carton taking the answer on himself
|
||
and looking at his watch without any scruple in a very few minutes
|
||
|
||
i should have hoped gentlemen both said the spy always striving
|
||
to hook mr lorry into the discussion that your respect for my
|
||
sister
|
||
|
||
i could not better testify my respect for your sister than by
|
||
finally relieving her of her brother said sydney carton
|
||
|
||
you think not sir
|
||
|
||
i have thoroughly made up my mind about it
|
||
|
||
the smooth manner of the spy curiously in dissonance with his
|
||
ostentatiously rough dress and probably with his usual demeanour
|
||
received such a check from the inscrutability of carton who was a
|
||
mystery to wiser and honester men than he that it faltered here and
|
||
failed him while he was at a loss carton said resuming his former
|
||
air of contemplating cards
|
||
|
||
and indeed now i think again i have a strong impression that i
|
||
have another good card here not yet enumerated that friend and
|
||
fellow sheep who spoke of himself as pasturing in the country prisons
|
||
who was he
|
||
|
||
french you dont know him said the spy quickly
|
||
|
||
french eh repeated carton musing and not appearing to notice
|
||
him at all though he echoed his word well he may be
|
||
|
||
is i assure you said the spy though its not important
|
||
|
||
though its not important repeated carton in the same mechanical
|
||
way though its not important no its not important no yet i
|
||
know the face
|
||
|
||
i think not i am sure not it cant be said the spy
|
||
|
||
it cant be muttered sydney carton retrospectively and idling
|
||
his glass which fortunately was a small one again cant be
|
||
spoke good french yet like a foreigner i thought
|
||
|
||
provincial said the spy
|
||
|
||
no foreign cried carton striking his open hand on the table as
|
||
a light broke clearly on his mind cly disguised but the same man
|
||
we had that man before us at the old bailey
|
||
|
||
now there you are hasty sir said barsad with a smile that gave
|
||
his aquiline nose an extra inclination to one side there you really
|
||
give me an advantage over you cly who i will unreservedly admit
|
||
at this distance of time was a partner of mine has been dead
|
||
several years i attended him in his last illness he was buried in
|
||
london at the church of saint pancras in the fields his unpopularity
|
||
with the blackguard multitude at the moment prevented my following
|
||
his remains but i helped to lay him in his coffin
|
||
|
||
here mr lorry became aware from where he sat of a most remarkable
|
||
goblin shadow on the wall tracing it to its source he discovered
|
||
it to be caused by a sudden extraordinary rising and stiffening of
|
||
all the risen and stiff hair on mr crunchers head
|
||
|
||
let us be reasonable said the spy and let us be fair to show
|
||
you how mistaken you are and what an unfounded assumption yours is
|
||
i will lay before you a certificate of clys burial which i happened
|
||
to have carried in my pocket book with a hurried hand he produced
|
||
and opened it ever since there it is oh look at it look at it
|
||
you may take it in your hand its no forgery
|
||
|
||
here mr lorry perceived the reflection on the wall to elongate and
|
||
mr cruncher rose and stepped forward his hair could not have been
|
||
more violently on end if it had been that moment dressed by the cow
|
||
with the crumpled horn in the house that jack built
|
||
|
||
unseen by the spy mr cruncher stood at his side and touched him on
|
||
the shoulder like a ghostly bailiff
|
||
|
||
that there roger cly master said mr cruncher with a taciturn
|
||
and iron bound visage so _you_ put him in his coffin
|
||
|
||
i did
|
||
|
||
who took him out of it
|
||
|
||
barsad leaned back in his chair and stammered what do you mean
|
||
|
||
i mean said mr cruncher that he warnt never in it no not he
|
||
ill have my head took off if he was ever in it
|
||
|
||
the spy looked round at the two gentlemen they both looked in
|
||
unspeakable astonishment at jerry
|
||
|
||
i tell you said jerry that you buried paving stones and earth in
|
||
that there coffin dont go and tell me that you buried cly it was
|
||
a take in me and two more knows it
|
||
|
||
how do you know it
|
||
|
||
whats that to you ecod growled mr cruncher its you i have got
|
||
a old grudge again is it with your shameful impositions upon tradesmen
|
||
id catch hold of your throat and choke you for half a guinea
|
||
|
||
sydney carton who with mr lorry had been lost in amazement at
|
||
this turn of the business here requested mr cruncher to moderate
|
||
and explain himself
|
||
|
||
at another time sir he returned evasively the present time is
|
||
ill conwenient for explainin what i stand to is that he knows
|
||
well wot that there cly was never in that there coffin let him say
|
||
he was in so much as a word of one syllable and ill either catch
|
||
hold of his throat and choke him for half a guinea mr cruncher
|
||
dwelt upon this as quite a liberal offer or ill out and announce him
|
||
|
||
humph i see one thing said carton i hold another card
|
||
mr barsad impossible here in raging paris with suspicion filling
|
||
the air for you to outlive denunciation when you are in communication
|
||
with another aristocratic spy of the same antecedents as yourself
|
||
who moreover has the mystery about him of having feigned death and
|
||
come to life again a plot in the prisons of the foreigner against
|
||
the republic a strong card a certain guillotine card do you play
|
||
|
||
no returned the spy i throw up i confess that we were so
|
||
unpopular with the outrageous mob that i only got away from england
|
||
at the risk of being ducked to death and that cly was so ferreted up
|
||
and down that he never would have got away at all but for that sham
|
||
though how this man knows it was a sham is a wonder of wonders to me
|
||
|
||
never you trouble your head about this man retorted the
|
||
contentious mr cruncher youll have trouble enough with giving
|
||
your attention to that gentleman and look here once more
|
||
mr cruncher could not be restrained from making rather an ostentatious
|
||
parade of his liberality id catch hold of your throat and choke
|
||
you for half a guinea
|
||
|
||
the sheep of the prisons turned from him to sydney carton and said
|
||
with more decision it has come to a point i go on duty soon and
|
||
cant overstay my time you told me you had a proposal what is it
|
||
now it is of no use asking too much of me ask me to do anything in
|
||
my office putting my head in great extra danger and i had better
|
||
trust my life to the chances of a refusal than the chances of consent
|
||
in short i should make that choice you talk of desperation
|
||
we are all desperate here remember i may denounce you if i think
|
||
proper and i can swear my way through stone walls and so can others
|
||
now what do you want with me
|
||
|
||
not very much you are a turnkey at the conciergerie
|
||
|
||
i tell you once for all there is no such thing as an escape possible
|
||
said the spy firmly
|
||
|
||
why need you tell me what i have not asked you are a turnkey at the
|
||
conciergerie
|
||
|
||
i am sometimes
|
||
|
||
you can be when you choose
|
||
|
||
i can pass in and out when i choose
|
||
|
||
sydney carton filled another glass with brandy poured it slowly out
|
||
upon the hearth and watched it as it dropped it being all spent
|
||
he said rising
|
||
|
||
so far we have spoken before these two because it was as well that
|
||
the merits of the cards should not rest solely between you and me
|
||
come into the dark room here and let us have one final word alone
|
||
|
||
|
||
|
||
ix
|
||
|
||
the game made
|
||
|
||
|
||
while sydney carton and the sheep of the prisons were in the
|
||
adjoining dark room speaking so low that not a sound was heard
|
||
mr lorry looked at jerry in considerable doubt and mistrust that
|
||
honest tradesmans manner of receiving the look did not inspire
|
||
confidence he changed the leg on which he rested as often as if he
|
||
had fifty of those limbs and were trying them all he examined his
|
||
finger nails with a very questionable closeness of attention and
|
||
whenever mr lorrys eye caught his he was taken with that peculiar
|
||
kind of short cough requiring the hollow of a hand before it which
|
||
is seldom if ever known to be an infirmity attendant on perfect
|
||
openness of character
|
||
|
||
jerry said mr lorry come here
|
||
|
||
mr cruncher came forward sideways with one of his shoulders in
|
||
advance of him
|
||
|
||
what have you been besides a messenger
|
||
|
||
after some cogitation accompanied with an intent look at his patron
|
||
mr cruncher conceived the luminous idea of replying agicultooral
|
||
character
|
||
|
||
my mind misgives me much said mr lorry angrily shaking a
|
||
forefinger at him that you have used the respectable and great
|
||
house of tellsons as a blind and that you have had an unlawful
|
||
occupation of an infamous description if you have dont expect me
|
||
to befriend you when you get back to england if you have dont
|
||
expect me to keep your secret tellsons shall not be imposed upon
|
||
|
||
i hope sir pleaded the abashed mr cruncher that a gentleman
|
||
like yourself wot ive had the honour of odd jobbing till im grey at
|
||
it would think twice about harming of me even if it wos so i dont
|
||
say it is but even if it wos and which it is to be took into
|
||
account that if it wos it wouldnt even then be all o one side
|
||
thered be two sides to it there might be medical doctors at the
|
||
present hour a picking up their guineas where a honest tradesman
|
||
dont pick up his fardens fardens no nor yet his half fardens
|
||
half fardens no nor yet his quarter a banking away like smoke at
|
||
tellsons and a cocking their medical eyes at that tradesman on the
|
||
sly a going in and going out to their own carriages ah equally
|
||
like smoke if not more so well that ud be imposing too on
|
||
tellsons for you cannot sarse the goose and not the gander
|
||
and heres mrs cruncher or leastways wos in the old england times
|
||
and would be to morrow if cause given a floppin again the business
|
||
to that degree as is ruinating stark ruinating whereas them medical
|
||
doctors wives dont flop catch em at it or if they flop their
|
||
toppings goes in favour of more patients and how can you rightly
|
||
have one without tother then wot with undertakers and wot with
|
||
parish clerks and wot with sextons and wot with private watchmen
|
||
all awaricious and all in it a man wouldnt get much by it even
|
||
if it wos so and wot little a man did get would never prosper with
|
||
him mr lorry hed never have no good of it hed want all along
|
||
to be out of the line if he could see his way out being once in
|
||
even if it wos so
|
||
|
||
ugh cried mr lorry rather relenting nevertheless i am shocked
|
||
at the sight of you
|
||
|
||
now what i would humbly offer to you sir pursued mr cruncher
|
||
even if it wos so which i dont say it is
|
||
|
||
dont prevaricate said mr lorry
|
||
|
||
no i will _not_ sir returned mr crunches as if nothing were
|
||
further from his thoughts or practice which i dont say it is wot
|
||
i would humbly offer to you sir would be this upon that there
|
||
stool at that there bar sets that there boy of mine brought up and
|
||
growed up to be a man wot will errand you message you general
|
||
light job you till your heels is where your head is if such should
|
||
be your wishes if it wos so which i still dont say it is for i
|
||
will not prewaricate to you sir let that there boy keep his
|
||
fathers place and take care of his mother dont blow upon that
|
||
boys father do not do it sir and let that father go into the line
|
||
of the reglar diggin and make amends for what he would have
|
||
undug if it wos so by diggin of em in with a will and with
|
||
conwictions respectin the futur keepin of em safe that
|
||
mr lorry said mr cruncher wiping his forehead with his arm as
|
||
an announcement that he had arrived at the peroration of his
|
||
discourse is wot i would respectfully offer to you sir a man
|
||
dont see all this here a goin on dreadful round him in the way of
|
||
subjects without heads dear me plentiful enough fur to bring the
|
||
price down to porterage and hardly that without havin his serious
|
||
thoughts of things and these here would be mine if it wos so
|
||
entreatin of you fur to bear in mind that wot i said just now i up
|
||
and said in the good cause when i might have kep it back
|
||
|
||
that at least is true said mr lorry say no more now it may be
|
||
that i shall yet stand your friend if you deserve it and repent in
|
||
action not in words i want no more words
|
||
|
||
mr cruncher knuckled his forehead as sydney carton and the spy
|
||
returned from the dark room adieu mr barsad said the former
|
||
our arrangement thus made you have nothing to fear from me
|
||
|
||
he sat down in a chair on the hearth over against mr lorry
|
||
when they were alone mr lorry asked him what he had done
|
||
|
||
not much if it should go ill with the prisoner i have ensured
|
||
access to him once
|
||
|
||
mr lorrys countenance fell
|
||
|
||
it is all i could do said carton to propose too much would be
|
||
to put this mans head under the axe and as he himself said
|
||
nothing worse could happen to him if he were denounced it was
|
||
obviously the weakness of the position there is no help for it
|
||
|
||
but access to him said mr lorry if it should go ill before the
|
||
tribunal will not save him
|
||
|
||
i never said it would
|
||
|
||
mr lorrys eyes gradually sought the fire his sympathy with his
|
||
darling and the heavy disappointment of his second arrest gradually
|
||
weakened them he was an old man now overborne with anxiety of late
|
||
and his tears fell
|
||
|
||
you are a good man and a true friend said carton in an altered
|
||
voice forgive me if i notice that you are affected i could not
|
||
see my father weep and sit by careless and i could not respect
|
||
your sorrow more if you were my father you are free from that
|
||
misfortune however
|
||
|
||
though he said the last words with a slip into his usual manner
|
||
there was a true feeling and respect both in his tone and in his
|
||
touch that mr lorry who had never seen the better side of him
|
||
was wholly unprepared for he gave him his hand and carton gently
|
||
pressed it
|
||
|
||
to return to poor darnay said carton dont tell her of this
|
||
interview or this arrangement it would not enable her to go to see
|
||
him she might think it was contrived in case of the worse to
|
||
convey to him the means of anticipating the sentence
|
||
|
||
mr lorry had not thought of that and he looked quickly at carton to
|
||
see if it were in his mind it seemed to be he returned the look
|
||
and evidently understood it
|
||
|
||
she might think a thousand things carton said and any of them
|
||
would only add to her trouble dont speak of me to her as i said
|
||
to you when i first came i had better not see her i can put my
|
||
hand out to do any little helpful work for her that my hand can find
|
||
to do without that you are going to her i hope she must be very
|
||
desolate to night
|
||
|
||
i am going now directly
|
||
|
||
i am glad of that she has such a strong attachment to you and
|
||
reliance on you how does she look
|
||
|
||
anxious and unhappy but very beautiful
|
||
|
||
ah
|
||
|
||
it was a long grieving sound like a sigh almost like a sob it
|
||
attracted mr lorrys eyes to cartons face which was turned to the
|
||
fire a light or a shade the old gentleman could not have said
|
||
which passed from it as swiftly as a change will sweep over a
|
||
hill side on a wild bright day and he lifted his foot to put back
|
||
one of the little flaming logs which was tumbling forward he wore
|
||
the white riding coat and top boots then in vogue and the light of
|
||
the fire touching their light surfaces made him look very pale with
|
||
his long brown hair all untrimmed hanging loose about him his
|
||
indifference to fire was sufficiently remarkable to elicit a word of
|
||
remonstrance from mr lorry his boot was still upon the hot embers
|
||
of the flaming log when it had broken under the weight of his foot
|
||
|
||
i forgot it he said
|
||
|
||
mr lorrys eyes were again attracted to his face taking note of
|
||
the wasted air which clouded the naturally handsome features and
|
||
having the expression of prisoners faces fresh in his mind he was
|
||
strongly reminded of that expression
|
||
|
||
and your duties here have drawn to an end sir said carton
|
||
turning to him
|
||
|
||
yes as i was telling you last night when lucie came in so
|
||
unexpectedly i have at length done all that i can do here i hoped
|
||
to have left them in perfect safety and then to have quitted paris
|
||
i have my leave to pass i was ready to go
|
||
|
||
they were both silent
|
||
|
||
yours is a long life to look back upon sir said carton wistfully
|
||
|
||
i am in my seventy eighth year
|
||
|
||
you have been useful all your life steadily and constantly occupied
|
||
trusted respected and looked up to
|
||
|
||
i have been a man of business ever since i have been a man
|
||
indeed i may say that i was a man of business when a boy
|
||
|
||
see what a place you fill at seventy eight how many people will
|
||
miss you when you leave it empty
|
||
|
||
a solitary old bachelor answered mr lorry shaking his
|
||
head there is nobody to weep for me
|
||
|
||
how can you say that wouldnt she weep for you wouldnt her child
|
||
|
||
yes yes thank god i didnt quite mean what i said
|
||
|
||
it _is_ a thing to thank god for is it not
|
||
|
||
surely surely
|
||
|
||
if you could say with truth to your own solitary heart to night
|
||
i have secured to myself the love and attachment the gratitude or
|
||
respect of no human creature i have won myself a tender place in no
|
||
regard i have done nothing good or serviceable to be remembered by
|
||
your seventy eight years would be seventy eight heavy curses would
|
||
they not
|
||
|
||
you say truly mr carton i think they would be
|
||
|
||
sydney turned his eyes again upon the fire and after a silence of a
|
||
few moments said
|
||
|
||
i should like to ask you does your childhood seem far off do the
|
||
days when you sat at your mothers knee seem days of very long ago
|
||
|
||
responding to his softened manner mr lorry answered
|
||
|
||
twenty years back yes at this time of my life no for as i draw
|
||
closer and closer to the end i travel in the circle nearer and
|
||
nearer to the beginning it seems to be one of the kind smoothings
|
||
and preparings of the way my heart is touched now by many
|
||
remembrances that had long fallen asleep of my pretty young mother
|
||
and i so old and by many associations of the days when what we
|
||
call the world was not so real with me and my faults were not
|
||
confirmed in me
|
||
|
||
i understand the feeling exclaimed carton with a bright flush
|
||
and you are the better for it
|
||
|
||
i hope so
|
||
|
||
carton terminated the conversation here by rising to help him on
|
||
with his outer coat but you said mr lorry reverting to the theme
|
||
you are young
|
||
|
||
yes said carton i am not old but my young way was never the
|
||
way to age enough of me
|
||
|
||
and of me i am sure said mr lorry are you going out
|
||
|
||
ill walk with you to her gate you know my vagabond and restless
|
||
habits if i should prowl about the streets a long time dont be
|
||
uneasy i shall reappear in the morning you go to the court to morrow
|
||
|
||
yes unhappily
|
||
|
||
i shall be there but only as one of the crowd my spy will find a
|
||
place for me take my arm sir
|
||
|
||
mr lorry did so and they went down stairs and out in the streets
|
||
a few minutes brought them to mr lorrys destination carton left
|
||
him there but lingered at a little distance and turned back to the
|
||
gate again when it was shut and touched it he had heard of her
|
||
going to the prison every day she came out here he said looking
|
||
about him turned this way must have trod on these stones often
|
||
let me follow in her steps
|
||
|
||
it was ten oclock at night when he stood before the prison of la
|
||
force where she had stood hundreds of times a little wood sawyer
|
||
having closed his shop was smoking his pipe at his shop door
|
||
|
||
good night citizen said sydney carton pausing in going by
|
||
for the man eyed him inquisitively
|
||
|
||
good night citizen
|
||
|
||
how goes the republic
|
||
|
||
you mean the guillotine not ill sixty three to day we shall
|
||
mount to a hundred soon samson and his men complain sometimes of
|
||
being exhausted ha ha ha he is so droll that samson
|
||
such a barber
|
||
|
||
do you often go to see him
|
||
|
||
shave always every day what a barber you have seen him at work
|
||
|
||
never
|
||
|
||
go and see him when he has a good batch figure this to yourself
|
||
citizen he shaved the sixty three to day in less than two pipes
|
||
less than two pipes word of honour
|
||
|
||
as the grinning little man held out the pipe he was smoking to
|
||
explain how he timed the executioner carton was so sensible of a
|
||
rising desire to strike the life out of him that he turned away
|
||
|
||
but you are not english said the wood sawyer though you wear
|
||
english dress
|
||
|
||
yes said carton pausing again and answering over his shoulder
|
||
|
||
you speak like a frenchman
|
||
|
||
i am an old student here
|
||
|
||
aha a perfect frenchman good night englishman
|
||
|
||
good night citizen
|
||
|
||
but go and see that droll dog the little man persisted calling
|
||
after him and take a pipe with you
|
||
|
||
sydney had not gone far out of sight when he stopped in the middle
|
||
of the street under a glimmering lamp and wrote with his pencil on a
|
||
scrap of paper then traversing with the decided step of one who
|
||
remembered the way well several dark and dirty streets much dirtier
|
||
than usual for the best public thoroughfares remained uncleansed in
|
||
those times of terror he stopped at a chemists shop which the
|
||
owner was closing with his own hands a small dim crooked shop
|
||
kept in a tortuous up hill thoroughfare by a small dim crooked man
|
||
|
||
giving this citizen too good night as he confronted him at his
|
||
counter he laid the scrap of paper before him whew the chemist
|
||
whistled softly as he read it hi hi hi
|
||
|
||
sydney carton took no heed and the chemist said
|
||
|
||
for you citizen
|
||
|
||
for me
|
||
|
||
you will be careful to keep them separate citizen you know the
|
||
consequences of mixing them
|
||
|
||
perfectly
|
||
|
||
certain small packets were made and given to him he put them one
|
||
by one in the breast of his inner coat counted out the money for
|
||
them and deliberately left the shop there is nothing more to do
|
||
said he glancing upward at the moon until to morrow i cant sleep
|
||
|
||
it was not a reckless manner the manner in which he said these words
|
||
aloud under the fast sailing clouds nor was it more expressive of
|
||
negligence than defiance it was the settled manner of a tired man
|
||
who had wandered and struggled and got lost but who at length struck
|
||
into his road and saw its end
|
||
|
||
long ago when he had been famous among his earliest competitors as a
|
||
youth of great promise he had followed his father to the grave
|
||
his mother had died years before these solemn words which had
|
||
been read at his fathers grave arose in his mind as he went down
|
||
the dark streets among the heavy shadows with the moon and the
|
||
clouds sailing on high above him i am the resurrection and the
|
||
life saith the lord he that believeth in me though he were dead
|
||
yet shall he live and whosoever liveth and believeth in me shall
|
||
never die
|
||
|
||
in a city dominated by the axe alone at night with natural sorrow
|
||
rising in him for the sixty three who had been that day put to death
|
||
and for to morrows victims then awaiting their doom in the prisons
|
||
and still of to morrows and to morrows the chain of association
|
||
that brought the words home like a rusty old ships anchor from the
|
||
deep might have been easily found he did not seek it but repeated
|
||
them and went on
|
||
|
||
with a solemn interest in the lighted windows where the people were
|
||
going to rest forgetful through a few calm hours of the horrors
|
||
surrounding them in the towers of the churches where no prayers
|
||
were said for the popular revulsion had even travelled that length
|
||
of self destruction from years of priestly impostors plunderers and
|
||
profligates in the distant burial places reserved as they wrote
|
||
upon the gates for eternal sleep in the abounding gaols and in the
|
||
streets along which the sixties rolled to a death which had become so
|
||
common and material that no sorrowful story of a haunting spirit
|
||
ever arose among the people out of all the working of the guillotine
|
||
with a solemn interest in the whole life and death of the city
|
||
settling down to its short nightly pause in fury sydney carton
|
||
crossed the seine again for the lighter streets
|
||
|
||
few coaches were abroad for riders in coaches were liable to be
|
||
suspected and gentility hid its head in red nightcaps and put on
|
||
heavy shoes and trudged but the theatres were all well filled
|
||
and the people poured cheerfully out as he passed and went chatting
|
||
home at one of the theatre doors there was a little girl with a
|
||
mother looking for a way across the street through the mud
|
||
he carried the child over and before the timid arm was loosed from
|
||
his neck asked her for a kiss
|
||
|
||
i am the resurrection and the life saith the lord he that
|
||
believeth in me though he were dead yet shall he live and
|
||
whosoever liveth and believeth in me shall never die
|
||
|
||
now that the streets were quiet and the night wore on the words
|
||
were in the echoes of his feet and were in the air perfectly calm
|
||
and steady he sometimes repeated them to himself as he walked but
|
||
he heard them always
|
||
|
||
the night wore out and as he stood upon the bridge listening to the
|
||
water as it splashed the river walls of the island of paris where
|
||
the picturesque confusion of houses and cathedral shone bright in the
|
||
light of the moon the day came coldly looking like a dead face out
|
||
of the sky then the night with the moon and the stars turned pale
|
||
and died and for a little while it seemed as if creation were
|
||
delivered over to deaths dominion
|
||
|
||
but the glorious sun rising seemed to strike those words that
|
||
burden of the night straight and warm to his heart in its long
|
||
bright rays and looking along them with reverently shaded eyes
|
||
a bridge of light appeared to span the air between him and the sun
|
||
while the river sparkled under it
|
||
|
||
the strong tide so swift so deep and certain was like a congenial
|
||
friend in the morning stillness he walked by the stream far from
|
||
the houses and in the light and warmth of the sun fell asleep on the
|
||
bank when he awoke and was afoot again he lingered there yet a
|
||
little longer watching an eddy that turned and turned purposeless
|
||
until the stream absorbed it and carried it on to the sea like me
|
||
|
||
a trading boat with a sail of the softened colour of a dead leaf
|
||
then glided into his view floated by him and died away as its
|
||
silent track in the water disappeared the prayer that had broken up
|
||
out of his heart for a merciful consideration of all his poor
|
||
blindnesses and errors ended in the words i am the resurrection
|
||
and the life
|
||
|
||
mr lorry was already out when he got back and it was easy to
|
||
surmise where the good old man was gone sydney carton drank nothing
|
||
but a little coffee ate some bread and having washed and changed
|
||
to refresh himself went out to the place of trial
|
||
|
||
the court was all astir and a buzz when the black sheep whom many
|
||
fell away from in dread pressed him into an obscure corner among the
|
||
crowd mr lorry was there and doctor manette was there she was
|
||
there sitting beside her father
|
||
|
||
when her husband was brought in she turned a look upon him so
|
||
sustaining so encouraging so full of admiring love and pitying
|
||
tenderness yet so courageous for his sake that it called the
|
||
healthy blood into his face brightened his glance and animated his
|
||
heart if there had been any eyes to notice the influence of her
|
||
look on sydney carton it would have been seen to be the same
|
||
influence exactly
|
||
|
||
before that unjust tribunal there was little or no order of
|
||
procedure ensuring to any accused person any reasonable hearing
|
||
there could have been no such revolution if all laws forms and
|
||
ceremonies had not first been so monstrously abused that the
|
||
suicidal vengeance of the revolution was to scatter them all to the
|
||
winds
|
||
|
||
every eye was turned to the jury the same determined patriots and
|
||
good republicans as yesterday and the day before and to morrow and
|
||
the day after eager and prominent among them one man with a
|
||
craving face and his fingers perpetually hovering about his lips
|
||
whose appearance gave great satisfaction to the spectators a life
|
||
thirsting cannibal looking bloody minded juryman the jacques three
|
||
of st antoine the whole jury as a jury of dogs empannelled to try
|
||
the deer
|
||
|
||
every eye then turned to the five judges and the public prosecutor
|
||
no favourable leaning in that quarter to day a fell uncompromising
|
||
murderous business meaning there every eye then sought some other
|
||
eye in the crowd and gleamed at it approvingly and heads nodded at
|
||
one another before bending forward with a strained attention
|
||
|
||
charles evremonde called darnay released yesterday reaccused and
|
||
retaken yesterday indictment delivered to him last night suspected
|
||
and denounced enemy of the republic aristocrat one of a family of
|
||
tyrants one of a race proscribed for that they had used their
|
||
abolished privileges to the infamous oppression of the people
|
||
charles evremonde called darnay in right of such proscription
|
||
absolutely dead in law
|
||
|
||
to this effect in as few or fewer words the public prosecutor
|
||
|
||
the president asked was the accused openly denounced or secretly
|
||
|
||
openly president
|
||
|
||
by whom
|
||
|
||
three voices ernest defarge wine vendor of st antoine
|
||
|
||
good
|
||
|
||
therese defarge his wife
|
||
|
||
good
|
||
|
||
alexandre manette physician
|
||
|
||
a great uproar took place in the court and in the midst of it
|
||
doctor manette was seen pale and trembling standing where he had
|
||
been seated
|
||
|
||
president i indignantly protest to you that this is a forgery and a
|
||
fraud you know the accused to be the husband of my daughter my
|
||
daughter and those dear to her are far dearer to me than my life
|
||
who and where is the false conspirator who says that i denounce the
|
||
husband of my child
|
||
|
||
citizen manette be tranquil to fail in submission to the
|
||
authority of the tribunal would be to put yourself out of law
|
||
as to what is dearer to you than life nothing can be so dear to a
|
||
good citizen as the republic
|
||
|
||
loud acclamations hailed this rebuke the president rang his bell
|
||
and with warmth resumed
|
||
|
||
if the republic should demand of you the sacrifice of your child
|
||
herself you would have no duty but to sacrifice her listen to what
|
||
is to follow in the meanwhile be silent
|
||
|
||
frantic acclamations were again raised doctor manette sat down
|
||
with his eyes looking around and his lips trembling his daughter
|
||
drew closer to him the craving man on the jury rubbed his hands
|
||
together and restored the usual hand to his mouth
|
||
|
||
defarge was produced when the court was quiet enough to admit of his
|
||
being heard and rapidly expounded the story of the imprisonment and
|
||
of his having been a mere boy in the doctors service and of the
|
||
release and of the state of the prisoner when released and delivered
|
||
to him this short examination followed for the court was quick
|
||
with its work
|
||
|
||
you did good service at the taking of the bastille citizen
|
||
|
||
i believe so
|
||
|
||
here an excited woman screeched from the crowd you were one of the
|
||
best patriots there why not say so you were a cannonier that day
|
||
there and you were among the first to enter the accursed fortress
|
||
when it fell patriots i speak the truth
|
||
|
||
it was the vengeance who amidst the warm commendations of the
|
||
audience thus assisted the proceedings the president rang his
|
||
bell but the vengeance warming with encouragement shrieked
|
||
i defy that bell wherein she was likewise much commended
|
||
|
||
inform the tribunal of what you did that day within the bastille
|
||
citizen
|
||
|
||
i knew said defarge looking down at his wife who stood at the
|
||
bottom of the steps on which he was raised looking steadily up at
|
||
him i knew that this prisoner of whom i speak had been confined
|
||
in a cell known as one hundred and five north tower i knew it from
|
||
himself he knew himself by no other name than one hundred and five
|
||
north tower when he made shoes under my care as i serve my gun
|
||
that day i resolve when the place shall fall to examine that cell
|
||
it falls i mount to the cell with a fellow citizen who is one of
|
||
the jury directed by a gaoler i examine it very closely in a
|
||
hole in the chimney where a stone has been worked out and replaced
|
||
i find a written paper this is that written paper i have made it
|
||
my business to examine some specimens of the writing of doctor
|
||
manette this is the writing of doctor manette i confide this
|
||
paper in the writing of doctor manette to the hands of the president
|
||
|
||
let it be read
|
||
|
||
in a dead silence and stillness the prisoner under trial looking
|
||
lovingly at his wife his wife only looking from him to look with
|
||
solicitude at her father doctor manette keeping his eyes fixed on
|
||
the reader madame defarge never taking hers from the prisoner
|
||
defarge never taking his from his feasting wife and all the other
|
||
eyes there intent upon the doctor who saw none of them the paper
|
||
was read as follows
|
||
|
||
|
||
|
||
x
|
||
|
||
the substance of the shadow
|
||
|
||
|
||
i alexandre manette unfortunate physician native of beauvais
|
||
and afterwards resident in paris write this melancholy paper in my
|
||
doleful cell in the bastille during the last month of the year
|
||
1767 i write it at stolen intervals under every difficulty
|
||
i design to secrete it in the wall of the chimney where i have
|
||
slowly and laboriously made a place of concealment for it some
|
||
pitying hand may find it there when i and my sorrows are dust
|
||
|
||
these words are formed by the rusty iron point with which i write
|
||
with difficulty in scrapings of soot and charcoal from the chimney
|
||
mixed with blood in the last month of the tenth year of my captivity
|
||
hope has quite departed from my breast i know from terrible
|
||
warnings i have noted in myself that my reason will not long remain
|
||
unimpaired but i solemnly declare that i am at this time in the
|
||
possession of my right mind that my memory is exact and
|
||
circumstantial and that i write the truth as i shall answer for
|
||
these my last recorded words whether they be ever read by men or not
|
||
at the eternal judgment seat
|
||
|
||
one cloudy moonlight night in the third week of december i think
|
||
the twenty second of the month in the year 1757 i was walking on a
|
||
retired part of the quay by the seine for the refreshment of the
|
||
frosty air at an hours distance from my place of residence in the
|
||
street of the school of medicine when a carriage came along behind
|
||
me driven very fast as i stood aside to let that carriage pass
|
||
apprehensive that it might otherwise run me down a head was put out
|
||
at the window and a voice called to the driver to stop
|
||
|
||
the carriage stopped as soon as the driver could rein in his horses
|
||
and the same voice called to me by my name i answered the carriage
|
||
was then so far in advance of me that two gentlemen had time to open
|
||
the door and alight before i came up with it
|
||
|
||
i observed that they were both wrapped in cloaks and appeared to
|
||
conceal themselves as they stood side by side near the carriage
|
||
door i also observed that they both looked of about my own age or
|
||
rather younger and that they were greatly alike in stature manner
|
||
voice and as far as i could see face too
|
||
|
||
`you are doctor manette said one
|
||
|
||
i am
|
||
|
||
`doctor manette formerly of beauvais said the other `the young
|
||
physician originally an expert surgeon who within the last year or
|
||
two has made a rising reputation in paris
|
||
|
||
`gentlemen i returned `i am that doctor manette of whom you speak
|
||
so graciously
|
||
|
||
`we have been to your residence said the first `and not being so
|
||
fortunate as to find you there and being informed that you were
|
||
probably walking in this direction we followed in the hope of
|
||
overtaking you will you please to enter the carriage
|
||
|
||
the manner of both was imperious and they both moved as these
|
||
words were spoken so as to place me between themselves and the
|
||
carriage door they were armed i was not
|
||
|
||
`gentlemen said i `pardon me but i usually inquire who does me
|
||
the honour to seek my assistance and what is the nature of the case
|
||
to which i am summoned
|
||
|
||
the reply to this was made by him who had spoken second
|
||
doctor your clients are people of condition as to the nature of
|
||
the case our confidence in your skill assures us that you will
|
||
ascertain it for yourself better than we can describe it enough
|
||
will you please to enter the carriage
|
||
|
||
i could do nothing but comply and i entered it in silence they
|
||
both entered after me the last springing in after putting up the
|
||
steps the carriage turned about and drove on at its former speed
|
||
|
||
i repeat this conversation exactly as it occurred i have no doubt
|
||
that it is word for word the same i describe everything exactly
|
||
as it took place constraining my mind not to wander from the task
|
||
where i make the broken marks that follow here i leave off for the
|
||
time and put my paper in its hiding place
|
||
|
||
* * *
|
||
|
||
the carriage left the streets behind passed the north barrier and
|
||
emerged upon the country road at two thirds of a league from the
|
||
barrier i did not estimate the distance at that time but afterwards
|
||
when i traversed it it struck out of the main avenue and presently
|
||
stopped at a solitary house we all three alighted and walked by a
|
||
damp soft footpath in a garden where a neglected fountain had
|
||
overflowed to the door of the house it was not opened immediately
|
||
in answer to the ringing of the bell and one of my two conductors
|
||
struck the man who opened it with his heavy riding glove across the
|
||
face
|
||
|
||
there was nothing in this action to attract my particular attention
|
||
for i had seen common people struck more commonly than dogs
|
||
but the other of the two being angry likewise struck the man in
|
||
like manner with his arm the look and bearing of the brothers were
|
||
then so exactly alike that i then first perceived them to be twin
|
||
brothers
|
||
|
||
from the time of our alighting at the outer gate which we found
|
||
locked and which one of the brothers had opened to admit us and had
|
||
relocked i had heard cries proceeding from an upper chamber i was
|
||
conducted to this chamber straight the cries growing louder as we
|
||
ascended the stairs and i found a patient in a high fever of the brain
|
||
lying on a bed
|
||
|
||
the patient was a woman of great beauty and young assuredly not
|
||
much past twenty her hair was torn and ragged and her arms were
|
||
bound to her sides with sashes and handkerchiefs i noticed that
|
||
these bonds were all portions of a gentlemans dress on one of
|
||
them which was a fringed scarf for a dress of ceremony i saw the
|
||
armorial bearings of a noble and the letter e
|
||
|
||
i saw this within the first minute of my contemplation of the
|
||
patient for in her restless strivings she had turned over on her
|
||
face on the edge of the bed had drawn the end of the scarf into her
|
||
mouth and was in danger of suffocation my first act was to put out
|
||
my hand to relieve her breathing and in moving the scarf aside the
|
||
embroidery in the corner caught my sight
|
||
|
||
i turned her gently over placed my hands upon her breast to calm
|
||
her and keep her down and looked into her face her eyes were
|
||
dilated and wild and she constantly uttered piercing shrieks and
|
||
repeated the words `my husband my father and my brother and
|
||
then counted up to twelve and said `hush for an instant and no
|
||
more she would pause to listen and then the piercing shrieks would
|
||
begin again and she would repeat the cry `my husband my father
|
||
and my brother and would count up to twelve and say `hush there
|
||
was no variation in the order or the manner there was no cessation
|
||
but the regular moments pause in the utterance of these sounds
|
||
|
||
`how long i asked `has this lasted
|
||
|
||
to distinguish the brothers i will call them the elder and the
|
||
younger by the elder i mean him who exercised the most authority
|
||
it was the elder who replied `since about this hour last night
|
||
|
||
`she has a husband a father and a brother
|
||
|
||
`a brother
|
||
|
||
`i do not address her brother
|
||
|
||
he answered with great contempt `no
|
||
|
||
`she has some recent association with the number twelve
|
||
|
||
the younger brother impatiently rejoined `with twelve oclock
|
||
|
||
`see gentlemen said i still keeping my hands upon her breast
|
||
how useless i am as you have brought me if i had known what i was
|
||
coming to see i could have come provided as it is time must be
|
||
lost there are no medicines to be obtained in this lonely place
|
||
|
||
the elder brother looked to the younger who said haughtily `there
|
||
is a case of medicines here and brought it from a closet and put
|
||
it on the table
|
||
|
||
* * *
|
||
|
||
i opened some of the bottles smelt them and put the stoppers to my
|
||
lips if i had wanted to use anything save narcotic medicines that
|
||
were poisons in themselves i would not have administered any of those
|
||
|
||
`do you doubt them asked the younger brother
|
||
|
||
`you see monsieur i am going to use them i replied and said no
|
||
more
|
||
|
||
i made the patient swallow with great difficulty and after many
|
||
efforts the dose that i desired to give as i intended to repeat it
|
||
after a while and as it was necessary to watch its influence i then
|
||
sat down by the side of the bed there was a timid and suppressed
|
||
woman in attendance wife of the man down stairs who had retreated
|
||
into a corner the house was damp and decayed indifferently
|
||
furnished evidently recently occupied and temporarily used
|
||
some thick old hangings had been nailed up before the windows to
|
||
deaden the sound of the shrieks they continued to be uttered in
|
||
their regular succession with the cry `my husband my father and
|
||
my brother the counting up to twelve and `hush the frenzy was
|
||
so violent that i had not unfastened the bandages restraining the
|
||
arms but i had looked to them to see that they were not painful
|
||
the only spark of encouragement in the case was that my hand upon
|
||
the sufferers breast had this much soothing influence that for
|
||
minutes at a time it tranquillised the figure it had no effect upon
|
||
the cries no pendulum could be more regular
|
||
|
||
for the reason that my hand had this effect i assume i had sat by
|
||
the side of the bed for half an hour with the two brothers looking
|
||
on before the elder said
|
||
|
||
`there is another patient
|
||
|
||
i was startled and asked `is it a pressing case
|
||
|
||
`you had better see he carelessly answered and took up a light
|
||
|
||
* * *
|
||
|
||
the other patient lay in a back room across a second staircase
|
||
which was a species of loft over a stable there was a low plastered
|
||
ceiling to a part of it the rest was open to the ridge of the tiled
|
||
roof and there were beams across hay and straw were stored in that
|
||
portion of the place fagots for firing and a heap of apples in sand
|
||
i had to pass through that part to get at the other my memory is
|
||
circumstantial and unshaken i try it with these details and i see
|
||
them all in this my cell in the bastille near the close of the
|
||
tenth year of my captivity as i saw them all that night
|
||
|
||
on some hay on the ground with a cushion thrown under his head lay
|
||
a handsome peasant boy a boy of not more than seventeen at the most
|
||
he lay on his back with his teeth set his right hand clenched on
|
||
his breast and his glaring eyes looking straight upward i could
|
||
not see where his wound was as i kneeled on one knee over him
|
||
but i could see that he was dying of a wound from a sharp point
|
||
|
||
`i am a doctor my poor fellow said i `let me examine it
|
||
|
||
`i do not want it examined he answered `let it be
|
||
|
||
it was under his hand and i soothed him to let me move his hand
|
||
away the wound was a sword thrust received from twenty to twenty
|
||
four hours before but no skill could have saved him if it had been
|
||
looked to without delay he was then dying fast as i turned my
|
||
eyes to the elder brother i saw him looking down at this handsome
|
||
boy whose life was ebbing out as if he were a wounded bird or hare
|
||
or rabbit not at all as if he were a fellow creature
|
||
|
||
`how has this been done monsieur said i
|
||
|
||
`a crazed young common dog a serf forced my brother to draw upon him
|
||
and has fallen by my brothers sword like a gentleman
|
||
|
||
there was no touch of pity sorrow or kindred humanity in this
|
||
answer the speaker seemed to acknowledge that it was inconvenient
|
||
to have that different order of creature dying there and that it
|
||
would have been better if he had died in the usual obscure routine of
|
||
his vermin kind he was quite incapable of any compassionate feeling
|
||
about the boy or about his fate
|
||
|
||
the boys eyes had slowly moved to him as he had spoken and they
|
||
now slowly moved to me
|
||
|
||
`doctor they are very proud these nobles but we common dogs are
|
||
proud too sometimes they plunder us outrage us beat us kill us
|
||
but we have a little pride left sometimes she have you seen her
|
||
doctor
|
||
|
||
the shrieks and the cries were audible there though subdued by the
|
||
distance he referred to them as if she were lying in our presence
|
||
|
||
i said `i have seen her
|
||
|
||
`she is my sister doctor they have had their shameful rights
|
||
these nobles in the modesty and virtue of our sisters many years
|
||
but we have had good girls among us i know it and have heard my
|
||
father say so she was a good girl she was betrothed to a good
|
||
young man too a tenant of his we were all tenants of his that mans
|
||
who stands there the other is his brother the worst of a bad race
|
||
|
||
it was with the greatest difficulty that the boy gathered bodily
|
||
force to speak but his spirit spoke with a dreadful emphasis
|
||
|
||
`we were so robbed by that man who stands there as all we common
|
||
dogs are by those superior beings taxed by him without mercy obliged
|
||
to work for him without pay obliged to grind our corn at his mill
|
||
obliged to feed scores of his tame birds on our wretched crops and
|
||
forbidden for our lives to keep a single tame bird of our own
|
||
pillaged and plundered to that degree that when we chanced to have a
|
||
bit of meat we ate it in fear with the door barred and the shutters
|
||
closed that his people should not see it and take it from us i say
|
||
we were so robbed and hunted and were made so poor that our father
|
||
told us it was a dreadful thing to bring a child into the world and
|
||
that what we should most pray for was that our women might be barren
|
||
and our miserable race die out
|
||
|
||
i had never before seen the sense of being oppressed bursting forth
|
||
like a fire i had supposed that it must be latent in the people
|
||
somewhere but i had never seen it break out until i saw it in the
|
||
dying boy
|
||
|
||
`nevertheless doctor my sister married he was ailing at that
|
||
time poor fellow and she married her lover that she might tend and
|
||
comfort him in our cottage our dog hut as that man would call it
|
||
she had not been married many weeks when that mans brother saw her
|
||
and admired her and asked that man to lend her to him for what are
|
||
husbands among us he was willing enough but my sister was good and
|
||
virtuous and hated his brother with a hatred as strong as mine
|
||
what did the two then to persuade her husband to use his influence
|
||
with her to make her willing
|
||
|
||
the boys eyes which had been fixed on mine slowly turned to the
|
||
looker on and i saw in the two faces that all he said was true
|
||
the two opposing kinds of pride confronting one another i can see
|
||
even in this bastille the gentlemans all negligent indifference
|
||
the peasants all trodden down sentiment and passionate revenge
|
||
|
||
`you know doctor that it is among the rights of these nobles to
|
||
harness us common dogs to carts and drive us they so harnessed him
|
||
and drove him you know that it is among their rights to keep us in
|
||
their grounds all night quieting the frogs in order that their
|
||
noble sleep may not be disturbed they kept him out in the unwholesome
|
||
mists at night and ordered him back into his harness in the day
|
||
but he was not persuaded no taken out of harness one day at noon
|
||
to feed if he could find food he sobbed twelve times once for
|
||
every stroke of the bell and died on her bosom
|
||
|
||
nothing human could have held life in the boy but his determination
|
||
to tell all his wrong he forced back the gathering shadows of death
|
||
as he forced his clenched right hand to remain clenched and to cover
|
||
his wound
|
||
|
||
`then with that mans permission and even with his aid his brother
|
||
took her away in spite of what i know she must have told his
|
||
brother and what that is will not be long unknown to you doctor
|
||
if it is now his brother took her away for his pleasure and
|
||
diversion for a little while i saw her pass me on the road
|
||
when i took the tidings home our fathers heart burst he never
|
||
spoke one of the words that filled it i took my young sister for
|
||
i have another to a place beyond the reach of this man and where
|
||
at least she will never be _his_ vassal then i tracked the
|
||
brother here and last night climbed in a common dog but sword in
|
||
hand where is the loft window it was somewhere here
|
||
|
||
the room was darkening to his sight the world was narrowing around
|
||
him i glanced about me and saw that the hay and straw were
|
||
trampled over the floor as if there had been a struggle
|
||
|
||
`she heard me and ran in i told her not to come near us till he
|
||
was dead he came in and first tossed me some pieces of money then
|
||
struck at me with a whip but i though a common dog so struck at
|
||
him as to make him draw let him break into as many pieces as he
|
||
will the sword that he stained with my common blood he drew to
|
||
defend himself thrust at me with all his skill for his life
|
||
|
||
my glance had fallen but a few moments before on the fragments of
|
||
a broken sword lying among the hay that weapon was a gentlemans
|
||
in another place lay an old sword that seemed to have been a soldiers
|
||
|
||
`now lift me up doctor lift me up where is he
|
||
|
||
`he is not here i said supporting the boy and thinking that he
|
||
referred to the brother
|
||
|
||
`he proud as these nobles are he is afraid to see me where is
|
||
the man who was here turn my face to him
|
||
|
||
i did so raising the boys head against my knee but invested for
|
||
the moment with extraordinary power he raised himself completely
|
||
obliging me to rise too or i could not have still supported him
|
||
|
||
`marquis said the boy turned to him with his eyes opened wide
|
||
and his right hand raised `in the days when all these things are to
|
||
be answered for i summon you and yours to the last of your bad race
|
||
to answer for them i mark this cross of blood upon you as a sign
|
||
that i do it in the days when all these things are to be answered
|
||
for i summon your brother the worst of the bad race to answer for
|
||
them separately i mark this cross of blood upon him as a sign that
|
||
i do it
|
||
|
||
twice he put his hand to the wound in his breast and with his
|
||
forefinger drew a cross in the air he stood for an instant with the
|
||
finger yet raised and as it dropped he dropped with it and i laid
|
||
him down dead
|
||
|
||
* * *
|
||
|
||
when i returned to the bedside of the young woman i found her
|
||
raving in precisely the same order of continuity i knew that this
|
||
might last for many hours and that it would probably end in the
|
||
silence of the grave
|
||
|
||
i repeated the medicines i had given her and i sat at the side of
|
||
the bed until the night was far advanced she never abated the
|
||
piercing quality of her shrieks never stumbled in the distinctness
|
||
or the order of her words they were always `my husband my father
|
||
and my brother one two three four five six seven eight nine
|
||
ten eleven twelve hush
|
||
|
||
this lasted twenty six hours from the time when i first saw her i
|
||
had come and gone twice and was again sitting by her when she began
|
||
to falter i did what little could be done to assist that opportunity
|
||
and by and bye she sank into a lethargy and lay like the dead
|
||
|
||
it was as if the wind and rain had lulled at last after a long and
|
||
fearful storm i released her arms and called the woman to assist
|
||
me to compose her figure and the dress she had torn it was then that
|
||
i knew her condition to be that of one in whom the first expectations
|
||
of being a mother have arisen and it was then that i lost the little
|
||
hope i had had of her
|
||
|
||
`is she dead asked the marquis whom i will still describe as the
|
||
elder brother coming booted into the room from his horse
|
||
|
||
`not dead said i `but like to die
|
||
|
||
`what strength there is in these common bodies he said looking
|
||
down at her with some curiosity
|
||
|
||
`there is prodigious strength i answered him `in sorrow and despair
|
||
|
||
he first laughed at my words and then frowned at them he moved a
|
||
chair with his foot near to mine ordered the woman away and said in
|
||
a subdued voice
|
||
|
||
`doctor finding my brother in this difficulty with these hinds
|
||
i recommended that your aid should be invited your reputation is
|
||
high and as a young man with your fortune to make you are probably
|
||
mindful of your interest the things that you see here are things
|
||
to be seen and not spoken of
|
||
|
||
i listened to the patients breathing and avoided answering
|
||
|
||
`do you honour me with your attention doctor
|
||
|
||
`monsieur said i `in my profession the communications of
|
||
patients are always received in confidence i was guarded in my
|
||
answer for i was troubled in my mind with what i had heard and seen
|
||
|
||
her breathing was so difficult to trace that i carefully tried the
|
||
pulse and the heart there was life and no more looking round as
|
||
i resumed my seat i found both the brothers intent upon me
|
||
|
||
* * *
|
||
|
||
i write with so much difficulty the cold is so severe i am so
|
||
fearful of being detected and consigned to an underground cell and
|
||
total darkness that i must abridge this narrative there is no
|
||
confusion or failure in my memory it can recall and could detail
|
||
every word that was ever spoken between me and those brothers
|
||
|
||
she lingered for a week towards the last i could understand some
|
||
few syllables that she said to me by placing my ear close to her lips
|
||
she asked me where she was and i told her who i was and i told her
|
||
it was in vain that i asked her for her family name she faintly
|
||
shook her head upon the pillow and kept her secret as the boy had done
|
||
|
||
i had no opportunity of asking her any question until i had told
|
||
the brothers she was sinking fast and could not live another day
|
||
until then though no one was ever presented to her consciousness
|
||
save the woman and myself one or other of them had always jealously
|
||
sat behind the curtain at the head of the bed when i was there
|
||
but when it came to that they seemed careless what communication i
|
||
might hold with her as if the thought passed through my mind i
|
||
were dying too
|
||
|
||
i always observed that their pride bitterly resented the younger
|
||
brothers as i call him having crossed swords with a peasant and
|
||
that peasant a boy the only consideration that appeared to affect
|
||
the mind of either of them was the consideration that this was highly
|
||
degrading to the family and was ridiculous as often as i caught
|
||
the younger brothers eyes their expression reminded me that he
|
||
disliked me deeply for knowing what i knew from the boy he was
|
||
smoother and more polite to me than the elder but i saw this
|
||
i also saw that i was an incumbrance in the mind of the elder too
|
||
|
||
my patient died two hours before midnight at a time by my watch
|
||
answering almost to the minute when i had first seen her i was
|
||
alone with her when her forlorn young head drooped gently on one
|
||
side and all her earthly wrongs and sorrows ended
|
||
|
||
the brothers were waiting in a room down stairs impatient to ride
|
||
away i had heard them alone at the bedside striking their boots
|
||
with their riding whips and loitering up and down
|
||
|
||
`at last she is dead said the elder when i went in
|
||
|
||
`she is dead said i
|
||
|
||
`i congratulate you my brother were his words as he turned round
|
||
|
||
he had before offered me money which i had postponed taking he
|
||
now gave me a rouleau of gold i took it from his hand but laid it
|
||
on the table i had considered the question and had resolved to
|
||
accept nothing
|
||
|
||
`pray excuse me said i `under the circumstances no
|
||
|
||
they exchanged looks but bent their heads to me as i bent mine to
|
||
them and we parted without another word on either side
|
||
|
||
* * *
|
||
|
||
i am weary weary weary worn down by misery i cannot read what i
|
||
have written with this gaunt hand
|
||
|
||
early in the morning the rouleau of gold was left at my door in a
|
||
little box with my name on the outside from the first i had
|
||
anxiously considered what i ought to do i decided that day to
|
||
write privately to the minister stating the nature of the two cases
|
||
to which i had been summoned and the place to which i had gone in
|
||
effect stating all the circumstances i knew what court influence
|
||
was and what the immunities of the nobles were and i expected that
|
||
the matter would never be heard of but i wished to relieve my own
|
||
mind i had kept the matter a profound secret even from my wife
|
||
and this too i resolved to state in my letter i had no apprehension
|
||
whatever of my real danger but i was conscious that there might be
|
||
danger for others if others were compromised by possessing the
|
||
knowledge that i possessed
|
||
|
||
i was much engaged that day and could not complete my letter that
|
||
night i rose long before my usual time next morning to finish it
|
||
it was the last day of the year the letter was lying before me just
|
||
completed when i was told that a lady waited who wished to see me
|
||
|
||
* * *
|
||
|
||
i am growing more and more unequal to the task i have set myself
|
||
it is so cold so dark my senses are so benumbed and the gloom upon
|
||
me is so dreadful
|
||
|
||
the lady was young engaging and handsome but not marked for long
|
||
life she was in great agitation she presented herself to me as
|
||
the wife of the marquis st evremonde i connected the title by
|
||
which the boy had addressed the elder brother with the initial
|
||
letter embroidered on the scarf and had no difficulty in arriving at
|
||
the conclusion that i had seen that nobleman very lately
|
||
|
||
my memory is still accurate but i cannot write the words of our
|
||
conversation i suspect that i am watched more closely than i was
|
||
and i know not at what times i may be watched she had in part
|
||
suspected and in part discovered the main facts of the cruel story
|
||
of her husbands share in it and my being resorted to she did not
|
||
know that the girl was dead her hope had been she said in great
|
||
distress to show her in secret a womans sympathy her hope had
|
||
been to avert the wrath of heaven from a house that had long been
|
||
hateful to the suffering many
|
||
|
||
she had reasons for believing that there was a young sister living
|
||
and her greatest desire was to help that sister i could tell her
|
||
nothing but that there was such a sister beyond that i knew nothing
|
||
her inducement to come to me relying on my confidence had been the
|
||
hope that i could tell her the name and place of abode whereas
|
||
to this wretched hour i am ignorant of both
|
||
|
||
* * *
|
||
|
||
these scraps of paper fail me one was taken from me with a
|
||
warning yesterday i must finish my record to day
|
||
|
||
she was a good compassionate lady and not happy in her marriage
|
||
how could she be the brother distrusted and disliked her and his
|
||
influence was all opposed to her she stood in dread of him and in
|
||
dread of her husband too when i handed her down to the door there
|
||
was a child a pretty boy from two to three years old in her carriage
|
||
|
||
`for his sake doctor she said pointing to him in tears `i would
|
||
do all i can to make what poor amends i can he will never prosper
|
||
in his inheritance otherwise i have a presentiment that if no other
|
||
innocent atonement is made for this it will one day be required of
|
||
him what i have left to call my own it is little beyond the worth
|
||
of a few jewels i will make it the first charge of his life to
|
||
bestow with the compassion and lamenting of his dead mother on this
|
||
injured family if the sister can be discovered
|
||
|
||
she kissed the boy and said caressing him `it is for thine own
|
||
dear sake thou wilt be faithful little charles the child
|
||
answered her bravely `yes i kissed her hand and she took him in
|
||
her arms and went away caressing him i never saw her more
|
||
|
||
as she had mentioned her husbands name in the faith that i knew it
|
||
i added no mention of it to my letter i sealed my letter and not
|
||
trusting it out of my own hands delivered it myself that day
|
||
|
||
that night the last night of the year towards nine oclock a man
|
||
in a black dress rang at my gate demanded to see me and softly
|
||
followed my servant ernest defarge a youth up stairs when my
|
||
servant came into the room where i sat with my wife o my wife
|
||
beloved of my heart my fair young english wife we saw the man
|
||
who was supposed to be at the gate standing silent behind him
|
||
|
||
an urgent case in the rue st honore he said it would not detain
|
||
me he had a coach in waiting
|
||
|
||
it brought me here it brought me to my grave when i was clear of
|
||
the house a black muffler was drawn tightly over my mouth from
|
||
behind and my arms were pinioned the two brothers crossed the road
|
||
from a dark corner and identified me with a single gesture the
|
||
marquis took from his pocket the letter i had written showed it me
|
||
burnt it in the light of a lantern that was held and extinguished
|
||
the ashes with his foot not a word was spoken i was brought here
|
||
i was brought to my living grave
|
||
|
||
if it had pleased _god_ to put it in the hard heart of either of the
|
||
brothers in all these frightful years to grant me any tidings of my
|
||
dearest wife so much as to let me know by a word whether alive or
|
||
dead i might have thought that he had not quite abandoned them
|
||
but now i believe that the mark of the red cross is fatal to them
|
||
and that they have no part in his mercies and them and their
|
||
descendants to the last of their race i alexandre manette unhappy
|
||
prisoner do this last night of the year 1767 in my unbearable agony
|
||
denounce to the times when all these things shall be answered for
|
||
i denounce them to heaven and to earth
|
||
|
||
a terrible sound arose when the reading of this document was done a
|
||
sound of craving and eagerness that had nothing articulate in it but
|
||
blood the narrative called up the most revengeful passions of the
|
||
time and there was not a head in the nation but must have dropped
|
||
before it
|
||
|
||
little need in presence of that tribunal and that auditory to show
|
||
how the defarges had not made the paper public with the other
|
||
captured bastille memorials borne in procession and had kept it
|
||
biding their time little need to show that this detested family
|
||
name had long been anathematised by saint antoine and was wrought
|
||
into the fatal register the man never trod ground whose virtues and
|
||
services would have sustained him in that place that day against
|
||
such denunciation
|
||
|
||
and all the worse for the doomed man that the denouncer was a
|
||
well known citizen his own attached friend the father of his wife
|
||
one of the frenzied aspirations of the populace was for imitations
|
||
of the questionable public virtues of antiquity and for sacrifices
|
||
and self immolations on the peoples altar therefore when the
|
||
president said else had his own head quivered on his shoulders
|
||
that the good physician of the republic would deserve better still of
|
||
the republic by rooting out an obnoxious family of aristocrats and
|
||
would doubtless feel a sacred glow and joy in making his daughter a
|
||
widow and her child an orphan there was wild excitement patriotic
|
||
fervour not a touch of human sympathy
|
||
|
||
much influence around him has that doctor murmured madame defarge
|
||
smiling to the vengeance save him now my doctor save him
|
||
|
||
at every jurymans vote there was a roar another and another
|
||
roar and roar
|
||
|
||
unanimously voted at heart and by descent an aristocrat an enemy
|
||
of the republic a notorious oppressor of the people back to the
|
||
conciergerie and death within four and twenty hours
|
||
|
||
|
||
|
||
xi
|
||
|
||
dusk
|
||
|
||
|
||
the wretched wife of the innocent man thus doomed to die fell under
|
||
the sentence as if she had been mortally stricken but she uttered
|
||
no sound and so strong was the voice within her representing that
|
||
it was she of all the world who must uphold him in his misery and not
|
||
augment it that it quickly raised her even from that shock
|
||
|
||
the judges having to take part in a public demonstration out of
|
||
doors the tribunal adjourned the quick noise and movement of the
|
||
courts emptying itself by many passages had not ceased when lucie
|
||
stood stretching out her arms towards her husband with nothing in
|
||
her face but love and consolation
|
||
|
||
if i might touch him if i might embrace him once o good citizens
|
||
if you would have so much compassion for us
|
||
|
||
there was but a gaoler left along with two of the four men who had
|
||
taken him last night and barsad the people had all poured out to
|
||
the show in the streets barsad proposed to the rest let her
|
||
embrace him then it is but a moment it was silently acquiesced in
|
||
and they passed her over the seats in the hall to a raised place
|
||
where he by leaning over the dock could fold her in his arms
|
||
|
||
farewell dear darling of my soul my parting blessing on my love
|
||
we shall meet again where the weary are at rest
|
||
|
||
they were her husbands words as he held her to his bosom
|
||
|
||
i can bear it dear charles i am supported from above dont
|
||
suffer for me a parting blessing for our child
|
||
|
||
i send it to her by you i kiss her by you i say farewell to her
|
||
by you
|
||
|
||
my husband no a moment he was tearing himself apart from her
|
||
we shall not be separated long i feel that this will break my heart
|
||
by and bye but i will do my duty while i can and when i leave her
|
||
god will raise up friends for her as he did for me
|
||
|
||
her father had followed her and would have fallen on his knees to
|
||
both of them but that darnay put out a hand and seized him crying
|
||
|
||
no no what have you done what have you done that you should
|
||
kneel to us we know now what a struggle you made of old we know
|
||
now what you underwent when you suspected my descent and when you
|
||
knew it we know now the natural antipathy you strove against and
|
||
conquered for her dear sake we thank you with all our hearts and
|
||
all our love and duty heaven be with you
|
||
|
||
her fathers only answer was to draw his hands through his white hair
|
||
and wring them with a shriek of anguish
|
||
|
||
it could not be otherwise said the prisoner all things have
|
||
worked together as they have fallen out it was the always vain
|
||
endeavour to discharge my poor mothers trust that first brought my
|
||
fatal presence near you good could never come of such evil
|
||
a happier end was not in nature to so unhappy a beginning be comforted
|
||
and forgive me heaven bless you
|
||
|
||
as he was drawn away his wife released him and stood looking after
|
||
him with her hands touching one another in the attitude of prayer
|
||
and with a radiant look upon her face in which there was even a
|
||
comforting smile as he went out at the prisoners door she turned
|
||
laid her head lovingly on her fathers breast tried to speak to him
|
||
and fell at his feet
|
||
|
||
then issuing from the obscure corner from which he had never moved
|
||
sydney carton came and took her up only her father and mr lorry
|
||
were with her his arm trembled as it raised her and supported her head
|
||
yet there was an air about him that was not all of pity that had a flush
|
||
of pride in it
|
||
|
||
shall i take her to a coach i shall never feel her weight
|
||
|
||
he carried her lightly to the door and laid her tenderly down in a
|
||
coach her father and their old friend got into it and he took his
|
||
seat beside the driver
|
||
|
||
when they arrived at the gateway where he had paused in the dark not
|
||
many hours before to picture to himself on which of the rough stones
|
||
of the street her feet had trodden he lifted her again and carried
|
||
her up the staircase to their rooms there he laid her down on a
|
||
couch where her child and miss pross wept over her
|
||
|
||
dont recall her to herself he said softly to the latter she is
|
||
better so dont revive her to consciousness while she only faints
|
||
|
||
oh carton carton dear carton cried little lucie springing up
|
||
and throwing her arms passionately round him in a burst of grief
|
||
now that you have come i think you will do something to help mamma
|
||
something to save papa o look at her dear carton can you of all
|
||
the people who love her bear to see her so
|
||
|
||
he bent over the child and laid her blooming cheek against his face
|
||
he put her gently from him and looked at her unconscious mother
|
||
|
||
before i go he said and paused i may kiss her
|
||
|
||
it was remembered afterwards that when he bent down and touched her
|
||
face with his lips he murmured some words the child who was
|
||
nearest to him told them afterwards and told her grandchildren when
|
||
she was a handsome old lady that she heard him say a life you love
|
||
|
||
when he had gone out into the next room he turned suddenly on
|
||
mr lorry and her father who were following and said to the latter
|
||
|
||
you had great influence but yesterday doctor manette let it at
|
||
least be tried these judges and all the men in power are very
|
||
friendly to you and very recognisant of your services are they not
|
||
|
||
nothing connected with charles was concealed from me i had the
|
||
strongest assurances that i should save him and i did he returned
|
||
the answer in great trouble and very slowly
|
||
|
||
try them again the hours between this and to morrow afternoon are
|
||
few and short but try
|
||
|
||
i intend to try i will not rest a moment
|
||
|
||
thats well i have known such energy as yours do great things
|
||
before now though never he added with a smile and a sigh together
|
||
such great things as this but try of little worth as life is when
|
||
we misuse it it is worth that effort it would cost nothing to lay
|
||
down if it were not
|
||
|
||
i will go said doctor manette to the prosecutor and the president
|
||
straight and i will go to others whom it is better not to name
|
||
i will write too and but stay there is a celebration in the streets
|
||
and no one will be accessible until dark
|
||
|
||
thats true well it is a forlorn hope at the best and not much
|
||
the forlorner for being delayed till dark i should like to know how
|
||
you speed though mind i expect nothing when are you likely to
|
||
have seen these dread powers doctor manette
|
||
|
||
immediately after dark i should hope within an hour or two from this
|
||
|
||
it will be dark soon after four let us stretch the hour or two
|
||
if i go to mr lorrys at nine shall i hear what you have done
|
||
either from our friend or from yourself
|
||
|
||
yes
|
||
|
||
may you prosper
|
||
|
||
mr lorry followed sydney to the outer door and touching him on the
|
||
shoulder as he was going away caused him to turn
|
||
|
||
i have no hope said mr lorry in a low and sorrowful whisper
|
||
|
||
nor have i
|
||
|
||
if any one of these men or all of these men were disposed to spare
|
||
him which is a large supposition for what is his life or any mans
|
||
to them i doubt if they durst spare him after the demonstration in
|
||
the court
|
||
|
||
and so do i i heard the fall of the axe in that sound
|
||
|
||
mr lorry leaned his arm upon the door post and bowed his face upon it
|
||
|
||
dont despond said carton very gently dont grieve
|
||
i encouraged doctor manette in this idea because i felt that it
|
||
might one day be consolatory to her otherwise she might think `his
|
||
life was want only thrown away or wasted and that might trouble her
|
||
|
||
yes yes yes returned mr lorry drying his eyes you are
|
||
right but he will perish there is no real hope
|
||
|
||
yes he will perish there is no real hope echoed carton
|
||
|
||
and walked with a settled step down stairs
|
||
|
||
|
||
|
||
xii
|
||
|
||
darkness
|
||
|
||
|
||
sydney carton paused in the street not quite decided where to go
|
||
at tellsons banking house at nine he said with a musing face
|
||
shall i do well in the mean time to show myself i think so
|
||
it is best that these people should know there is such a man as i
|
||
here it is a sound precaution and may be a necessary preparation
|
||
but care care care let me think it out
|
||
|
||
checking his steps which had begun to tend towards an object he took
|
||
a turn or two in the already darkening street and traced the thought
|
||
in his mind to its possible consequences his first impression was
|
||
confirmed it is best he said finally resolved that these
|
||
people should know there is such a man as i here and he turned his
|
||
face towards saint antoine
|
||
|
||
defarge had described himself that day as the keeper of a wine shop
|
||
in the saint antoine suburb it was not difficult for one who knew
|
||
the city well to find his house without asking any question having
|
||
ascertained its situation carton came out of those closer streets
|
||
again and dined at a place of refreshment and fell sound asleep
|
||
after dinner for the first time in many years he had no strong drink
|
||
since last night he had taken nothing but a little light thin wine
|
||
and last night he had dropped the brandy slowly down on mr lorrys
|
||
hearth like a man who had done with it
|
||
|
||
it was as late as seven oclock when he awoke refreshed and went out
|
||
into the streets again as he passed along towards saint antoine he
|
||
stopped at a shop window where there was a mirror and slightly
|
||
altered the disordered arrangement of his loose cravat and his coat
|
||
collar and his wild hair this done he went on direct to defarges
|
||
and went in
|
||
|
||
there happened to be no customer in the shop but jacques three
|
||
of the restless fingers and the croaking voice this man whom he
|
||
had seen upon the jury stood drinking at the little counter in
|
||
conversation with the defarges man and wife the vengeance assisted
|
||
in the conversation like a regular member of the establishment
|
||
|
||
as carton walked in took his seat and asked in very indifferent
|
||
french for a small measure of wine madame defarge cast a careless
|
||
glance at him and then a keener and then a keener and then
|
||
advanced to him herself and asked him what it was he had ordered
|
||
|
||
he repeated what he had already said
|
||
|
||
english asked madame defarge inquisitively raising her dark eyebrows
|
||
|
||
after looking at her as if the sound of even a single french word
|
||
were slow to express itself to him he answered in his former strong
|
||
foreign accent yes madame yes i am english
|
||
|
||
madame defarge returned to her counter to get the wine and as he
|
||
took up a jacobin journal and feigned to pore over it puzzling out
|
||
its meaning he heard her say i swear to you like evremonde
|
||
|
||
defarge brought him the wine and gave him good evening
|
||
|
||
how
|
||
|
||
good evening
|
||
|
||
oh good evening citizen filling his glass ah and good wine
|
||
i drink to the republic
|
||
|
||
defarge went back to the counter and said certainly a little
|
||
like madame sternly retorted i tell you a good deal like
|
||
jacques three pacifically remarked he is so much in your mind
|
||
see you madame the amiable vengeance added with a laugh yes
|
||
my faith and you are looking forward with so much pleasure to seeing
|
||
him once more to morrow
|
||
|
||
carton followed the lines and words of his paper with a slow
|
||
forefinger and with a studious and absorbed face they were all
|
||
leaning their arms on the counter close together speaking low
|
||
after a silence of a few moments during which they all looked
|
||
towards him without disturbing his outward attention from the jacobin
|
||
editor they resumed their conversation
|
||
|
||
it is true what madame says observed jacques three why stop
|
||
there is great force in that why stop
|
||
|
||
well well reasoned defarge but one must stop somewhere
|
||
after all the question is still where
|
||
|
||
at extermination said madame
|
||
|
||
magnificent croaked jacques three the vengeance also highly
|
||
approved
|
||
|
||
extermination is good doctrine my wife said defarge rather
|
||
troubled in general i say nothing against it but this doctor has
|
||
suffered much you have seen him to day you have observed his face
|
||
when the paper was read
|
||
|
||
i have observed his face repeated madame contemptuously and
|
||
angrily yes i have observed his face i have observed his face
|
||
to be not the face of a true friend of the republic let him take
|
||
care of his face
|
||
|
||
and you have observed my wife said defarge in a deprecatory
|
||
manner the anguish of his daughter which must be a dreadful
|
||
anguish to him
|
||
|
||
i have observed his daughter repeated madame yes i have
|
||
observed his daughter more times than one i have observed her
|
||
to day and i have observed her other days i have observed her
|
||
in the court and i have observed her in the street by the prison
|
||
let me but lift my finger she seemed to raise it the listeners
|
||
eyes were always on his paper and to let it fall with a rattle on
|
||
the ledge before her as if the axe had dropped
|
||
|
||
the citizeness is superb croaked the juryman
|
||
|
||
she is an angel said the vengeance and embraced her
|
||
|
||
as to thee pursued madame implacably addressing her husband
|
||
if it depended on thee which happily it does not thou wouldst
|
||
rescue this man even now
|
||
|
||
no protested defarge not if to lift this glass would do it
|
||
but i would leave the matter there i say stop there
|
||
|
||
see you then jacques said madame defarge wrathfully and see
|
||
you too my little vengeance see you both listen for other crimes
|
||
as tyrants and oppressors i have this race a long time on my register
|
||
doomed to destruction and extermination ask my husband is that so
|
||
|
||
it is so assented defarge without being asked
|
||
|
||
in the beginning of the great days when the bastille falls he
|
||
finds this paper of to day and he brings it home and in the middle
|
||
of the night when this place is clear and shut we read it here on
|
||
this spot by the light of this lamp ask him is that so
|
||
|
||
it is so assented defarge
|
||
|
||
that night i tell him when the paper is read through and the lamp
|
||
is burnt out and the day is gleaming in above those shutters and
|
||
between those iron bars that i have now a secret to communicate
|
||
ask him is that so
|
||
|
||
it is so assented defarge again
|
||
|
||
i communicate to him that secret i smite this bosom with these two
|
||
hands as i smite it now and i tell him `defarge i was brought up
|
||
among the fishermen of the sea shore and that peasant family so
|
||
injured by the two evremonde brothers as that bastille paper describes
|
||
is my family defarge that sister of the mortally wounded boy upon
|
||
the ground was my sister that husband was my sisters husband that
|
||
unborn child was their child that brother was my brother that
|
||
father was my father those dead are my dead and that summons to
|
||
answer for those things descends to me ask him is that so
|
||
|
||
it is so assented defarge once more
|
||
|
||
then tell wind and fire where to stop returned madame but dont
|
||
tell me
|
||
|
||
both her hearers derived a horrible enjoyment from the deadly nature
|
||
of her wrath the listener could feel how white she was without
|
||
seeing her and both highly commended it defarge a weak minority
|
||
interposed a few words for the memory of the compassionate wife of
|
||
the marquis but only elicited from his own wife a repetition of her
|
||
last reply tell the wind and the fire where to stop not me
|
||
|
||
customers entered and the group was broken up the english customer
|
||
paid for what he had had perplexedly counted his change and asked
|
||
as a stranger to be directed towards the national palace
|
||
madame defarge took him to the door and put her arm on his in
|
||
pointing out the road the english customer was not without his
|
||
reflections then that it might be a good deed to seize that arm
|
||
lift it and strike under it sharp and deep
|
||
|
||
but he went his way and was soon swallowed up in the shadow of the
|
||
prison wall at the appointed hour he emerged from it to present
|
||
himself in mr lorrys room again where he found the old gentleman
|
||
walking to and fro in restless anxiety he said he had been with
|
||
lucie until just now and had only left her for a few minutes to
|
||
come and keep his appointment her father had not been seen since
|
||
he quitted the banking house towards four oclock she had some
|
||
faint hopes that his mediation might save charles but they were very
|
||
slight he had been more than five hours gone where could he be
|
||
|
||
mr lorry waited until ten but doctor manette not returning and he
|
||
being unwilling to leave lucie any longer it was arranged that he
|
||
should go back to her and come to the banking house again at midnight
|
||
in the meanwhile carton would wait alone by the fire for the doctor
|
||
|
||
he waited and waited and the clock struck twelve but doctor manette
|
||
did not come back mr lorry returned and found no tidings of him
|
||
and brought none where could he be
|
||
|
||
they were discussing this question and were almost building up some
|
||
weak structure of hope on his prolonged absence when they heard him
|
||
on the stairs the instant he entered the room it was plain that
|
||
all was lost
|
||
|
||
whether he had really been to any one or whether he had been all
|
||
that time traversing the streets was never known as he stood
|
||
staring at them they asked him no question for his face told them
|
||
everything
|
||
|
||
i cannot find it said he and i must have it where is it
|
||
|
||
his head and throat were bare and as he spoke with a helpless look
|
||
straying all around he took his coat off and let it drop on the floor
|
||
|
||
where is my bench i have been looking everywhere for my bench and
|
||
i cant find it what have they done with my work time presses
|
||
i must finish those shoes
|
||
|
||
they looked at one another and their hearts died within them
|
||
|
||
come come said he in a whimpering miserable way let me get
|
||
to work give me my work
|
||
|
||
receiving no answer he tore his hair and beat his feet upon the
|
||
ground like a distracted child
|
||
|
||
dont torture a poor forlorn wretch he implored them with a dreadful
|
||
cry but give me my work what is to become of us if those shoes are
|
||
not done to night
|
||
|
||
lost utterly lost
|
||
|
||
it was so clearly beyond hope to reason with him or try to restore him
|
||
that as if by agreement they each put a hand upon his shoulder
|
||
and soothed him to sit down before the fire with a promise that he
|
||
should have his work presently he sank into the chair and brooded
|
||
over the embers and shed tears as if all that had happened since
|
||
the garret time were a momentary fancy or a dream mr lorry saw him
|
||
shrink into the exact figure that defarge had had in keeping
|
||
|
||
affected and impressed with terror as they both were by this
|
||
spectacle of ruin it was not a time to yield to such emotions
|
||
his lonely daughter bereft of her final hope and reliance appealed
|
||
to them both too strongly again as if by agreement they looked at
|
||
one another with one meaning in their faces
|
||
carton was the first to speak
|
||
|
||
the last chance is gone it was not much yes he had better be
|
||
taken to her but before you go will you for a moment steadily
|
||
attend to me dont ask me why i make the stipulations i am going to
|
||
make and exact the promise i am going to exact i have a reason a
|
||
good one
|
||
|
||
i do not doubt it answered mr lorry say on
|
||
|
||
the figure in the chair between them was all the time monotonously
|
||
rocking itself to and fro and moaning they spoke in such a tone as
|
||
they would have used if they had been watching by a sick bed in the night
|
||
|
||
carton stooped to pick up the coat which lay almost entangling his feet
|
||
as he did so a small case in which the doctor was accustomed to
|
||
carry the lists of his days duties fell lightly on the floor
|
||
carton took it up and there was a folded paper in it we should
|
||
look at this he said mr lorry nodded his consent he opened it
|
||
and exclaimed thank _god_
|
||
|
||
what is it asked mr lorry eagerly
|
||
|
||
a moment let me speak of it in its place first he put his hand
|
||
in his coat and took another paper from it that is the certificate
|
||
which enables me to pass out of this city look at it you see
|
||
sydney carton an englishman
|
||
|
||
mr lorry held it open in his hand gazing in his earnest face
|
||
|
||
keep it for me until to morrow i shall see him to morrow
|
||
you remember and i had better not take it into the prison
|
||
|
||
why not
|
||
|
||
i dont know i prefer not to do so now take this paper that
|
||
doctor manette has carried about him it is a similar certificate
|
||
enabling him and his daughter and her child at any time to pass the
|
||
barrier and the frontier you see
|
||
|
||
yes
|
||
|
||
perhaps he obtained it as his last and utmost precaution against
|
||
evil yesterday when is it dated but no matter dont stay to look
|
||
put it up carefully with mine and your own now observe i never
|
||
doubted until within this hour or two that he had or could have
|
||
such a paper it is good until recalled but it may be soon recalled
|
||
and i have reason to think will be
|
||
|
||
they are not in danger
|
||
|
||
they are in great danger they are in danger of denunciation by
|
||
madame defarge i know it from her own lips i have overheard words
|
||
of that womans to night which have presented their danger to me in
|
||
strong colours i have lost no time and since then i have seen the
|
||
spy he confirms me he knows that a wood sawyer living by the
|
||
prison wall is under the control of the defarges and has been
|
||
rehearsed by madame defarge as to his having seen her he never
|
||
mentioned lucies name making signs and signals to prisoners
|
||
it is easy to foresee that the pretence will be the common one a
|
||
prison plot and that it will involve her life and perhaps her
|
||
childs and perhaps her fathers for both have been seen with her
|
||
at that place dont look so horrified you will save them all
|
||
|
||
heaven grant i may carton but how
|
||
|
||
i am going to tell you how it will depend on you and it could
|
||
depend on no better man this new denunciation will certainly not
|
||
take place until after to morrow probably not until two or three
|
||
days afterwards more probably a week afterwards you know it is a
|
||
capital crime to mourn for or sympathise with a victim of the
|
||
guillotine she and her father would unquestionably be guilty of
|
||
this crime and this woman the inveteracy of whose pursuit cannot
|
||
be described would wait to add that strength to her case and make
|
||
herself doubly sure you follow me
|
||
|
||
so attentively and with so much confidence in what you say that
|
||
for the moment i lose sight touching the back of the doctors
|
||
chair even of this distress
|
||
|
||
you have money and can buy the means of travelling to the seacoast
|
||
as quickly as the journey can be made your preparations have been
|
||
completed for some days to return to england early to morrow have
|
||
your horses ready so that they may be in starting trim at two oclock
|
||
in the afternoon
|
||
|
||
it shall be done
|
||
|
||
his manner was so fervent and inspiring that mr lorry caught the
|
||
flame and was as quick as youth
|
||
|
||
you are a noble heart did i say we could depend upon no better man
|
||
tell her to night what you know of her danger as involving her
|
||
child and her father dwell upon that for she would lay her own
|
||
fair head beside her husbands cheerfully he faltered for an instant
|
||
then went on as before for the sake of her child and her father
|
||
press upon her the necessity of leaving paris with them and you
|
||
at that hour tell her that it was her husbands last arrangement
|
||
tell her that more depends upon it than she dare believe or hope
|
||
you think that her father even in this sad state will submit
|
||
himself to her do you not
|
||
|
||
i am sure of it
|
||
|
||
i thought so quietly and steadily have all these arrangements made
|
||
in the courtyard here even to the taking of your own seat in the
|
||
carriage the moment i come to you take me in and drive away
|
||
|
||
i understand that i wait for you under all circumstances
|
||
|
||
you have my certificate in your hand with the rest you know
|
||
and will reserve my place wait for nothing but to have my place
|
||
occupied and then for england
|
||
|
||
why then said mr lorry grasping his eager but so firm and
|
||
steady hand it does not all depend on one old man but i shall have
|
||
a young and ardent man at my side
|
||
|
||
by the help of heaven you shall promise me solemnly that nothing
|
||
will influence you to alter the course on which we now stand pledged
|
||
to one another
|
||
|
||
nothing carton
|
||
|
||
remember these words to morrow change the course or delay in
|
||
it for any reason and no life can possibly be saved and many
|
||
lives must inevitably be sacrificed
|
||
|
||
i will remember them i hope to do my part faithfully
|
||
|
||
and i hope to do mine now good bye
|
||
|
||
though he said it with a grave smile of earnestness and though he
|
||
even put the old mans hand to his lips he did not part from him
|
||
then he helped him so far to arouse the rocking figure before the
|
||
dying embers as to get a cloak and hat put upon it and to tempt it
|
||
forth to find where the bench and work were hidden that it still
|
||
moaningly besought to have he walked on the other side of it and
|
||
protected it to the courtyard of the house where the afflicted
|
||
heart so happy in the memorable time when he had revealed his own
|
||
desolate heart to it outwatched the awful night he entered the
|
||
courtyard and remained there for a few moments alone looking up at
|
||
the light in the window of her room before he went away he
|
||
breathed a blessing towards it and a farewell
|
||
|
||
|
||
|
||
xiii
|
||
|
||
fifty two
|
||
|
||
|
||
in the black prison of the conciergerie the doomed of the day
|
||
awaited their fate they were in number as the weeks of the year
|
||
fifty two were to roll that afternoon on the life tide of the city to
|
||
the boundless everlasting sea before their cells were quit of them
|
||
new occupants were appointed before their blood ran into the blood
|
||
spilled yesterday the blood that was to mingle with theirs to morrow
|
||
was already set apart
|
||
|
||
two score and twelve were told off from the farmer general of seventy
|
||
whose riches could not buy his life to the seamstress of twenty
|
||
whose poverty and obscurity could not save her physical diseases
|
||
engendered in the vices and neglects of men will seize on victims
|
||
of all degrees and the frightful moral disorder born of unspeakable
|
||
suffering intolerable oppression and heartless indifference
|
||
smote equally without distinction
|
||
|
||
charles darnay alone in a cell had sustained himself with no
|
||
flattering delusion since he came to it from the tribunal in every
|
||
line of the narrative he had heard he had heard his condemnation
|
||
he had fully comprehended that no personal influence could possibly
|
||
save him that he was virtually sentenced by the millions and that
|
||
units could avail him nothing
|
||
|
||
nevertheless it was not easy with the face of his beloved wife
|
||
fresh before him to compose his mind to what it must bear his hold
|
||
on life was strong and it was very very hard to loosen by gradual
|
||
efforts and degrees unclosed a little here it clenched the tighter
|
||
there and when he brought his strength to bear on that hand and it
|
||
yielded this was closed again there was a hurry too in all his
|
||
thoughts a turbulent and heated working of his heart that contended
|
||
against resignation if for a moment he did feel resigned then
|
||
his wife and child who had to live after him seemed to protest and
|
||
to make it a selfish thing
|
||
|
||
but all this was at first before long the consideration that
|
||
there was no disgrace in the fate he must meet and that numbers went
|
||
the same road wrongfully and trod it firmly every day sprang up to
|
||
stimulate him next followed the thought that much of the future
|
||
peace of mind enjoyable by the dear ones depended on his quiet
|
||
fortitude so by degrees he calmed into the better state when he
|
||
could raise his thoughts much higher and draw comfort down
|
||
|
||
before it had set in dark on the night of his condemnation he had
|
||
travelled thus far on his last way being allowed to purchase the
|
||
means of writing and a light he sat down to write until such time
|
||
as the prison lamps should be extinguished
|
||
|
||
he wrote a long letter to lucie showing her that he had known
|
||
nothing of her fathers imprisonment until he had heard of it from
|
||
herself and that he had been as ignorant as she of his fathers and
|
||
uncles responsibility for that misery until the paper had been read
|
||
he had already explained to her that his concealment from herself of
|
||
the name he had relinquished was the one condition fully
|
||
intelligible now that her father had attached to their betrothal
|
||
and was the one promise he had still exacted on the morning of their
|
||
marriage he entreated her for her fathers sake never to seek to
|
||
know whether her father had become oblivious of the existence of the
|
||
paper or had had it recalled to him for the moment or for good
|
||
by the story of the tower on that old sunday under the dear old
|
||
plane tree in the garden if he had preserved any definite remembrance
|
||
of it there could be no doubt that he had supposed it destroyed with
|
||
the bastille when he had found no mention of it among the relics of
|
||
prisoners which the populace had discovered there and which had been
|
||
described to all the world he besought her though he added that he
|
||
knew it was needless to console her father by impressing him
|
||
through every tender means she could think of with the truth that he
|
||
had done nothing for which he could justly reproach himself but had
|
||
uniformly forgotten himself for their joint sakes next to her
|
||
preservation of his own last grateful love and blessing and her
|
||
overcoming of her sorrow to devote herself to their dear child
|
||
he adjured her as they would meet in heaven to comfort her father
|
||
|
||
to her father himself he wrote in the same strain but he told her
|
||
father that he expressly confided his wife and child to his care
|
||
and he told him this very strongly with the hope of rousing him
|
||
from any despondency or dangerous retrospect towards which he foresaw
|
||
he might be tending
|
||
|
||
to mr lorry he commended them all and explained his worldly affairs
|
||
that done with many added sentences of grateful friendship and warm
|
||
attachment all was done he never thought of carton his mind was
|
||
so full of the others that he never once thought of him
|
||
|
||
he had time to finish these letters before the lights were put out
|
||
when he lay down on his straw bed he thought he had done with this world
|
||
|
||
but it beckoned him back in his sleep and showed itself in shining
|
||
forms free and happy back in the old house in soho though it had
|
||
nothing in it like the real house unaccountably released and light
|
||
of heart he was with lucie again and she told him it was all a dream
|
||
and he had never gone away a pause of forgetfulness and then he
|
||
had even suffered and had come back to her dead and at peace and yet
|
||
there was no difference in him another pause of oblivion and he
|
||
awoke in the sombre morning unconscious where he was or what had
|
||
happened until it flashed upon his mind this is the day of my death
|
||
|
||
thus had he come through the hours to the day when the fifty two
|
||
heads were to fall and now while he was composed and hoped that
|
||
he could meet the end with quiet heroism a new action began in his
|
||
waking thoughts which was very difficult to master
|
||
|
||
he had never seen the instrument that was to terminate his life
|
||
how high it was from the ground how many steps it had where he
|
||
would be stood how he would be touched whether the touching hands
|
||
would be dyed red which way his face would be turned whether he
|
||
would be the first or might be the last these and many similar
|
||
questions in nowise directed by his will obtruded themselves over
|
||
and over again countless times neither were they connected with
|
||
fear he was conscious of no fear rather they originated in a
|
||
strange besetting desire to know what to do when the time came
|
||
a desire gigantically disproportionate to the few swift moments to
|
||
which it referred a wondering that was more like the wondering of
|
||
some other spirit within his than his own
|
||
|
||
the hours went on as he walked to and fro and the clocks struck the
|
||
numbers he would never hear again nine gone for ever ten gone for
|
||
ever eleven gone for ever twelve coming on to pass away after a
|
||
hard contest with that eccentric action of thought which had last
|
||
perplexed him he had got the better of it he walked up and down
|
||
softly repeating their names to himself the worst of the strife was
|
||
over he could walk up and down free from distracting fancies
|
||
praying for himself and for them
|
||
|
||
twelve gone for ever
|
||
|
||
he had been apprised that the final hour was three and he knew he
|
||
would be summoned some time earlier inasmuch as the tumbrils jolted
|
||
heavily and slowly through the streets therefore he resolved to keep
|
||
two before his mind as the hour and so to strengthen himself in the
|
||
interval that he might be able after that time to strengthen others
|
||
|
||
walking regularly to and fro with his arms folded on his breast
|
||
a very different man from the prisoner who had walked to and fro at
|
||
la force he heard one struck away from him without surprise
|
||
the hour had measured like most other hours devoutly thankful to
|
||
heaven for his recovered self possession he thought there is but
|
||
another now and turned to walk again
|
||
|
||
footsteps in the stone passage outside the door he stopped
|
||
|
||
the key was put in the lock and turned before the door was opened
|
||
or as it opened a man said in a low voice in english he has never
|
||
seen me here i have kept out of his way go you in alone i wait near
|
||
lose no time
|
||
|
||
the door was quickly opened and closed and there stood before him
|
||
face to face quiet intent upon him with the light of a smile on
|
||
his features and a cautionary finger on his lip sydney carton
|
||
|
||
there was something so bright and remarkable in his look that for
|
||
the first moment the prisoner misdoubted him to be an apparition of
|
||
his own imagining but he spoke and it was his voice he took the
|
||
prisoners hand and it was his real grasp
|
||
|
||
of all the people upon earth you least expected to see me he said
|
||
|
||
i could not believe it to be you i can scarcely believe it now
|
||
you are not the apprehension came suddenly into his mind a prisoner
|
||
|
||
no i am accidentally possessed of a power over one of the keepers
|
||
here and in virtue of it i stand before you i come from her your
|
||
wife dear darnay
|
||
|
||
the prisoner wrung his hand
|
||
|
||
i bring you a request from her
|
||
|
||
what is it
|
||
|
||
a most earnest pressing and emphatic entreaty addressed to you in the
|
||
most pathetic tones of the voice so dear to you that you well remember
|
||
|
||
the prisoner turned his face partly aside
|
||
|
||
you have no time to ask me why i bring it or what it means i have
|
||
no time to tell you you must comply with it take off those boots
|
||
you wear and draw on these of mine
|
||
|
||
there was a chair against the wall of the cell behind the
|
||
prisoner carton pressing forward had already with the speed of
|
||
lightning got him down into it and stood over him barefoot
|
||
|
||
draw on these boots of mine put your hands to them
|
||
put your will to them quick
|
||
|
||
carton there is no escaping from this place it never can be done
|
||
you will only die with me it is madness
|
||
|
||
it would be madness if i asked you to escape but do i when i ask
|
||
you to pass out at that door tell me it is madness and remain here
|
||
change that cravat for this of mine that coat for this of mine
|
||
while you do it let me take this ribbon from your hair and shake
|
||
out your hair like this of mine
|
||
|
||
with wonderful quickness and with a strength both of will and action
|
||
that appeared quite supernatural he forced all these changes upon him
|
||
the prisoner was like a young child in his hands
|
||
|
||
carton dear carton it is madness it cannot be accomplished
|
||
it never can be done it has been attempted and has always failed
|
||
i implore you not to add your death to the bitterness of mine
|
||
|
||
do i ask you my dear darnay to pass the door when i ask that
|
||
refuse there are pen and ink and paper on this table is your hand
|
||
steady enough to write
|
||
|
||
it was when you came in
|
||
|
||
steady it again and write what i shall dictate quick friend quick
|
||
|
||
pressing his hand to his bewildered head darnay sat down at the table
|
||
carton with his right hand in his breast stood close beside him
|
||
|
||
write exactly as i speak
|
||
|
||
to whom do i address it
|
||
|
||
to no one carton still had his hand in his breast
|
||
|
||
do i date it
|
||
|
||
no
|
||
|
||
the prisoner looked up at each question carton standing over him
|
||
with his hand in his breast looked down
|
||
|
||
`if you remember said carton dictating `the words that passed
|
||
between us long ago you will readily comprehend this when you see it
|
||
you do remember them i know it is not in your nature to forget them
|
||
|
||
he was drawing his hand from his breast the prisoner chancing to
|
||
look up in his hurried wonder as he wrote the hand stopped closing
|
||
upon something
|
||
|
||
have you written `forget them carton asked
|
||
|
||
i have is that a weapon in your hand
|
||
|
||
no i am not armed
|
||
|
||
what is it in your hand
|
||
|
||
you shall know directly write on there are but a few words more
|
||
he dictated again `i am thankful that the time has come when i
|
||
can prove them that i do so is no subject for regret or grief
|
||
as he said these words with his eyes fixed on the writer his hand
|
||
slowly and softly moved down close to the writers face
|
||
|
||
the pen dropped from darnays fingers on the table and he looked
|
||
about him vacantly
|
||
|
||
what vapour is that he asked
|
||
|
||
vapour
|
||
|
||
something that crossed me
|
||
|
||
i am conscious of nothing there can be nothing here take up the
|
||
pen and finish hurry hurry
|
||
|
||
as if his memory were impaired or his faculties disordered the
|
||
prisoner made an effort to rally his attention as he looked at
|
||
carton with clouded eyes and with an altered manner of breathing
|
||
carton his hand again in his breast looked steadily at him
|
||
|
||
hurry hurry
|
||
|
||
the prisoner bent over the paper once more
|
||
|
||
`if it had been otherwise cartons hand was again watchfully
|
||
and softly stealing down `i never should have used the longer
|
||
opportunity if it had been otherwise the hand was at the
|
||
prisoners face `i should but have had so much the more to answer
|
||
for if it had been otherwise carton looked at the pen and saw
|
||
it was trailing off into unintelligible signs
|
||
|
||
cartons hand moved back to his breast no more the prisoner sprang
|
||
up with a reproachful look but cartons hand was close and firm at
|
||
his nostrils and cartons left arm caught him round the waist
|
||
for a few seconds he faintly struggled with the man who had come
|
||
to lay down his life for him but within a minute or so he was
|
||
stretched insensible on the ground
|
||
|
||
quickly but with hands as true to the purpose as his heart was
|
||
carton dressed himself in the clothes the prisoner had laid aside
|
||
combed back his hair and tied it with the ribbon the prisoner had
|
||
worn then he softly called enter there come in and the spy
|
||
presented himself
|
||
|
||
you see said carton looking up as he kneeled on one knee beside
|
||
the insensible figure putting the paper in the breast is your
|
||
hazard very great
|
||
|
||
mr carton the spy answered with a timid snap of his fingers
|
||
my hazard is not _that_ in the thick of business here if you are
|
||
true to the whole of your bargain
|
||
|
||
dont fear me i will be true to the death
|
||
|
||
you must be mr carton if the tale of fifty two is to be right
|
||
being made right by you in that dress i shall have no fear
|
||
|
||
have no fear i shall soon be out of the way of harming you and the
|
||
rest will soon be far from here please god now get assistance and
|
||
take me to the coach
|
||
|
||
you said the spy nervously
|
||
|
||
him man with whom i have exchanged you go out at the gate by
|
||
which you brought me in
|
||
|
||
of course
|
||
|
||
i was weak and faint when you brought me in and i am fainter now
|
||
you take me out the parting interview has overpowered me such a
|
||
thing has happened here often and too often your life is in your
|
||
own hands quick call assistance
|
||
|
||
you swear not to betray me said the trembling spy as he paused
|
||
for a last moment
|
||
|
||
man man returned carton stamping his foot have i sworn by no
|
||
solemn vow already to go through with this that you waste the
|
||
precious moments now take him yourself to the courtyard you know of
|
||
place him yourself in the carriage show him yourself to mr lorry
|
||
tell him yourself to give him no restorative but air and to remember
|
||
my words of last night and his promise of last night and drive away
|
||
|
||
the spy withdrew and carton seated himself at the table resting his
|
||
forehead on his hands the spy returned immediately with two men
|
||
|
||
how then said one of them contemplating the fallen figure so
|
||
afflicted to find that his friend has drawn a prize in the lottery of
|
||
sainte guillotine
|
||
|
||
a good patriot said the other could hardly have been more
|
||
afflicted if the aristocrat had drawn a blank
|
||
|
||
they raised the unconscious figure placed it on a litter they had
|
||
brought to the door and bent to carry it away
|
||
|
||
the time is short evremonde said the spy in a warning voice
|
||
|
||
i know it well answered carton be careful of my friend i
|
||
entreat you and leave me
|
||
|
||
come then my children said barsad lift him and come away
|
||
|
||
the door closed and carton was left alone straining his powers of
|
||
listening to the utmost he listened for any sound that might denote
|
||
suspicion or alarm there was none keys turned doors clashed
|
||
footsteps passed along distant passages no cry was raised or hurry
|
||
made that seemed unusual breathing more freely in a little while
|
||
he sat down at the table and listened again until the clock struck two
|
||
|
||
sounds that he was not afraid of for he divined their meaning then
|
||
began to be audible several doors were opened in succession and
|
||
finally his own a gaoler with a list in his hand looked in
|
||
merely saying follow me evremonde and he followed into a large
|
||
dark room at a distance it was a dark winter day and what with
|
||
the shadows within and what with the shadows without he could but
|
||
dimly discern the others who were brought there to have their arms
|
||
bound some were standing some seated some were lamenting and in
|
||
restless motion but these were few the great majority were silent
|
||
and still looking fixedly at the ground
|
||
|
||
as he stood by the wall in a dim corner while some of the fifty two
|
||
were brought in after him one man stopped in passing to embrace
|
||
him as having a knowledge of him it thrilled him with a great
|
||
dread of discovery but the man went on a very few moments after
|
||
that a young woman with a slight girlish form a sweet spare face
|
||
in which there was no vestige of colour and large widely opened
|
||
patient eyes rose from the seat where he had observed her sitting
|
||
and came to speak to him
|
||
|
||
citizen evremonde she said touching him with her cold hand
|
||
i am a poor little seamstress who was with you in la force
|
||
|
||
he murmured for answer true i forget what you were accused of
|
||
|
||
plots though the just heaven knows that i am innocent of any
|
||
is it likely who would think of plotting with a poor little weak
|
||
creature like me
|
||
|
||
the forlorn smile with which she said it so touched him that tears
|
||
started from his eyes
|
||
|
||
i am not afraid to die citizen evremonde but i have done nothing
|
||
i am not unwilling to die if the republic which is to do so much
|
||
good to us poor will profit by my death but i do not know how that
|
||
can be citizen evremonde such a poor weak little creature
|
||
|
||
as the last thing on earth that his heart was to warm and soften to
|
||
it warmed and softened to this pitiable girl
|
||
|
||
i heard you were released citizen evremonde i hoped it was true
|
||
|
||
it was but i was again taken and condemned
|
||
|
||
if i may ride with you citizen evremonde will you let me hold your
|
||
hand i am not afraid but i am little and weak and it will give me
|
||
more courage
|
||
|
||
as the patient eyes were lifted to his face he saw a sudden doubt in
|
||
them and then astonishment he pressed the work worn hunger worn
|
||
young fingers and touched his lips
|
||
|
||
are you dying for him she whispered
|
||
|
||
and his wife and child hush yes
|
||
|
||
o you will let me hold your brave hand stranger
|
||
|
||
hush yes my poor sister to the last
|
||
|
||
* * *
|
||
|
||
the same shadows that are falling on the prison are falling in that
|
||
same hour of the early afternoon on the barrier with the crowd about it
|
||
when a coach going out of paris drives up to be examined
|
||
|
||
who goes here whom have we within papers
|
||
|
||
the papers are handed out and read
|
||
|
||
alexandre manette physician french which is he
|
||
|
||
this is he this helpless inarticulately murmuring wandering old
|
||
man pointed out
|
||
|
||
apparently the citizen doctor is not in his right mind
|
||
the revolution fever will have been too much for him
|
||
|
||
greatly too much for him
|
||
|
||
hah many suffer with it lucie his daughter french which is she
|
||
|
||
this is she
|
||
|
||
apparently it must be lucie the wife of evremonde is it not
|
||
|
||
it is
|
||
|
||
hah evremonde has an assignation elsewhere lucie her child
|
||
english this is she
|
||
|
||
she and no other
|
||
|
||
kiss me child of evremonde now thou hast kissed a good
|
||
republican something new in thy family remember it sydney carton
|
||
advocate english which is he
|
||
|
||
he lies here in this corner of the carriage he too is pointed out
|
||
|
||
apparently the english advocate is in a swoon
|
||
|
||
it is hoped he will recover in the fresher air it is represented
|
||
that he is not in strong health and has separated sadly from a
|
||
friend who is under the displeasure of the republic
|
||
|
||
is that all it is not a great deal that many are under the
|
||
displeasure of the republic and must look out at the little window
|
||
jarvis lorry banker english which is he
|
||
|
||
i am he necessarily being the last
|
||
|
||
it is jarvis lorry who has replied to all the previous questions
|
||
it is jarvis lorry who has alighted and stands with his hand on the
|
||
coach door replying to a group of officials they leisurely walk
|
||
round the carriage and leisurely mount the box to look at what
|
||
little luggage it carries on the roof the country people hanging
|
||
about press nearer to the coach doors and greedily stare in a
|
||
little child carried by its mother has its short arm held out for
|
||
it that it may touch the wife of an aristocrat who has gone to the
|
||
guillotine
|
||
|
||
behold your papers jarvis lorry countersigned
|
||
|
||
one can depart citizen
|
||
|
||
one can depart forward my postilions a good journey
|
||
|
||
i salute you citizens and the first danger passed
|
||
|
||
these are again the words of jarvis lorry as he clasps his hands
|
||
and looks upward there is terror in the carriage there is weeping
|
||
there is the heavy breathing of the insensible traveller
|
||
|
||
are we not going too slowly can they not be induced to go faster
|
||
asks lucie clinging to the old man
|
||
|
||
it would seem like flight my darling i must not urge them too much
|
||
it would rouse suspicion
|
||
|
||
look back look back and see if we are pursued
|
||
|
||
the road is clear my dearest so far we are not pursued
|
||
|
||
houses in twos and threes pass by us solitary farms ruinous
|
||
buildings dye works tanneries and the like open country avenues
|
||
of leafless trees the hard uneven pavement is under us the soft
|
||
deep mud is on either side sometimes we strike into the skirting
|
||
mud to avoid the stones that clatter us and shake us sometimes we
|
||
stick in ruts and sloughs there the agony of our impatience is then
|
||
so great that in our wild alarm and hurry we are for getting out and
|
||
running hiding doing anything but stopping
|
||
|
||
out of the open country in again among ruinous buildings solitary
|
||
farms dye works tanneries and the like cottages in twos and
|
||
threes avenues of leafless trees have these men deceived us and
|
||
taken us back by another road is not this the same place twice over
|
||
thank heaven no a village look back look back and see if we are
|
||
pursued hush the posting house
|
||
|
||
leisurely our four horses are taken out leisurely the coach stands
|
||
in the little street bereft of horses and with no likelihood upon
|
||
it of ever moving again leisurely the new horses come into visible
|
||
existence one by one leisurely the new postilions follow sucking
|
||
and plaiting the lashes of their whips leisurely the old postilions
|
||
count their money make wrong additions and arrive at dissatisfied
|
||
results all the time our overfraught hearts are beating at a rate
|
||
that would far outstrip the fastest gallop of the fastest horses ever
|
||
foaled
|
||
|
||
at length the new postilions are in their saddles and the old are
|
||
left behind we are through the village up the hill and down the
|
||
hill and on the low watery grounds suddenly the postilions
|
||
exchange speech with animated gesticulation and the horses are
|
||
pulled up almost on their haunches we are pursued
|
||
|
||
ho within the carriage there speak then
|
||
|
||
what is it asks mr lorry looking out at window
|
||
|
||
how many did they say
|
||
|
||
i do not understand you
|
||
|
||
at the last post how many to the guillotine to day
|
||
|
||
fifty two
|
||
|
||
i said so a brave number my fellow citizen here would have it
|
||
forty two ten more heads are worth having the guillotine goes
|
||
handsomely i love it hi forward whoop
|
||
|
||
the night comes on dark he moves more he is beginning to revive
|
||
and to speak intelligibly he thinks they are still together he asks
|
||
him by his name what he has in his hand o pity us kind heaven
|
||
and help us look out look out and see if we are pursued
|
||
|
||
the wind is rushing after us and the clouds are flying after us and
|
||
the moon is plunging after us and the whole wild night is in pursuit
|
||
of us but so far we are pursued by nothing else
|
||
|
||
|
||
|
||
xiv
|
||
|
||
the knitting done
|
||
|
||
|
||
in that same juncture of time when the fifty two awaited their fate
|
||
madame defarge held darkly ominous council with the vengeance and
|
||
jacques three of the revolutionary jury not in the wine shop did
|
||
madame defarge confer with these ministers but in the shed of the
|
||
wood sawyer erst a mender of roads the sawyer himself did not
|
||
participate in the conference but abided at a little distance
|
||
like an outer satellite who was not to speak until required or to
|
||
offer an opinion until invited
|
||
|
||
but our defarge said jacques three is undoubtedly a good
|
||
republican eh
|
||
|
||
there is no better the voluble vengeance protested in her shrill
|
||
notes in france
|
||
|
||
peace little vengeance said madame defarge laying her hand with
|
||
a slight frown on her lieutenants lips hear me speak my husband
|
||
fellow citizen is a good republican and a bold man he has deserved
|
||
well of the republic and possesses its confidence but my husband
|
||
has his weaknesses and he is so weak as to relent towards this doctor
|
||
|
||
it is a great pity croaked jacques three dubiously shaking his
|
||
head with his cruel fingers at his hungry mouth it is not quite
|
||
like a good citizen it is a thing to regret
|
||
|
||
see you said madame i care nothing for this doctor i he may
|
||
wear his head or lose it for any interest i have in him it is all
|
||
one to me but the evremonde people are to be exterminated and the
|
||
wife and child must follow the husband and father
|
||
|
||
she has a fine head for it croaked jacques three i have seen
|
||
blue eyes and golden hair there and they looked charming when samson
|
||
held them up ogre that he was he spoke like an epicure
|
||
|
||
madame defarge cast down her eyes and reflected a little
|
||
|
||
the child also observed jacques three with a meditative enjoyment
|
||
of his words has golden hair and blue eyes and we seldom have a
|
||
child there it is a pretty sight
|
||
|
||
in a word said madame defarge coming out of her short abstraction
|
||
i cannot trust my husband in this matter not only do i feel since
|
||
last night that i dare not confide to him the details of my projects
|
||
but also i feel that if i delay there is danger of his giving warning
|
||
and then they might escape
|
||
|
||
that must never be croaked jacques three no one must escape
|
||
we have not half enough as it is we ought to have six score a day
|
||
|
||
in a word madame defarge went on my husband has not my reason
|
||
for pursuing this family to annihilation and i have not his reason
|
||
for regarding this doctor with any sensibility i must act for myself
|
||
therefore come hither little citizen
|
||
|
||
the wood sawyer who held her in the respect and himself in the
|
||
submission of mortal fear advanced with his hand to his red cap
|
||
|
||
touching those signals little citizen said madame defarge
|
||
sternly that she made to the prisoners you are ready to bear
|
||
witness to them this very day
|
||
|
||
ay ay why not cried the sawyer every day in all weathers
|
||
from two to four always signalling sometimes with the little one
|
||
sometimes without i know what i know i have seen with my eyes
|
||
|
||
he made all manner of gestures while he spoke as if in incidental
|
||
imitation of some few of the great diversity of signals that he had
|
||
never seen
|
||
|
||
clearly plots said jacques three transparently
|
||
|
||
there is no doubt of the jury inquired madame defarge letting her
|
||
eyes turn to him with a gloomy smile
|
||
|
||
rely upon the patriotic jury dear citizeness i answer for my
|
||
fellow jurymen
|
||
|
||
now let me see said madame defarge pondering again yet once more
|
||
can i spare this doctor to my husband i have no feeling either way
|
||
can i spare him
|
||
|
||
he would count as one head observed jacques three in a low voice
|
||
we really have not heads enough it would be a pity i think
|
||
|
||
he was signalling with her when i saw her argued madame defarge
|
||
i cannot speak of one without the other and i must not be silent
|
||
and trust the case wholly to him this little citizen here
|
||
for i am not a bad witness
|
||
|
||
the vengeance and jacques three vied with each other in their fervent
|
||
protestations that she was the most admirable and marvellous of
|
||
witnesses the little citizen not to be outdone declared her to be
|
||
a celestial witness
|
||
|
||
he must take his chance said madame defarge no i cannot spare
|
||
him you are engaged at three oclock you are going to see the batch
|
||
of to day executed you
|
||
|
||
the question was addressed to the wood sawyer who hurriedly replied
|
||
in the affirmative seizing the occasion to add that he was the most
|
||
ardent of republicans and that he would be in effect the most
|
||
desolate of republicans if anything prevented him from enjoying the
|
||
pleasure of smoking his afternoon pipe in the contemplation of the
|
||
droll national barber he was so very demonstrative herein that he
|
||
might have been suspected perhaps was by the dark eyes that looked
|
||
contemptuously at him out of madame defarges head of having his small
|
||
individual fears for his own personal safety every hour in the day
|
||
|
||
i said madame am equally engaged at the same place after it is
|
||
over say at eight to night come you to me in saint antoine and we
|
||
will give information against these people at my section
|
||
|
||
the wood sawyer said he would be proud and flattered to attend the
|
||
citizeness the citizeness looking at him he became embarrassed
|
||
evaded her glance as a small dog would have done retreated among
|
||
his wood and hid his confusion over the handle of his saw
|
||
|
||
madame defarge beckoned the juryman and the vengeance a little nearer
|
||
to the door and there expounded her further views to them thus
|
||
|
||
she will now be at home awaiting the moment of his death she will
|
||
be mourning and grieving she will be in a state of mind to impeach
|
||
the justice of the republic she will be full of sympathy with its
|
||
enemies i will go to her
|
||
|
||
what an admirable woman what an adorable woman exclaimed
|
||
jacques three rapturously ah my cherished cried the vengeance
|
||
and embraced her
|
||
|
||
take you my knitting said madame defarge placing it in her
|
||
lieutenants hands and have it ready for me in my usual seat
|
||
keep me my usual chair go you there straight for there will
|
||
probably be a greater concourse than usual to day
|
||
|
||
i willingly obey the orders of my chief said the vengeance with
|
||
alacrity and kissing her cheek you will not be late
|
||
|
||
i shall be there before the commencement
|
||
|
||
and before the tumbrils arrive be sure you are there my soul
|
||
said the vengeance calling after her for she had already turned
|
||
into the street before the tumbrils arrive
|
||
|
||
madame defarge slightly waved her hand to imply that she heard and
|
||
might be relied upon to arrive in good time and so went through the
|
||
mud and round the corner of the prison wall the vengeance and the
|
||
juryman looking after her as she walked away were highly appreciative
|
||
of her fine figure and her superb moral endowments
|
||
|
||
there were many women at that time upon whom the time laid a
|
||
dreadfully disfiguring hand but there was not one among them more
|
||
to be dreaded than this ruthless woman now taking her way along the
|
||
streets of a strong and fearless character of shrewd sense and
|
||
readiness of great determination of that kind of beauty which not
|
||
only seems to impart to its possessor firmness and animosity but to
|
||
strike into others an instinctive recognition of those qualities the
|
||
troubled time would have heaved her up under any circumstances
|
||
but imbued from her childhood with a brooding sense of wrong and an
|
||
inveterate hatred of a class opportunity had developed her into a
|
||
tigress she was absolutely without pity if she had ever had the
|
||
virtue in her it had quite gone out of her
|
||
|
||
it was nothing to her that an innocent man was to die for the sins
|
||
of his forefathers she saw not him but them it was nothing to her
|
||
that his wife was to be made a widow and his daughter an orphan that
|
||
was insufficient punishment because they were her natural enemies
|
||
and her prey and as such had no right to live to appeal to her
|
||
was made hopeless by her having no sense of pity even for herself
|
||
if she had been laid low in the streets in any of the many encounters
|
||
in which she had been engaged she would not have pitied herself
|
||
nor if she had been ordered to the axe to morrow would she have
|
||
gone to it with any softer feeling than a fierce desire to change
|
||
places with the man who sent here there
|
||
|
||
such a heart madame defarge carried under her rough robe carelessly
|
||
worn it was a becoming robe enough in a certain weird way and her
|
||
dark hair looked rich under her coarse red cap lying hidden in her
|
||
bosom was a loaded pistol lying hidden at her waist was a sharpened
|
||
dagger thus accoutred and walking with the confident tread of such
|
||
a character and with the supple freedom of a woman who had habitually
|
||
walked in her girlhood bare foot and bare legged on the brown
|
||
sea sand madame defarge took her way along the streets
|
||
|
||
now when the journey of the travelling coach at that very moment
|
||
waiting for the completion of its load had been planned out last
|
||
night the difficulty of taking miss pross in it had much engaged
|
||
mr lorrys attention it was not merely desirable to avoid
|
||
overloading the coach but it was of the highest importance that the
|
||
time occupied in examining it and its passengers should be reduced
|
||
to the utmost since their escape might depend on the saving of only
|
||
a few seconds here and there finally he had proposed after anxious
|
||
consideration that miss pross and jerry who were at liberty to
|
||
leave the city should leave it at three oclock in the lightest
|
||
wheeled conveyance known to that period unencumbered with luggage
|
||
they would soon overtake the coach and passing it and preceding it
|
||
on the road would order its horses in advance and greatly facilitate
|
||
its progress during the precious hours of the night when delay was
|
||
the most to be dreaded
|
||
|
||
seeing in this arrangement the hope of rendering real service in that
|
||
pressing emergency miss pross hailed it with joy she and jerry had
|
||
beheld the coach start had known who it was that solomon brought
|
||
had passed some ten minutes in tortures of suspense and were now
|
||
concluding their arrangements to follow the coach even as madame
|
||
defarge taking her way through the streets now drew nearer and
|
||
nearer to the else deserted lodging in which they held their consultation
|
||
|
||
now what do you think mr cruncher said miss pross whose
|
||
agitation was so great that she could hardly speak or stand
|
||
or move or live what do you think of our not starting from this
|
||
courtyard another carriage having already gone from here to day
|
||
it might awaken suspicion
|
||
|
||
my opinion miss returned mr cruncher is as youre right
|
||
likewise wot ill stand by you right or wrong
|
||
|
||
i am so distracted with fear and hope for our precious creatures
|
||
said miss pross wildly crying that i am incapable of forming any
|
||
plan are _you_ capable of forming any plan my dear good mr cruncher
|
||
|
||
respectin a future spear o life miss returned mr cruncher
|
||
i hope so respectin any present use o this here blessed old head
|
||
o mine i think not would you do me the favour miss to take
|
||
notice o two promises and wows wot it is my wishes fur to record in
|
||
this here crisis
|
||
|
||
oh for gracious sake cried miss pross still wildly crying
|
||
record them at once and get them out of the way like an excellent man
|
||
|
||
first said mr cruncher who was all in a tremble and who spoke
|
||
with an ashy and solemn visage them poor things well out o this
|
||
never no more will i do it never no more
|
||
|
||
i am quite sure mr cruncher returned miss pross that you never
|
||
will do it again whatever it is and i beg you not to think it
|
||
necessary to mention more particularly what it is
|
||
|
||
no miss returned jerry it shall not be named to you second
|
||
them poor things well out o this and never no more will i interfere
|
||
with mrs crunchers flopping never no more
|
||
|
||
whatever housekeeping arrangement that may be said miss pross
|
||
striving to dry her eyes and compose herself i have no doubt it
|
||
is best that mrs cruncher should have it entirely under her own
|
||
superintendence o my poor darlings
|
||
|
||
i go so far as to say miss moreover proceeded mr cruncher with
|
||
a most alarming tendency to hold forth as from a pulpit and let my
|
||
words be took down and took to mrs cruncher through yourself that
|
||
wot my opinions respectin flopping has undergone a change and that
|
||
wot i only hope with all my heart as mrs cruncher may be a flopping
|
||
at the present time
|
||
|
||
there there there i hope she is my dear man cried the distracted
|
||
miss pross and i hope she finds it answering her expectations
|
||
|
||
forbid it proceeded mr cruncher with additional solemnity
|
||
additional slowness and additional tendency to hold forth and hold
|
||
out as anything wot i have ever said or done should be wisited on
|
||
my earnest wishes for them poor creeturs now forbid it as we shouldnt
|
||
all flop if it was anyways conwenient to get em out o this here
|
||
dismal risk forbid it miss wot i say for _bid_ it this was
|
||
mr crunchers conclusion after a protracted but vain endeavour
|
||
to find a better one
|
||
|
||
and still madame defarge pursuing her way along the streets came
|
||
nearer and nearer
|
||
|
||
if we ever get back to our native land said miss pross you may
|
||
rely upon my telling mrs cruncher as much as i may be able to remember
|
||
and understand of what you have so impressively said and at all
|
||
events you may be sure that i shall bear witness to your being
|
||
thoroughly in earnest at this dreadful time now pray let us think
|
||
my esteemed mr cruncher let us think
|
||
|
||
still madame defarge pursuing her way along the streets came
|
||
nearer and nearer
|
||
|
||
if you were to go before said miss pross and stop the vehicle
|
||
and horses from coming here and were to wait somewhere for me
|
||
wouldnt that be best
|
||
|
||
mr cruncher thought it might be best
|
||
|
||
where could you wait for me asked miss pross
|
||
|
||
mr cruncher was so bewildered that he could think of no locality but
|
||
temple bar alas temple bar was hundreds of miles away and madame
|
||
defarge was drawing very near indeed
|
||
|
||
by the cathedral door said miss pross would it be much out of the
|
||
way to take me in near the great cathedral door between the two towers
|
||
|
||
no miss answered mr cruncher
|
||
|
||
then like the best of men said miss pross go to the posting
|
||
house straight and make that change
|
||
|
||
i am doubtful said mr cruncher hesitating and shaking his head
|
||
about leaving of you you see we dont know what may happen
|
||
|
||
heaven knows we dont returned miss pross but have no fear for
|
||
me take me in at the cathedral at three oclock or as near it as
|
||
you can and i am sure it will be better than our going from here
|
||
i feel certain of it there bless you mr cruncher think not of
|
||
me but of the lives that may depend on both of us
|
||
|
||
this exordium and miss prosss two hands in quite agonised entreaty
|
||
clasping his decided mr cruncher with an encouraging nod or two
|
||
he immediately went out to alter the arrangements and left her by
|
||
herself to follow as she had proposed
|
||
|
||
the having originated a precaution which was already in course of
|
||
execution was a great relief to miss pross the necessity of
|
||
composing her appearance so that it should attract no special notice
|
||
in the streets was another relief she looked at her watch and it
|
||
was twenty minutes past two she had no time to lose but must get
|
||
ready at once
|
||
|
||
afraid in her extreme perturbation of the loneliness of the
|
||
deserted rooms and of half imagined faces peeping from behind every
|
||
open door in them miss pross got a basin of cold water and began
|
||
laving her eyes which were swollen and red haunted by her feverish
|
||
apprehensions she could not bear to have her sight obscured for a
|
||
minute at a time by the dripping water but constantly paused and
|
||
looked round to see that there was no one watching her in one of
|
||
those pauses she recoiled and cried out for she saw a figure
|
||
standing in the room
|
||
|
||
the basin fell to the ground broken and the water flowed to the feet
|
||
of madame defarge by strange stern ways and through much staining
|
||
blood those feet had come to meet that water
|
||
|
||
madame defarge looked coldly at her and said the wife of evremonde
|
||
where is she
|
||
|
||
it flashed upon miss prosss mind that the doors were all standing
|
||
open and would suggest the flight her first act was to shut them
|
||
there were four in the room and she shut them all she then placed
|
||
herself before the door of the chamber which lucie had occupied
|
||
|
||
madame defarges dark eyes followed her through this rapid movement
|
||
and rested on her when it was finished miss pross had nothing
|
||
beautiful about her years had not tamed the wildness or softened
|
||
the grimness of her appearance but she too was a determined woman
|
||
in her different way and she measured madame defarge with her eyes
|
||
every inch
|
||
|
||
you might from your appearance be the wife of lucifer said miss
|
||
pross in her breathing nevertheless you shall not get the better
|
||
of me i am an englishwoman
|
||
|
||
madame defarge looked at her scornfully but still with something of
|
||
miss prosss own perception that they two were at bay she saw a
|
||
tight hard wiry woman before her as mr lorry had seen in the same
|
||
figure a woman with a strong hand in the years gone by she knew
|
||
full well that miss pross was the familys devoted friend miss pross
|
||
knew full well that madame defarge was the familys malevolent enemy
|
||
|
||
on my way yonder said madame defarge with a slight movement of
|
||
her hand towards the fatal spot where they reserve my chair and my
|
||
knitting for me i am come to make my compliments to her in passing
|
||
i wish to see her
|
||
|
||
i know that your intentions are evil said miss pross and you may
|
||
depend upon it ill hold my own against them
|
||
|
||
each spoke in her own language neither understood the others words
|
||
both were very watchful and intent to deduce from look and manner
|
||
what the unintelligible words meant
|
||
|
||
it will do her no good to keep herself concealed from me at this
|
||
moment said madame defarge good patriots will know what that means
|
||
let me see her go tell her that i wish to see her do you hear
|
||
|
||
if those eyes of yours were bed winches returned miss pross and
|
||
i was an english four poster they shouldnt loose a splinter of me
|
||
no you wicked foreign woman i am your match
|
||
|
||
madame defarge was not likely to follow these idiomatic remarks in
|
||
detail but she so far understood them as to perceive that she was
|
||
set at naught
|
||
|
||
woman imbecile and pig like said madame defarge frowning
|
||
i take no answer from you i demand to see her either tell her
|
||
that i demand to see her or stand out of the way of the door and let
|
||
me go to her this with an angry explanatory wave of her right arm
|
||
|
||
i little thought said miss pross that i should ever want to
|
||
understand your nonsensical language but i would give all i have
|
||
except the clothes i wear to know whether you suspect the truth or
|
||
any part of it
|
||
|
||
neither of them for a single moment released the others eyes
|
||
madame defarge had not moved from the spot where she stood when miss
|
||
pross first became aware of her but she now advanced one step
|
||
|
||
i am a briton said miss pross i am desperate i dont care an
|
||
english twopence for myself i know that the longer i keep you here
|
||
the greater hope there is for my ladybird ill not leave a handful
|
||
of that dark hair upon your head if you lay a finger on me
|
||
|
||
thus miss pross with a shake of her head and a flash of her eyes
|
||
between every rapid sentence and every rapid sentence a whole breath
|
||
thus miss pross who had never struck a blow in her life
|
||
|
||
but her courage was of that emotional nature that it brought the
|
||
irrepressible tears into her eyes this was a courage that madame
|
||
defarge so little comprehended as to mistake for weakness ha ha
|
||
she laughed you poor wretch what are you worth i address myself
|
||
to that doctor then she raised her voice and called out citizen
|
||
doctor wife of evremonde child of evremonde any person but this
|
||
miserable fool answer the citizeness defarge
|
||
|
||
perhaps the following silence perhaps some latent disclosure in the
|
||
expression of miss prosss face perhaps a sudden misgiving apart from
|
||
either suggestion whispered to madame defarge that they were gone
|
||
three of the doors she opened swiftly and looked in
|
||
|
||
those rooms are all in disorder there has been hurried packing
|
||
there are odds and ends upon the ground there is no one in that
|
||
room behind you let me look
|
||
|
||
never said miss pross who understood the request as perfectly as
|
||
madame defarge understood the answer
|
||
|
||
if they are not in that room they are gone and can be pursued and
|
||
brought back said madame defarge to herself
|
||
|
||
as long as you dont know whether they are in that room or not you
|
||
are uncertain what to do said miss pross to herself and you shall
|
||
not know that if i can prevent your knowing it and know that or
|
||
not know that you shall not leave here while i can hold you
|
||
|
||
i have been in the streets from the first nothing has stopped me
|
||
i will tear you to pieces but i will have you from that door said
|
||
madame defarge
|
||
|
||
we are alone at the top of a high house in a solitary courtyard
|
||
we are not likely to be heard and i pray for bodily strength to keep
|
||
you here while every minute you are here is worth a hundred thousand
|
||
guineas to my darling said miss pross
|
||
|
||
madame defarge made at the door miss pross on the instinct of the
|
||
moment seized her round the waist in both her arms and held her
|
||
tight it was in vain for madame defarge to struggle and to strike
|
||
miss pross with the vigorous tenacity of love always so much
|
||
stronger than hate clasped her tight and even lifted her from the
|
||
floor in the struggle that they had the two hands of madame defarge
|
||
buffeted and tore her face but miss pross with her head down held
|
||
her round the waist and clung to her with more than the hold of a
|
||
drowning woman
|
||
|
||
soon madame defarges hands ceased to strike and felt at her
|
||
encircled waist it is under my arm said miss pross in smothered
|
||
tones you shall not draw it i am stronger than you i bless
|
||
heaven for it i hold you till one or other of us faints or dies
|
||
|
||
madame defarges hands were at her bosom miss pross looked up saw
|
||
what it was struck at it struck out a flash and a crash and stood
|
||
alone blinded with smoke
|
||
|
||
all this was in a second as the smoke cleared leaving an awful
|
||
stillness it passed out on the air like the soul of the furious
|
||
woman whose body lay lifeless on the ground
|
||
|
||
in the first fright and horror of her situation miss pross passed
|
||
the body as far from it as she could and ran down the stairs to call
|
||
for fruitless help happily she bethought herself of the
|
||
consequences of what she did in time to check herself and go back
|
||
it was dreadful to go in at the door again but she did go in and
|
||
even went near it to get the bonnet and other things that she must
|
||
wear these she put on out on the staircase first shutting and
|
||
locking the door and taking away the key she then sat down on the
|
||
stairs a few moments to breathe and to cry and then got up and
|
||
hurried away
|
||
|
||
by good fortune she had a veil on her bonnet or she could hardly
|
||
have gone along the streets without being stopped by good fortune
|
||
too she was naturally so peculiar in appearance as not to show
|
||
disfigurement like any other woman she needed both advantages for
|
||
the marks of gripping fingers were deep in her face and her hair was
|
||
torn and her dress hastily composed with unsteady hands was
|
||
clutched and dragged a hundred ways
|
||
|
||
in crossing the bridge she dropped the door key in the river
|
||
arriving at the cathedral some few minutes before her escort and
|
||
waiting there she thought what if the key were already taken in a
|
||
net what if it were identified what if the door were opened and the
|
||
remains discovered what if she were stopped at the gate sent to
|
||
prison and charged with murder in the midst of these fluttering
|
||
thoughts the escort appeared took her in and took her away
|
||
|
||
is there any noise in the streets she asked him
|
||
|
||
the usual noises mr cruncher replied and looked surprised by the
|
||
question and by her aspect
|
||
|
||
i dont hear you said miss pross what do you say
|
||
|
||
it was in vain for mr cruncher to repeat what he said miss pross
|
||
could not hear him so ill nod my head thought mr cruncher
|
||
amazed at all events shell see that and she did
|
||
|
||
is there any noise in the streets now asked miss pross again
|
||
presently
|
||
|
||
again mr cruncher nodded his head
|
||
|
||
i dont hear it
|
||
|
||
gone deaf in an hour said mr cruncher ruminating with his mind
|
||
much disturbed wots come to her
|
||
|
||
i feel said miss pross as if there had been a flash and a crash
|
||
and that crash was the last thing i should ever hear in this life
|
||
|
||
blest if she aint in a queer condition said mr cruncher more
|
||
and more disturbed wot can she have been a takin to keep her
|
||
courage up hark theres the roll of them dreadful carts you can
|
||
hear that miss
|
||
|
||
i can hear said miss pross seeing that he spoke to her
|
||
nothing o my good man there was first a great crash and then a
|
||
great stillness and that stillness seems to be fixed and
|
||
unchangeable never to be broken any more as long as my life lasts
|
||
|
||
if she dont hear the roll of those dreadful carts now very nigh
|
||
their journeys end said mr cruncher glancing over his shoulder
|
||
its my opinion that indeed she never will hear anything else in
|
||
this world
|
||
|
||
and indeed she never did
|
||
|
||
|
||
|
||
xv
|
||
|
||
the footsteps die out for ever
|
||
|
||
|
||
along the paris streets the death carts rumble hollow and harsh
|
||
six tumbrils carry the days wine to la guillotine all the
|
||
devouring and insatiate monsters imagined since imagination could
|
||
record itself are fused in the one realisation guillotine and yet
|
||
there is not in france with its rich variety of soil and climate
|
||
a blade a leaf a root a sprig a peppercorn which will grow to
|
||
maturity under conditions more certain than those that have produced
|
||
this horror crush humanity out of shape once more under similar
|
||
hammers and it will twist itself into the same tortured forms
|
||
sow the same seed of rapacious license and oppression over again
|
||
and it will surely yield the same fruit according to its kind
|
||
|
||
six tumbrils roll along the streets change these back again to what
|
||
they were thou powerful enchanter time and they shall be seen to
|
||
be the carriages of absolute monarchs the equipages of feudal nobles
|
||
the toilettes of flaring jezebels the churches that are not my
|
||
fathers house but dens of thieves the huts of millions of starving
|
||
peasants no the great magician who majestically works out the
|
||
appointed order of the creator never reverses his transformations
|
||
if thou be changed into this shape by the will of god say the
|
||
seers to the enchanted in the wise arabian stories then remain so
|
||
but if thou wear this form through mere passing conjuration then resume
|
||
thy former aspect changeless and hopeless the tumbrils roll along
|
||
|
||
as the sombre wheels of the six carts go round they seem to plough
|
||
up a long crooked furrow among the populace in the streets ridges
|
||
of faces are thrown to this side and to that and the ploughs go
|
||
steadily onward so used are the regular inhabitants of the houses
|
||
to the spectacle that in many windows there are no people
|
||
and in some the occupation of the hands is not so much as suspended
|
||
while the eyes survey the faces in the tumbrils here and there
|
||
the inmate has visitors to see the sight then he points his finger
|
||
with something of the complacency of a curator or authorised exponent
|
||
to this cart and to this and seems to tell who sat here yesterday
|
||
and who there the day before
|
||
|
||
of the riders in the tumbrils some observe these things and all
|
||
things on their last roadside with an impassive stare others with
|
||
a lingering interest in the ways of life and men some seated with
|
||
drooping heads are sunk in silent despair again there are some so
|
||
heedful of their looks that they cast upon the multitude such glances
|
||
as they have seen in theatres and in pictures several close their
|
||
eyes and think or try to get their straying thoughts together
|
||
only one and he a miserable creature of a crazed aspect is so
|
||
shattered and made drunk by horror that he sings and tries to
|
||
dance not one of the whole number appeals by look or gesture to
|
||
the pity of the people
|
||
|
||
there is a guard of sundry horsemen riding abreast of the tumbrils
|
||
and faces are often turned up to some of them and they are asked
|
||
some question it would seem to be always the same question for
|
||
it is always followed by a press of people towards the third cart
|
||
the horsemen abreast of that cart frequently point out one man in it
|
||
with their swords the leading curiosity is to know which is he
|
||
he stands at the back of the tumbril with his head bent down
|
||
to converse with a mere girl who sits on the side of the cart
|
||
and holds his hand he has no curiosity or care for the scene about him
|
||
and always speaks to the girl here and there in the long street
|
||
of st honore cries are raised against him if they move him at all
|
||
it is only to a quiet smile as he shakes his hair a little more
|
||
loosely about his face he cannot easily touch his face his arms
|
||
being bound
|
||
|
||
on the steps of a church awaiting the coming up of the tumbrils
|
||
stands the spy and prison sheep he looks into the first of them
|
||
not there he looks into the second not there he already asks
|
||
himself has he sacrificed me when his face clears as he looks
|
||
into the third
|
||
|
||
which is evremonde says a man behind him
|
||
|
||
that at the back there
|
||
|
||
with his hand in the girls
|
||
|
||
yes
|
||
|
||
the man cries down evremonde to the guillotine all aristocrats
|
||
down evremonde
|
||
|
||
hush hush the spy entreats him timidly
|
||
|
||
and why not citizen
|
||
|
||
he is going to pay the forfeit it will be paid in five minutes more
|
||
let him be at peace
|
||
|
||
but the man continuing to exclaim down evremonde the face of
|
||
evremonde is for a moment turned towards him evremonde then sees
|
||
the spy and looks attentively at him and goes his way
|
||
|
||
the clocks are on the stroke of three and the furrow ploughed among
|
||
the populace is turning round to come on into the place of execution
|
||
and end the ridges thrown to this side and to that now crumble in
|
||
and close behind the last plough as it passes on for all are following
|
||
to the guillotine in front of it seated in chairs as in a garden
|
||
of public diversion are a number of women busily knitting on one
|
||
of the fore most chairs stands the vengeance looking about for her
|
||
friend
|
||
|
||
therese she cries in her shrill tones who has seen her
|
||
therese defarge
|
||
|
||
she never missed before says a knitting woman of the sisterhood
|
||
|
||
no nor will she miss now cries the vengeance petulantly
|
||
therese
|
||
|
||
louder the woman recommends
|
||
|
||
ay louder vengeance much louder and still she will scarcely hear
|
||
thee louder yet vengeance with a little oath or so added and yet
|
||
it will hardly bring her send other women up and down to seek her
|
||
lingering somewhere and yet although the messengers have done dread
|
||
deeds it is questionable whether of their own wills they will go far
|
||
enough to find her
|
||
|
||
bad fortune cries the vengeance stamping her foot in the chair
|
||
and here are the tumbrils and evremonde will be despatched in a
|
||
wink and she not here see her knitting in my hand and her empty
|
||
chair ready for her i cry with vexation and disappointment
|
||
|
||
as the vengeance descends from her elevation to do it the tumbrils
|
||
begin to discharge their loads the ministers of sainte guillotine
|
||
are robed and ready crash a head is held up and the knitting
|
||
women who scarcely lifted their eyes to look at it a moment ago when
|
||
it could think and speak count one
|
||
|
||
the second tumbril empties and moves on the third comes up crash
|
||
and the knitting women never faltering or pausing in their work
|
||
count two
|
||
|
||
the supposed evremonde descends and the seamstress is lifted out
|
||
next after him he has not relinquished her patient hand in getting
|
||
out but still holds it as he promised he gently places her with
|
||
her back to the crashing engine that constantly whirrs up and falls
|
||
and she looks into his face and thanks him
|
||
|
||
but for you dear stranger i should not be so composed for i am
|
||
naturally a poor little thing faint of heart nor should i have been
|
||
able to raise my thoughts to him who was put to death that we might
|
||
have hope and comfort here to day i think you were sent to me by heaven
|
||
|
||
or you to me says sydney carton keep your eyes upon me dear child
|
||
and mind no other object
|
||
|
||
i mind nothing while i hold your hand i shall mind nothing when
|
||
i let it go if they are rapid
|
||
|
||
they will be rapid fear not
|
||
|
||
the two stand in the fast thinning throng of victims but they speak
|
||
as if they were alone eye to eye voice to voice hand to hand
|
||
heart to heart these two children of the universal mother else so
|
||
wide apart and differing have come together on the dark highway
|
||
to repair home together and to rest in her bosom
|
||
|
||
brave and generous friend will you let me ask you one last
|
||
question i am very ignorant and it troubles me just a little
|
||
|
||
tell me what it is
|
||
|
||
i have a cousin an only relative and an orphan like myself whom i
|
||
love very dearly she is five years younger than i and she lives in
|
||
a farmers house in the south country poverty parted us and she
|
||
knows nothing of my fate for i cannot write and if i could how
|
||
should i tell her it is better as it is
|
||
|
||
yes yes better as it is
|
||
|
||
what i have been thinking as we came along and what i am still
|
||
thinking now as i look into your kind strong face which gives me so
|
||
much support is this if the republic really does good to the poor
|
||
and they come to be less hungry and in all ways to suffer less she
|
||
may live a long time she may even live to be old
|
||
|
||
what then my gentle sister
|
||
|
||
do you think the uncomplaining eyes in which there is so much
|
||
endurance fill with tears and the lips part a little more and
|
||
tremble that it will seem long to me while i wait for her in the
|
||
better land where i trust both you and i will be mercifully sheltered
|
||
|
||
it cannot be my child there is no time there and no trouble
|
||
there
|
||
|
||
you comfort me so much i am so ignorant am i to kiss you now
|
||
is the moment come
|
||
|
||
yes
|
||
|
||
she kisses his lips he kisses hers they solemnly bless each other
|
||
the spare hand does not tremble as he releases it nothing worse than
|
||
a sweet bright constancy is in the patient face she goes next
|
||
before him is gone the knitting women count twenty two
|
||
|
||
i am the resurrection and the life saith the lord
|
||
he that believeth in me though he were dead yet shall he live
|
||
and whosoever liveth and believeth in me shall never die
|
||
|
||
the murmuring of many voices the upturning of many faces
|
||
the pressing on of many footsteps in the outskirts of the crowd
|
||
so that it swells forward in a mass like one great heave of water
|
||
all flashes away twenty three
|
||
|
||
* * *
|
||
|
||
they said of him about the city that night that it was the
|
||
peacefullest mans face ever beheld there many added that he looked
|
||
sublime and prophetic
|
||
|
||
one of the most remarkable sufferers by the same axe a woman had
|
||
asked at the foot of the same scaffold not long before to be
|
||
allowed to write down the thoughts that were inspiring her if he
|
||
had given any utterance to his and they were prophetic they would
|
||
have been these
|
||
|
||
i see barsad and cly defarge the vengeance the juryman the
|
||
judge long ranks of the new oppressors who have risen on the
|
||
destruction of the old perishing by this retributive instrument
|
||
before it shall cease out of its present use i see a beautiful city
|
||
and a brilliant people rising from this abyss and in their struggles
|
||
to be truly free in their triumphs and defeats through long years
|
||
to come i see the evil of this time and of the previous time of
|
||
which this is the natural birth gradually making expiation for
|
||
itself and wearing out
|
||
|
||
i see the lives for which i lay down my life peaceful useful
|
||
prosperous and happy in that england which i shall see no more
|
||
i see her with a child upon her bosom who bears my name i see her
|
||
father aged and bent but otherwise restored and faithful to all
|
||
men in his healing office and at peace i see the good old man so
|
||
long their friend in ten years time enriching them with all he has
|
||
and passing tranquilly to his reward
|
||
|
||
i see that i hold a sanctuary in their hearts and in the hearts of
|
||
their descendants generations hence i see her an old woman
|
||
weeping for me on the anniversary of this day i see her and her
|
||
husband their course done lying side by side in their last earthly
|
||
bed and i know that each was not more honoured and held sacred in
|
||
the others soul than i was in the souls of both
|
||
|
||
i see that child who lay upon her bosom and who bore my name a man
|
||
winning his way up in that path of life which once was mine i see
|
||
him winning it so well that my name is made illustrious there by the
|
||
light of his i see the blots i threw upon it faded away i see
|
||
him fore most of just judges and honoured men bringing a boy of my
|
||
name with a forehead that i know and golden hair to this place
|
||
then fair to look upon with not a trace of this days disfigurement
|
||
and i hear him tell the child my story with a tender and a faltering
|
||
voice
|
||
|
||
it is a far far better thing that i do than i have ever done
|
||
it is a far far better rest that i go to than i have ever known
|
||
|